40Th Anniversary 4K Restoration…

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40th Anniversary 4K Restoration… Experience The T error Like Never Before! Frank Zito (a career performance by co-writer/co-executive producer Joe Spinell of ROCKY and THE GODFATHER fame) is a deeply disturbed man, haunted by the traumas of unspeakable childhood abuse. And when these horrific memories begin to scream inside his mind, Frank prowls the seedy streets of New York City to stalk and slaughter innocent young women. Now Frank has begun a relationship with a beautiful photographer (Caroline Munro of THE SPY WHO LOVED ME), yet his vile compulsions remain. These are the atrocities of a human monster. This is the story of a MANIAC. Directed by William Lustig (MANIAC COP 2, VIGILANTE) and featuring landmark gore effects by Tom Savini (DAWN OF THE DEAD, FRIDAY THE 13th), this relentlessly shocking and disturbing film was originally censored all over the world due to its graphic violence. Now Blue Underground is thrilled to present MANIAC in a brand-new 4K Restoration from its recently discovered 16mm original camera negative, overflowing with hours of new and archival Extras! • WORLD PREMIERE! New 4K Restoration from the recently discovered long-lost 16mm original camera negative • Exclusive Limited Collector’s Edition includes 2 Blu-rays, Soundtrack CD, collectable booklet, reversible sleeve, and special 3D lenticular slipcover (First Pressing Only) • National Print Advertising and extensive Online Exposure • Acclaimed 2012 remake starring Elijah Wood 3D • For fans of FRIDAY THE 13th, THE PROWLER, and HENRY: PORTRAIT OF A SERIAL KILLER LENTICULAR • Overflowing with hours of NEW and archival Extras SLIPCOVER! EXTRAS Disc 1: MANIAC (3-DISC LTD ED/4K REM) • Audio Commentary #1 with Producer/Director William Lustig ITEM# BLU-BD-8021 • UPC: 827058802192 • SRP: $39.95 • BOX LOT: 25 and Producer Andrew W. Garroni • Audio Commentary #2 with Producer/Director William Lustig, 1980 • Color • 88 Mins. • Horror • Not Rated • All Regions Special Make-Up Effects Artist Tom Savini, Editor Lorenzo Marinelli, Widescreen 1.85:1 • Audio: 7.1 DTS-HD; 2.0 DTS-HD; Dolby Digital 2.0 and Joe Spinell’s Assistant Luke Walter • Theatrical Trailers • TV Spots • Radio Spots Languages: English, Castellano, Français, Italiano, Deutsch Subtitles: English SDH, Français, Español, Português, Disc 2: Deutsch, Italiano, Dansk, Suomi, Nederlands, Svenska, Russian, • NEW! MANIAC Outtakes • NEW! Returning to the Scene of the Crime with William Lustig Korean, Japanese, Chinese, Thai • Anna and the Killer – Interview with Star Caroline Munro • The Death Dealer – Interview with Special Make-Up Effects Artist Tom Savini “One Of The Darkest • Dark Notes – Interview with Composer Jay Chattaway • Maniac Men – Interview with Songwriters Michael Sembello and Dennis Matkosky Films Of All Time… • The Joe Spinell Story • Mr. Robbie: Maniac 2 Promo Reel • MANIAC Publicity • MANIAC Controversy Required Viewing For BONUS! MANIAC Original Motion Picture Soundtrack CD by Jay Chattaway Any Horror Fan!” BONUS! Collectable Booklet with new essay by Michael Gingold - HorrorDVDs.com PRE-ORDER DATE Distributed by: NOVEMBER 6, 2018 For Additional Info and to View Trailers, Visit STREET DATE TM 800-888-0486 ∙ Fax 888-536-7998 www.blue-underground.com DECEMBER 11, 2018 203 Windsor Road Pottstown, PA 19464 ©2018 Blue Underground, Inc. All Rights Reserved. www.MVDb2b.com MANIAC: ©1980, 2018 Gitsul Management, Inc. & Master Licensing, Inc. All Rights Reserved..

