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4 Modern Shakespeare Festivals
UNIVERSIDAD DE MURCIA ESCUELA INTERNACIONAL DE DOCTORADO Festival Shakespeare: Celebrating the Plays on the Stage Festival Shakespeare: Celebrando las Obras en la Escena Dª Isabel Guerrero Llorente 2017 Page intentionally left blank. 2 Agradecimientos / Acknoledgements / Remerciments Estas páginas han sido escritas en lugares muy diversos: la sala becarios en la Universidad de Murcia, la British Library de Londres, el centro de investigación IRLC en Montpellier, los archivos de la National Library of Scotland, la Maison Jean Vilar de Aviñón, la biblioteca del Graduate Center de la City University of New York –justo al pie del Empire State–, mi habitación en Torre Pacheco en casa de mis padres, habitaciones que compartí con Luis en Madrid, Londres y Murcia, trenes con destinos varios, hoteles en Canadá, cafeterías en Harlem, algún retazo corregido en un avión y salas de espera. Ellas son la causa y el fruto de múltiples idas y venidas durante cuatro años, ayudándome a aunar las que son mis tres grandes pasiones: viajar, el estudio y el teatro.1 Si bien los lugares han sido esenciales para definir lo que aquí se recoge, aún más primordial han sido mis compañeros en este viaje, a los que hoy, por fin, toca darles las gracias. Mis primeras gracias son para mi directora de tesis, Clara Calvo. Gracias, Clara, por la confianza depositada en mí estos años. Gracias por propulsar tantos viajes intelectuales. Gracias también a Ángel-Luis Pujante y Vicente Cervera, quienes leyeron una versión preliminar de algunos capítulos y cuyos consejos han sido fundamentales para su mejora. Juanfra Cerdá fue uno de los primeros lectores de la propuesta primigenia y consejero excepcional en todo este proceso. -
Create Design Perform Learn 2021 Prospectus
create perform design learn 2021 Prospectus The Royal Central School of Speech and Drama University of London Eton Avenue At Central, we believe that our world-leading training London NW3 3HY should be accessible to everyone who wishes to develop UK their creativity and positively impact the industry. Telephone: +44 (0)20 7722 8183 Email: [email protected] www.cssd.ac.uk We are a unique and special community and treat all members and visitors with dignity and respect. @CSSDLondon By celebrating and respecting our different cultures, abilities and identities we aim to shape a better future for the arts and society. Excellence requires diversity, which brings richness, knowledge, innovation, new understanding and skills. Our differences enrich our learning, insight and wisdom. CBP002372 Printed on 100% recycled paper. World Land Trust is an international conservation charity, which protects the world’s most biologically important and threatened habitats. Madeline Samuel Malone MFA Voice Studies: Teaching Charlemagne and Coaching BA (Hons) Acting Musical Theatre ‘I found I had an early affinity for ‘I applied for Central through Open singing and theatre. However, I took Door, who offer a package of support the path well-travelled, obtaining to young people from low income a Bachelor of Commerce degree, backgrounds, which includes free followed by a Master’s in Adult auditions to drama schools, as well Education. I began a corporate career, as practical tutoring, workshops and but I never managed to shake off travel bursaries. my desire to work in theatre and to educate. At the time, I knew almost nothing about Central but it turned out to be I struggled with my identity for years, the perfect fit for me; a course centred specifically my voice, for which I had in acting that also develops my singing been bullied. -
Adaptation, Inspiration, Dialogue: E.M. Forster and His Oeuvre in Contemporary Culture
