State Funding Increases 5.5% but Colleges Are Losing to K-12
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DOSSIER DE PRESSE Twentieth Century Fox Présente Une Production Davis Entertainment
DOSSIER DE PRESSE Twentieth Century Fox présente Une production Davis Entertainment Un film de Shane Black Boyd Holbrook Trevante Rhodes Jacob Tremblay Keegan-Michael Key Olivia Munn Thomas Jane Alfie Allen et Sterling K. Brown Scénario : Fred Dekker et Shane Black Selon les personnages imaginés par Jim Thomas et John Thomas Costumes : Tish Monaghan Musique : Henry Jackman Image : Larry Fong Décors : Martin Whist Montage : Harry B.Miller III et Billy Weber Un film produit par John Davis Sortie nationale le 17 octobre 2018 Durée : 1h47 FILM INTERDIT AUX MOINS DE 12 ANS Matériel presse téléchargeable sur : www.foxpresse.fr DISTRIBUTION PRESSE TWENTIETH CENTURY FOX Alexis RUBINOWICZ 241, boulevard Péreire Tél. : 01 58 05 57 90 / [email protected] 75017 Paris Giulia GIE Tél. : 01 58 05 57 00 Tél. : 01 58 05 57 79/94 / [email protected] l’histoire es confins de l’espace aux petites rues de banlieue, la traque est de retour avec le Dréalisateur Shane Black (Iron Man 3, The Nice Guys, Kiss Kiss Bang Bang) et sa vision explosive de la franchise PREDATOR. Les pires prédateurs de l’univers sont maintenant plus forts et plus intelligents que jamais, ils se sont génétiquement perfectionnés grâce à l’ADN d’autres espèces. Quand un jeune garçon déclenche accidentellement leur retour sur Terre, seul un équipage hétéroclite d’anciens soldats et un professeur de science contestataire peuvent empêcher l’extinction de la race humaine. NOTES DE PRODUCTION On doit à Shane Black non seulement des scénarios de films sensationnels tels que L’ARME FATALE mais es confins de l’espace jusqu’aux fins fonds de la aussi la réalisation de IRON MAN 3, NICE GUYS ou Géorgie du sud, la chasse refait son apparition KISS KISS BANG BANG. -
SPIKE LEE Presentation
A SPIKE LEE presentation A film by NATE PARKER a TARAK BEN AMMAR / MARK BURG Production Releasing on VOD January 15th Publicity Contact: MPRM Communications [email protected] LOGLINE: After witnessing his son murdered by a white police officer who goes uncharged, Marine veteran Lincoln ‘Linc’ Jefferson takes justice into his own hands in a series of events he hopes will finally lead to justice for his son. SETUP: Lincoln Jefferson is a Marine veteran who has served two combat tours in Iraq. Now stateside, he works as a custodian in a prestigious California high school- a job he secured only to ensure enrollment in the school to his 14-year old son KJ, following his divorce. One night, Lincoln and his son are stopped by police and an altercation leads to the fatal shooting of Lincoln’s unarmed son. Lincoln, hopeful the system will provide a trial, is dismayed to learn the officer responsible for pulling the trigger will go uncharged and will return to active duty without an indictment. Disillusioned by the fact he was denied a fair trial for the death of his only son, Lincoln desperately takes the matter into his own hands in a series of events he hopes will finally lead to justice for his son. SYNOPSIS: AMERICAN SKIN weaves a layered story in the tradition of Sidney Lumet’s 12 Angry Men and Dog Day Afternoon, that follows a Black Iraqi War Vet, who after being denied of a fair trial following the shooting death of his teenage son (his only child) by a white police officer, desperately seeks justice and accountability for his son’s death. -
Il Genere Dei Thriller Di Fantascienza Arriva Ad Un Livello Superiore Grazie a JUMPER, Il Film Che Racconta Le Avventure Di Un G