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Maniac-Presskit-English.Pdf

Photos © La Petite Reine - Daniel McFadden - Lacey Terrell THOMAS LANGMANN & ALEXANDRE AJA present A film by FRANCK KHALFOUN Written by AlEXANDRE AJA & GREGORY LEVASSEUR Based on the movie MANIAC by WIllIAM LUSTIG with ElIJAH WOOD & NORA ARNEZEDER 2012 • France • english • 1h29M • color © 2012 - La Petite Reine - Studio 37 INTERNATIONAL SALES: Download press kit and photos from WWW.WILDBUNCH.BIZ/FILMS/MANIAC Synopsis Just when the streets seemed safe, a serial killer with a fetish for scalps is back and on the hunt. Frank is the withdrawn owner of a mannequin a 21st century Jack the ripper set in present- store, but his life changes when young artist day L.A. MANIAC is a re-boot of the cult Anna appears asking for his help with her film considered by many to be the most new exhibition. As their friendship develops suspenseful slasher movie ever made – and Frank’s obsession escalates, it becomes an intimate, visually daring, psychologically clear that she has unleashed a long-repressed complex and profoundly horrific trip into the compulsion to stalk and kill. downward spiralling nightmare of a killer and his victims. Q&A with FRANCK KHALFOUN Were you a big fan of the connect with and feel compassion for, as well original MANIAC? as, obviously, the violence and the gore. The original SFX were created by the legendary I was 12 when it came out so obviously I wasn’t Tom Savini so who better to do this version allowed to see it in a theatre and I had to wait than maestro greg nicotero who started off a while until it was released on VHS.
2012 Program PDF 6.48 MB

HUNT THE GE A M I L A FESTIV CIFF is now mobile! Download your FREE app to view your CIFF program on the move, brought to you by TransACT. Some of the great things you can do: t View movie times, trailers and flm info t Plan your CIFF schedule and share with friends t Search for your favourite flms by country, showing time or genre t Enter comps for your chance to win free CIFF tickets Available FREE for AndroidTM and Apple® devices Android and Google Play are trademarks of Google Inc. Use of these trademarks is subject to Google Permissions. Apple is a trademark of Apple Inc. 1 Canberra International Film Festival Inc. CONTENTS ABN 22 O55 774 493 GPO Box 2495 Canberra ACT 26O1 WELCOME MESSAGES MADNESS & MAYHEM RETRO TRIPLE-TREAT T O2 623O 5211 2 Katy Gallagher 21 Queen Freak 38 Hundra ACT Chief Minister 21 Sightseers 39 Maniac Cop 22 Turn Me on Goddammit 39 The Stuff President Nicole Mitchell 2 Nicole Mitchell CIFF President 22 Let My People Go! Vice President Virginia Haussegger 23 Paris-Manhattan FAR CORNERS 3 Ivan Slavich 23 Sex, Lies & Surgery Public Ofﬁcer Shaun Creighton TransACT 41 ¡Vivan las Antipodas! Treasurer Cath Ingram Chief Executive Ofﬁcer TALKING POINT 41 11 Flowers Member John Frohlich 3 Simon Weaving 42 Like Someone in Love CIFF Artistic Director 25 Step Up to the Plate 42 Naked Harbour Member Dianne Ireland 25 For the Love of Movies 43 No General Manager Paul Donohoe 26 The Imposter 43 Love Story Artistic Director Simon Weaving CIFF MEMBERSHIP 26 Chasing Ice 27 Room 237 Operations Katherine Morrell 1O CIFF Membership
Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27

BAMcinématek presents Indie 80s, a comprehensive, 60+ film series highlighting the decade between 70s New Hollywood and the 90s indie boom, Jul 17—Aug 27 Co-presented by Cinema Conservancy The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/June 11, 2015—From Friday, July 17 through Thursday, August 27, BAMcinématek and Cinema Conservancy present Indie 80s, a sweeping survey of nearly 70 films from the rough-and-tumble early days of modern American independent cinema. An aesthetic and political rebuke to the greed-is-good culture of bloated blockbusters and the trumped-up monoculture of Reagan-era America, Indie 80s showcases acclaimed works like Jim Jarmusch’s Stranger Than Paradise (1984—Jul 18), David Lynch’s Blue Velvet (1986—Aug 8), and Steven Soderbergh’s sex, lies, and videotape (1989—Aug 14) alongside many lesser- known but equally accomplished works that struggled to find proper distribution in the era before studio classics divisions. Filmmakers including Ross McElwee, William Lustig, Rob Nilsson, and more will appear in person to discuss their work. Like the returning expatriate’s odyssey in Robert Kramer’s four-hour road movie Route One/USA (1989—Aug 16), a sampling of 80s indie cinema comprises an expansive journey through the less-traveled byways of America. From the wintry Twin Cities of the improvised, hilariously profane road trip Patti Rocks (1988—Aug 25) to the psychopath’s stark Chicago hunting grounds in John McNaughton’s Henry: Portrait of a Serial Killer (1986—Jul 29) to the muggy Keys of Florida in filmmaker Victor Nuñez’s eco-thriller A Flash of Green (1984—Aug 12), regional filmmakers’ cameras canvassed an America largely invisible to Hollywood.
The Neon Demon a Film by Nicolas Winding Refn

