Chinese Maps in Political Culture
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The Silk Roads: an ICOMOS Thematic Study
The Silk Roads: an ICOMOS Thematic Study by Tim Williams on behalf of ICOMOS 2014 The Silk Roads An ICOMOS Thematic Study by Tim Williams on behalf of ICOMOS 2014 International Council of Monuments and Sites 11 rue du Séminaire de Conflans 94220 Charenton-le-Pont FRANCE ISBN 978-2-918086-12-3 © ICOMOS All rights reserved Contents STATES PARTIES COVERED BY THIS STUDY ......................................................................... X ACKNOWLEDGEMENTS ..................................................................................................... XI 1 CONTEXT FOR THIS THEMATIC STUDY ........................................................................ 1 1.1 The purpose of the study ......................................................................................................... 1 1.2 Background to this study ......................................................................................................... 2 1.2.1 Global Strategy ................................................................................................................................ 2 1.2.2 Cultural routes ................................................................................................................................. 2 1.2.3 Serial transnational World Heritage nominations of the Silk Roads .................................................. 3 1.2.4 Ittingen expert meeting 2010 ........................................................................................................... 3 2 THE SILK ROADS: BACKGROUND, DEFINITIONS -
Cataloguing Chinese Art in the Middle and Late Imperial Eras
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Spring 2010 Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras YEN-WEN CHENG University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Art and Architecture Commons, Asian History Commons, and the Cultural History Commons Recommended Citation CHENG, YEN-WEN, "Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras" (2010). Publicly Accessible Penn Dissertations. 98. https://repository.upenn.edu/edissertations/98 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/98 For more information, please contact [email protected]. Tradition and Transformation: Cataloguing Chinese Art in the Middle and Late Imperial Eras Abstract After obtaining sovereignty, a new emperor of China often gathers the imperial collections of previous dynasties and uses them as evidence of the legitimacy of the new regime. Some emperors go further, commissioning the compilation projects of bibliographies of books and catalogues of artistic works in their imperial collections not only as inventories but also for proclaiming their imperial power. The imperial collections of art symbolize political and cultural predominance, present contemporary attitudes toward art and connoisseurship, and reflect emperors’ personal taste for art. The attempt of this research project is to explore the practice of art cataloguing during two of the most important reign periods in imperial China: Emperor Huizong of the Northern Song Dynasty (r. 1101-1125) and Emperor Qianlong of the Qing Dynasty (r. 1736-1795). Through examining the format and content of the selected painting, calligraphy, and bronze catalogues compiled by both emperors, features of each catalogue reveal the development of cataloguing imperial artistic collections. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Cambridge University Press 978-1-108-47926-4 — Rumor in the Early Chinese Empires Zongli Lu Index More Information
Cambridge University Press 978-1-108-47926-4 — Rumor in the Early Chinese Empires Zongli Lu Index More Information Index abnormal/abnormalities The Blue Sky is dead; the Yellow Sky will decorations and writings, 201 stand, 84–85, 170, 289, 293, 309 disasters, 20–21, 31 Bo, Lady (Empress Dowager), 247–248 heading west, 35 Book of Changes, 50, 68, 103–105 physical characteristics, 181 Book of Documents,8–9, 11, 58, 118, 295 as portentous, 46–52 Book of Great Peace, with Green Headings,84 speech characteristics, 106, 286 Book of Odes, 17, 25–26, 58, 111 of state’s governance, 106 supernatural entities, 293–294 Cai Shu, 9, 11–16, 18, 43 weather, 217 Cai Yong, 85, 166 acceptance (of the people/by the people), Calendar of the Heavenly Official Scripture of 17–23, 283, 291 Great Peace with the Embodiment of the Accounts Clerks, 156, 302 Origin,79–84, 177–178 Ai, Emperor. see Liu Xin Cao Cao, 167–168, 214 Ai Zhang, 183–184, 188 Cao San, 112, 121–122 air currents, 173–176, 215, 217, 249–250, 252, central government supervision mechanism, 260–267, 290, 315 145–150 Allport, Gordon W., vii–viii, 306 Chao Fulin, 171 alternative historical truths, xii Chen Dan, 167–168 An, Emperor. see Liu Hu Chen Fan, 31, 226 apocryphal-prophetic texts. see chen Chen Hsueh-Ping, 8 prophecies Chen Jun, 158 archaic history, 279–281 Chen Ping, 89, 127 aristocratic gossip, 2 chen prophecies authorities’ response to portentous talk, 87, auto-suggestive, 45, 170 318–319 belief in, 206–218 coded chen prophecies, 190–195 Bai Juyi, 14 curses and, 185–186 Ban Biao, 205 defined, -
PHIL 3531: Topics in Chinese Philosophy: Huanglao Daoism Term 2, 2019
