DOCSLIB.ORG

Guilsborough Guardian Issue 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Guilsborough Guardian Issue 2 GUILSBOROUGH GUARDIAN 2020 Christmas1 Edition WELCOME TO THE GUILSBOROUGH GUARDIAN! Welcome to the Christmas Edition of the Guilsborough Guardian. With Christmas around the corner and this peculiar year coming to an end, it’s time for a new issue. With puzzles, sports and films reviews, there is something here for everyone, and with the Guardian gaining new members, it will all be better than the last. We hope you enjoy and as always, your feedback and suggestions are always important to us so feel free to contact us. I’m sure most of you are excited for MERRY CHRISTMAS FROM THE Christmas, and the season of gift giving, but this year is most likely GUILSBOROUGH GUARDIAN going to be different to us all. Remember the most important thing is to wash our hands regularly and follow the Covid rules in place. Please don’t forget to kick back and relax too, as after this year, we are all going to need it. As always, we wish everyone the very best in the New Year and hope you have a wonderful Christmas break. In this issue, different items associated with holidays are hidden thoughtout the issue. Can you find all 10 items? They are listed on page 26. Good luck! CONTENTS News – Page 3 Politics guide – Page 5 Sports –Page 7 Dr Who Specials – Page 12 Jingle Jangle – Page 22 Scrooged – Page 23 Polls – Page 24 Some Inspiration – Page 25 Puzzles – Page 26 2 NEWS BY ELLIS ASHER BREXIT NEGOTIATIONS STALL According to Prime Minister Boris Johnson there is a “strong possibility of a no deal Brexit”. The PM has advised businesses to prepare to leave the EU come January 1st regardless of a deal. The government has claimed a no deal Brexit will leave the UK with an “Australia style” option where we have no trade deal with the EU but will be fully independent from it. Talks are scheduled to end on Sunday however there is the possibility of extending them past this. Regardless of the outcome of the talks, the UK looks to be bracing for change and uncertainty. KETTERING SCHOOL ART TO BE MOVED TO HIGH STREET As part of a £4 million campaign to revitalise Kettering’s high street, the locally known “Kettering mosaic” is going to be displayed on High Street. Originally created by Kenneth Budd, the mosaic was displayed on the wall of the Kettering grammar school until it was removed in 2007. Ever since it has been looking for a home in Kettering and according to it’s owners, Kettering civic society, it is to be displayed on the high street as a piece of local art and culture and as a part of the redevelopment of the area. This particular artwork is special to the area and even has a low budget documentary in the works about it. E-SCOOTERS HIT NORTHAMPTONSHIRE E-Scooters schemes are being launched all over the Northamptonshire area in a bid to lower carbon emissions. These e-scooters are able to rent around the area of Northampton Town and now the scheme has given 50 E-scooters for use in central Kettering. Highways England and Northampton council claimed the E-scooters had “30,000 rides last month” but acknowledge “There will be people who leave them irresponsibly” and claim they “have an incentive scheme to help with that.” The next thing will be e-bikes that will be launched on January 13 next year, NHS Workers will also be given discounts of 75% and the scooters and bikes are cleaned every day to prevent the spread of Covid-19. 3 There are still sceptics; in Paris a similar e-scooter program was considered a failure as there were no parking areas and as such the city became seemingly littered with unused e-scooters. There have also been a significant number of accidents involving E-scooters, especially their use on the road in Northampton. Whether these scooters will be good for the environment or if they will do more harm than good remains to be seen, but for now, Northamptonshire seems to be taking a step into the future, or rather a scoot. MAJOR EXPANSION PLANNED FOR DAVENTRY Over a thousand homes have been awarded planning permission on Malabar Farm on the A425/Staverton Road south of Daventry. If completed this would be a major expansion to the area. According to the applicants the homes come with new shops, community areas and a community centre, and plenty of links to the town centre. In a statement an agent for the applicants said, “The level of objection to this scheme has been incredibly low, which we consider in part is down to the inclusive approach we have taken to this application.” There are however concerns as the builds will be located on the other side of the A425 from the rest of Daventry and many are worried that access will be limited. SCHOOLS TO CLOSE EARLY FOR CHRISTMAS The government has said that schools are to be allowed to close earlier, and that they have to be closed at least six days before Christmas eve so that teachers wouldn’t have to work with the NHS track and trace systems over the holidays. For most schools this means that instead of breaking up on the Friday 18th they will be breaking up on Thursday 17th. This follows a U-turn in policy as in November MP’s claimed they weren’t going to close early at Christmas. This, however, was made optional and Guilsborough will not be closing. 