69TH CANNES INTERNATIONAL FILM FESTIVAL - OFFICIAL SELECTION - COMPETITION GAUMONT, WILD BUNCH & NICOLAS WINDING REFN PRESENT A SPACE ROCKET PRODUCTION IN ASSOCIATION WITH VENDIAN ENTERTAINMENT LLC AND BOLD FILMS LLC THE NEON DEMON A FILM BY NICOLAS WINDING REFN STARRING ELLE FANNING / KARL GLUSMAN / JENA MALONE / BELLA HEATHCOTE / ABBEY LEE / DESMOND HARRINGTON WITH CHRISTINA HENDRICKS & KEANU REEVES USA, DENMARK & FRANCE - 117 MIN - COLOR - 2.39 - 5.1 INTERNATIONAL SALES: INTERNATIONAL PRESS: GAUMONT WILD BUNCH GAUMONT 30 avenue Charles de Gaulle - 92200 Neuilly sur Seine 65 rue de Dunkerque - 75009 Paris 30 avenue Charles de Gaulle - 92200 Neuilly sur Seine IN CANNES: IN CANNES: Contact: Sophie Bollotte / [email protected] 2 rue Bivouac Napoleon, 6th Floor 4 La Croisette, 1st Floor IN CANNES: Phone: +33 4 93 68 90 20 Phone: +33 4 93 30 17 00 2 rue Bivouac Napoleon, 6th Floor Phone: +33 4 93 68 90 20 THE STORY When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will use any means necessary to get what she has. FRAGMENTS BY NWR THE DEMON RISES “For a number of years, I’ve had this interest in making a film about beauty, because, in my life, I’m surrounded by it,” NWR says, referring to his wife, filmmaker LIV CORFIXEN (MY LIFE DIRECTED BY NICOLAS WINDING REFN), his two young daughters, and, presumably, the myriad actresses and models he’s encountered directing both feature films and fashion advertisements for brands like Gucci, YXL, H&M and Hennessey. “And I see a lot of female empowerment with beauty.” “The currency of beauty continues to rise and never falls.
MONDO TARANTINO MONDO TARANTINO COLEÇÃO CINUSP – Volume 4 Coordenação Geral Tradução Esther Hamburger E Patricia Moran David Donato

MONDO TARANTINO MONDO TARANTINO COLEÇÃO CINUSP – vOLUME 4 COORDENAÇÃO GERAL TRADUÇÃO Esther Hamburger e Patricia Moran David Donato ORGANIZAÇÃO REVISÃO Marcos Kurtinaitis Luciana Tonelli PRODUÇÃO PROJETO GRÁFICO E DIAGRAMAÇÃO Thiago de André André Noboru Siraiama Uva Costriuba PESQUISA Henrique Figueiredo ILUSTRAÇÃO DA CAPA Yasmin Afshar Vitor Morinishi Kurtinaitis, Marcos (org.) Mondo Tarantino / Marcos Kurtinaitis São Paulo: Pró-reitoria de Cultura e Extensão Universitária – USP, 2013. 256 p.; 21 x 15,5 cm. ISBN 978-85-62587-09-2 1. Cineastas 2. Tarantino, Quentin (1963- ) I. Título CDD 791.43092 CDU 791 Ministério da Cultura apresenta Banco do Brasil apresenta e patrocina MONDO TARANTINO CCBB DF CCBB SP CINUSP 15 FEV A 17 MAR 20 FEV A 17 MAR 25 FEV A 15 MAR SCES, Trecho 2 Rua Álvares Penteado, 112 Rua do Anfiteatro, 181 61 3108 - 7600 Centro Colmeia Favo 04 twitter.com/ccbb_df 11 3113 - 3651 / 3652 11 3091 - 3540 fb.com/ccbb.brasilia twitter.com/ccbb_sp www.usp.br/cinusp fb.com/ccbbsp fb.com/cinusp.pauloemilio CORREALIZAÇÃO REALIZAÇÃO Pró-Reitoria de Cultura e Extensão Universitária da USP São Paulo – Fevereiro de 2013 O Ministério da Cultura e o Banco do Brasil apresentam, em parceria com o CINUSP Paulo Emílio, a mostra MONDO TARANTINO, ampla retrospectiva em homenagem ao cineasta que completa 20 anos de carreira. Prestes a completar também 50 anos de idade e contando com enorme prestígio, Quentin Tarantino é, sem dúvida, um dos mais influentes cineastas em atividade. Seus filmes, tamanha a originalidade, sempre provocam as mais acaloradas discussões. E, mais que isso, propiciam uma significativa mudança no cinema.
Dossier 40 Anys Sitges Festival Internacional De