PHIL 3531: Topics in Chinese Philosophy: Huanglao Daoism Term 2, 2019 Time: Thur 9:30 am-12:15 pm Location: ELB 303 Course Overview This course examines one of the most neglected schools of ancient China: Huanglao Daoism. Arising in the late Warring States period, Huanglao reached its peak in the Han dynasty. The school is syncretic in nature, drawing upon the Legalist thought of Hanfeizi and Guanzi, the Daoist thought of Laozi, and the medical writings attributed to the Yellow Emperor. There is no central text used by this School but a selection of concepts that were discussed across a variety of texts, the most notable being: “law, standard” (fa 法), Dao 道, “punishment” (xing 刑), “virtue” (de 德), Qi 氣, Yin-Yang 陰陽, etc. These concepts were all used by the ruler as an expression of his authority and as a model for benevolent governance. The second half of the course focusses on Chinese medicine and its connection to Huanglao cosmology which saw humans as inseparable from and subject to the cycles of Nature and the spiritual power of Heaven. Advisory to Majors: to be taken in year 2 or above. Learning Outcomes 1. Become familiar with key philosophical concepts, arguments, and movements. 2. Develop your skill in reading philosophical texts. 3. Develop your critical thinking skills by discussing lecture materials in tutorials. 4. Learn how to research and write philosophical papers. Topics See lecture schedule below Learning Activities 1. Read and give thought to the assigned readings. 2. Develop the skills mentioned above in the Learning Outcomes. -
Emptying the Mind and Stilling the Body Syncretism in the Concept of Self-Regulation in Chapter 22 of the Chunqiu Fanlu
Original Paper UDC 111:159.9.016.1(315) Received April 24th, 2014 Ivana Buljan University of Zagreb, Faculty of Humanities and Social Sciences, Ivana Lučića 3, HR–10000 Zagreb [email protected] Emptying the Mind and Stilling the Body Syncretism in the Concept of Self-Regulation in Chapter 22 of the Chunqiu fanlu Abstract The concept of shen 身, meaning a person in all his or her physiological, psychological, and sociological aspects, is an important concept in Chinese philosophy. What the nature of shen is, and consequently how to maintain, regulate, and cultivate one’s own body/self/ person, has been a prominent philosophical issue in China. This article examines how this issue was comprehended in Chapter 22, the “Tong guo shen” 通 國身 (“Linking the State and the Body”) chapter, of the important Chinese philosophical compendium the Chunqiu fanlu 春秋繁露, traditionally ascribed to Dong Zhongshu 董仲舒 (c. 179 to 104 BCE). This article follows and expands upon research conducted by Sarah Queen, who suggested that some of the chapters of the unit to which the “Tong guo shen” belongs are character ised by a syncretic approach and suggest familiarity with inner-cultivation techniques. This article particularly focuses on syncretism in the notion of selfregulation in the “Tong guo shen” chapter. It examines the core principles, values, concepts, and ideas of self-regulation in the context of the Chunqiu fanlu’s earlier sources. Through an examination of texts and documents produced from the Spring and Autumn period to the end of the Eastern Han dy nasty, this paper reconstructs the idea of self-regulation through a mutually corroborative philological and philosophical analysis. -
White Paper Report
White Paper Report Report ID: 111862 Application Number: HD-51828-14 Project Director: Patrick Manning ([email protected]) Institution: University of Pittsburgh Reporting Period: 7/1/2014-6/30/2015 Report Due: 9/30/2015 Date Submitted: 11/10/2015 “World-Historical Gazetteer” Report type: White Paper Grant Number: HD-51828-14 Title of Project: World Historical Gazetteer Name of Project Directors: Patrick Manning (Pitt) and Ruth Mostern (UC- Merced), Co-PIs Name of grantee institution: University of Pittsburgh Abstract: The project for a World-Historical Gazetteer is a cross-disciplinary collaboration of researchers and developers from various academic and professional institutions that are working towards creating a comprehensive, online gazetteer of world-historical places for the period after 1500 CE. This paper describes the main objectives of the project, outlines several different work plans, and reports on developments from the World-Historical Gazetteer Workshop that took place in September of 2014. During the workshop, participants worked to establish a criteria and standards for a world-historical gazetteer and reported on currently available gazetteer resources. A consensus arose among participants to begin the work of developing a “spine” gazetteer, based on a world-historical atlas, which is to be linked to other gazetteer resources. While the initial development work on the spine has already commenced, additional activities will continue through December of 2015. The product of the start-up project is displayed on the CHIA -
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(S): Eugene Yuejin Wang Source: the Art Bulletin, Vol
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(s): Eugene Yuejin Wang Source: The Art Bulletin, Vol. 76, No. 3, (Sep., 1994), pp. 511-534 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3046042 Accessed: 17/04/2008 11:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Eugene Yuejin Wang a 1 Jian (looking/mirror), stages of development of ancient ideograph (adapted from Zhongwendazzdian [Encyclopedic dictionary of the Chinese language], Taipei, 1982, vi, 9853) History as Mirror: Trope and Artifact people. -
