Mythological Concepts of Pre Vedic Mithila in Received: 28-06-2020 Accepted: 30-07-2020 Migration
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The Gupta Empire: an Indian Golden Age the Gupta Empire, Which Ruled
The Gupta Empire: An Indian Golden Age The Gupta Empire, which ruled the Indian subcontinent from 320 to 550 AD, ushered in a golden age of Indian civilization. It will forever be remembered as the period during which literature, science, and the arts flourished in India as never before. Beginnings of the Guptas Since the fall of the Mauryan Empire in the second century BC, India had remained divided. For 500 years, India was a patchwork of independent kingdoms. During the late third century, the powerful Gupta family gained control of the local kingship of Magadha (modern-day eastern India and Bengal). The Gupta Empire is generally held to have begun in 320 AD, when Chandragupta I (not to be confused with Chandragupta Maurya, who founded the Mauryan Empire), the third king of the dynasty, ascended the throne. He soon began conquering neighboring regions. His son, Samudragupta (often called Samudragupta the Great) founded a new capital city, Pataliputra, and began a conquest of the entire subcontinent. Samudragupta conquered most of India, though in the more distant regions he reinstalled local kings in exchange for their loyalty. Samudragupta was also a great patron of the arts. He was a poet and a musician, and he brought great writers, philosophers, and artists to his court. Unlike the Mauryan kings after Ashoka, who were Buddhists, Samudragupta was a devoted worshipper of the Hindu gods. Nonetheless, he did not reject Buddhism, but invited Buddhists to be part of his court and allowed the religion to spread in his realm. Chandragupta II and the Flourishing of Culture Samudragupta was briefly succeeded by his eldest son Ramagupta, whose reign was short. -
Diversity in the Women of the Therīgāthā
Lesley University DigitalCommons@Lesley Graduate School of Arts and Social Sciences Mindfulness Studies Theses (GSASS) Spring 5-6-2020 Diversity in the Women of the Therīgāthā Kyung Peggy Meill [email protected] Follow this and additional works at: https://digitalcommons.lesley.edu/mindfulness_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Meill, Kyung Peggy, "Diversity in the Women of the Therīgāthā" (2020). Mindfulness Studies Theses. 29. https://digitalcommons.lesley.edu/mindfulness_theses/29 This Thesis is brought to you for free and open access by the Graduate School of Arts and Social Sciences (GSASS) at DigitalCommons@Lesley. It has been accepted for inclusion in Mindfulness Studies Theses by an authorized administrator of DigitalCommons@Lesley. For more information, please contact [email protected], [email protected]. DIVERSITY IN THE WOMEN OF THE THERĪGĀTHĀ i Diversity in the Women of the Therīgāthā Kyung Peggy Kim Meill Lesley University May 2020 Dr. Melissa Jean and Dr. Andrew Olendzki DIVERSITY IN THE WOMEN OF THE THERĪGĀTHĀ ii Abstract A literary work provides a window into the world of a writer, revealing her most intimate and forthright perspectives, beliefs, and emotions – this within a scope of a certain time and place that shapes the milieu of her life. The Therīgāthā, an anthology of 73 poems found in the Pali canon, is an example of such an asseveration, composed by theris (women elders of wisdom or senior disciples), some of the first Buddhist nuns who lived in the time of the Buddha 2500 years ago. The gathas (songs or poems) impart significant details concerning early Buddhism and some of its integral elements of mental and spiritual development. -
Kalidasa - Poems
Classic Poetry Series Kalidasa - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Kalidasa(4th Century - 5th Century) Kalidasa (Devanagari: ??????? "servant of Kali") was a renowned Classical Sanskrit writer, widely regarded as the greatest poet and dramatist in the Sanskrit language. His floruit cannot be dated with precision, but most likely falls within 4th Century AD. His plays and poetry are primarily based on Hindu Puranas and philosophy. <b> Life </b> Nothing apart from his works is known with certainty about the life of Kalidasa, such as his period or where he lived. Little is known about Kalidasa's life. According to legend, he was known for his beauty, which brought him to the attention of Princess Vidyottama and she married him. However, as legend has it, Kalidasa had grown up without much education, and the princess was ashamed of his ignorance and coarseness. A devoted worshipper of Kali (by other