The Apocalypse of Abraham the Apocalypse of Abraham
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Michael Defeats the Dragon
THE REVELATION OF JOHN Bible Study 31 Study by Lorin L Cranford Text: Rev. 12:7-12 All rights reserved © QUICK LINKS 1. What the text meant. Exegesis of the Text: Historical Aspects: A. War between Michael and Satan, vv. 7-9 External History B. Declaration of victory, vv. 10-12 Internal History Literary Aspects: Genre 2. What the text means. Literary Setting Literary Structure Michael Defeats the Dragon Greek NT Gute Nachricht Bibel NRSV NLT 7 Καὶ ἐγένετο πόλεμος ἐν 7 Dann brach im Himmel 7 And war broke out in 7 Then there was war τῷ οὐρανῷ, ὁ Μιχαὴλ καὶ οἱ ein Krieg aus. Michael mit heaven; Michael and his an- in heaven. Michael and the ἄγγελοι αὐτοῦ τοῦ πολεμῆσαι seinen Engeln kämpfte gegen gels fought against the drag- angels under his command μετὰ τοῦ δράκοντος. καὶ ὁ den Drachen. Der Drache mit on. The dragon and his angels fought the dragon and his δράκων ἐπολέμησεν καὶ οἱ seinen Engeln wehrte sich; 8 fought back, 8 but they were angels. 8 And the dragon ἄγγελοι αὐτοῦ, 8 καὶ οὐκ aber er konnte nicht stand- defeated, and there was no lost the battle and was forced ἴσχυσεν οὐδὲ τόπος εὑρέθη halten. Samt seinen Engeln longer any place for them in out of heaven. 9 This great αὐτῶν ἔτι ἐν τῷ οὐρανῷ. musste er seinen Platz im heaven. 9 The great dragon dragon -- the ancient serpent 9 καὶ ἐβλήθη ὁ δράκων ὁ Himmel räumen. 9 Der große was thrown down, that ancient called the Devil, or Satan, μέγας, ὁ ὄφις ὁ ἀρχαῖος, ὁ Drache wurde hinunterg- serpent, who is called the the one deceiving the whole καλούμενος Διάβολος καὶ estürzt! Er ist die alte Sch- Devil and Satan, the deceiver world -- was thrown down to ὁ Σατανᾶς, ὁ πλανῶν τὴν lange, die auch Teufel oder of the whole world—he was the earth with all his angels. -
The Birth of John the Baptist and the Gospel to the Gentiles
Andrm University Semiwry Studies, Autumn 1993, Vd. 31, No. 3,195-197 Copyright Q 1993 by Andrews University Press. THE BIRTH OF JOHN THE BAPTIST AND THE GOSPEL TO THE GENTILES JAMESE. MILLER Madison, WI 53713 It is commonly accepted that the birth narratives in Luke supply an "Old Testament" prologue to the life and sayings of Jesus.' Zechariah, Elizabeth, Simeon, and Anna act as prophets of the coming Messiah and of the transformations he would make in salvation history. John appears in the role of a priest who would anoint the new Messiah and king? ~lthou~hthe narrative of John's miraculous birth has been recognized as a forerunner of the miracle story of Jesus' birth,) another function of the story bears investigation. John's birth narrative sets the stage for Luke's larger narrative goal, realized in Acts: the emergence of the gospel from the Jewish community to the Gentile world. In Luke's narrative, baptism becomes the new sign of the Christian church once the Jewish hegemony of blood lines is broken. The contribution of the story of John's birth to this larger narrative is the subject of this note. In Acts 10 and 11 the issue is whether the uncircumcised may receive baptism and become part of the Christian community without first becoming proper Jews. The answer is presented in 10:45-48 by a heavenly sign; the uncircumcised may indeed be baptized and received into the community. The decision is confirmed by the church authorities in Jerusalem in 11:17-18. Key terms in these chapters are the words Gentiles, circumcision and 'Raymond E. -
Lithuanian Religious and Ceremonial Terms of Semitic Origin: the Phenomenon of Azazel
Etnolingwistyka 29 Lublin 2017 I. Rozprawy i analizy DOI: 10.17951/et.2017.29.257 Rolandas K r e g ž d y s (Vilnius, Lithuanian Culture Research Institute) Lithuanian religious and ceremonial terms of semitic origin: the phenomenon of Azazel The article deals with the so-called phenomenon of Azazel, i.e. the scape- goat icon, examples of which can be found in the Dictionary of the Lithuanian Language and in dialectal sources. Its relics are also traced in three-day Shro- vetide rites before the Lenten fast, which begins on Ash Wednesday (Shrove Tuesday in Lithuania), and in the Easter feast from Piev˙enaiin Samogitia (the histrionic so-called “Easter Jews” vigil on the night before Easter). Using different