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World's Most Influential Electronic Artists Trust Avid Live Sound Systems at Moogfest
April 30, 2014 World's Most Influential Electronic Artists Trust Avid Live Sound Systems at Moogfest Industry's Most Popular Touring Systems Deliver Power and Reliability to Help Main Stage Artists Including Kraftwerk and Chic Featuring Nile Rodgers Connect With Audiences Like Never Before BURLINGTON, Mass., April 30, 2014 (GLOBE NEWSWIRE) -- Avid® (OTC:AVID) today announced that its live sound systems were selected to record and mix headline performances at Moogfest, an annual five-day technology, art and music festival featuring some of the world's most influential electronic artists. Moogfest, which celebrates the visionary and creative spirit of Bob Moog, inventor of the Moog synthesizer and founding father of electronic music, took place on April 23-27 in Asheville, North Carolina. For the main stage, which hosted headline acts including electronic music legends Kraftwerk, Chic featuring Nile Rodgers, and M.I.A., Moogfest needed a powerful and reliable front of house console that could cope with the size, scope and complexity of the headliners' live sound requirements. As the headline artists' live system of choice, the Avid Profile System was the house console for the main stage, while the ultra- compact Avid S3L System was the main stage recording console. Every stage throughout the festival used Avid Pro Tools® audio production software to record the live music performances. Pro Tools is a flagship application of the Avid Artist Suite of content creation applications, powered by the Avid MediaCentral Platform. "Avid live sound systems deliver performance and reliability and are the standard for headline acts," said KamranV, Moogfest documentation producer and CEO of CyKiK. -
BUILDING Bridges to a Better Economy Viewfinder Ll 2007 Fa Eastthe Magazine of East Carolina University
2007 LL fa EastThe Magazine of easT Carolina UniversiTy BUILDING BrIDGes to a better economy vIewfINDer 2007 LL fa EastThe Magazine of easT Carolina UniversiTy 12 feaTUres BUilDing BriDges 12 Creating more jobs is the core of the university’s newBy Steve focus Tuttle on economic development. From planning a new bridge to the Outer Banks to striking new partnerships with relocating companies, ECU is helping the region traverse troubled waters. TUrning The PAGE 18 Shirley Carraway ’75 ’85 ’00 rose steadily in her careerBy Suzanne in education Wood from teacher to principal to superintendent. “I’ve probably changed my job every four or five years,” she says. 18 22 “I’m one of those people who like a challenge.” TeaChing sTUDenTs To SERVE 22 Professor Reginald Watson ’91 is determined toBy walkLeanne the E. walk,Smith not just talk the talk, about the importance of faculty and students connecting with the community. “We need to keep our feet in the world outside this campus,” he says. FAMILY feUD 26 As another football game with N.C. State ominouslyBy Bethany Bradsher approaches, Skip Holtz is downplaying the importance of the contest. And just as predictably, most East Carolina fans are ignoring him. DeParTMeNTs froM oUr reaDers 3 The eCU rePorT 4 26 FALL arTs CalenDar 10 BookworMs PiraTe naTion Dowdy student stores stocks books 34 for about 3,500 different courses and expects to move about one million textbooks into the hands of students during the hectic first CLASS noTes weeks of fall semester. Jennifer Coggins and Dwayne 37 Murphy are among several students who worked this summer unpacking and cataloging thousands of boxes of new books. -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
Using the Butterflies in My Stomach
