Predrag Matvejeviä⁄•Žs Mediterranean Breviary: Nostalgia
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Fiera Internazionale Del Libro Di Torino
Fiera Internazionale del Libro 2007 XX edizione Torino - Lingotto Fiere, 10-14 maggio I CONFINI, TEMA CONDUTTORE DELLA FIERA 2007 Torino, 16 aprile 2007 - L’edizione 2007, con cui la Fiera del libro festeggerà i suoi vent’anni, avrà per tema conduttore i confini. Un motivo che consentirà di affrontare alcuni tra i problemi più scottanti della nostra epoca. Il confine è infatti ciò che segna un limite, e dunque separa, ma insieme unisce, mette in relazione. E’ il limite che bisogna darsi per cercare di superarlo. E’ la porta del confronto con noi stessi e con gli altri. E’ una linea mobile che esige una continua ridefinizione. Un concetto che la Fiera intende appunto declinare nella sua accezione di apertura e di scambio. Il confine mette in gioco un’idea di polarità, di opposizioni chiamate a misurarsi, a rispettarsi e a dialogare. E allo stesso tempo ci rimanda l’immagine complessa, paradossale e contraddittoria del mondo d’oggi. Primo paradosso: un mondo sempre più virtualizzato e globale sembrerebbe avere attenuato o addirittura abolito il concetto di separatezza, sostituito da quello di un gigantesco mercato, che consuma ovunque i medesimi prodotti. Eppure i confini cancellati dai mercati ritornano drammaticamente sia nella crescente divaricazione tra Paesi ricchi e Paesi poveri, sia nell’affermazione di esasperate identità locali, opposte le une e altre, che si risolvono in tensioni, conflitti, guerre di tutti contro tutti. Le divisioni etniche e religiose, lungi dal conciliarsi in un dialogo possibile, scatenano opposizioni sempre più radicali e devastanti, che si affidano al braccio armato dei terrorismi. La miscela di cosmopolitismo, globalizzazione e fanatismi locali produce nuovi recinti e innalza nuovi muri. -
Scarica Rassegna Stampa
Sommario N. Data Pag Testata Articolo Argomento 1 07/08/2020 68,... SETTE MAURIZIO DE GIOVANNI ° EINAUDI 2 18/08/2020 WEB ANSA.IT >>>ANSA/LIBRI, GRANDE AUTUNNO ITALIANO DA TAMARO A MAGRIS ° EINAUDI L'INTERVISTA: MAURIZIO DE GIOVANNI. NAPOLI ORA DEVE RISORGERE IN COMUNE ARIA 3 19/08/2020 6 LA REPUBBLICA NAPOLI NUOVA" ° EINAUDI 4 19/08/2020 33 LA PROVINCIA PAVESE DALLA TAMARO A DE CARLO UN GRANDE AUTUNNO TRA RITORNI E SORPRESE ° EINAUDI 5 20/08/2020 44 L'ARENA DA CAROFIGLIO A PENNACCHI, AUTUNNO DI LIBRI ° EINAUDI 6 20/08/2020 34 LA SICILIA E CON L'AUTUNNO CADONO... I LIBRI ° EINAUDI 7 12/09/2020 42,... CORRIERE DELLA SERA IMPOSSIBILE RESISTERE SE TI AFFERRA SETTEMBRE ° EINAUDI 8 12/09/2020 37 LA GAZZETTA DEL MEZZOGIORNO 19ª EDIZIONE "I DIALOGHI DI TRANI ° EINAUDI 9 14/09/2020 WEB AMICA.IT 16 IMPERDIBILI NUOVI LIBRI DA LEGGERE IN USCITA NELL'AUTUNNO 2020 ° EINAUDI 10 15/09/2020 WEB CORRIEREDELMEZZOGIORNO.CORRIERE.IT MAURIZIO DE GIOVANNI E IL CICLONE MINA SETTEMBRE ° EINAUDI 11 15/09/2020 1,1... CORRIERE DEL MEZZOGIORNO (NA) DE GIOVANNI EMINA SETTEMBRE COSÌ LA CITTÀ TORNA A COLORARSI ° EINAUDI Data: 07.08.2020 Pag.: 68,69,70,71,72 Size: 2541 cm2 AVE: € .00 Tiratura: Diffusione: Lettori: Codice cliente: null OPERE Maurizio de Giovanni (Napoli, 1958) è diventato famoso con i del sangue, Il giorno dei morti, Vipera (Premio Viareggio, Premio Camaiore), In fondo al tuo cuore, Anime MAURIZIO di vetro, Il purgatorio dell'angelo e Il pianto dell'alba Stile Libero). Dopo Il metodo del Coccodrillo (Mondadori 2012; Einaudi Stile Libero 2016; Premio Scerbanenco), con I Bastardi di Pizzofalcone (2013) ha dato inizio Maurizio de a un nuovo Giovanni è nato Stile Libero e partecipando diventato una a un concorso serie Tv per Rai 1) ° EINAUDI 1 Data: 07.08.2020 Pag.: 68,69,70,71,72 Size: 2541 cm2 AVE: € .00 Tiratura: Diffusione: Lettori: SPECIALE LIBRI LA CONVERSAZIONE di ROBERTA SCORRANESE foto di SERGIO SIANO "NAPOLIASSOMIGLIA AUNACIPOLLA QUILESTORIENON FINISCONOEIMORTI STANNOCONIVIVI" DEGIOVANNI MauriziodeGiovannièinlibertàvigilata. -
Ten Thomas Bernhard, Italo Calvino, Elena Ferrante, and Claudio Magris: from Postmodernism to Anti-Semitism