methods of investigating cultural realia, i.e. cross-cultural comparison and linguistic analysis (based on the inner and external reconstruction (or historical) methodology), two main types of religious terms of Semitic origin registered in the Dictionary of the Lithuanian Language and dialectal sources are identified: (i) Hebraisms with neutral or hereditary connotation; and (ii) pejoratives or semantically modified words with an anti-Semitic background. The paper also explains the origin of the xenophobic elements of the Easter feast, the way it has been celebrated in Piev˙enaiuntil today. Key words: Azazel/scapegoat phenomenon; religious terms; ceremonial terms; Hebraism; pejorative; semantically modified words Introduction: a short prehistory of the origin and purport of the scapegoat or Azazel icon The mythonym of Azazel or Hazazel (Azael, Azozel)1 is traditionally explained as an appellative of one of the chiefs of the 200 fallen angels 1 The exact meaning of the proper name is ambiguous: 1. -
The City: the New Jerusalem
Chapter 1 The City: The New Jerusalem “I saw the holy city, the New Jerusalem” (Revelation 21:2). These words from the final book of the Bible set out a vision of heaven that has captivated the Christian imagina- tion. To speak of heaven is to affirm that the human long- ing to see God will one day be fulfilled – that we shall finally be able to gaze upon the face of what Christianity affirms to be the most wondrous sight anyone can hope to behold. One of Israel’s greatest Psalms asks to be granted the privilege of being able to gaze upon “the beauty of the Lord” in the land of the living (Psalm 27:4) – to be able to catch a glimpse of the face of God in the midst of the ambiguities and sorrows of this life. We see God but dimly in this life; yet, as Paul argued in his first letter to the Corinthian Christians, we shall one day see God “face to face” (1 Corinthians 13:12). To see God; to see heaven. From a Christian perspective, the horizons defined by the parameters of our human ex- istence merely limit what we can see; they do not define what there is to be seen. Imprisoned by its history and mortality, humanity has had to content itself with pressing its boundaries to their absolute limits, longing to know what lies beyond them. Can we break through the limits of time and space, and glimpse another realm – another dimension, hidden from us at present, yet which one day we shall encounter, and even enter? Images and the Christian Faith It has often been observed that humanity has the capacity to think. -
X-Men: Apocalypse' Succeeds Thanks to Its Rich Characters
http://www.ocolly.com/entertainment_desk/x-men-apocalypse-succeeds-thanks-to-its-rich- characters/article_ffbc145a-251d-11e6-9b66-f38ca28933de.html 'X-Men: Apocalypse' succeeds thanks to its rich characters Brandon Schmitz, Entertainment Reporter, @SchmitzReviews May 28, 2016 20th Century FOX It's amazing to think that Fox's "X-Men" saga has endured for more than a decade and a half with only a couple of stumbles. From the genre- revitalizing first film to the exceptionally intimate "Days of Future Past," the series has definitely made its mark on the blockbuster landscape. With "Apocalypse," director Bryan Singer returns for his fourth time at the helm. Similarly to his previous outing, this movie is loosely based on one of the superhero team's most popular comic book storylines. Ten years have passed since Charles Xavier (James McAvoy) and friends averted the rise of the Sentinels. However, altering the course of the "X- Men" continuity has merely replaced one disaster with another. The world's first mutant, Apocalypse (Oscar Isaac), was worshipped as a god around the dawn of civilization. Thanks to abilities he has taken from other mutants, he is virtually immortal. Following thousands of years of slumber, Apocalypse wakes to find a world ruled by people who he feels are weak. Namely, humans. Dissatisfied with earth's warring nations, the near-all-powerful mutant sets out to cleanse the world with his four "horsemen." In the wake of this new threat, Mystique (Jennifer Lawrence) must lead a young X-Men team comprised of familiar faces such as Cyclops (Tye Sheridan) and Jean Grey (Sophie Turner). -
University of Groningen Moses and His Parents Ruiten, J.T.A.G.M
