KOYRÉ, KOJÈVE, and MALABOU SPECULATE on HEGELIAN TIME Rory Jeffs
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Course Outline in PDF Format
POLS 3040.6 Modern Political Thought 2010/11 Course Website: http://moodle10.yorku.ca You will need your Passport York to sign in, then you will be directed to POLS 3040.6 course website. Class Time: Wednesday 11:30-14:30 Class Location: TEL 1005 Professor: Shannon Bell Office Location: S 634 Ross E-mail: [email protected] Website: www.arts.yorku.ca/politics/shanbell/index.html Telephone Office: 416 2100 ext. 22552 Office Hours: Tues 15:00-17:00 Mobile: 416 822 6831 Wed 15:00-17:00 Course Description POLS 3040.6 Modern Political Thought meshes political theory with digital imagery. The course operationalizes Gilles Deleuze claim that philosophical concepts are like sounds, images and colors. This will be accomplished through digital image/sound production of theoretical concepts. Film images, which I have videoed will accompany each lecture. Course requirements include two short film productions relating to a theoretical concept; the films accompany the two essays. I have scheduled extra office hours to assist with the film aspect of the course which is 15% of the grade. It is assumed that people do not have any film experience. The idea is to transpose Martin Heidegger’s claim regarding technology, ‘that you can’t think technology technologically,’ to the techne of political thought. The argument is that you can’t think political theory simply with language, that is, inside the sayable in which it is produced. Heidegger contended that the site from which to think technology is art. POLS 3040 uses visual images to supplement and enhance philosophical concepts. -
Hegel and Marx on Alienation a Thesis Submitted to the Graduate School of Social Sciences of Middle East Technical University By
HEGEL AND MARX ON ALIENATION A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY SEVGİ DOĞAN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF PHILOSOPHY FEBRUARY 2008 Approval of the Graduate School of (Name of the Graduate School) Prof. Dr. Sencer Ayata Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Arts. Prof. Dr. Ahmet İnam Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts of Philosophy. Assist. Prof. Dr. Barış Parkan Supervisor Examining Committee Members Assist. Prof. Dr. Barış Parkan (METU, PHIL) Assist. Prof. Dr. Elif Çırakman (METU, PHIL) Assist. Prof. Dr. Çetin Türkyılmaz (Hacettepe U., PHIL) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Sevgi Doğan Signature : iii ABSTRACT HEGEL AND MARX ON ALIENATION Doğan, Sevgi M.A., Department of Philosophy Supervisor: Assist. Prof. Barış Parkan February 2008, 139 pages Is alienation a process of self-discovery or is it a loss of reality? The subject of this thesis is how alienation is discussed in Hegel and Marx’s philosophies in terms of this question. -
Hegel's Introduction to Aesthetics
Hegel’s Introduction to Aesthetics 1 Karsten Harries Hegel's Introduction to Aesthetics Fall Semester 2009 Yale University Copyright Karsten Harries Hegel’s Introduction to Aesthetics 2 Contents 1. Introduction: Hegel on the Death of Art 3 2. Danto on the End of Art 15 3. Art and Nature 37 4. Art and Theory 50 5. Towards a Science of Art 60 6. The Work of Art as an Artifact 78 7. The Sensuousness of Art 85 8. Art and Imitation 96 9. Why Art in a Needy Age? 104 10. Hegel and his Predecessors 119 11. Irony 128 12. The Division of the Arts 137 13. Conclusion: The History and End of Art 148 Hegel’s Introduction to Aesthetics 3 1. Introduction: Hegel on the Death of Art 1 In the Spring semester of 2008 I taught, for the last time, a seminar on Heidegger's The Origin of the Work of Art. A reworked version of my class notes has just been published as a book by Springer.1 In my mind that seminar and this seminar on Hegel, while they do not depend on each other, belong together. What joins them is most fundamentally the question of the place of art in the modern world. Both seminars are part of an attempt to work out in more detail the concluding chapter of my The Ethical Function of Architecture,2 which confronts Hegel with Heidegger. What is at issue in this confrontation is hinted at by some remarks Heidegger makes in the Epilogue to The Origin of the Work of Art. -
Cultural Naturalism and the Market God David Timothy Denenny Southern Illinois University Carbondale, [email protected]