Ten Thomas Bernhard, Italo Calvino, Elena Ferrante, and Claudio Magris: From Postmodernism to Anti-Semitism Saskia Elizabeth Ziolkowski La penna è una vanga, scopre fosse, scava e stana scheletri e segreti oppure li copre con palate di parole più pesanti della terra. Affonda nel letame e, a seconda, sistema le spoglie a buio o in piena luce, fra gli applausi generali. The pen is a spade, it exposes graves, digs and reveals skeletons and secrets, or it covers them up with shovelfuls of words heavier than earth. It bores into the dirt and, depending, lays out the remains in darkness or in broad daylight, to general applause. —Claudio Magris, Non luogo a procedere (Blameless) In 1967, Italo Calvino wrote a letter about the “molto interessante e strano” (very interesting and strange) writings of Thomas Bernhard, recommending that the important publishing house Einaudi translate his works (Frost, Verstörung, Amras, and Prosa).1 In 1977, Claudio Magris held one of the !rst international conferences for the Austrian writer in Trieste.2 In 2014, the conference “Il più grande scrittore europeo? Omag- gio a Thomas Bernhard” (The Greatest European Author? Homage to 1 Italo Calvino, Lettere: 1940–1985 (Milan: Mondadori, 2001), 1051. 2 See Luigi Quattrocchi, “Thomas Bernhard in Italia,” Cultura e scuola 26, no. 103 (1987): 48; and Eugenio Bernardi, “Bernhard in Italien,” in Literarisches Kollo- quium Linz 1984: Thomas Bernhard, ed. Alfred Pittertschatscher and Johann Lachinger (Linz: Adalbert Stifter-Institut, 1985), 175–80. Both Quattrocchi and Bernardi -
Mediterranean Studies and the Remaking of Pre-Modern Europe1
Journal of Early Modern History 15 (2011) 385-412 brill.nl/jemh Mediterranean Studies and the Remaking of Pre-modern Europe1 John A. Marino University of California, San Diego Abstract Why have we begun to study the Mediterranean again and what new perspectives have opened up our renewed understanding? This review article surveys recent research in a number of disciplines to ask three questions about Mediterranean Studies today: What is the object of study? What methodologies can be used to study it? And what it all means? The general problem of the object of study in Mediterranean Studies in its ecological, eco- nomic, social, political, and cultural dimensions is introduced in a summary of the works of Pergrine Horden and Nicholas Purcell, Michael McCormick, Chris Wickham, and David Abulafia. Recent methodologies suggested by Peter Burke, Christian Bromberger, Ottomanists, art historians, and literary scholars emphasize both the macro-historical and micro-historical level in order to understand both the local and the regional, material cul- ture and beliefs, mentalities, and social practices as well as its internal dynamics and exter- nal relations. The end results point to three conclusions: the relationship between structures and mechanisms of change internally and interactions externally, comparisons with “other Mediterraneans” outside the Mediterranean, and to connections with the Atlantic World in the remaking of premodern Europe then and now. Keywords Mediterranean, Braudel, Annales school, Purcell, Horden, McCormick, Wickham, Abulafia, Venice, Toledo, Ottoman Empire 1 This paper was originally given as part of a plenary panel, “Trends in Mediterranean Studies,” at the Renaissance Society of America annual meeting in Venice, April 9, 2010. -
DNA Evidence of a Croatian and Sephardic Jewish Settlement on the North Carolina Coast Dating from the Mid to Late 1500S Elizabeth C