University of Groningen Moses and His Parents Ruiten, J.T.A.G.M. van Published in: EPRINTS-BOOK-TITLE IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2006 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Ruiten, J. T. A. G. M. V. (2006). Moses and His Parents: The Intertextual Relationship between Exodus 1. In EPRINTS-BOOK-TITLE s.n.. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 26-09-2021 Moses and His Parents: The Intertextual Relationship between Exodus 1:22-2:10 and Jubilees 47:1-9 J. T. A. G. M. van Ruiten 1. Introduction The book of Jubilees consists of a rewriting of the biblical narrative of the book of Genesis: the primeval history and the history of the patriarchs, with a special emphasis on Jacob. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Avengers and Its Applicability in the Swedish EFL-Classroom
Master’s Thesis Avenging the Anthropocene Green philosophy of heroes and villains in the motion picture tetralogy The Avengers and its applicability in the Swedish EFL-classroom Author: Jens Vang Supervisor: Anne Holm Examiner: Anna Thyberg Date: Spring 2019 Subject: English Level: Advanced Course code: 4ENÄ2E 2 Abstract This essay investigates the ecological values present in antagonists and protagonists in the narrative revolving the Avengers of the Marvel Cinematic Universe. The analysis concludes that biocentric ideals primarily are embodied by the main antagonist of the film series, whereas the protagonists mainly represent anthropocentric perspectives. Since there is a continuum between these two ideals some variations were found within the characters themselves, but philosophical conflicts related to the environment were also found within the group of the Avengers. Excerpts from the films of the study can thus be used to discuss and highlight complex ecological issues within the EFL-classroom. Keywords Ecocriticism, anthropocentrism, biocentrism, ecology, environmentalism, film, EFL, upper secondary school, Avengers, Marvel Cinematic Universe Thanks Throughout my studies at the Linneaus University of Vaxjo I have become acquainted with an incalculable number of teachers and peers whom I sincerely wish to thank gratefully. However, there are three individuals especially vital for me finally concluding my studies: My dear mother; my highly supportive girlfriend, Jenniefer; and my beloved daughter, Evie. i Vang ii Contents 1 Introduction -
Mystical“ Traditions in an Apocalyptic Text? : the Throne Vision of Revelation 4 Within the Context of Enochic and Merkavah Texts
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2018 „Mystical“ traditions in an apocalyptic text? : the throne vision of revelation 4 within the context of enochic and merkavah texts Frey, Jörg DOI: https://doi.org/10.1515/9783110597264 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-167157 Book Section Published Version Originally published at: Frey, Jörg (2018). „Mystical“ traditions in an apocalyptic text? : the throne vision of revelation 4 within the context of enochic and merkavah texts. In: Collins, John J; de Villiers, Pieter G R; Collins, Adela Yarbro. Apocalypticism and Mysticism in Ancient Judaism and Early Christianity. Berlin: Walter de Gruyter, 103-127. DOI: https://doi.org/10.1515/9783110597264 Jörg Frey “Mystical” Traditions in an Apocalyptic Text? The Throne Vision of Revelation 4 within the Context of Enochic and Merkavah Texts Introduction: Apocalypticism and Mysticism as Contested Categories The boundaries between apocalypticism and mysticism often appear unclear or blurred. This is not only due to the observation of mystical elements in apo- calyptic texts and of revelatory experiences within the context of mystical religion. It is, even more so, due to the fact that the two terms are scholarly categories subject to definition, and depending on their respective definitions, the group of texts or textual elements attributed to each category varies con- siderably. Furthermore, both terms have a long history of reception in Christian theology and biblical exegesis, and both have been intensely rejected by certain theological traditions. -
JONAH: the Prophet Who Could Not Change