Becoming-Roller Derby: Women, Sport, and the Affects of Power Author Pavlidis, Adele Published 2013 Thesis Type Thesis (PhD Doctorate) School Department of Tourism, Sport and Hotel Management DOI https://doi.org/10.25904/1912/1342 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/366936 Griffith Research Online https://research-repository.griffith.edu.au Becoming-Roller Derby: Women, Sport, and the Affects of Power Adele Pavlidis BA (Hons) Department of Tourism, Sport and Hotel Management (Gold Coast, Australia) Griffith Business School Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy July 2013 ii Abstract This project is centrally concerned with (re)writing and (re)conceptualising a feminist cultural imaginary for sport and physical culture. Focusing on roller derby as a ‘new’ sport played predominantly by women, I examine the various affects in circulation, both on and off the track, and what these affects do. Thinking through affects, I highlight the processes of transformation that women undergo through roller derby and the challenges of sustaining this kind of cultural space into the future. In doing so, I have written of women in their multiplicity, drawing on post-structural conceptualisations of subjectivity and recent socio-cultural theorising of affects. I acknowledge the challenges of women coming together to pursue a shared goal, yet the project is a hopeful one, in which I offer alternatives to reductionist thinking or biological determinism. Conceptualisations of sport and leisure as ‘empowering’ or necessarily ‘resistant’ for women are questioned throughout this thesis. -
This Is Davidson College
General Information Table of Contents 2009 Schedule Athletic Honors . .IBC Davidson College . .17-19 Jan. 23 vs. Boston University 1 5:00 Davidson Quick Facts . .1 Surrounding Area . .20-21 24 at Brown 2:00 2009 Schedule . .1 Strength & Conditioning 22-23 25 at Boston College 11:00 a.m. Athletic Facilities . .24-25 2009 Roster/Team Photo . .2 Feb. 1 #69 Radford 1:00 Academics . .26-27 2009 Outlook . .3 7 at #55 South Carolina 10:00 a.m. Player Profiles . .4-7 Student Life . .28-29 10 Gardner-Webb 4:00 Class of 2008 . .8 Athletic Directory . .30-31 14 USC Upstate 10:00 a.m. Head Coach Barrett . .9 Conference Affiliations . .32 27 Richmond TBA This is Davidson . .IFC Assistant Coach . .9 Mar. 1 at Samford * 12:00 2008 Statistics/Results . .10 3 at Chattanooga * 2:30 2009 Opponents . .12 12 Indiana State 2:30 Year-By-Year Results . .13-15 21 at #70 Furman * 1:30 Honors & Awards . .16 23 U. of Illinois at Chicago 2:00 28 UNC Greensboro * 1:00 2009 M. TENNIS QUICK FACTS Apr. 1 Elon * 3:00 4 at College of Charleston * 1:00 General Information 5 at Georgia Southern * 12:00 8 Wofford * 3:00 School Name . .Davidson College 10 Charlotte 3:00 Location . .Davidson, N.C. 11 at The Citadel * 11:00 a.m. Founded . .1837 16 Appalachian State * (Senior Day) 2:30 Enrollment . .1,700 Nickname . .Wildcats Southern Conference Tournament - Elon, N.C. School Colors . .Red (PMS 186) and Black Nov. 23-26 SoCon Tournament TBD Conference . .Southern Affiliation . -
Performance in EDM - a Study and Analysis of Djing and Live Performance Artists
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2018 Performance in EDM - A Study and Analysis of DJing and Live Performance Artists Jose Alejandro Magana California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Music Performance Commons Recommended Citation Magana, Jose Alejandro, "Performance in EDM - A Study and Analysis of DJing and Live Performance Artists" (2018). Capstone Projects and Master's Theses. 364. https://digitalcommons.csumb.edu/caps_thes_all/364 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Magaña 1 Jose Alejandro Magaña Senior Capstone Professor Sammons Performance in EDM - A Study and Analysis of DJing and Live Performance Artists 1. Introduction Electronic Dance Music (EDM) culture today is often times associated with top mainstream DJs and producers such as Deadmau5, Daft Punk, Calvin Harris, and David Guetta. These are artists who have established their career around DJing and/or producing electronic music albums or remixes and have gone on to headline world-renowned music festivals such as Ultra Music Festival, Electric Daisy Carnival, and Coachella. The problem is that the term “DJ” can be mistakenly used interchangeably between someone who mixes between pre-recorded pieces of music at a venue with a set of turntables and a mixer and an artist who manipulates or creates music or audio live using a combination of computers, hardware, and/or controllers. -
The New Country Doctors How ECU Health Care Grads Are Caring for Small-Town Families VIEWFINDER 7 WINTER 200 ETHE Magazinea of EAST Carolinas Universityt