Il genere dei thriller di fantascienza arriva ad un livello superiore grazie a JUMPER, il film che racconta le avventure di un giovane che scopre di possedere delle doti incredibili che gli permettono di teletrasportarsi in qualsiasi parte del mondo. Andare da New York a Tokyo, dalle rovine di Roma alle remote zone del Sahara, tutto è possibile per David Rice (Hayden Christensen), fino a quando non inizia a capire che la sua libertà non è totale e che non è solo ma fa parte di una guerra globale ancora in corso, che minaccia la sopravvivenza della sua straordinaria razza. David Rice è cresciuto con un misterioso potere che molti hanno sempre sognato di possedere. Lui può arrivare ovunque ed è in grado di spostarsi per mezzo di varchi nella struttura temporale in ogni città, edificio o luogo che la sua mente possa immaginare. In un battito di ciglia, può saltare da una parte all’altra della Terra e ritornare indietro. Può vedere venti diversi tramonti in un'unica notte, fare colazione sulla Sfinge egiziana, passare una giornata a fare surf in Australia e poi apparire a Parigi per cena e godersi il dolce in Giappone. Può attraversare i muri e le casseforti protette delle banche, entrando anche nelle stanze più riservate. Fino a questo momento, ha utilizzato i suoi poteri per scappare dal passato e per ottenere delle ricchezze infinite che gli permettano di rimanere assolutamente indipendente. Non ha mai conosciuto limiti, confini e conseguenze. O un vero legame. Fino ad ora. Quando David scopre un altro giovane come lui, un fiero e ribelle giramondo di nome Griffin (Jamie Bell), inizia a capire la verità sulla sua esistenza. -
THE TREE of LIFE Editore S.A.S
RASSEGNA STAMPA CINEMATOGRAFICA THE TREE OF LIFE Editore S.A.S. Via Goisis, 96/b - 24124 BERGAMO THE TREE OF LIFE Tel. 035/320.828 - Fax 035/320.843 - Email: [email protected] 1 Regia: Terrence Malick Interpreti: Brad Pitt (O'Brien), Sean Penn (Jack), Jessica Chastain (Sig.ra O'Brien), Fiona Shaw (Nonna), Joanna Going (Moglie di Jack), Hunter McCracken (Giovane Jack), Laramie Eppler (RL), Tye Sheridan (Steve), Jessica Fuselier (Guida), Irene Bedard (Fattorina), Kari Ma- tchett (Ex di Jack), Crystal Mantecon (Elisa) Genere: Drammatico/Fantasy - Origine: India/Gran Bretagna - Anno: 2011 - Soggetto: Terrence Malick - Sceneggiatura: Terrence Malick - Fotografia: Emmanuel Lubezki - Musica: Alexandre Desplat - Montaggio: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa - Durata: 139' - Produzione: Sarah Green, Bill Pohlad, Brad Pitt, Dede Gardner, Grant Hill, Nicolas Gonda per Plan B Entertainment/River Road Entertainment - Distribuzione: 01 Distribution (2011) Un 'puzzIe' filosofico-metafisico sulla ritrova fra le nubi, fantasmi deambulan- un talento, e il talento cinematografico vita, sull'esistere, sul prima e sul dopo. ti ma veri. Qui uno dei ragazzi, ormai di Malick, in ogni singola scena, è visi- Questo "Albero della vita" dell'insolito cresciuto (è Sean Penn, in una parte bile a occhio nudo anche a chi di film e commendevole regista Terrence Ma- minuscola) ritrova il fratello morto, e la nella vita ne ha visti una decina. Direb- lick ("La rabbia giovane", "I giorni del madre e il padre. Tutti assieme, appas- be: ma qui succede qualcosa di diverso. cielo", "La sottile linea rossa") comin- sionatamente. La vita di qua, appunto, Infatti. -
Scritto E Diretto Da Terrence Malick Con Brad Pitt, Sean Penn, Jessica
RIVER ROAD ENTERTAINMENT SUMMIT ENTERTAINMENT presentano Scritto e diretto da Terrence Malick con Brad Pitt, Sean Penn, Jessica Chastain Prodotto da Sarah Green, Bill Pohlad, Brad Pitt, Dede Gardner, Grant Hill Un’esclusiva per l’Italia Rai Cinema Distribuzione Uscita: 18 Maggio 2011 Durata: 2h19’ MATERIALI STAMPA SUL SITO www.01distribution.it Ufficio Stampa Film Ufficio Stampa 01 Distribution Giulia Martinez Annalisa Paolicchi [email protected] Tel. + 39 335 7189949 Cristiana Trotta [email protected] [email protected] Rebecca Roviglioni [email protected] Tel. + 39 06 684701 Crediti non contrattuali IL CAST Sig. O’Brien BRAD PITT Jack SEAN PENN Sig.ra O’Brien JESSICA CHASTAIN Nonna FIONA SHAW Moglie di Jack JOANNA GOING Giovane Jack HUNTER McCRACKEN RL LARAMIE EPPLER Steve TYE SHERIDAN Guida JESSICA FUSELIER Fattorina IRENE BEDARD Crediti non contrattuali I REALIZZATORI Regia e Sceneggiatura TERRENCE MALICK Produttrice SARAH GREEN Produttore BILL POHLAD Produttore BRAD PITT Produttrice