JONAH: The Prophet Who Could Not Change YK 2017-5778 One night a ship’s captain was on the open sea when he spotted a light straight ahead in the distance. He flashed his signal light telling the other ship to veer 10 degrees to the West so they could safely avoid a collision. There was a return signal telling the captain to veer 10 degrees to the East. The captain signaled “I am a captain and demand you change your course. Who are you?” The response was, “I am a seaman and I am telling you to change your course.” The captain then responded, “I command this large freighter with an important cargo.” The seaman answered, “I am a seaman who monitors this lighthouse.” 1 The questions that might be elicited, Are you the Captain who feels he should not change? Are you the lighthouse attendant who cannot change? Or are you one who can easily change? One of the questions that must be asked on this holiest of days is, “Do we truly have the ability to change?” Are we like the lighthouse or are we the captains of our own ships? Having come to this day searching for our better selves and hopefully having passed through a period of internal wrestling with ourselves, the goal should be that we enter this new year not only with hope but also with a plan for improvement. To begin the year without some ideas and aspirations for improvement is to ignore every one of the multiple lists of transgressions, denying any faults. -
Gog and Magog and Ethnic Difference in the Catalan Atlas (1375) Thomas Franke
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 9-12-2014 Monsters at the End of Time: Gog and Magog and Ethnic Difference in the Catalan Atlas (1375) Thomas Franke Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Franke, Thomas. "Monsters at the End of Time: Gog and Magog and Ethnic Difference in the Catalan Atlas (1375)." (2014). https://digitalrepository.unm.edu/hist_etds/30 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Thomas Samuel Franke Candidate History Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Michael A. Ryan , Chairperson Timothy C. Graham Sarah Davis-Secord Franke i MONSTERS AT THE END OF TIME: GOG AND MAGOG AND ETHNIC DIFFERENCE IN THE CATALAN ATLAS (1375) by THOMAS FRANKE BACHELOR OF ARTS, UC IRVINE 2012 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS HISTORY The University of New Mexico Albuquerque, New Mexico JULY 2014 Franke ii Abstract Franke, Thomas. Monsters at the End of Time: Gog and Magog and Ethnic Difference in the Catalan Atlas (1375). University of New Mexico, 2014. Although they are only mentioned briefly in Revelation, the destructive Gog and Magog formed an important component of apocalyptic thought for medieval European Christians, who associated Gog and Magog with a number of non-Christian peoples. -
Azazel Historically, the Word Azazel Is an Idea and Rarely an Incarnate Demon
Azazel Historically, the word azazel is an idea and rarely an incarnate demon. Figure 1 Possible sigil of Azazel. Modern writings use the sigil for the planet Saturn as well. Vayikra (Leviticus) The earliest known mention of the word Azazel in Jewish texts appears in the late seventh century B.C. which is the third of the five books of the Torah. To modern American ( וַיִּקְרָ א ) book called the Vayikra Christians, this books is Leviticus because of its discussion of the Levites. In Leviticus 16, two goats are placed before the temple for selection in an offering. A lot is cast. One Goat is then sacrificed to Yahweh and the other goats is said to outwardly bear all the sends of those making the sacrifice. The text The general translation .( לַעֲזָאזֵל ) specifically says one goat was chosen for Yahweh and the for Az azel of the words is “absolute removal.” Another set of Hebrew scholars translate Azazel in old Hebrew translates as "az" (strong/rough) and "el" (strong/God). The azazel goat, often called the scapegoat then is taken away. A number of scholars have concluded that “azazel” refers to a series of mountains near Jerusalem with steep cliffs. Fragmentary records suggest that bizarre Yahweh ritual was carried out on the goat. According to research, a red rope was tied to the goat and to an altar next to jagged cliff. The goat is pushed over the cliff’s edge and torn to pieces by the cliff walls as it falls. The bottom of the cliff was a desert that was considered the realm of the “se'irim” class of demons.