Adaptation, Inspiration, Dialogue: E.M. Forster and His Oeuvre in Contemporary Culture Krzysztof Fordoński University of Warsaw Abstract The article aims at charting the position of Edward Morgan Forster and his works in contemporary English language culture. It presents various forms of adaptations of or responses to the works of Forster, concentrating on those which have been created since the writer’s death in 1970. The discussed material consists of approximately one hundred instances of various works of art related in a number of ways to Forster’s oeuvre and biography: adaptations, works inspired by Forster’s oeuvre or biography, and, finally, works which enter into a dialogue with Forster and his views. Radio plays, operas, plays, movies, musicals, comic books, concept albums, etc. have been included as well. The paper also touches upon Forster’s reception among scholars and in political journal- ism. The paper is supplemented with lists of various adaptations. Keywords: E.M. Forster, culture, literature, opera, musical, television, film, theatre, adaptation, adaptation studies 12 Krzysztof Fordoński The works of E.M. Forster have played an important role in the English-speaking world and beyond it1 ever since his position was first generally recognised after the publication of Howards End in 1910.2 Forster’s presence was originally felt the most clearly through his literary works, namely novels and short stories. Yet, with the passage of time, he began to exert influence also as a reviewer, an essayist, and a radio broadcaster. Artists – at first fellow novelists but gradually also playwrights, composers, graphic artists, and others – found in Forster’s oeuvre and life a greatly various source of creative inspiration which continues to be fruitful fifty years after the writer’s death. -
Marc Frankum P O Box 12260, Suffolk, CO10 3DU [email protected]
Marc Frankum P O Box 12260, Suffolk, CO10 3DU [email protected] 2019 The Children – English Theatre Frankfurt – Director Psyche Stott – Casting Director God of Chaos – Theatre Royal Plymouth – Director David Mercatali – Casting Director Apologia – English Theatre Frankfurt – Director Audrey Sheffield – Casting Director 2018 The Kneebone Cadillac – Theatre Royal Plymouth – Director Simon Stokes – Casting Director Aladdin (Principles) – Theatre Royal Norwich – Director Richard Gauntlett – Casting Director Moll Flanders – Mercury Theatre, Colchester – Director Ryan McBryde – Casting Director Dracula – Touring Consortium Theatre Company – Director Eduard Lewis – Casting Director Cabaret – English Theatre Frankfurt – Director Tom Littler – Casting Director The Lion in Winter – English Theatre Frankfurt – Director Derek Anderson – Casting Director The Full Monty 2018/19 – David Pugh Ltd – Director Rupert Hill – Casting Director The Hounds of the Baskervilles (recast) – English Theatre Frankfurt – Director Lotte Wakeham – Casting Director Love on the Links – Salisbury Playhouse – Director Ryan McBryde – Casting Consultant Pieces of String – Mercury Theatre Colchester – Director Ryan McBryde – Casting Director Tonight at 8.30 – Jermyn Street Theatre – Director Tom Littler – Casting Director Make Athens Great Again – Hat Trick Productions - Rehearsed Reading – Casting Director Much Ado About Nothing – Rose Theatre Kingston – Director Simon Dormandy – Casting Associate 2017 Hand to God – The English Theatre Frankfurt – Director Derek Anderson -
La Pitié Dangereuse
La Pitié dangereuse •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• de Stefan Zweig mise en scène et adaptation Simon McBurney avec les comédiens de la Schaubühne Première en France Une coproduction de Complicité et de la Schaubühne / Berlin du jeudi 14 au dimanche 24 septembre 2017 du mardi au samedi à 20h45 Les dimanches à 17h Relâche le lundi Les Gémeaux Sceaux / Scène Nationale / Grand Théâtre 49, av Georges Clémenceau / Sceaux RER B station Bourg-la-Reine réservations : 01 46 61 36 67 (Les Gémeaux) 01 40 74 22 77 (Théâtre de la Ville) 01 55 45 17 17 (Festival d’Automne à Paris) tarif : 14 à 35€ Contacts presse : Les Gémeaux Théâtre de la Ville Festival d’Automne à Paris MYRA Audrey Burette Christine Delterme / Lucie Beraha Rémi Fort / Valentine Arnaud 01 48 87 84 61 01 53 45 17 13 01 40 33 79 13 [email protected] [email protected] [email protected] [email protected] La Pitié dangereuse de Stefan Zweig mise en scène et adaptation Simon McBurney collaboration à la mise en scène James Yeatman scénographie