Southern Illinois University Carbondale OpenSIUC Theses Theses and Dissertations 12-1-2018 Cultural Naturalism and the Market God David Timothy Denenny Southern Illinois University Carbondale, [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/theses Recommended Citation Denenny, David Timothy, "Cultural Naturalism and the Market God" (2018). Theses. 2464. https://opensiuc.lib.siu.edu/theses/2464 This Open Access Thesis is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. CULTURAL NATURALISM AND THE MARKET GOD by David Denenny B.A. Eastern Washington University, 2015 A Thesis Submitted in Partial Fulfillment of the Requirements for the Master of Arts Degree Department of Philosophy in the Graduate School Southern Illinois University Carbondale December 2018 Copyright by David Denenny, 2018 All Rights Reserved THESIS APPROVAL CULTURAL NATURALISM AND THE MARKET GOD by David Denenny A Thesis Submitted in Partial Fulfillment of the Requirements for the degree of Master of Arts in the field of Philosophy Approved by: Kenneth William Stikkers, Chair Randall Auxier Alfred Frankowski Graduate School Southern Illinois University Carbondale November 8, 2018 AN ABSTRACT OF THE THESIS OF David Denenny, for the Master of Arts degree in Philosophy, presented on November 8, 2018, at Southern Illinois University Carbondale. TITLE: CULTURAL NATURALISM AND THE MARKET GOD MAJOR PROFESSOR: Dr. Kenneth William Stikkers This work employs John Dewey's cultural naturalism to explore how and why the orthodox economic tradition functions as a religious faith. -
Machine Automation and the Critique of Abstract Labor in Hegel's Mature
Georgia State University ScholarWorks @ Georgia State University Philosophy Theses Department of Philosophy 12-12-2018 Machine Automation and the Critique of Abstract Labor in Hegel’s Mature Social Theory Matthew J. Delhey Follow this and additional works at: https://scholarworks.gsu.edu/philosophy_theses Recommended Citation Delhey, Matthew J., "Machine Automation and the Critique of Abstract Labor in Hegel’s Mature Social Theory." Thesis, Georgia State University, 2018. https://scholarworks.gsu.edu/philosophy_theses/248 This Thesis is brought to you for free and open access by the Department of Philosophy at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Philosophy Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MACHINE AUTOMATION AND THE CRITIQUE OF ABSTRACT LABOR IN HEGEL’S MATURE SOCIAL THEORY by MATTHEW J. DELHEY Under the Direction of Sebastian Rand, PhD ABSTRACT This thesis examines Hegel’s critique of abstract labor in the Philosophy of Right and the sections on objective spirit in the Encyclopaedia. Against both Frederick Neuhouser’s and Marxist interpretations, I argue that abstract labor, for Hegel, characterizes the specific kind of mechanical labor undertaken in the nineteenth-century factory. Such repetitive labor, Hegel claims, leads to the deadening (Abstumpfung) of the worker through the deforming of her ethical subjectivity, a social pathology he hopes will be resolved by machine automation. By developing two key aspects of Hegel’s social theory—that labor produces ethical subjectivity or education (Bildung) and that this education is the central locus of civil society’s ethicality—I argue that we ought to understand Hegel’s hope for machine automation as a critique of those forms of labor which prevent the worker’s rational participation in the totality of the labor process and thus fail to actualize her social freedom. -
Hegel 250—Too Late?
HEGEL 250—TOO LATE? Ljubljana 2020 HEGEL 250—TOO LATE? ANALECTA Publisher: Društvo za teoretsko psihoanalizo Publishing board: Miran Božovič, Mladen Dolar, Rado Riha, Alenka Zupančič (president), Slavoj Žižek Edited by Mladen Dolar Copyedited by Tanja Dominko and Eric Powell Cover Design by AOOA Layout by Klemen Ulčakar Printed by Ulčakar Grafika First Edition Circulation 200 Ljubljana 2020 This publication has been co-published in partnership with the Goethe-Institut Ljubljana. CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 1Hegel G.W.F.(082) HEGEL 250 - too late? / [edited by Mladen Dolar]. - 1st ed. - Ljubljana : Društvo za teoretsko psihoanalizo : Goethe-Institut, 2020. - (Zbirka Analecta) (Problemi ; let. 58, 11-12) (Problemi International ; 2020, 4) ISBN 978-961-6376-94-5 (Društvo za teoretsko psihoanalizo) COBISS.SI-ID 61238531 Table of Contents Hegel Reborn: A Brief Introduction to HEGEL 250—TOO LATE? Árpád-Andreas Sölter. 5 Hegel’s Time! Ana Jovanović, Bara Kolenc, Urban Šrimpf, Goran Vranešević. 9 Nadia Bou Ali and Ray Brassier After Too Late: The Endgame of Analysis. 11 Mladen Dolar What’s the Time? On Being Too Early or Too Late in Hegel’s Philosophy. 31 Luca Illetteratti Nature’s Externality: Hegel’s Non-Naturalistic Naturalism. .51 Zdravko Kobe The Time of Philosophy: On Hegel’s Conception of Modern Philosophy . 73 Bara Kolenc Is It Too Late?. 91 Christian Krijnen “What, if Anything, Has Not Been Called Philosophizing?” On the Relevance of Hegel’s Conception of a Philosophical History of Philosophy. 119 Gregor Moder What Is To Be Done: On the Theatricality of Power. 143 Nadia Bou Ali and Ray Brassier Sebastian Rödl Thinking Nothing . -