DEDE GARDNER Produttore GRANT HILL Produttore Esecutivo DONALD ROSENFELD Co-Produttore NICOLAS GONDA Co-Produttori Esecutivi STEVE SCHWARTZ PAULA MAE SCHWARTZ Direttore della Fotografia EMMANUEL LUBEZKI, ASC AMC Scenografie JACK FISH Montaggio HANK CORWIN, ACE JAY RABINOWITZ, ACE DANIEL REZENDE BILLY WEBER MARK YOSHIKAWA Costumi JACQUELINE WEST Musiche ALEXANDRE DESPLAT Supervisore Senior Effetti Visivi DAN GLASS Casting FRANCINE MAISLER CSA e VICKY BOONE Crediti non contrattuali LA PRODUZIONE Il regista Terrence Malick ( La rabbia giovane, I giorni del cielo, La sottile linea rossa, The New World - Un nuovo mondo ) ha creato un'esperienza cinematografica che lascerà il segno. Il suo quinto film, THE TREE OF LIFE – che rappresenta un vero e proprio inno alla vita – pone alcune fra le domande più inquietanti e personali che riguardano l’essere umano, attraverso un caleidoscopio che va dall’intimo al cosmico. -
FICHA TÉCNICA El Árbol De La Vida
FICHA TÉCNICA El árbol de la vida Título original: The Tree of Life Dirección: Terrence Malick Producción: Dede Gardner, Sarah Green, Grant Hill, Brad Pitt, Bill Pohlad Guion: Terrence Malick Música: Alexandre Desplat Fotografía: Emmanuel Lubezki Montaje: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark shikawa País: Estados Unidos Año: 2011 Género: Drama Duración: 139 minutos Idioma: Inglés Protagonistas: Brad Pitt (Sr. O'Brien), Jessica Chastain (la Sra. O'Brien), Sean Penn (Jack), Hunter McCracken (Jack (joven), Laramie Eppler (R.), Tye Sheridan (Steve), Fyona Shaw (la abuela). Premios: 2011: Oscar: Nominada a Mejor película, director y fotografía. 2011: Festival de Cannes: Palma de Oro - Mejor película. 2011: Premios Gotham: Mejor película (ex-aequo). 2011: Círculo de Críticos de Nueva York: Actor (Brad Pitt), actriz sec. (Jessica Chastain) y fot. 2011: National Board of Review (NBR): Top 10 - Mejores películas del año. 2011: Asociación de Críticos de Los Angeles: Mejor director, fotografía y actriz sec. 2011: Críticos de Chicago: Mejor película, director, actriz sec. (Jessica Chastain) y fotografía 2011: Satellite Awards: Mejor guión original y actriz sec. (Jessica Chastain). 4 nom. 2011: Online Film Critics Society: 5 premios, incluyendo Mejor película y guion. 2011: Critics Choice Awards: Mejor fotografía (ex-aequo). 5 nominaciones. 2011: Nominada Premios David di Donatello: Mejor película extranjera. 2011: American Film Institute (AFI): Top 10 - Mejores películas del año. 2011: Asociación de Críticos de Chicago: Mejor película, director, actriz sec. y fot. Sinopsis: Estados Unidos, años 50. Jack (Hunter McCracken) es un niño que vive con sus hermanos y sus padres. Mientras su madre (Jessica Chastain) encarna el amor y la ternura, su padre (Brad Pitt) representa la severidad, pues la creé necesaria para enseñarle al niño a enfrentarse a un mundo hostil. -
Vimeo Link for ALL of Bruce Jackson's and Diane Christian's Film
Virtual March 30, 2021 (42:9) Terrence Malick: DAYS OF HEAVEN (1978, 94 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the virtual BFS Vimeo link for our introduction to Days of Heaven Zoom link for all Spring 2021 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Written and Directed by Terrence Malick Produced by Bert Schneider and Harold Schneider Music Ennio Morricone Cinematography Néstor Almendros and Haskell Wexler Richard Libertini…Vaudeville Leader Editing Billy Weber TERRENCE MALICK (b. Terrence Frederick Malick, The film was nominated for Oscars for Best Sound, November 30, 1943, Ottawa, Illinois) began his career Best Costume Design, and Best Music, Original Score as part of the New Hollywood film-making wave with and won for Best Cinematography at the 1979 the films Badlands (1973), about a murderous couple Academy Awards. Malick won Best Director and the on the run in 1950s American Midwest, and Days of film was nominated for the Palme d’Or at the 1979 Heaven (1978), which detailed the love-triangle Cannes Film Festival. between two laborers and a wealthy farmer during the First World War, before a lengthy hiatus. He returned Cast to directing after twenty years with The Thin Red Line Richard Gere…Bill (1998) for which he was -