International Social Science Review Volume 95 | Issue 2 Article 2 DNA Evidence of a Croatian and Sephardic Jewish Settlement on the North Carolina Coast Dating from the Mid to Late 1500s Elizabeth C. Hirschman James A. Vance Jesse D. Harris Follow this and additional works at: https://digitalcommons.northgeorgia.edu/issr Part of the Anthropology Commons, Communication Commons, Genealogy Commons, Geography Commons, International and Area Studies Commons, Jewish Studies Commons, Political Science Commons, and the United States History Commons Recommended Citation Hirschman, Elizabeth C.; Vance, James A.; and Harris, Jesse D. () "DNA Evidence of a Croatian and Sephardic Jewish Settlement on the North Carolina Coast Dating from the Mid to Late 1500s," International Social Science Review: Vol. 95 : Iss. 2 , Article 2. Available at: https://digitalcommons.northgeorgia.edu/issr/vol95/iss2/2 This Article is brought to you for free and open access by Nighthawks Open Institutional Repository. It has been accepted for inclusion in International Social Science Review by an authorized editor of Nighthawks Open Institutional Repository. DNA Evidence of a Croatian and Sephardic Jewish Settlement on the North Carolina Coast Dating from the Mid to Late 1500s Cover Page Footnote Elizabeth C. Hirschman is the Hill Richmond Gott rP ofessor of Business at The nivU ersity of Virginia's College at Wise. James A. Vance is an Associate Professor of Mathematics at The nivU ersity of Virginia's College at Wise. Jesse D. Harris is a student studying Computer Science -
EL PERIODISMO DEL JOVEN CLAUDIO: MAGRIS ANTES DE MAGRIS the Journalism of the Young Claudio: Magris Before Magris
183 ISSN: 1576-7787 183 EL PERIODISMO DEL JOVEN CLAUDIO: MAGRIS ANTES DE MAGRIS The Journalism of the Young Claudio: Magris before Magris Pedro Luis LADRÓN DE GUEVARA Universidad de Murcia Fecha final de recepción: 10 de junio de 2018 Fecha de aceptación definitiva: 30 de septiembre de 2018 RESUMEN: Esta intervención no trata ni puede ser exhaustiva. Quiere mostrar el comienzo de una investigación sobre la dilatada actividad periodística del escritor Claudio Magris que se extiende por un largo periodo de 60 años, desde 1958 hasta hoy, y que comprende aproximada- mente más de dos mil artículos. En ellos encontramos ideas, personajes que luego formarían parte de novelas como Danubio o Non luogo a procedere. Palabras clave: Magris; periodismo; Márquez; literatura italiana. ABSTRACT: This intervention is not and cannot be exhaustive. It pretends to demonstrate the beginning of an investigation about the diversified journalistic activity of the writer Claudio Magris, which lasts for a long period of time of 60 years, from 1958 up to the present day; and which comprises more than two thousand articles. In these articles it is possible to find ideas, char- acters that would then be part of some novels such as Danubio or Non luogo a procedere. Key words: Magris; journalism; Márquez; Italian literature. Claudio Magris, antes de ser el famoso escritor de El Danubio, o aquel narrador que se inició con Conjeturas para un sable, escribía en los periódicos. En las rotativas expectante se fue formando como escritor, sin hacer distinción entre el periodista, el profesor o el narrador. Comenzó en periódicos locales, entre estos destaca Il Piccolo © Ediciones Universidad de Salamanca / CC BY-NC-ND Rev. -
William Weaver Papers, 1977-1984
http://oac.cdlib.org/findaid/ark:/13030/kt4779q44t No online items Finding Aid for the William Weaver Papers, 1977-1984 Processed by Lilace Hatayama; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2005 The Regents of the University of California. All rights reserved. Finding Aid for the William 2094 1 Weaver Papers, 1977-1984 Descriptive Summary Title: William Weaver Papers Date (inclusive): 1977-1984 Collection number: 2094 Creator: Weaver, William, 1923- Extent: 2 boxes (1 linear ft.) Abstract: William Weaver (b.1923) was a free-lance writer, translator, music critic, associate editor of Collier's magazine, Italian correspondent for the Financial times (London), music and opera critic in Italy for the International herald tribune, and record critic for Panorama. The collection consists of Weaver's translations from Italian to English, including typescript manuscripts, photocopied manuscripts, galley and page proofs. Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Department of Special Collections. -
Descrizione Centro Manoscritti