7 WINTER 200 ETHE MAGAZINEa OF EAST CAROLINAs UNIVERSITYt The New Country Doctors How ECU health care grads are caring for small-town families VIEWFINDER 7 WINTER 200 ETHE MAGAZINEa OF EAST CAROLINAs UNIVERSITYt F E A T U R E S THE NEW COUNTRY DOCTORS 12 18 12 The doctors, nurses and allied health care prByof Steessionalsve Row that ECU has sent into eastern North Carolina are improving lives and providing the “boots on the ground” that experts say are the critical front line of health care. THE MISCAST MARTYR OF STUDENT RIGHTS 18 Robert Thonen, the conservative editor of the studentBy Steve Tnewspaperuttle who got himself kicked out of college over a four-letter word, was an unlikely ! gure to be at center stage during the protests that shook ECU 35 years ago. FOOD FOR THOUGHT 24 Remember the free spaghetti dinners at the BaptistBy Betha nStudenty Bradsh eUnion?r They’re still going, and students still are seeking out a safe haven from the wild side of campus life. BUILDING THE TRIANGLE 28 Charles Hayes, a member of the small but powerful gByroup Steve that Tuttle has propelled North Carolina’s economy into the 21st century, doesn’t run an employment agency, but he helped 40,000 people ! nd jobs in the past year. BANANAS OVER BASKETBALL 24 32 They were born the night ECU upset No. 9 MarBy Bethanquettey Br inadsher bask etball, and four years later the Minges Maniacs are still giving the Pirates a home-court advantage. D E P A R T M E N T S FROM OUR READERS 3 THE ECU REPORT 4 32 Petite Pirates and a pony As fl oats fi lled with students FROM THE CLASSROOM rolled down Fifth Street during the 36 Homecoming parade, two petite Pirates showed their excitement by sharing a hug with a pony CLASS NOTES named Lightning. -
Nightlight: Tradition and Change in a Local Music Scene
NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene. -
City of Winston-Salem, North Carolina
PRELIMINARY OFFICIAL STATEMENT DATED MARCH 9, 2016 NEW ISSUE RATINGS: S&P: AAA FULL BOOK-ENTRY - ONLY Moody’s: Aa1 Fitch: AA+ (See “MISCELLANEOUS – Ratings” herein) In the opinion of Parker Poe Adams & Bernstein LLP, Bond Counsel, under existing law (1) assuming compliance by the City with certain requirements of the Internal Revenue Code of 1986, as amended (the “Code”), interest on the 2016A Bonds (a) is excludable from gross income for federal income tax purposes and (b) is not an item of tax preference for purposes of the federal alternative minimum tax imposed on individuals and corporations, (2) interest on the 2016B Bonds is taxable as ordinary income for federal income tax purposes, and (3) interest on the 2016 Bonds is exempt from State of North Carolina income taxation. See “TAX TREATMENT” herein. $129,735,000* CITY OF WINSTON-SALEM, NORTH CAROLINA $118,400,000* $11,335,000* Water and Sewer System Taxable Water and Sewer System Revenue Refunding Bonds, Revenue Refunding Bonds, Series 2016A Series 2016B Dated: Date of Delivery Due: As shown below The City of Winston-Salem, North Carolina Water and Sewer System Revenue Refunding Bonds, Series 2016A (the “2016A Bonds”) and its Taxable Water and Sewer System Revenue Refunding Bonds, Series 2016B (the “2016B Bonds” and collectively with the 2016A Bonds, the “2016 Bonds”) are issuable as fully registered bonds. The 2016 Bonds are being issued for the purpose of (1) refunding the City’s Water and Sewer System Revenue and Revenue Refunding Bonds, Series 2007A, maturing on and after June 1, 2018, (2) refunding the City’s Water and Sewer System Revenue Bonds, Series 2009, maturing on and after June 1, 2020, (3) refunding the City’s Water and Sewer System Revenue Bonds, Series 2010A, maturing on and after June 1, 2021 and (4) paying the costs of issuing the 2016 Bonds. -
North Carolina's Best Emerging Poets an Anthology