4 A BEGINNER’S GUIDE TO POLITICS BY ELLIS ASHER The Guilsborough Guardian politics section strives to be something that is simultaneously a valuable, relevant resource of valid information and also easy to understand for the average reader. Many people have strong opinions on how to make the world a better place but can see the world of politics as either boring, confusing or not for them. So, in this article I would like to explain the basics of politics to the best of my ability so that we can have more, fully developed ideas in the Guilsborough area. We will start with leanings, most people have heard of left and right wing leanings, it will likely help to picture it as a line at first, left and right wings are a spectrum, on which lies a set of values. The right wing will tend to favour tradition, capitalism and generally speaking tend to support free markets and more traditional values systems however as we will see later this isn’t always the case. The Left wing tends to favour change, social justice, equality and generally believe that the market (companies) requires restrictions to benefit the people. Seeing things as just Left and right however isn’t always an option, my favourite method of picturing political viewpoints is the political compass, where as well as the strait line from left to right there is also a vertical line, with the horizontal line representing economic policy leanings and the horizontal line representing leanings regarding the amount of government control. By adding another dimension we make room for more diverse political positions. As such I will be referring to it’s terms to define political leanings. Examples of this include Right Wing Libertarians, who believe that the government should have less power over people’s lives and also believe the government should loosen both taxes and restrictions on companies. There is plenty of common ground to be found with both Left wing libertarians who believe in social justice and equality but also believe that the government needs to have its power reduced and common ground can also be found with more authoritarian right wingers who also believe the market should be less restricted. It boils down to simply if people are in favour or against restrictions on companies (left and right) and if people value the individual or the collective (authoritarian and libertarian). This is an essential distinction else you could claim that both Stalin and Ghandi were alike or that The US is a ‘Far Right country'. Without this distinction between economic and social policy a political understanding can only go so far, for example someone can be very in favour of free markets and the individual and be considered ‘far right however these people would often be associated with the 5 German National Socialist Party, of which they share no likeness and may be metaphorically further away from that ideology than some people who would consider themselves left wing. Right wing parties in the UK include The Conservative Party and UKIP, whilst the Left Wing parties include The Labour Party and The Green Party. The 3rd largest party in the UK is the Liberal Democrats, or just the LibDems, they can change their stance frequently so it is best to see where they stand on issues you feel are important to you. On election years, when each party competes to gain power the parties will often publish “party political broadcasts and publish a shiny new manifesto, all of these will be publicly available and are the most reliable tool to finding out who best suits your views. You should bear in mind that you don’t have to find a party and often you will not completely align with everything your chosen party says. This is generally a good indicator that you are a good independent thinker and you should keep doing what you are doing. Independent thinkers often go on to do good things as is evidenced by history. Terminology is a big thing in politics and often people will use very complex words as over-complicated ways of describing something simple.
Load more

Recommended publications
  • 1 2019 Gally Academic Track Friday, February 15
    2019 Gally Academic Track Friday, February 15, 2019 3:00-3:15 KEYNOTE “The Fandom Hierarchy: Women of Color’s Fight For Visibility In Fandom Spaces” Tai Gooden Women of Color (WoC) have been fervent Doctor Who fans for several decades. However, the fandom often reflects societal hierarchies upheld by White privilege that result in ignoring and diminishing WoC’s opinions, contributions, and legitimate concerns about issues in terms of representation. Additionally, WoC and non-binary (NB) people of color’s voices are not centered as often in journalism, podcasting, and media formats nor convention panels as much as their White counterparts. This noticeable disparity has led to many WoC, even those who are deemed “important” in fandom spaces, to encounter racism, sexism, and, depending on the individual, homophobia and transphobia in a place that is supposed to have open availability to everyone. I can attest to this experience as someone who has a somewhat heightened level of visibility in fandom as a pop culture/entertainment writer who extensively covers Doctor Who. This presentation will examine women of color in the Doctor Who fandom in terms of their interactions with non-POC fans and difficulties obtaining opportunities in media, online, and at conventions. The show’s representation of fandom and the necessity for equity versus equality will also be discussed to craft a better understanding of how to tackle this pervasive issue. Other actionable solutions to encourage intersectionality in the fandom will be discussed including privileged people listening to WoC and non- binary people’s concerns/suggestions, respectfully interacting with them online and in person, recognizing and utilizing their privilege to encourage more inclusivity, standing in solidarity with them on critical issues, and lending their support to WoC creatives.