Il Fondo Ferrieri presso il Centro Manoscritti dell’Università di Pavia Nicoletta Trotta Il Fondo Ferrieri è stato acquisito dal Centro di ricerca sulla tradizione manoscrit- ta di autori moderni e contemporanei dell’Università di Pavia nel 1991 per volontà dei figli di Enzo Ferrieri: in una lettera del 12 settembre 1991Anna Ferrieri Castelli e Giuliano Ferrieri scrivevano al Magnifico Rettore dell’ateneo pavese per confer- mare la donazione di «tutto il materiale autografo inedito conservato da Enzo Fer- rieri, che testimonia l’intenso scambio di corrispondenza, di idee e di iniziative culturali» che il loro «padre ebbe con i protagonisti della vita intellettuale italiana ed europea durante il ventennio tra le due guerre» e promettevano di consegnare,a completamento del materiale già affidato, i numeri disponibili della rivista «Il Convegno». Qualche mese prima il Centro Manoscritti aveva dedicato a questa importante acquisizione una mostra documentaria dal titolo “Il Convegno”di Enzo Ferrieri e la cultura europea dal 1920 al 1940, tenutasi a Pavia, presso la Sala dell’Annunciata, dall’11 al 25 maggio.Il ricco catalogo,1 curatodaAngeloStella,siapreconlacorpo- sa sezione Le sale della letteratura italiana diAnna Modena,seguono i contributi di Guido Lopez, Eugenio Levi, la“coscienza inquieta” del“Convegno”, di Maria Fancel- li,2 Oltre Chiasso e diAndrea Mancini, I segni della regia: la voce,l’albero,la bottiglia rovesciata;chiude il volume lo spoglio della rivista, “Il Convegno”: indice degli auto- ri e delle opere recensite,perlecuredichiscrive. -
Progression History a Transition Unit of Work
PiXL Gateway: Progression History A Transition Unit of Work The beginning of your journey to becoming an A Level Historian Contents: I. Building Block 1: Chronology II. Building Block 2: Causation and Consequence III. Building Block 3: Significance IV. Building Block 4: Interpretation 1 Edexcel: A-Level History: St Augustine’s Year 12: Paper 1: Germany and West Germany 1918- 1989 Paper 2: Spain, 1930-78: republicanism, Francoism and the re-establishment of democracy Year 13: Paper 3: Protest, Agitation and Reform in Britain 1780-1928 Coursework: The development of the Cold War 2 Building Block 1: Chronology During your A Level studies you will be exploring new time periods, topics and themes in both breadth and depth. Understanding the key chronology of your units will be central to your ability to both analyse sources in their context and engage critically and meaningfully with essay questions. Step 1: Identify which three examination units you will be completing as part of your A Level studies on the school website. Step 2: Create a timeline on A3 paper which spans the entire time period you will be studying for each of your three units. Step 3: On your timeline, plot on the key events with full dates and titles. Step 4: For each event, can you write a brief description of what happened and the consequences of it? Step 5: In a separate colour, draw and annotate arrows explaining the connections between the events in your timeline – how are key events/changes connected? Step 6: Counterfactual analysis is a key component of A Level study. -
Italo Calvino's Wakeful Phenomenology
University of Rhode Island DigitalCommons@URI Senior Honors Projects Honors Program at the University of Rhode Island 2007 Toward Salvation: Italo Calvino’s Wakeful Phenomenology May C. Peckham University of Rhode Island, [email protected] Follow this and additional works at: http://digitalcommons.uri.edu/srhonorsprog Part of the Comparative Literature Commons, Fiction Commons, and the Philosophy Commons Recommended Citation Peckham, May C., "Toward Salvation: Italo Calvino’s Wakeful Phenomenology" (2007). Senior Honors Projects. Paper 39. http://digitalcommons.uri.edu/srhonorsprog/39http://digitalcommons.uri.edu/srhonorsprog/39 This Article is brought to you for free and open access by the Honors Program at the University of Rhode Island at DigitalCommons@URI. It has been accepted for inclusion in Senior Honors Projects by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Peckham 