Case Studies of Soil in Art Feller C., Landa Edward R., Toland A., Wessolek G
Case studies of soil in art Feller C., Landa Edward R., Toland A., Wessolek G. C. Feller Institut de Recherche pour le Développement (IRD) 28 rue Dr Blanchard, 30700 Uzès, France. [email protected] (corresponding author) Edward R. Landa Department of Environmental Science and Technology, University of Maryland College Park, MD 20742, USA A. Toland Department of Soil Protection, Institute for Ecology, Technische Universität Berlin Ernst Reuter Platz 1, 10587 Berlin, Germany G. Wessolek Department of Soil Protection, Institute for Ecology, Technische Universität Berlin Ernst Reuter Platz 1, 10587 Berlin, Germany Abstract The material and symbolic appropriations of soil in artworks are numerous and diverse, spanning many centuries and artistic traditions, from prehistoric painting and ceramics to early Renaissance works in Western literature, poetry, paintings, and sculpture, to recent developments in film, architecture and contemporary art. Case studies focused on painting, installation, and film are presented with the view of encouraging further exploration of art about, in, and with soil as a contribution to raising soil awareness. 1 1 Introduction Soil is a word whose meaning varies according to context. The patriotic understanding of soil (as in the “soil of France”) and the agricultural understanding of soil have very little in common. Even in the environmental and geological sciences, there are often vast differences between the soil of the geologist, the archaeologist, the geotechnical engineer and the soil scientist or pedologist. In the history of soil science, numerous definitions have been formulated, but all tend to have one or more of the following criteria in common: the presence of, or ability to sustain life; the state and position of the soil as unconsolidated porous matter occupying the topmost layer of the earth, from the surface to the parent rock below; and the ability to demonstrate a record of physical and chemical change (genesis) due to myriad environmental factors over time (Certini and Ugolini, 2013). -
Así En La Tierra Como En El Cielo El Árbol De La Vida
IGLESIA VIVA Nº 247, julio-septiem. 2011 pp. 105-107 © Asociación Iglesia Viva ISSN. 0210-1114 Así en la tierra como en el cielo SIGNOS DE LOS El árbol de la vida TIEMPOS Emilio Tortosa Cosme. Presidente de la FUNDACIÓN ÉTNOR. Valencia. El árbol de la vida Título original: The tree of life Producción: Fox Searchlight Pictures y Riverroad Entertaiment País: USA, 2011. Director y guionista: Terrence Malick Música: Alexander Desplat. Fotografía: Emmanuel Lubezki, en color. Montaje: Marck Yoshikawa, Billy Weber, Hank Corwin, Jai Rabi- nowitz y Daniel Rezende. Duración: 138 min. Intérpretes: Brad Pitt (Sr.O’Brien ), Sean Penn (Jack), Jessica Chastain (Sra. O’Brien), Kari Matchett (la ex de Jack), Hunter McCracken (Jack, niño), Tye Sheridan (Steve), etc. Género: Drama. Familia. Infancia. Años 50. Premios: 2011. Festival de Cannes. Palma de Oro a la mejor pe- lícula. iviva.org [247] 105 SIGNOS DE LOS TIEMPOS El árbol de la vida EL AUTOR consolidando al cineasta como uno de los directores más importantes de su gene- Terrence Malick (Waco, Ottawa, Illi- ración, a pesar de su escasa producción nois, 1943) debutó en 1973 con la película fílmica. Obtuvo el Oso de Oro al mejor di- “Malas tierras”, en la que retrata un país a rector en el festival de Berlín (1998). la deriva a la búsqueda de la propia iden- tidad. Estuvo veinte años sin hacer cine. En 2005 filmó su cuarto largometraje Sólo ha rodado cinco películas en cuaren- titulado “El nuevo mundo”, una versión ta años. Pertenece a una raza de directo- muy lírica de la leyenda de Pocahontas y res de culto que producen sus obras para John Smith, que confirmó el estilo visual que tengan vida propia (Lars Von Trier, de Malick y su interés por la vida nor- Stanley Kubrick) y no necesitan de expli- teamericana. -