    [Show full text]
  • Blink by Steven Moffat EXT
    Blink by Steven Moffat EXT. WESTER DRUMLINS HOUSE - NIGHT Big forbidding gates. Wrought iron, the works. A big modern padlock on. Through the gates, an old house. Ancient, crumbling, overgrown. Once beautiful - still beautiful in decay. Panning along: on the gates - DANGER, KEEP OUT, UNSAFE STRUCTURE -- The gates are shaking, like someone is climbing them -- -- and then a figure drops into a view on the other side. Straightens up into a close-up. SALLY SPARROW. Early twenties, very pretty, just a bit mad, just a bit dangerous. She's staring at the house, eyes shining. Big naughty grin. SALLY Sexy! And she starts marching up the long gravel drive ... CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY - NIGHT The big grand house in darkness, huge sweeping staircase, shuttered window, debris everywhere -- One set of shutters buckles from an impact from the inside, splinters. SALLY SPARROW, kicking her away in -- CUT TO: INT. WESTER DRUMLINS HOUSE. HALLWAY/ROOMS - NIGHT SALLY, clutching a camera. Walks from one room to another. Takes a photograph. Her face: fascinated, loving this creepy old place. Takes another photograph. CUT TO: INT. WESTER DRUMLINS HOUSE. CONSERVATORY ROOM - NIGHT In the conservatory now - the windows looking out on a darkened garden. And a patch of rotting wallpaper catches SALLY'S eye -- 2. High on the wall, just below the picture rail, a corner of wallpaper is peeling away, drooping mournfully down from the wall -- -- revealing writing on the plaster behind. Just two letters we can see - BE - the beginning of a word -- She reaches up on tiptoes and pulls at the hanging frond of wallpaper.
    [Show full text]
  • THE TWO JACKS! We Bring You EXCLUSIVE Interviews with JOHN and CAROLE BARROWMAN and the Real Captain Jack, MATT RIPPY!
    Issue Seven Hey folks? You miss me? THE TWO JACKS! We bring you EXCLUSIVE interviews with JOHN AND CAROLE BARROWMAN and the real Captain Jack, MATT RIPPY! PLUS! We talk to Trevor Baxendale about his Torchwood novels! EDITORIAL CONTENTS “Hey Jack: is that a missile in your 4-5: Inside the Hub- All the latest Torchwood news pocket or are you just pleased to see me?” 6-11: TORCHWOOD TALES: The Barrowmans Welcome to one of the most exciting 12-13: A Salute to Jack issues of The Hub I’ve ever produced. Firstly, apologies we did not release on the previously ad- vertised date of 1st September. I have been in Devon for a week and didn’t get as 14-17: TORCHWOOD TALES: Matt Rippy much time to edit as I thought. It probably didn’t help I purchased “The Walking Dead Season Two” on DVD… And the large amount of reading 18-21: Episode Guide: Captain Jack Harkness The Hub Issue Seven I had for some Sixth Form courses I’m taking… Editor (Captain Jack): Matt Powell Assistant Producers (Gwen and Ianto): 22-28: Fiction: 21st January. 1941 This issue has been such fun to produce and it all started with the Bar- Louise Mills, Debs Forrest Copy Editor: Lisa Moran rowman’s interview. I remember the night when I had Debs email me saying she’d got them. We were over the moon. I couldn’t believe that we’d 30-37: Trevor Baxendale Article Writers: got them at first! Jack is a character we all love and adore.