2 INDEX / ÍNDICE/ SUMMARY I Edició, 1968 ..................................................... p. 3 II Edició, 1969 ..................................................... p. 4 III Edició, 1970 ..................................................... p. 5 IV Edició, 1971 ..................................................... p. 6 V Edició, 1972 ..................................................... p. 8 VI Edició, 1973 ..................................................... p. 10 VII Edició, 1974 ..................................................... p. 12 VIII Edició, 1975 ..................................................... p. 14 IX Edició, 1976 ..................................................... p. 16 X Edició, 1977 ..................................................... p. 18 XI Edició, 1978 ..................................................... p. 20 XII Edició, 1979 ..................................................... p. 22 XIII Edició, 1980 ..................................................... p. 24 XIV Edició, 1981 .................................................... p. 26 XV Edició, 1982 .................................................... p. 28 XVI Edició, 1983 .................................................... p. 30 XVII Edició, 1984 .................................................... p. 32 XVIII Edició, 1985 .................................................... p. 34 XIX Edició, 1986 ................................................... p. 36 XX Edició, 1987 .................................................... p. 38 XXI Edició, 1988
The Contemporary American Horror Film Remake, 2003-2013

RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake.
Transfigurations: Violence, Death and Masculinity in American Cinema Grønstad, Asbjørn

www.ssoar.info Transfigurations: Violence, Death and Masculinity in American Cinema Grønstad, Asbjørn Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Grønstad, A. (2008). Transfigurations: Violence, Death and Masculinity in American Cinema. (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-320563 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de FILM CULTURE IN TRANSITION VIOLENCE,VIOLENCE, DEATH,DEATH, ANDAND MASCULINITYMASCULINITY ININ AMERICANAMERICAN CINEMACINEMA TRANSTRANS-- FIGURATIONSFIGURATIONS ASBJØRN GRØNSTAD Amsterdam University Press Transfigurations Transfigurations Violence, Death and Masculinity in American Cinema Asbjørn Grønstad Front cover illustration: Still from the movie American Psycho (), starring Christian Bale Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn (paperback) isbn (hardcover) nur © Asbjørn Grønstad / Amsterdam University Press,
You'll Have to Take It: Urban Vigilantism and American Film, 1967-1985" Joseph E

John Carroll University Carroll Collected Masters Theses Theses, Essays, and Senior Honors Projects 2014 "You'll Have to Take It: Urban Vigilantism and American Film, 1967-1985" Joseph E. Roskos John Carroll University, [email protected] Follow this and additional works at: http://collected.jcu.edu/masterstheses Part of the Film and Media Studies Commons, and the United States History Commons Recommended Citation Roskos, Joseph E., ""You'll Have to Take It: Urban Vigilantism and American Film, 1967-1985"" (2014). Masters Theses. 9. http://collected.jcu.edu/masterstheses/9 This Thesis is brought to you for free and open access by the Theses, Essays, and Senior Honors Projects at Carroll Collected. It has been accepted for inclusion in Masters Theses by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. YOU’LL HAVE TO TAKE IT: URBAN VIGILANTISM AND AMERICAN FILM, 1967-1985 A Thesis Submitted to the Office of Graduate Studies College of Arts & Sciences of John Carroll University in Partial Fulfillment of the Requirements for the Degree of Master of Arts By Joseph Roskos 2014 CONTENTS INTRODUCTION ..................................................................................................................... 1 CHAPTER 1: Who’s Gonna Save Us: The Birth of a Vigilante, 1967-1974 ............................ 9 Vanilla Suburbs, Chocolate Cities: White Flight and Housing Discrimination .......... 10 Adieu Newark, Hello Division: The Newark Riot of 1967 ........................................ 12 Anthony Imperiale and the North Ward Citizens Committee ..................................... 13 Law and Order: The National Politics of Race, 1968 ................................................. 19 The Rise and Fall of Blaxploitation ............................................................................ 21 Working Class Need Not Apply: Dirty Harry and the Struggle to Survive ............... 23 It Can Happen to You: Death Wish and Legitimized Vigilantism.............................
Off the Beaten Path