accounts of Saraswati), Kalidasa is said to have called upon his goddess for help when he was going to commit suicide in a well after he was humiliated by his wife, and was rewarded with a sudden and extraordinary gift of wit. He is then said to have become the most brilliant of the "nine gems" at the court of the king Vikramaditya of Ujjain. Legend also has it that he was murdered by a courtesan in Sri Lanka during the reign of Kumaradasa. <b> Date </b> A terminus ante quem is given by the Aihole Prashasti of 634 AD, which has a reference to his skills; and a terminus post quem can be presumed from his play Malavikagnimitra in as much as the hero, King Agnimitra of the Shunga dynasty, assumed the throne of Magadha in 152 BC. -
History of Dev ( Deo/Chaudhary )
History of Dev ( Deo/Chaudhary ) .... Before Nepal's emergence as a nation in the later half of the 18th century, the designation 'Nepal' was largely applied only to the Kathmandu Valley and its surroundings. Thus, up to the unification of the country, Nepal's recorded history is largely that of the Kathmandu Valley. References to Nepal in the Mahabharata epic, in Puranas and in Buddhist and Jaina scriptures establish the country's antiquity as an independent political and territorial entity. The oldest Vamshavali or chronicle, the Gopalarajavamsavali, was copied from older manuscripts during the late 14th century, is a fairly reliable basis for Nepal's ancient history. The Vamshavalis mention the rule of several dynasties the Gopalas, the Abhiras and the Kiratas—over a stretch of millennia. However, no historical evidence exists for the rule of these legendary dynasties. The documented history of Nepal begins with the Changu Narayan temple inscription of King Manadeva I (c. 464–505 AD) of the Licchavi dynasty. During the time of Gautama Buddha, the kings of the Lichchhavi dynasty were ruling over Baisali (Muzaffarpur, in modern Bihar in India). Baisali had a partly democratic form of government. According to the later inscription by King Jaya Dev II, Supushpa was the founder of the dynasty, but he was defeated by Ajatashatru, the powerful Magadha king, in the fifth century BC. When the kings of the Kushan empire became powerful in India, the Lichchhavis migrated to Nepal. The twenty-fourth descendant of King Supushpa, Jaya Dev II, re-established the rule of the Lichchhavis in Nepal. -
8. the Guptas and Vardhanas
8. The Guptas and Vardhanas Exercises 1 A. Question Complete the following sentences by using suitable words in the blanks: The Guptas began their reign from the place ____________ . Answer The Guptas began their reign from the place Prayaga. The Gupta dynasty began in 275 C.E. from the place Prayaga in present-day Uttar Pradesh. Shri Gupta was the irst ruler of the dynasty. 1 B. Question Complete the following sentences by using suitable words in the blanks: Chandragupta I was called __________ . Answer Chandragupta I was called a irst historical person of Guptas. The title of irst historical person of Guptas tells that he rose as a irst strong king of the Gupta dynasty and Gupta era started from his reign. 1 C. Question Complete the following sentences by using suitable words in the blanks: One of the great dramas of Kalidasa is ____________. Answer One of the great dramas of Kalidasa is Abhijnana Shakuntala. Kalidasa is a famous Sanskrit poet and dramatist who belonged to the reign of Chandragupta II. Abhijnana Shakuntala is the most popular and great drama of him. 1 D. Question Complete the following sentences by using suitable words in the blanks: Vishakadatta’s literary work is _______. Answer Vishakadatta’s literary work is Mudrarakshasa. Mudrarakshasa is a Sanskrit play which tells about the rise of king Chandragupta Maurya written by Vishakadatta, a Sanskrit poet and playwright. 1 E. Question Complete the following sentences by using suitable words in the blanks: The literary work written by Sudraka is _________. Answer The literary work written by Sudraka is Mricchakatika. -
Book Reviews
HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies Volume 3 Number 2 Article 11 1983 Book Reviews Follow this and additional works at: https://digitalcommons.macalester.edu/himalaya Recommended Citation . 1983. Book Reviews. HIMALAYA 3(2). Available at: https://digitalcommons.macalester.edu/himalaya/vol3/iss2/11 This Book Review is brought to you for free and open access by the DigitalCommons@Macalester College at DigitalCommons@Macalester College. It has been accepted for inclusion in HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. VU. REVIEWS Slusser, Mar y Shepherd. Nepal Mandala- A Cultural Study of the Kathmandu Valley. 2 Vols . Princeton: 1982 Princeton University Press. Maps, dra wings and plans, 1 color plate, 600 bla ck and white plates,appendices, bibliogra phy, index. xix, 491 pp. $1 25.00 Reviewed by : Ronald M. Bernier University of Colorado In plate 500 of this long-awaited study, Dipankara Buddha is shown by Mary Shepherd Slusser in the form of an over life-sized portable sculpture and "mask," with man inside, walking down a Bhaktapur street at the time of the Panch- dan festival. Like this remarkable photograph, Nepal Mandala, the product of nearly 15 years of research in Nepal, presents works of art and architecture in the full context of human life, land, and time. It is a precisely documented reference work and a remarkable account of history, but it is also a lively study that brings together the earthly and heavenly occupants of the Nepalese universe. -
The Lyricism of Kalidasa and the Classical Sanskrit Drama
The Lyricism of Kalidasa and the Classical Sanskrit Drama The World’s Classics lecture series The topics about which I shall speak today… • What is Classical Sanskrit literature? • Who is Kalidasa? Why should we be interested in him? • The lyric drama of Kalidasa, Recognition of Shakuntala • What we can gain from studying Kalidasa’s works. India and the Classics Modern Indian Languages: 1652; 129 languages spoken by more than a million people Official Indian Classical Languages: Sanskrit, Tamil, Telugu, Kannada What makes a language classical? a. “High antiquity of its early texts/recorded history over a period of 1500-2000 years; b. A body of ancient literature/texts, which is considered a valuable heritage by generations of speakers; c. The literary tradition it original and not borrowed from another speech community” Two Distinct but Interrelated Classical Traditions • 1. Dravidian South : Tamil, Kannada, Telugu Indo-European North • Sanskrit and its ancient sisters • These will become Hindi, Gujarati, Bengali etc. Why do we read the classical literature of India? • It has shaped the culture of a major civilization of the world. • It helps us to understand the mind-set of a major portion of the world’s population. • It is full of excellent works that speak to all of us. Classical India: AD 400-1000 • In itself an historical concept = India of the Gupta Emperors • The area covered is huge. • Many different cultures and languages. • Sankrit provides a lingua franca among the educated. The Physical Reality of India of the 1st Millennium of our Era Classical India • The literary legacy of Sanskrit Literature • The Classical Language as standardized by Panini • The literature produced in Classical Sanskrit includes works by Dravidian, Nepali and Sinhalese as well as Indian authors. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
"MAGIC BOOK" GK PDF in English
www.gradeup.co www.gradeup.co Content 1. Bihar Specific General Knowledge: • History of Bihar • Geography of Bihar • Tourism in Bihar • Mineral & Energy Resources in Bihar • Industries in Bihar • Vegetation in Bihar • National Park & Wildlife Sanctuaries in Bihar • First in Bihar • Important Tribal Revolt in Bihar • Bihar Budget 2020-21 2. Indian History: • Ancient India • Medieval India • Modern India 3. Geography: 4. Environment: 5. Indian Polity & Constitution: 6. Indian Economy: 7. Physics: 8. Chemistry: 9. Biology: www.gradeup.co HISTORY OF BIHAR • The capital of Vajji was located at Vaishali. • It was considered the world’s first republic. Ancient History of Bihar Licchavi Clan STONE AGE SITES • It was the most powerful clan among the • Palaeolithic sites have been discovered in Vajji confederacy. Munger and Nalanda. • It was situated on the Northern Banks of • Mesolithic sites have been discovered from Ganga and Nepal Hazaribagh, Ranchi, Singhbhum and Santhal • Its capital was located at Vaishali. Pargana (all in Jharkhand) • Lord Mahavira was born at Kundagram in • Neolithic(2500 - 1500 B.C.) artefacts have Vaishali. His mother was a Licchavi princess been discovered from Chirand(Saran) and (sister of King Chetaka). Chechar(Vaishali) • They were later absorbed into the Magadh • Chalcolithic Age items have been discovered Empire by Ajatshatru of Haryanka dynasty. from Chirand(Saran), Chechar(Vaishali), • Later Gupta emperor Chandragupta married Champa(Bhagalpur) and Taradih(Gaya) Licchavi princess Kumaradevi. MAHAJANAPADAS Jnatrika Clan • In the Later Vedic Age, a number of small • Lord Mahavira belonged to this clan. His kingdoms emerged. 16 monarchies and father was the head of this clan. republics known as Mahajanapadas stretched Videha Clan across Indo-Gangetic plains. -