    [Show full text]
  • Extraordinary Rendition in U.S. Counterterrorism Policy: the Impact on Transatlantic Relations
    EXTRAORDINARY RENDITION IN U.S. COUNTERTERRORISM POLICY: THE IMPACT ON TRANSATLANTIC RELATIONS JOINT HEARING BEFORE THE SUBCOMMITTEE ON INTERNATIONAL ORGANIZATIONS, HUMAN RIGHTS, AND OVERSIGHT AND THE SUBCOMMITTEE ON EUROPE OF THE COMMITTEE ON FOREIGN AFFAIRS HOUSE OF REPRESENTATIVES ONE HUNDRED TENTH CONGRESS FIRST SESSION APRIL 17, 2007 Serial No. 110–28 Printed for the use of the Committee on Foreign Affairs ( Available via the World Wide Web: http://www.foreignaffairs.house.gov/ U.S. GOVERNMENT PRINTING OFFICE 34–712PDF WASHINGTON : 2007 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2250 Mail: Stop SSOP, Washington, DC 20402–0001 COMMITTEE ON FOREIGN AFFAIRS TOM LANTOS, California, Chairman HOWARD L. BERMAN, California ILEANA ROS-LEHTINEN, Florida GARY L. ACKERMAN, New York CHRISTOPHER H. SMITH, New Jersey ENI F.H. FALEOMAVAEGA, American DAN BURTON, Indiana Samoa ELTON GALLEGLY, California DONALD M. PAYNE, New Jersey DANA ROHRABACHER, California BRAD SHERMAN, California DONALD A. MANZULLO, Illinois ROBERT WEXLER, Florida EDWARD R. ROYCE, California ELIOT L. ENGEL, New York STEVE CHABOT, Ohio BILL DELAHUNT, Massachusetts THOMAS G. TANCREDO, Colorado GREGORY W. MEEKS, New York RON PAUL, Texas DIANE E. WATSON, California JEFF FLAKE, Arizona ADAM SMITH, Washington JO ANN DAVIS, Virginia RUSS CARNAHAN, Missouri MIKE PENCE, Indiana JOHN S. TANNER, Tennessee THADDEUS G. MCCOTTER, Michigan LYNN C. WOOLSEY, California JOE WILSON, South Carolina SHEILA JACKSON LEE, Texas JOHN BOOZMAN, Arkansas RUBE´ N HINOJOSA, Texas J. GRESHAM BARRETT, South Carolina DAVID WU, Oregon CONNIE MACK, Florida BRAD MILLER, North Carolina JEFF FORTENBERRY, Nebraska LINDA T.
    [Show full text]
  • 100 Piano Classics
    100 Piano Classics: In The The Best Of The Red Army Lounge Choir Samuel Joseph Red Army Choir SILCD1427 | 738572142728 SILKD6034 | 738572603427 CD | Lounge Album | Russian Military Songs Samuel Joseph is 'The Pianists' Pianist'. Born in Hobart, Re-mastered from the original session tapes, the recordings Tasmania he grew up performing at restaurants, events and for this 2CD set were all made in Moscow over a number of competitions around the city before settling in London in years. They present the most complete and definitive 2005. He has brought his unique keyboard artistry to many collection of recordings of military and revolutionary songs celebrated London venues including the Dorchester, the by this most versatile of choirs. Includes Kalinka, My Savoy, Claridges, the Waldorf and Le Caprice. He has Country, Moscow Nights, The Cossacks, Song of the Volga entertained celebrities as diverse as Bono to Dustin Boatmen, Dark Eyes and the USSR National Anthem. Hoffman along with heads of state and royalty. Flair, vibrancy and impeccable presentation underline his keyboard skills. This 100 track collection highlights his astounding repertoire Swinging Mademoiselles - The Adventures Of Robinson Groovy French Sounds From Crusoe - Original TV The 60s Soundtrack Various Artists Robert Mellin & Gian-Piero SILCD1191 | 738572119126 Reverberi CD | French FILMCD705 | 5014929070520 CD | TV Soundtracks Long before England started swinging in the mid-1960s, One of the most evocative children's TV series of the 1960s France was the bastion for cool European pop sounds. is equally matched by Robert Mellin and Gian-Piero Sultry young French maidens, heavy on mascara and a Reverberi's enchanting score familiar to any young viewer of languid innocence cast a sexy spell with what became the period.
    [Show full text]
  • Doctor Who 1 Doctor Who
    Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC.