Off the Beaten Path A Comprehensive List of the Horror Community’s Favorite Overlooked Films Tomatometer Audience Score Mentions Logline [Rec] (2007) 89% 82% Reporter Angela (Manuela Velasco) and her trusty cameraman Pablo are following a local fire crew for a segment of their reality television series "When You're Asleep" when the firefighters receive a distress call from a nearby apartment building. An elderly woman has become locked in her apartment; a routine call by any account. The police are already on the scene, so now it's up to firemen Manu (Ferran Terraza) and Alex (David Vert) to break down the door and ensure that no harm has come to her. Upon arriving at the building, everything appears normal. But the calm atmosphere at the moment betrays the horrors that begin to unfold after the firemen break down the tenant's door and experience something that no one would believe had it not been captured on camera. Later, as the building is surrounded and quarantined, Pablo continues to roll tape to ensure that whatever the outcome of this terrifying situation may be, there will be some evidence to ensure that the truth gets out. [Rec] 2 (2010) 68% 60% The highly anticipated sequel to one of the scariest films of all time, "[REC] 2" picks up 15 minutes from where we left off, taking us back into the quarantined apartment building where a terrifying virus has run rampant, turning the occupants into mindlessly violent, raging beasts. A heavily armed SWAT team and a mysterious government official are sent in to assess and attempt to neutralize the situation.
Catalog Seventy Royal Books

catalog seventy royal books Royal Books catalog seventy THE CELLULOID PAPER TRAIL Oak Knoll Press is pleased to announce the publication of Terms and Conditions Kevin R. Johnson’s The Celluloid All books are first editions unless indicated otherwise. Paper Trail. The first book All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected ever published on film script by new archival covers. Single, unframed photographs identification and description, housed in new, archival mats. lavishly illustrated and detailed. In many cases, more detailed physical descriptions for archives, manuscripts, film scripts, and other ephemeral Designed for any book scholar, items can be found on our website. including collectors, archivists, Any item is returnable within 30 days for a full refund. librarians, and dealers. Books may be reserved by telephone, or email, and are subject to prior sale. Payment can be made by credit card Available now at royalbooks.com or, if preferred, by check or money order with an invoice. or by calling 410.366.7329. Libraries and institutions may be billed according to preference. Reciprocal courtesies extended to dealers. Please feel free to let us know if you would like your copy signed or inscribed by the author. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter.
Horrorhound.Com MOVIE NEWS; 30 Days of Night, Resident Evil 3, DVD NEWS: Halloween, Etc

Winter 2007/2008 $6.95 A 25 Year BetrespectlMe BE A MONSTER! • MAKE A MONSTER! • ENLIST & UPLOAD! m MONSTERSTV.COM TO ENTER! WINTER 2007/08iiitineiR- www.horrorhound.com MOVIE NEWS; 30 Days of Night, Resident Evil 3, DVD NEWS: Halloween, etc. Featuring Grlndhouse, Tales from the Crypt, ' etc. SAN DIEGO COMIC-CON Coverage TOY NEWS: 30 Days of Night, Child's Play, Saw, Hezco Toys, etc. MUSICIANS in Horror! HALLOWEEN III Pull-Out Poster! HALLOWEEN III A HorrorHound Retrospective The History of HORROR ROCK COMIC BOOKS: Strangeland, Bump, of Army Darkness, Artist Spotlight: ON THE COVER: 30 Days of Nights makes Vampires scary again! Chucky, etc. MONTE WARD THIS ISSUE: The San Diego Comic-Con is the biggest geek- Horror’s fest of the year, and "horror geeks” luckily receive as much news and Hallowed suiprises from this annual event as anyone else: from revelations of Grounds: upcoming films to new comic announcements and video game titles. Halloween GOREHOUND; The most significant news from this year’s event is the onslaught of new action figure and collectibles due in stores over the next several Wizard of Gore months! Mezco Toys continues their line of “Cinema of Fear’ action fig- FANtasoi; ures with new additions: Leatherface from Texas Chainsaw Massacre Fan Art, Freddy 2, (based on his first film appearance) and Jason Voorhees Collector's from Frfc/ay fhe 13th Parts. On top of this. Gentle Giant has announced Spotlight Serial Killers: 2, a number of resin products from ‘Chainsaw ' 30 Days of Night and a RICHARD SPECK number of other horror comic titles! Check out page 21 for all the infor- mation concerning these announcements and many more! ROADKILL: Movie news this issue features our cover story; 30 Days of Night, HorrorHound in which we speak with Sam Raimi (producer), Josh Hartnett (star), Weekend November Steve Niles (creator) and David Slade (director): see page 8.