Anna Fleischle costumes Holly Waddington lumières Paul Anderson conception sonore Pete Malkin assistant son Benjamin Grant vidéo Will Duke dramaturgie Maja Zade avec Robert Beyer, Marie Burchard, Johannes Flaschberger, Christoph Gawenda, Moritz Gottwald, Laurenz Laufenberg, Eva Meckbach création le 22 décembre 2015 à la Schaubühne / Berlin durée : 2h – sans entracte spectacle en allemand surtitré en français Production : Schaubühne / Berlin Coproduction : Complicité et la Schaubühne / Berlin Coréalisation : Les Gémeaux / Sceaux / Scène nationale, Festival d’Automne à Paris, Théâtre de la Ville / Paris Avec le soutien de l’ADAMI La pièce Le jeune officier Hofmiller est invité au château du baron de Kekesfalva. -
Annual Review. 2017 Shakespeare’S Globe OUR CAUSE We Celebrate Shakespeare’S Transformative Impact on the World by Conducting a Radical Theatrical Experiment
Annual Review. 2017 Shakespeare’s Globe OUR CAUSE We celebrate Shakespeare’s transformative impact on the world by conducting a radical theatrical experiment. 4 Chief Executive’s Welcome Inspired and informed by the unique 6 Theatre historic playing conditions of two 6 Wonder Noir beautiful iconic theatres, our diverse programme of work harnesses the 11 The Summer of Love power of performance, cultivates 16 The Winter Selection intellectual curiosity and excites learning to make Shakespeare 19 Beyond the Globe accessible for all. 21 Inspiring young – and not so young – people ‘And let us… on your imaginary 23 Learning for all forces work’ Henry V, Prologue 29 Widening access #Globe2018 30 Exhibition & Tour 020 7401 9919 31 Behind the scenes shakespearesglobe.com 32 How we made it 33 How we spent it 35 Looking forward 36 Learning for all 38 Project Prospero 40 Thanks, thanks and ever thanks 40 Supporters 42 Staff 45 Trustees and Globe Councillors 46 Cast members and Creatives 2017 The Shakespeare Globe Trust. Registered in England and Wales No. 1152238. Registered charity No. 266916. 2 3 2017 marked 20 years since the royal opening of the Globe. We marked that anniversary with a special Reconstructing the Globe exhibition, but we also celebrated it by simply doing what we do every year: which is to offer year-round, whether on the stage, or in the exhibition, or as part of an education programme, the best possible experience of Shakespeare and the theatre of his time. Over 923,000 visited the Globe site this year, including a record 138,000 students (of all ages), while Emma Rice’s last Globe season achieved an overall capacity of 92% – or a share of approximately 11% of London’s play-going audience. -
P Hoto Helen Murray
Photo Helen Murray ...BETTER THREE HOURS TOO SOON THAN A MINUTE TOO LATE... CONTENTS. The Merry Wives of Windsor 1 Welcome 2 The Company 6 Synopsis 7 First Nights, Fake News An essay by Elizabeth Schafer 10 Support Us 11 ‘There’s No Let-up!’ Q&A with Elle While, Charlie Cridlan, Sarah Finigan, Anne Odeke and Dickon Tyrrell 16 Jarrow and Jitterbug An essay by Heather Neill 19 The Windsor Locals 21 Biographies 36 This Wooden ‘O’ 38 The Globe Today 40 Education 42 Guided Tours 44 Eating, Drinking and Celebrating 45 Shop and Globe Player Active fund management is all about spotting opportunities. 46 For Shakespeare’s Globe And knowing when to seize them. 49 Join Us 50 Our Supporters 52 Our Volunteer Stewards Principal partner of Summer Season 2019 Formerly Old Mutual Global Investors Investment involves risk. The value of investments and the income from them may go down as well as up and investors may not get back the amount originally invested. This communication is issued by Merian Global Investors (UK) Limited (“Merian Global Investors”). Merian Global Investors is registered in England and Wales (number: 02949554) and is authorised and regulated by the Financial Conduct Authority (FRN: 171847). Its registered offi ce is at 2 Lambeth Hill, London, United Kingdom, EC4P 4WR. Models constructed with Geomag. MGI 04/19/0033. MGI00180_HENRY5programme_244x150.indd 1 05/04/2019 18:07 Merian Global Investors is immensely proud to be the inaugural principal partner of Shakespeare’s Globe’s summer season. Through our partnership, and consistent with our desire to challenge received wisdom WELCOME. -
Paper Tiger Steven Spielberg: Why My Film About the Power of the Press Is So Timely
January 7, 2018 THEATRE BOOKS HOT TICKETS INTERVIEW: THE STARS FRANCE’S NEW FROM PINTER TO PICASSO: OF MARY STUART LITERARY SENSATION WE PICK THE MUST-SEES OF 2018 PAPER TIGER STEVEN SPIELBERG: WHY MY FILM ABOUT THE POWER OF THE PRESS IS SO TIMELY CONTENTS 07.01.2018 ARTS ‘In Frankenstein, Mary Shelley 4 invented two kinds Cover story of being — an Steven Spielberg’s new film is about the press-led intelligent robot revolt against the Nixon administration. Yes, he tells and a scientist Bryan Appleyard, he is well who plays God’ aware of the modern parallels Books, page 30 6 Pop ALAMY Which of today’s hits will be tomorrow’s classics? Dan Cairns offers a guide BOOKS 34 The Sunday Times 14 30 Bestsellers Film Lead review Ridley Scott’s movie about the John Carey hails an DIGITAL EXTRAS Getty kidnapping is richly outstanding look at the rewarding, says Tom Shone creation of Frankenstein NICK DELANEY Bulletins 16 32 For the arts week ahead, and Television Fiction recent highlights, sign up for James Norton as a Russian A Freddie Mercury 20 Leila Slimani’s thriller has our Culture Bulletin. For a Jew? Louis Wise is still to be biopic, above, is just Critical list turned her into a French weekly digest of literary news, convinced by McMafia’s hero Our pick of the arts this week celebrity courted by reviews and opinion, there’s one of the year’s President Macron the Books Bulletin. Both can hot prospects. be found at thesundaytimes. 18 24 co.uk/bulletins Theatre We choose the On record 36 The two leads of Mary Stuart The latest essential releases -
Sinéad Matthews
www.hamiltonhodell.co.uk Sinéad Matthews Talent Representation Telephone Christopher Farrar +44 (0) 20 7636 1221 [email protected] Address Hamilton Hodell, 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer THE ANTIPODES Eleanor Annie Baker/Chloe Lamford National Theatre THE STARRY MESSENGER Doris Sam Yates Wyndhams Theatre ABSOLUTE HELL Elizabeth Collier Joe Hill-Gibbins National Theatre Park Theatre/The Watermill LOOT Fay Michael Fentiman Theatre HEDDA GABLER Mrs. Elvsted Ivo van Hove National Theatre BBC Scottish Symphony A MIDSUMMER NIGHT'S DREAM Hermia/Fairy Bijan Sheibani Orchestra Prom/Royal Albert Hall GIVING Laura Bijan Sheibani Hampstead Theatre EVENING AT THE TALK HOUSE Jane Ian Rickson National Theatre Simon Dormandy/Toby Nuffield Theatre/Liverpool THE HUDSUCKER PROXY Amy Archer Sedgwick Everyman Playhouse WASP Heather Tom Attenborough Hampstead Theatre PESTS Royal Exchange/Royal Court/UK Pink Lucy Morrison Winner of the Best Studio Performance Award, Manchester Theatre Awards, Tour 2014 BLURRED LINES Carrie Cracknell National Theatre TROUT STANLEY Sugar Matt Steinberg Southwark Playhouse A TIME TO REAP Marysia Caroline Steinbeis Royal Court Theatre THE CHANGELING Beatrice Johanna Joe Hill Gibbins The Young Vic THE WAY OF THE WORLD Millamant Lindsay Turner Sheffield Crucible THE MASTER AND MARGARITA Margarita Simon McBurney Barbican/Tour ECSTASY Dawn Mike Leigh Hampstead Theatre/West End THE GLASS MENAGERIE Laura Joe Hill-Gibbins Young Vic LULU Lulu Anna Ledwich Gate Theatre/Headlong -
Hamlet Refugee Week Hamlet
HAMLET REFUGEE WEEK HAMLET CONTENTS. LIKE IT LIKE AS YOU YOU AS SONNETS 3 Welcome 4 Hamlet Company 8 Synopsis 10 Bringing Hamlet Home by Dr Farah Karim-Cooper 14 Ensemble Voices Contributions from the Globe Ensemble 22 Biographies & Rehearsal Photos GLOBE ON 32 Do You Mark That? by Emma Smith TOUR EMILIA 34 This Wooden ‘O’ GLOBE THE WINTER’S 36 The Globe Today PLAYER TALE 38 Education 42 Guided Tours & Exhibition 44 Food & Drink 45 Shop & Globe Player THE TWO 46 Support Us NOBLE EYAM 48 For Shakespeare’s Globe KINSMEN 51 Our Volunteer Stewards 54 Our Supporters LOVE’S OTHELLO LABOUR’S LOST Shakespeare’s Tales WELCOME. Telling Dear all, Celebrate the joy of storytelling at Shakespeare’s Telling Tales, A huge, huge welcome to Shakespeare’s Globe our lively family festival, now in its third year. and to the start of our 2018 Summer Season. What better way to kick off than with the words ‘Who’s 27 – 29 July 2018 There?’ from our opening play, Hamlet, followed Visit shakespearesglobe.com/tellingtales for news by As You Like It: two plays that we know were about our festival line-up as it’s announced. written specifically for the unique architectural #TellingTales playing conditions of the wooden ‘O’. Where else can you say and hear the words ‘this distracted Globe’ or ‘All the world’s a stage’ and not be immediately aware of the theatre in which you are sitting… or standing? Where else can Hamlet say ‘now I am alone’ and see the whites of the eyes of the 1,500 people that accompany him in that moment? There are, of course, as many understandings and interpretations of Shakespeare as there are people and if Shakespeare is one of our greatest playwrights, wrestling with the human condition in all its guises, then it must also be true that Shakespeare is for all. -
General Information Handbook for All Students 2017-18
General information for Students on All Courses An Associate School of the University of the West of England 2017/18 Table of Contents Welcome to the Bristol Old Vic Theatre School ............................................................................ 3 Staff Lists ......................................................................................................................................... 5 Visiting Tutors and Directors .......................................................................................................... 9 Staff/Student Liaison ..................................................................................................................... 13 General Information.......................................................................................................................14 Health and Safety ........................................................................................................................... 17 First Aid ........................................................................................................................................... 17 Student Health .............................................................................................................................. 18 Student Support ............................................................................................................................ 19 Safeguard and Prevent Duty ........................................................................................................ 24 Code -
How Eddie Redmayne Did It
2/24/2015 HOW EDDIE REDMAYNE DID IT Published on More Intelligent Life (http://moreintelligentlife.com) Home > HOW EDDIE REDMAYNE DID IT HOW EDDIE REDMAYNE DID IT What does it take to play Professor Stephen Hawking? Grit, empathy, attention to detail and the ability to shut down facial muscles one by one. Clemency Burton-Hill follows Redmayne through a process that earned him an Oscar From INTELLIGENT LIFE magazine, November/December 2014 September 2013. A young man lies in a Cambridge hotel room, wide awake. Dawn slips through the curtains as the clock ticks on. All through the night he has been watching that clock. As it reaches 4am, he is tempted to turn to the packet of sleeping pills in his washbag. In an hour’s time, a car will take him to a day’s work that will involve inhabiting one of the world’s most famous minds—and bodies. Over the next 12 hours, this man, who has never had a day’s acting training, will play the theoretical physicist Stephen Hawking. First, in the morning, as a healthy young man in 1963, before his diagnosis of Motor Neurone Disease (MND); then, after lunch, walking with two sticks in the late 1960s; and finally, probably by late afternoon, in a wheelchair, http://moreintelligentlife.com/print/content/features/clemency-burton-hill/method 1/14 2/24/2015 HOW EDDIE REDMAYNE DID IT in the late 1980s. The scenes all share the same location, St John’s College. Shooting them on the same day will save money, so never mind the chronology, or the leading man’s sanity.