The Later Han Empire (25-220CE) & Its Northwestern Frontier
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history. -
A Failed Peripheral Hegemonic State with a Limited Mandate of Heaven: Politico-Historical Reflections of a ∗ Survivor of the Southern Tang
DOI: 10.6503/THJCS.201806_48(2).0002 A Failed Peripheral Hegemonic State with a Limited Mandate of Heaven: Politico-Historical Reflections of a ∗ Survivor of the Southern Tang Li Cho-ying∗∗ Institute of History National Tsing Hua University ABSTRACT This article focuses on the concepts the Diaoji litan 釣磯立談 author, a survivor of the Southern Tang, developed to understand the history of the kingdom. It discusses his historical discourse and shows that one of its purposes was to secure a legitimate place in history for the Southern Tang. The author developed a crucial concept, the “peripheral hegemonic state” 偏霸, to comprehend its history. This concept contains an idea of a limited mandate of heaven, a geopolitical analysis of the Southern Tang situation, and a plan for the kingdom to compete with its rivals for the supreme political authority over all under heaven. With this concept, the Diaoji author implicitly disputes official historiography’s demeaning characterization of the Southern Tang as “pseudo” 偽, and founded upon “usurpation” 僭 and “thievery” 竊. He condemns the second ruler, Li Jing 李璟 (r. 943-961) and several ministers for abandoning the first ruler Li Bian’s 李 (r. 937-943) plan, thereby leading the kingdom astray. The work also stresses the need to recruit authentic Confucians to administer the government. As such, this article argues that the Diaoji should be understood as a politico-historical book of the late tenth century. Key words: Southern Tang, survivor, Diaoji litan 釣磯立談, peripheral hegemonic state, mandate of heaven ∗ The author thanks Professors Charles Hartman, Liang Ken-yao 梁庚堯, and the two anonymous reviewers for their thoughtful comments. -
Performing Chinese Contemporary Art Song
Performing Chinese Contemporary Art Song: A Portfolio of Recordings and Exegesis Qing (Lily) Chang Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Arts The University of Adelaide July 2017 Table of contents Abstract Declaration Acknowledgements List of tables and figures Part A: Sound recordings Contents of CD 1 Contents of CD 2 Contents of CD 3 Contents of CD 4 Part B: Exegesis Introduction Chapter 1 Historical context 1.1 History of Chinese art song 1.2 Definitions of Chinese contemporary art song Chapter 2 Performing Chinese contemporary art song 2.1 Singing Chinese contemporary art song 2.2 Vocal techniques for performing Chinese contemporary art song 2.3 Various vocal styles for performing Chinese contemporary art song 2.4 Techniques for staging presentations of Chinese contemporary art song i Chapter 3 Exploring how to interpret ornamentations 3.1 Types of frequently used ornaments and their use in Chinese contemporary art song 3.2 How to use ornamentation to match the four tones of Chinese pronunciation Chapter 4 Four case studies 4.1 The Hunchback of Notre Dame by Shang Deyi 4.2 I Love This Land by Lu Zaiyi 4.3 Lullaby by Shi Guangnan 4.4 Autumn, Pamir, How Beautiful My Hometown Is! by Zheng Qiufeng Conclusion References Appendices Appendix A: Romanized Chinese and English translations of 56 Chinese contemporary art songs Appendix B: Text of commentary for 56 Chinese contemporary art songs Appendix C: Performing Chinese contemporary art song: Scores of repertoire for examination Appendix D: University of Adelaide Ethics Approval Number H-2014-184 ii NOTE: 4 CDs containing 'Recorded Performances' are included with the print copy of the thesis held in the University of Adelaide Library. -
UC GAIA Chen Schaberg CS5.5-Text.Indd
Idle Talk New PersPectives oN chiNese culture aNd society A series sponsored by the American Council of Learned Societies and made possible through a grant from the Chiang Ching-kuo Foundation for International Scholarly Exchange 1. Joan Judge and Hu Ying, eds., Beyond Exemplar Tales: Women’s Biography in Chinese History 2. David A. Palmer and Xun Liu, eds., Daoism in the Twentieth Century: Between Eternity and Modernity 3. Joshua A. Fogel, ed., The Role of Japan in Modern Chinese Art 4. Thomas S. Mullaney, James Leibold, Stéphane Gros, and Eric Vanden Bussche, eds., Critical Han Studies: The History, Representation, and Identity of China’s Majority 5. Jack W. Chen and David Schaberg, eds., Idle Talk: Gossip and Anecdote in Traditional China Idle Talk Gossip and Anecdote in Traditional China edited by Jack w. cheN aNd david schaberg Global, Area, and International Archive University of California Press berkeley los Angeles loNdoN The Global, Area, and International Archive (GAIA) is an initiative of the Institute of International Studies, University of California, Berkeley, in partnership with the University of California Press, the California Digital Library, and international research programs across the University of California system. University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd.