September 11, 2001, Had a Paradox Meaning for the Study of the Cold
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Conclusion: How the GDR Came to Be
Conclusion: How the GDR Came to Be Reckoned from war's end, it was ten years before Moscow gave real existing socialism in the GDR a guarantee of its continued existence. This underscores once again how little the results of Soviet policy on Germany corresponded to the original objectives and how seriously these objectives had been pursued. In the first decade after the war, many hundreds of independent witnesses confirm that Stalin strove for a democratic postwar Germany - a Germany democratic according to Western standards, which must be explicitly emphasized over against the perversion of the concept of democracy and the instrumentalization of anti-fascism in the GDR. 1 This Germany, which would have to of fer guarantees against renewed aggression and grant access to the re sources of the industrial regions in the western areas of the defeated Reich, was to be established in cooperation with the Western powers. To this purpose, the occupation forces were to remain in the Four Zone area for a limited time. At no point could Stalin imagine that the occupation forces would remain in Germany permanently. Dividing a nation fitted just as little with his views. Socialism, the socialist revolution in Germany, was for him a task of the future, one for the period after the realization of the Potsdam democratization programme. Even when in the spring of 1952, after many vain attempts to implement the Potsdam programme, he adjusted himself to a long coexistence of the two German states, he did not link this with any transition to a separate socialism: the GDR had simply wound up having to bide its time until the Cold War had been overcome, after which it would be possible to realize the agree ments reached at Potsdam. -
DNB Occasional Studies Vol.8/No.4 (2010)
Occasional Studies Banknote design for retailers and public DNB Occasional Studies Vol.8/No.4 (2010) Hans de Heij Central bank and prudential supervisor of financial institutions ©2010 De Ne der land sche Bank NV Author: Hans de Heij e-mail: [email protected] Aim of the Occasional Studies is to disseminate thinking on policy and analytical issues in areas relevant to the Bank. Views expressed are those of the individual authors and do not necessarily reflect official positions of De Ne der land sche Bank. Editorial Committee Jakob de Haan (chairman), Eelco van den Berg (secretary), Hans Brits, Pim Claassen, Maria Demertzis, Peter van Els, Jan Willem van den End, Maarten Gelderman and Bram Scholten. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopy, recording or otherwise, without the prior written permission of De Ne der land sche Bank. Subscription orders for DNB Occasional Studies and requests for specimen copies should be sent to: De Ne der land sche Bank NV Communications P.O. Box 98 1000 AB Amsterdam The Netherlands Internet: www.dnb.nl Occasional Studies Vol.8/No.4 (2010) Hans de Heij Banknote design for retailers and public Banknote design for retailers and public Abstract Two stakeholders of banknote design are discussed, retailers and the general public. A retailer on average receives around 120 banknotes a day. A security check should be effected in less than two seconds and avoid discussion with the client. -
The Formation of the Communist Party of Germany and the Collapse of the German Democratic Republi C
Enclosure #2 THE NATIONAL COUNCI L FOR SOVIET AND EAST EUROPEA N RESEARC H 1755 Massachusetts Avenue, N .W . Washington, D.C . 20036 THE NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARC H TITLE : Politics Unhinged : The Formation of the Communist Party of Germany and the Collapse of the German Democratic Republi c AUTHOR : Eric D . Weitz Associate Professo r Department of History St . Olaf Colleg e 1520 St . Olaf Avenu e Northfield, Minnesota 5505 7 CONTRACTOR : St . Olaf College PRINCIPAL INVESTIGATOR : Eric D . Weit z COUNCIL CONTRACT NUMBER : 806-3 1 DATE : April 12, 199 3 The work leading to this report was supported by funds provided by the National Council for Soviet and East Europea n Research. The analysis and interpretations contained in the report are those of the author. i Abbreviations and Glossary AIZ Arbeiter-Illustrierte-Zeitung (KPD illustrated weekly newspaper ) Alter Verband Mineworkers Union Antifas Antifascist Committee s BL Bezirksleitung (district leadership of KPD ) BLW Betriebsarchiv der Leuna-Werke BzG Beiträge zur Geschichte der Arbeiterbewegung Comintern Communist International CPSU Communist Party of the Soviet Unio n DMV Deutscher Metallarbeiter Verband (German Metalworkers Union ) ECCI Executive Committee of the Communist Internationa l GDR German Democratic Republic GW Rosa Luxemburg, Gesammelte Werke HIA, NSDAP Hoover Institution Archives, NSDAP Hauptarchi v HStAD Hauptstaatsarchiv Düsseldorf IGA, ZPA Institut für Geschichte der Arbeiterbewegung, Zentrales Parteiarchi v (KPD/SED Central Party Archive -
Kabul Times Digitized Newspaper Archives
University of Nebraska at Omaha DigitalCommons@UNO Kabul Times Digitized Newspaper Archives 9-12-1962 Kabul Times (September 12, 1962, vol. 1, no. 155) Bakhtar News Agency Follow this and additional works at: https://digitalcommons.unomaha.edu/kabultimes Part of the International and Area Studies Commons Recommended Citation Bakhtar News Agency, "Kabul Times (September 12, 1962, vol. 1, no. 155)" (1962). Kabul Times. 153. https://digitalcommons.unomaha.edu/kabultimes/153 This Newspaper is brought to you for free and open access by the Digitized Newspaper Archives at DigitalCommons@UNO. It has been accepted for inclusion in Kabul Times by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. - , - > • -~ ....... , 1 •• " , '. -:- ~.-'-- '-':'....,....~ - . ~ ... -' .., ...... ~4 ~ ,:",.:~ ":S~'" . .' . :\. - 4 •• :-_ _- - '. .- :.. -r: 'S._ ""__'" _ _ - _-_ k ,- ~ • ¢ • - • '. -~•• . j -.-- ~:... :.,--.- .-' .. '. .... ' .. .- . - •- j"-- - -" . ~ " .' ,. l .I' , - .. .' ., .' .' .I .:1tABUL mas··_, '- ·"'M4iJmum· +28°Co , Minimum +l%°C. (;on1~oli~e~lth Pr~miers. KennrAly'~:r .Sun.sets ~ at s:ZO 'p.m. Piess .'.Review· With . SuD rises- toJDorrow- at 5-36 a.m. ~ " ; . ~ ~~- "~" ~-.:r'.'_:::-~ ~ -::~. ~ .~-:;~'.' . ~(CoDtd. trom PaCe·!) ., :·.Briefea~·On···r~·Brussels.·~Tcdks· ·:(~Af~~'fd~~i'Ke~~ y;:~ ~ .. o .' '. • "'./ - ::",-." :'.""'" :._ •••• i''''J o:--t:- '.:", .•. ",- • CIw'; 4..::. _. 'Jt·. ., -' .'_ ,- , ~'--:.-cians· ~t t~rday: usse ~hthe. ~iepu~~: .... .-. ': .... :.... ~.:~ '...':; .:·::':·.·.-.·:::::~·.~·r ~. '.~:--': ~ .:":.' ". -~... ~.-.:-.::.:;. ,~~ .'~~'A'r+! ± _~n:;~l·:;:~~"'!:: ~:: ~::~~ .~ should'reveal the. f.acts: '. - '0',7 , U.K' "1 < Et< ". " '," t' 'C M' .' m:: ·d ' .... The -same issue of the . paper· . n· '. "5 ntry' no' SIOns m ~rlin Wl .~. • L.':'~'!"·""'·liiIiiil·IIit!oo"';"~""~~ VOL- 1,. NO.. 155 WEDNESD~~:, .S~.~~ (SOMBpLElr~21;' ~: ~ :" { carries ~ report'abOut the Woollen:.· .' '" .....•. ..." :'. .' ., •...• ".can pred~cessor. MJ::. E~nhower. -
Visual Arts in the Urban Environment in the German Democratic Republic: Formal, Theoretical and Functional Change, 1949–1980
Visual arts in the urban environment in the German Democratic Republic: formal, theoretical and functional change, 1949–1980 Jessica Jenkins Submitted: January 2014 This text represents the submission for the degree of Doctor of Philosophy (in partial fulfilment of its requirements) at the Royal College of Art Copyright Statement This text represents the submission for the degree of Doctor of Philosophy at the Royal College of Art. This copy has been supplied for the purpose of research for private study, on the understanding that it is copyright material, and that no quotation from this thesis may be published without proper acknowledgment. Author’s Declaration 1. During the period of registered study in which this thesis was prepared the author has not been registered for any other academic award or qualification. 2. The material included in this thesis has not been submitted wholly or in part for any academic award or qualification other than that for which it is now submitted. Acknowledgements I would like to thank the very many people and institutions who have supported me in this research. Firstly, thanks are due to my supervisors, Professor David Crowley and Professor Jeremy Aynsley at the Royal College of Art, for their expert guidance, moral support, and inspiration as incredibly knowledgeable and imaginative design historians. Without a generous AHRC doctoral award and an RCA bursary I would not have been been able to contemplate a project of this scope. Similarly, awards from the German History Society, the Design History Society, the German Historical Institute in Washington and the German Academic Exchange Service in London, as well as additional small bursaries from the AHRC have enabled me to extend my research both in time and geography. -