1 May C. Peckham University of Rhode Island Spring 2007 Toward Salvation: Italo Calvino’s Wakeful Phenomenology The luxuriance of the terrace corresponds to the desire of each member of the family. For Mrs. Palomar it was natural to extend to the plants the attention she reserved for individual things, chosen and made her own through an inner identification and thus becoming part of a composition with multiple variations, as an emblematic collection; but this spiritual dimension is lacking in the other members of the family. In the daughter because youth cannot an should not become fixed on the here but only on the further-on, the over there; in the husband because he was too late in freeing himself from his youthful impatiences and in understanding (only in theory) that salvation lies solely in applying oneself to the things that are there. -
William Weaver and the Dissemination of Italian Literature in Postwar U.S
Portrait of a Translator: William Weaver and the Dissemination of Italian Literature in Postwar U.S. Adriana Di Biase Institute for Applied Linguistics Kent State University [email protected] American translator William Weaver played an important role in the diffusion and appraisal of the Italian culture and literature of the second half of the 20 th century in the United States of America. His profound love for Italy, the Italian people and culture, together with the experiences he gained in the country, shaped him in such a way that he developed a deep sensitivity for the language. This sensitivity allowed him to become successful in the creation and re-creation process of translation. This paper is an attempt to analyze some of the elements posing challenges to Weaver during the translation of Se una notte d’inverno un viaggiatore (If on a Winter’s Night a Traveler) by the Italian writer Italo Calvino, using the “positive” methodology proposed by Antoine Berman. Keywords : William Weaver, Italo Calvino, If on a Winter’s Night a Traveler, Antoine Berman, Henri Meschonnic. 1. Introduction Some publishers, reviewers and readers consider translations acceptable if they seem to reflect the author’s style and objective without presenting any peculiarity that might be tied to the translators’ intervention. Along the same lines, American translator William Weaver applauds the lack of attention devoted to the work of the translator (Guarnieri 2007: 603) while believing that translation is an intimate act of reading, to the point that it becomes impossible to distinguish between the translator and the act of translating (Covi, Rose and Weaver 84-86). -
In Retrospect: Calvino's Cosmicomics
NATURE|Vol 460|16 July 2009 OPINION In Retrospect: Calvino’s Cosmicomics The soaring imagination of the Italian author abounds in a new compilation of his cosmic fables. Mostly written in the age of the space race, they are heavily informed by science, finds Alan Lightman. In one of the stories in Italo Calvino’s The ‘As Long as the Sun Lasts’, Qfwfq’s grandparents Complete Cosmicomics, the inimitable char- trade insults about which stars to set up camp acter named Qfwfq is gambling with Dean (k) near: “And why not the other one? The bigger PENGUIN yK in the nothingness before time and space they are, the more I trust them.” “Are you mad, began. “I don’t want to boast,” announces don’t you know what that is? Don’t you know Qfwfq, “but from the start I was willing to bet about the blue ones? They burn so fast, you there was going to be a universe, and I hit the don’t even notice, and barely a couple of thou- nail on the head … We were always gambling, sand millennia go by and you’ve already got to the Dean and I, because there was really noth- start packing.” Colloquialisms nestle happily ing else to do, and also because the only proof with scientific terminology. I existed was that I bet with him, and the only We never know who these cosmic supermen proof he existed was that he bet with me.” are, where they came from, or how they got to Wildly inventive, philosophical and play- be where they are.