    [Show full text]
  • Adventures in Time and Sound: Leitmotif and Repetition in Doctor Who
    Adventures in Time and Sound: Leitmotif and Repetition in Doctor Who by Emilie Hurst A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2015 Emilie Hurst ii Abstract This thesis explores the intersections between repetition, leitmotif and the philosophy of Gilles Deleuze in the context the BBC television series Doctor Who (1963-1989; 2005- ). Deleuze proposes that instead of the return of the same, repetition, by its constant insertion in a new temporal context can produce difference as part of the process of the eternal return. He also rejects the concepts of being in favour of becoming. I argue his framework on repetition allows us to broaden the definition of the leitmotif and embrace the role of repetition. I analyse the leitmotif of three characters: Amy Pond, River Song, and the Doctor. In all three instances, the leitmotifs are an active participant in the process of becoming while, simultaneously, undergoing their own becoming. For River, the leitmotif also works as a territorializing refrain, while for the Doctor, use of leitmotif paradoxically gives the impression of being. iii Acknowledgements I would like to thank my advisors Alexis Luko and James Deaville for providing me with guidance along the way, as well as Paul Théberge who stepped in the final month to help me re- organize my thoughts. The input of all three helped insure that what follows is a much more cohesive, better organized final product. I would also like to thank graduate supervisors Anna Hoefnagels, and examiners Jesse Stewart and André Loiselle all of whom went out of their way to assure I completed my defense on time.
    [Show full text]
  • The Tenth Doctor Adventures!
    WWW.BIGFINISH.COM • NEW AUDIO ADVENTURES ISSUE 87 • MAY 2016 2016 MAY • 87 ISSUE DOCTOR WHO: THE TENTH DOCTOR ALLONS-Y! DAVID TENNANT AND CATHERINE TATE RETURN TO THE TARDIS FOR THREE NEW ADVENTURES! JOURNEYS IN SPACE AND TIME! PLUS! CLASSIC HORROR GALLIFREY BIG FINISH’S DRACULA ENEMY LINES BIG GUIDE! MARK GATISS BARES HIS FANGS ROMANA, LEELA AND ACE PREPARE 21 ESSENTIAL RELEASES FOR IN OUR NEW ADAPTATION! THE TIME LORDS FOR WAR! NEWCOMERS TO LISTEN TO! WELCOME TO BIG FINISH! We love stories and we make great full-cast audio dramas and audiobooks you can buy on CD and/or download Big Finish… Subscribers get more We love stories! at bigfinish.com! Our audio productions are based on much- If you subscribe, depending on the range you loved TV series like Doctor Who, Torchwood, subscribe to, you get free audiobooks, PDFs Dark Shadows, Blake’s 7, The Avengers and of scripts, extra behind-the-scenes material, a Survivors as well as classic characters such as bonus release, downloadable audio readings of Sherlock Holmes, The Phantom of the Opera new short stories and discounts. and Dorian Gray, plus original creations such as Graceless, Charlotte Pollard and The You can access a video guide to the site at Adventures of Bernice Summerfield. www.bigfinish.com/news/v/website-guide-1 WWW.BIGFINISH.COM @ BIGFINISH THEBIGFINISH Sneak Previews & Whispers Editorial ELL, this is all rather exciting, isn’t it? David Tennant is back as the Doctor! W For those of us who are long-standing Big Finish fans, we knew of David’s work long before he was given the key to the TARDIS, and when we heard he had been cast, we were already hoping that one day he’d be back in the Big Finish studio to play the Doctor.
    [Show full text]
  • Gold-En Music: the New Series of Doctor Who by Robin Lapasha January 2006 (Copyright © L
    Gold-en Music: the New Series of Doctor Who by Robin LaPasha January 2006 (Copyright © L. Robin C. LaPasha. All Rights Reserved.) When Doctor Who returned to television, the BBC advertised the show with a particularly punchy trailer including a fireball special effect, and Christopher Eccleston saying of the new series: “It’s not quiet, it’s not safe, and it’s not calm.” The same can be said for the music by Murray Gold. It’s not quiet; the music is not occasional or ‘incidental’—it’s an integral layer. Melody and dialogue happen at the same time. It’s not safe; there are over 30 identifiable musical motifs in the first 13 episodes. Half of the motifs are used in more than one episode, and most actively support story arcs. You can’t create that many pieces of musical composition over 10 hours of broadcast and get them all completely right. There are a few missteps. It’s not calm; the styles used stretch from Euro-technopop to opera, Philip Glass to Latin dance. It’s not the same as the old Doctor Who music, and it is wonderful. Scoring Who There are four types of music presented in Doctor Who in its 21st century incarnation. The first is the overall series theme, functionally the same as its initial creation in 1963. The general frame of the theme as devised by Ron Grainer, Delia Darbyshire, and the BBC Radiophonic Workshop is so recognizable by people all over the world—including many who have never watched the show—that there would be no possibility of changing the melody; interpretation is restricted to instrumentation and percussion choices and the resulting mood choices highlighted by each re-mix.