Greek Poetry and Indic Asceticism As Cures for Lovesickness
Greek Poetry and Indic Asceticism As Cures for Lovesickness: The Empathy and Enlightenment of Parvati and Polyphemus In this talk, I will compare Polyphemus — Homer’s ferocious Cyclops turned bumbling lover who unsuccessfully woos a sea nymph in Theocritus’ Idylls — and Parvati, the beautiful daughter of the Himalaya, who is in love with the unapproachable ascetic god Shiva in Kalidasa’s Kumarasambhava. Though Kalidasa’s plays and Indian dramatic/poetic theory have frequently been compared with their Greek counterparts, nothing has been written comparing his other poems with Alexandrian works. Theocritus and Kalisdasa, were court poets of powerful monarchs who wrote in multiple dialects with elaborate and learned poetic styles featuring beautiful natural settings, semi-divine beings and erotic themes. Both these poems treat of rejection in love, a recurring theme for both authors. Their characters seem to have very different responses since the giant one-eyed Sicilian shepherd turns to composing poetry and song on the seashore while the Hindu goddess begins to practice a severe form of asceticism in the mountains. Yet Abhinavagupta, a yogi and Sanskrit commentator on poetics, posits an analogy between the state of aesthetic enjoyment of the rasika (the connoisseur who is moved by the rasa of a play, poem or work of art) and the state of the yogi who attains enlightenment. The purpose of Indian drama and poetry, kavya, is to evoke rasa, “aestheticized emotions” in the spectator (Ashton and Tanner 2016 14-18). Of these the romantic is among the most frequent. Yet these are different from normal emotions through aesthetic distancing (6). -
Ancient History of Bihar
Ancient History of Bihar By- BPSC Notes http://bpscnotes.com The word ‘Bihar’ has originated from the ‘Viharas’ which means resting house of Buddhist monk but it was the Muslim rulers of 12th Century who started calling the state as ‘Bihar’. Advent of Aryans in Bihar 1. Aryans started moving towards Eastern India in the later Vedic period (1000-600 BC). 2. Satapatha Brahmana mentioned the arrival and spread of Aryans. 3. Varah Puran mentions that Kikat as inauspicious place and Gaya, Punpun and Rajgir as auspicious place. The Mahajanpada The Buddhist and Jaina literature mentioned that 6th century India was ruled by a number of small kingdoms or city states dominated by Magadha. By 500 BC witnesses the emergence of sixteen Monarchies and Republics known as the Mahajanapada. 1. Anga: Modern divisions of Bhagalpur and Munger in Bihar and also some parts of Sahibgunj and Godda districts of Jharkhand. 2. Magadha: Covering the divisions of Patna and Gaya with its earlier capital at Rajgriha or Girivraj. 3. Vajji: a confederacy of eight republican clans, situated to the north of river Ganges in Bihar, with its capital at Vaishali. 4. Malla : also a republican confederacy covering the modern districts of Deoria, Basti, Gorakhpur and Siddharth nagar in Eastern U.P. with two capitals at Kusinara and Pawa. 5. Kashi: covering the present area of Banaras with its capital at Varanasi. 6. Kosala: covering the present districts of Faizabad, Gonda, Bahraich etc. with its capital at Shravasti. 7. Vatsa: covering the modern districts of Allahabad and Mirzapur etc. with its capital at Kaushambi. -
Supernatural Intervention in Kalidasa's
SUPERNATURAL INTERVENTION IN KALIDASA'S ABHIJNANASAKUNTALA AND SHAKESPEARE'S TEMPEST by MANDAKRANTA |BOSE B.A., University of Calcutta M.A., University of Calcutta B.Lftt.,University of Oxford THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Comparative Literature) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 1978 (c) Mandakranta Bose, 1978 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Mandakranta Bose , Comparative Literature artment of The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 24 November 1978 ABSTRACT Widely separated by time and cultural heritage as they are, Kalidasa's Abhi jnanas'akuntala and Shakespeare's Tempest offer valid grounds for comparison. Both are romantic tragicomedies that explore the themes of loss, re-union,and forgiveness. The actions of both plays revolve round noble lovers, both have young and innocent heroines brought up far away from the society of ordinary people, and both are set in remote lands. An even more striking similarity lies in the use that Kalidasa and Shakespeare make of supernatural elements.