In Retrospect: Calvino's Cosmicomics
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William Weaver Papers, 1977-1984
http://oac.cdlib.org/findaid/ark:/13030/kt4779q44t No online items Finding Aid for the William Weaver Papers, 1977-1984 Processed by Lilace Hatayama; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2005 The Regents of the University of California. All rights reserved. Finding Aid for the William 2094 1 Weaver Papers, 1977-1984 Descriptive Summary Title: William Weaver Papers Date (inclusive): 1977-1984 Collection number: 2094 Creator: Weaver, William, 1923- Extent: 2 boxes (1 linear ft.) Abstract: William Weaver (b.1923) was a free-lance writer, translator, music critic, associate editor of Collier's magazine, Italian correspondent for the Financial times (London), music and opera critic in Italy for the International herald tribune, and record critic for Panorama. The collection consists of Weaver's translations from Italian to English, including typescript manuscripts, photocopied manuscripts, galley and page proofs. Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Department of Special Collections. -
Italo Calvino's Wakeful Phenomenology
University of Rhode Island DigitalCommons@URI Senior Honors Projects Honors Program at the University of Rhode Island 2007 Toward Salvation: Italo Calvino’s Wakeful Phenomenology May C. Peckham University of Rhode Island, [email protected] Follow this and additional works at: http://digitalcommons.uri.edu/srhonorsprog Part of the Comparative Literature Commons, Fiction Commons, and the Philosophy Commons Recommended Citation Peckham, May C., "Toward Salvation: Italo Calvino’s Wakeful Phenomenology" (2007). Senior Honors Projects. Paper 39. http://digitalcommons.uri.edu/srhonorsprog/39http://digitalcommons.uri.edu/srhonorsprog/39 This Article is brought to you for free and open access by the Honors Program at the University of Rhode Island at DigitalCommons@URI. It has been accepted for inclusion in Senior Honors Projects by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Peckham 1 May C. Peckham University of Rhode Island Spring 2007 Toward Salvation: Italo Calvino’s Wakeful Phenomenology The luxuriance of the terrace corresponds to the desire of each member of the family. For Mrs. Palomar it was natural to extend to the plants the attention she reserved for individual things, chosen and made her own through an inner identification and thus becoming part of a composition with multiple variations, as an emblematic collection; but this spiritual dimension is lacking in the other members of the family. In the daughter because youth cannot an should not become fixed on the here but only on the further-on, the over there; in the husband because he was too late in freeing himself from his youthful impatiences and in understanding (only in theory) that salvation lies solely in applying oneself to the things that are there. -
William Weaver and the Dissemination of Italian Literature in Postwar U.S
Portrait of a Translator: William Weaver and the Dissemination of Italian Literature in Postwar U.S. Adriana Di Biase Institute for Applied Linguistics Kent State University [email protected] American translator William Weaver played an important role in the diffusion and appraisal of the Italian culture and literature of the second half of the 20 th century in the United States of America. His profound love for Italy, the Italian people and culture, together with the experiences he gained in the country, shaped him in such a way that he developed a deep sensitivity for the language. This sensitivity allowed him to become successful in the creation and re-creation process of translation. This paper is an attempt to analyze some of the elements posing challenges to Weaver during the translation of Se una notte d’inverno un viaggiatore (If on a Winter’s Night a Traveler) by the Italian writer Italo Calvino, using the “positive” methodology proposed by Antoine Berman. Keywords : William Weaver, Italo Calvino, If on a Winter’s Night a Traveler, Antoine Berman, Henri Meschonnic. 1. Introduction Some publishers, reviewers and readers consider translations acceptable if they seem to reflect the author’s style and objective without presenting any peculiarity that might be tied to the translators’ intervention. Along the same lines, American translator William Weaver applauds the lack of attention devoted to the work of the translator (Guarnieri 2007: 603) while believing that translation is an intimate act of reading, to the point that it becomes impossible to distinguish between the translator and the act of translating (Covi, Rose and Weaver 84-86). -
The Complete Cosmicomics 1St Edition Pdf Free