Forty-Five Years of Editing Americas Favourite Movies Free
FREE CUT TO THE CHASE: FORTY-FIVE YEARS OF EDITING AMERICAS FAVOURITE MOVIES PDF Sam O'Steen,Bobbie O'Steen | 249 pages | 25 Jan 2002 | Michael Wiese Productions | 9780941188371 | English | Seattle, United States Cutters' Way: The Mysterious Art of Film Editing - Bright Lights Film Journal The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. What does this price mean? This is the price excluding postage and handling fees a seller has provided at which the same item, or one that is nearly identical to it, is being offered for sale or has been offered for sale in the recent past. The price may be the seller's own price elsewhere or another seller's price. The "off" amount and percentage simply signifies the calculated difference between the seller-provided price for the item elsewhere and the seller's price on eBay. Skip to main content. About this product. Last one! Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged Cut to the Chase: Forty-five Years of Editing Americas Favourite Movies in its original packaging where packaging is applicable. See all 7 brand new listings. Buy It Now. Add to cart. In this behind the scenes look at Cut to the Chase: Forty-five Years of Editing Americas Favourite Movies art of editing, O'Steen talks candidly about working and playing with Hollywood's biggest directors and stars. -
From the 'Hegemony of the Eye'
Charlotte Crofts, 2001, „From the “Hegemony of the Eye” to the “Hierarchy of Perception”: The Reconfiguration of Sound and Image in Terrence Malick‟s Days of Heaven‟, Journal of Media Practice, 2:1, 19-29. Terrence Malick's Days of Heaven (1978) has been hailed as 'one of the most beautiful films ever made' (Ebert), winning Nestor Almendros an Oscar for Best Cinematographer for his experimentation with natural light and his ability to push the film stock to its limits (Riley, 29). Editor Billy Weber - who worked on all three of Malick's films - claims that the film's immense cinematic beauty detracted from the impact of its equally experimental soundtrack, stating that he and Malick were disappointed that this aspect of the film was critically overlooked: We don't know how much people actually realised what we were doing there ... Terry's very concerned about how the picture looks and everything, but we both felt that the look of Days of Heaven took away from other aspects of the movie. That it was too "good looking" ... too beautiful, because people would walk out saying 'what a beautiful movie', which was really bothersome. (Crofts, 42)1 This is verified by a brief linguistic analysis of the film's critical reception. Stanley Cavell discusses the 'extremities of beauty' in the film; Curtis Fox, too, notes 'the beauty of Malick's images' and Brooks Riley claims that 'the most frequent comment one hears about Days of Heaven is that it's a stunningly beautiful film' (Cavell, xiv; Fox, 28; Riley, 28).2 Martin Donougho asserts that when the film was originally released, 'critics and audiences alike were divided between praise for its visual grandeur . -
"Wo Warst Du , Als Ich Die Erde Gründete?" : the Tree of Live Von Terrence Malick
"Wo warst du , als ich die Erde gründete?" : The Tree of Live von Terrence Malick Autor(en): Walder, Martin Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 53 (2011) Heft 315 PDF erstellt am: 26.09.2021 Persistenter Link: http://doi.org/10.5169/seals-864231 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch FILMBULLETIN 4.11 KINO IN AUGENHÖHE «Wo warst Du, als ich die Erde gründete?» the tree of life von Terrence Malick Vor über dreissig Jahren, in days of heaven, hat etwas wie «Die Welt, in der wir leben», grossformatiges Terrence Malick seine altkluge kleine Erzählerin der Patengeschenk meiner Generation, als Film, nur inzwischen Geschichte in den unendlichen Weizenfeldern von Texas über auf dem letzten digitalen Stand der Kunst.