North Carolina’s Best Emerging Poets An Anthology Compiled and Edited by Z Publishing House 2017 Z Publishing Books edition 2017 Copyright © 2017 by Z Publishing, LLC Published in the United States of America All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher or of the author of the relevant work. Z Publishing, LLC, is not responsible for content and accuracy of the links, web addresses, and emails provided in the author biography index. Visit our website: www.zpublishinghouse.com 2 Table of Contents Foreword, or How This Series Came to Be .................................................. 7 Thoughts, Reflections, and Stream of Consciousness .................................. 9 Female Anger (Sara-Rose Bockian) ....................................................... 10 Field Crickets (Britt DiBartolo) .............................................................. 11 The Seams of Life (Andy I) .................................................................... 12 June, July (Emily Haaksma) .................................................................. 13 Coffee Arabica (Threa Almontaser) ...................................................... 14 Crowds (Violetta Nikitina) .................................................................... 16 Cosmos (Andrew Teague McCollister) .................................................. 17 Lies (Taryn Felton) .............................................................................. -
2016-Program-Book-Corrected.Pdf
A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL is a wide-ranging exploration of today’s music that brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and with partners in venues throughout the city. The second NY PHIL BIENNIAL, taking place May 23–June 11, 2016, features diverse programs — ranging from solo works and a chamber opera to large scale symphonies — by more than 100 composers, more than half of whom are American; presents some of the country’s top music schools and youth choruses; and expands to more New York City neighborhoods. A range of events and activities has been created to engender an ongoing dialogue among artists, composers, and audience members. Partners in the 2016 NY PHIL BIENNIAL include National Sawdust; 92nd Street Y; Aspen Music Festival and School; Interlochen Center for the Arts; League of Composers/ISCM; Lincoln Center for the Performing Arts; LUCERNE FESTIVAL; MetLiveArts; New York City Electroacoustic Music Festival; Whitney Museum of American Art; WQXR’s Q2 Music; and Yale School of Music. Major support for the NY PHIL BIENNIAL is provided by The Andrew W. Mellon Foundation, The Fan Fox and Leslie R. Samuels Foundation, and The Francis Goelet Fund. Additional funding is provided by the Howard Gilman Foundation and Honey M. Kurtz. NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ JUNE 5-7, 2016 JUNE 13-19, 2016 __ www.nycemf.org CONTENTS ACKNOWLEDGEMENTS 4 DIRECTOR’S WELCOME 5 LOCATIONS 5 FESTIVAL SCHEDULE 7 COMMITTEE & STAFF 10 PROGRAMS AND NOTES 11 INSTALLATIONS 88 PRESENTATIONS 90 COMPOSERS 92 PERFORMERS 141 ACKNOWLEDGEMENTS THE NEW YORK PHILHARMONIC ORCHESTRA THE AMPHION FOUNDATION DIRECTOR’S LOCATIONS WELCOME NATIONAL SAWDUST 80 North Sixth Street Brooklyn, NY 11249 Welcome to NYCEMF 2016! Corner of Sixth Street and Wythe Avenue. -
2017 Baseball Fact Book
Eric Tyler 2017 BASEBALL FACT BOOK Travis Watkins Evan Kruczynski Keith LeClair Head Coach (1997-2002) Introduction Pronounciation Guide .................................................32 Single-Season Individual Pitching Records ..............98 Schedule ........................................................................2 Pirate Birthdays/Fun Facts .........................................33 Career Individual Pitching Records ...........................99 General Information & Quick Facts ..............................3 Player Profiles ........................................................34-61 Single-Season/Career Fielding Records ..................100 Media Guidelines.......................................................4-5 Pirates In the Community ..........................................62 Single Game Records ................................................100 Staff Directory ...............................................................6 Freshman Hitting Records .........................................101 Primary Media Outlets ..................................................7 2017 Opponents Freshman Pitching Records .......................................101 Getting to Greenville ....................................................8 2017 Opponents .....................................................64-69 Miscellaneous Records ...............................................102 Lodging, Dining & Transportation ...............................9 Record Vs. All-Time Opponents .................................70 Strength