THE COMPLETE COSMICOMICS 1ST EDITION PDF, EPUB, EBOOK Italo Calvino | 9780544577879 | | | | | The Complete Cosmicomics 1st edition PDF Book This article about a collection of short stories is a stub. View all 21 comments. The distance between the Earth and Moon is so short that a tall ladder is enough to get there, and gravity reverses midway so you are drawn to the Moon past a certain point, and appear to be hanging upside down from the Earth perspective. Las Cosmicomicas. My second encounter with Calvino was just as fortuitous and spilled off the page into real life just as much as my first -- so much, in fact, that I bought another one of this books almost immediately upon finishing this one because I just want to glut myself on Calvino's unequaled prose. Upside down for me, not for him: he crawls out of his tunnel, he walks head down, while nothing about his person is ruffled, not his white hair, nor his beard green with mold, nor the tatters of sackcloth that cover his emaciated loins. Yet what Calvino achieves in Cosmicomics is unparalleled. Seller Inventory The first U. Italo Calvino. I'm not criticizing the translator's work, so much as saying that maybe these particular stories need to be read in their original form. Storytelling at its best. A Sign in Space — The idea that the galaxy slowly revolves becomes a story about a being who is desperate to leave behind some unique sign of his existence. The definitive edition of Calvino's cosmicomics, bringing together all of these enchanting stories—including some never before translated—in one volume for the first time In Italo Calvino's cosmicomics, primordial beings cavort on the nearby surface of the moon, play marbles with atoms, and bear ecstatic witness to Earth's first dawn. -
BOOKS by ITALO Calvina the Baron in the Trees The
,. BOOKS BY ITALO CALVINa The Baron in the Trees The Nonexistent Knight and The Cloven Viscount The Path to the Nest of Spiders Cosmicomics t zero The Watcher and Other Stories Invisible Cities The Castle of Crossed Destinies Italian Folktales If on a winter's night a traveler Marcovaldo, or The seasons in the city Difficult Loves Mr. Palomar The Uses of Literature Under the Jaguar Sun Six Memos for the Next Millennium Road to San Giovanni Translated from the Italian by William Weaver A Harvest Book A Helen and Kurt Wolff Book Harcourt Brace & Company San Diego New York London Copyright © 1972 by Giulio Einaudi Editore English translation copyright © 1974 by Harcourt Brace & Company All rights reseIVed. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Requests for permission to make copies of any part of the work should be mailed to: Permissions Department, Harcourt Brace & Company, 6277 Sea Harbor Drive, Orlando, Florida 32887-6777. This is a translation of Le citta tnvisibili. Library of Congress Cataloging-in-Publication Data Calvino, Italo. Invisible cities. (Haxvest: pbk.) Translation of Le dna invisibili. "A Helen and Kurt Wolff book." 1. Polo, Marco, 1254?-1323?-Fiction. 2. Kublai Khan, 1216-1294-Fiction. 1. Title. [PZ3.C13956In] 1978 [PQ4809.A451 853'.9'14 77-16002 ISBN 0-15-645380-0 Printed in the United States of America YXWVUT J S 7 Cities and memory. l. -
The Posthumanism of Italo Calvino's Fiabe Italiane
Fairy-Tale Metamorphosis and Becoming–Animal: The Posthumanism of Italo Calvino’s Fiabe Italiane Pablo a Marca Introduction In “Hybriditales: Posthumanizing Calvino,” Serenella Iovino describes Italo Calvino’s literary production as one of “hybriditales,” which she defines as “stories in which reality itself is a continuous flow of crossings” (2014, 220). Both in its historical construction as well as in its materiality, in these texts the human is “permeable to other natures, other matters, and other cultural agents,” meaning that being human already involves surpassing the boundaries of human “nature” (ibid., 219). Such a conception of the human is now part of theoretical discussions that fall under the label of posthumanism. While a standard definition of posthumanism does not exist, it is possible to say that posthumanist theorists typically share a suspicion regarding the historical notion of the human, which placed “man” at the center and created a series of others— woman, non-white, queer, animal, inanimate and so on—that are inferior to him. In reaction to this notion, posthumanism moves past humanism and anthropocentrism (Ferrando 2019, 24). Taking discourses themselves to be shapers of subjectivity and adopting a renewed form of materialism, posthumanists try to rethink the human from an onto–epistemological perspective. In so doing, they demonstrate the arbitrariness of categorical boundaries and address instead the flows between humans and the non-human world. Iovino finds a similar trend in Calvino’s literary production, which can be seen as a hybridization of “human nature” and the non-human world because it depicts crossings among matter, forms and signs (2014, 220). -
Anna Maria Ortese's Il Mare Non Bagna Napoli