    [Show full text]
  • Television Reviews
    Page 97 TELEVISION REVIEWS Sympathy for the Devil? Appropriate Adult (ITV 1, September 2011) Not much feted previously for the quality of its dramas (unless it was by fans of outlandish psycho thrillers about the perils of adultery), ITV has recently been enjoying a renaissance in quality that has made even the BBC sit up and take notice, as witnessed by last­year’s much hyped Downtown Abbey / Upstairs Downstairs face­off (the enjoyably preposterous Downtown Abbey walked away with all the prizes and plaudits). However, producing a drama based on events surrounding one of the most notorious crime stories of the 1990s – the serial killing exploits of gruesome twosome Fred and Rosemary West – was always going to be a rather more delicate proposition than assembling an assortment of noted Thesps in a stately home and letting them get on with talking ponderously about how “War changes things...” Let’s face it, the serial killer biopic is a particularly debased format, as epitomised most vividly in the distasteful antics of the now defunct (but much lamented, at least until its partial reincarnation as Palisades/Tartan) Tartan Metro company, which was a respectful and intelligent distributor of international and hard­to­get genre films but which also helped bankroll three particularly regrettable movies of this type. These were; the sordid, workmanlike Ed Gein (2000), the deeply offensive (on many levels) Ted Bundy (2003) – which actually sound­tracked a montage sequence depicting Bundy’s peripatetic assaults on dozens of young women with comedy music and the supposedly “hilarious” sound of his victims being hit on the head – and the equally repugnant The Hillside Strangler (2006).
    [Show full text]
  • William Bradford, Barbarians at the Gates
    BARBARIANS AT THE GATES: A POST-SEPTEMBER 11TH..., 73 Miss. L.J. 639 73 Miss. L.J. 639 Mississippi Law Journal Winter 2004 Article BARBARIANS AT THE GATES: A POST-SEPTEMBER 11TH PROPOSAL TO RATIONALIZE THE LAWS OF WAR William Bradforda1 Copyright (c) 2004 Mississippi Law Journal, Inc.; William Bradford “And were a civilized nation engaged with barbarians, who observed no rules of war, the former must also suspend their observance of them, where they no longer serve to any purpose; and must render every action or recounter as bloody and pernicious as possible to the first aggressors.”1 I. Introduction A. Humanizing War with Law: Aspiration Since the dawn of man,2 war3 has been justified as an *640 object of divine ordination,4 the natural state of humanity5 and a tool in the progressive betterment of character,6 culture7 and civilization.8 In this hyper- ideological age tragically *641 symbolized by September 11, 2001, war, to the dismay of those who hoped material transformations might weaken its siren’s call,9 waxes ever more destructive,10 driving efforts to abolish force as a moral imperative11 and, less quixotically, to induce compliance with an accreting body of rules, known as international humanitarian law (IHL),12 to “humanize” armed conflict. *643 13 This progressive regulation14 has met nearly universal approbation:15 many ethical people, instinctively antipathetic *644 to war,16 welcome any anodyne and few proclaim its absolute independence from legal regulation.17 Indeed, the distinction between “murder” and “ killing in war” is now difficult to sustain without reference to positive law,18 and the term “war crime”19 has entered the popular lexicon20 accompanied by images of atrocity that provoke moral outrage.21 Empirically, states and individuals obey IHL at least some of the time,22 and the phrase “laws of war” is no longer ipso facto oxymoronic.
    [Show full text]
  • 10 Objects of Dr
    The right of Philip Bates to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. An unofficial Doctor Who Publication Doctor Who is © British Broadcasting Corporation, 1963, 2021 Editor: Shaun Russell Editorial: Will Rees Cover and illustrations by Martin Baines Published by Candy Jar Books Mackintosh House 136 Newport Road, Cardiff, CF24 1DJ www.candyjarbooks.co.uk All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. Come one, come all, to the Museum of ! Located on the SS. Shawcraft and touring the Seven Systems, right now! Are you a fully-grown human adult? I would like to speak to someone in charge, so please direct me to any children in the vicinity. No, no, that's not fair – I was programmed not to judge, for I am a simple advertisement bot, bringing you the best in junk mail. Are you always that short? No, don’t look at me like that: my creators were from Ravan-Skala, where the people are six hundred ft tall; you have to talk to them in hot air balloons, and the tourist information centre is made of one of their hats.
    [Show full text]