Invisible Sea: Anna Maria Ortese’s Il mare non bagna Napoli Lucia Re Il mare non bagna Napoli è una memorabile testimonianza, necessaria a chiunque voglia comprendere qualcosa su Napoli. –Raffaele La Capria, 2008 Elle l’avait toujours pressenti: sa myopie était sa propre étrangère, son étrangeretè essentielle. –Hélène Cixous, 1998 L'occhio non vede cose ma figure di cose che significano altre cose. – Italo Calvino, 1972 Written in Naples, “Un paio di occhiali” (“A Pair of Glasses”) is one of Anna Maria Ortese’s most admired and influential short stories. It was first published in the weekly Omnibus in May 1949 under the title “Ottomila lire per gli occhi di Eugenia” (“Eight Thousand Liras for Eugenia’s Eyes”).1 With the new title, “Un paio di occhiali” appeared in 1953 as the opening story of Ortese’s controversial collection about Naples, a volume polemically entitled Il mare non bagna Napoli (literally “The Sea Does Not Reach Naples” or “Naples is not on the Sea”). “Non bagna” not only implies that the sea is effectively invisible in Naples, but that the sea’s cleansing and restorative power is also absent. Although often anthologized (along with short stories by other authors) as an example of literary realism, “Un paio di occhiali” is a complex text that reveals its full meaning only if read in the context of Il mare non bagna Napoli as a whole. The story is more than just a beginning, constituting rather a kind of musical overture through which some of the major recurrent themes of the book are introduced. -
Hybriditales
12 Hybriditales Posthumanizing Calvino Serenella Iovino Cages and Thresholds n her essay “On Singularity and the Symbolic,” Carrie Rohman analyzes Ithe way Italo Calvino’s character Mr. Palomar muses, in silent conver- sations, about the boundaries that separate humans from other animals. Confronted with the enigmatic singularity of an albino gorilla named Snowflake, or with the neat classification of iguanas in a Parisian reptile house, Palomar searches for “an eternal or permanent system, structure, or taxonomy of meaning” (Rohman 73), a recognizable order whose valid- ity would also extend outside cages and boxes. As though challenging the Darwinian evidence of biological continuity with the implicit evocation of a Linnaeus redivivus, Palomar dreams of a nostalgic taxonomy of “fixed” forms able to “resist the flux that undoes them and mixes and reshapes [them]”— forms “separated forever from the others, as here in a row of glass case- cages of the zoo” (Palomar 86). Calvino is well aware that this dream is an artful delusion: were species separated like cages in a zoo, the order of discourse would prevail over the complexity of nature and its ongoing metamorphosis (Rohman 73). Rohman writes, “[Palomar’s] description [of the zoo] points out the exaggerated and ultimately fantas- tic idea that species are eternally distinct, that species barriers represent some permanent and reliable mode of differentiation. Rather, this passage implicitly exposes the human investment in inviolable and discreet [sic] life- forms. [. .] Palomar longs for species barriers that are clear and unas- sailable, but [. .] such longings are more akin to humanist wish- structures than anything else” (73). -
Marcovaldo: Or the Seasons in the City Pdf, Epub, Ebook
MARCOVALDO: OR THE SEASONS IN THE CITY PDF, EPUB, EBOOK Italo Calvino | 121 pages | 30 Nov 1983 | Harcourt Brace International | 9780156572040 | English | Orlando, United States Marcovaldo: or the Seasons in the City PDF Book As science writer Emma Marris noted in her book Rambunctious Garden , nature does not have to be pristine or wild to yield life-changing experiences:. Bleiler Evangeline Walton Marcovaldo at the supermarket — the family visit to the supermarket where they buy nothing. La Storia by Elsa Morante. Marcovaldo revels in the natural beauty and good fortune that come to him on these occasions. The forest on the superhighway — The children help Marcovaldo to look for firewood in forest. Archibald Colquhoun, Peggy Wright. Part of what makes the stories so enjoyable is that it is easy to identify with the thoughts of the character, and even when he does silly things and gets into trouble, his actions are brought about by good or innocent intentions. Jean says. Marcovaldo, despite living in the city, identifies far more with the natural and seems to find urban life oppressive. Le cosmicomiche Cosmicomics. Ferman Andre Norton Hugh B. Language English , Italian. Name required. The tale of the cows marching through town to pasture in the hills and followed there for the summer by one of Marcovaldo's sons is another example. Louis Brigante. Under the header JavaScript select the following radio button: Allow all sites to run JavaScript recommended. Turin: Einaudi, It so happened that his wife, Domitilla, for personal reasons, bought a great quantity of sausage and turnips. Share It! Now that sausage must have been made of dog meat; the smell alone was enough to kill your appetite. -
Predrag Matvejeviä⁄•Žs Mediterranean Breviary: Nostalgia
Smith ScholarWorks Italian Language and Literature: Faculty Publications Italian Language and Literature 2010 Predrag Matvejević’s Mediterranean Breviary: Nostalgia for an “Ex-World” or Breviary for a New Community? Anna Botta Smith College, [email protected] Follow this and additional works at: https://scholarworks.smith.edu/itl_facpubs Part of the Italian Language and Literature Commons Recommended Citation Botta, Anna, "Predrag Matvejević’s Mediterranean Breviary: Nostalgia for an “Ex-World” or Breviary for a New Community?" (2010). Italian Language and Literature: Faculty Publications, Smith College, Northampton, MA. https://scholarworks.smith.edu/itl_facpubs/3 This Article has been accepted for inclusion in Italian Language and Literature: Faculty Publications by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected] UC Berkeley California Italian Studies Title Predrag Matvejević’s Mediterranean Breviary: Nostalgia for an “Ex-World” or Breviary for a New Community? Permalink https://escholarship.org/uc/item/7qs4x1v0 Journal California Italian Studies, 1(1) Author Botta, Anna Publication Date 2010 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Predrag Matvejevi ć’s Mediterranean Breviary : Nostalgia for an “Ex-World” or Breviary for a New Community? Anna Botta La tua legge rischiosa: essere vasto e diverso e insieme fisso: e svuotarmi cosí di ogni lordura come tu fai che sbatti sulle sponde tra sugheri alghe asterie le inutili macerie del tuo abisso. (Eugenio Montale) 1 I. Rethinking Mediterranean Studies It has been widely trumpeted that we live in the era of the postnational or the transnational. In particular, in academic circles, a sophisticated sense of the problems that arise when studying history through the prism of the nation-state has encouraged scholars to move towards new objects of study (or, to be more correct, to revisit and redefine old ones). -
On Italo Calvino's Last Novels
Sacred Heart University DigitalCommons@SHU Philosophy, Theology and Religious Studies Faculty Publications Philosophy, Theology and Religious Studies Fall 1987 Language, the Other and God: On Italo Calvino's Last Novels Richard Grigg Sacred Heart University, [email protected] Follow this and additional works at: https://digitalcommons.sacredheart.edu/rel_fac Part of the Christianity Commons, Italian Literature Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Grigg, R. (1987). Language, the Other and God: On Italo Calvino's last novels. Religion & Literature, 19(3), 49-65. This Peer-Reviewed Article is brought to you for free and open access by the Philosophy, Theology and Religious Studies at DigitalCommons@SHU. It has been accepted for inclusion in Philosophy, Theology and Religious Studies Faculty Publications by an authorized administrator of DigitalCommons@SHU. For more information, please contact [email protected], [email protected]. LANGUAGE, THE OTHER, AND GOD: ON ITALO CALVINO'SLAST NOVELS Richard Grigg "Epluribusunum and its reversemight well sum up Calvino's approach to our condition,"concludes Gore Vidal in his remembranceof Italian novelist Italo Calvino (3). But the manyness and oneness that are at issue in Calvino's fiction are not sociopolitical; they are, rather, onto- logical, a fact made evident by Calvino's response to the same obser- vation in an earlier essay of Vidal's: I don't know if it really refers to me, but it is true of an ideal literature for each one of us: the end being that every one of us must be, that the writer and reader become one, or One. -
Revising, Re-Visioning: Italo Calvino and the Politics of Play
Revising, Re-visioning: Italo Calvino and the Politics of Play Gabriel Perri Silberblatt “And Polo said: “The inferno of the living is not something that will be; it is what is already here, the inferno where we live every day, that we form by being together. There are two ways to escape suffering it. The first is easy for many: accept the inferno and become such a part of it that you can no longer see it. The second is risky and demands constant vigilance and apprehension: seek and learn to recognize who and what, in the midst of the inferno, are not inferno, then make them endure, give them space.” ” —I.C. Invisible Cities (1972) Introduction: The “Uses of Literature” In her 1999 essay, “Lightness and Gravity: Calvino, Pynchon, and Postmodernity,” Alessia Ricciardi foregrounds a commonplace critique of Italo Calvino‟s late literary career. Citing the author‟s committed political origins in L’unità, the anti-fascist communist news daily whose staff Calvino joined in 1947, Ricciardi laments Calvino‟s alleged lost sense of social responsibility in later years: Sadly, Calvino the mature postmodernist became exactly what he feared as a young man, that is to say, a solipsistic thinker removed from the exigencies of history and, as [Mario] Benedetti would say, belonging to the “postmoderno Nazionale.”1 Ricciardi further condemns Calvino‟s late style for being invested in a kind of “formalist game that avoids any costly or serious „human‟ association.” Actually, the complex of inter-relationships between literature and politics has always been a core issue for Calvino—in a 1976 lecture revealingly entitled, “Right and Wrong Political Uses of Literature,” Calvino referred to this particular problem as the age-old “knot” whose “frayed and twisted ends” continually get “tangled around our ankles.”2 And while Ricciardi‟s criticism here is specific to Calvino‟s last few published literary works from the 1970s and 80s, we might easily push all the way back to the beginning of his career to locate the origins of such critical debates surrounding his writing.