Marx and Art: Use, Value, Poetry
CONTINENTAL THOUGHT & THEORY: A JOURNAL OF INTELLECTUAL FREEDOM Marx and Art: Use, Value, Poetry Volume 1 | Issue 4: 150 years of Capital 587-615 | ISSN: 2463-333X Marx and Art: Use, Value, Poetry Ali Alizadeh Abstract: Despite Karl Marx’s overwhelming focus on economics and politics – culminating in Capital: Critique of Political Economy – his philosophy has inspired an array of Marxist or Marxian theories regarding the arts. Yet, the key tenet of these theories has not been Marx’s radical emphasis on the foundational role of production in human subjectivity. Marxist theories of art have, generally speaking, either examined the arts’ capacity for signifying social relations and class struggle – as seen in many a Marxists’ penchant for realism – or they have seen the arts as little more than aesthetic legitimations of ruling class ideology, a view which, in its most positive manifestation, can be found in the experimental and modernist tendency to undermine the morals and mores of the bourgeoisie by committed artists. Neither of these approaches, at any rate, sees art as a form and outcome of production in itself. In this article, I wish to present a Marxian theory of art, based on Marx’s entire oeuvre, from his earliest journalistic writings to Capital, which presents art as neither an aesthetic mimesis nor an ideological alibi of production. I would like to propose that for Marx art was, first and foremost, a use-value produced by concrete human labour. Keywords: art, Marx, value, use, labour 587 CONTINENTAL THOUGHT & THEORY: A JOURNAL -
Introduction to Hegel's Theory of Tragedy
Introduction to Hegel’s Theory of Tragedy MARK W. ROCHE Next to Aristotle’s account of tragedy, the theory of tragedy developed by the German philosopher G. W. F. Hegel (1770-1831) has become the most studied and quoted in the West. Tragedy arises, according to Hegel, when a hero courageously asserts a substantial and just position, but in doing so simultaneously violates a contrary and likewise just position and so falls prey to a one-sidedness that is defined at one and the same time by greatness and by guilt. Tragedy surfaces as a topic in Hegel’s Phenomenology of Mind and his Lectures on the Philosophy of History, arguably his two best known works in the Anglo-American world. In chapter five of the Phenomenology Hegel discusses character, ethical action, and guilt partly by way of an analysis of Sophocles’ Antigone. In his introduction to the Lectures on the Philosophy of History Hegel analyzes the world-historical individual who shapes history often beyond her conscious intentions; such figures emerge ahead of their time, come into conflict with their ages, and prepare a new world. In his Lectures on the History of Philosophy Hegel offers a fascinating portrait of Socrates in the light of this tragic dialectic. Also in his Lectures on the Philosophy of Religion Hegel touches on tragedy, especially in the Greek world and in relation to reconciliation. Tragedy is most prominent in Hegel’s Lectures on Aesthetics, which is one of his most accessible texts. The Aesthetics, which was compiled and edited by Hegel’s student Heinrich PhaenEx 1, no. -
Embodied Meaning and Art As Sense-Making: a Critique of Beiser’S Interpretation of the ‘End of Art Thesis’ 1
Proceedings of the European Society for Aesthetics Volume 9, 2017 Edited by Dan-Eugen Ratiu and Connell Vaughan Published by the European Society for Aesthetics esa Proceedings of the European Society for Aesthetics Founded in 2009 by Fabian Dorsch Internet: http://proceedings.eurosa.org Email: [email protected] ISSN: 1664 – 5278 Editors Dan-Eugen Ratiu (Babes-Bolyai University of Cluj-Napoca) Connell Vaughan (Dublin Institute of Technology) Editorial Board Zsolt Bátori (Budapest University of Technology and Economics) Alessandro Bertinetto (University of Udine) Matilde Carrasco Barranco (University of Murcia) Daniel Martine Feige (Stuttgart State Academy of Fine Arts) Francisca Pérez Carreño (University of Murcia) Kalle Puolakka (University of Helsinki) Isabelle Rieusset-Lemarié (University of Paris 1 Panthéon-Sorbonne) Karen Simecek (University of Warwick) John Zeimbekis (University of Patras) Publisher The European Society for Aesthetics Department of Philosophy University of Fribourg Avenue de l’Europe 20 1700 Fribourg Switzerland Internet: http://www.eurosa.org Email: [email protected] Proceedings of the European Society f or Aesthetics Volume 9, 2017 Edit ed by D an - Eugen Ratiu and Connell Vaughan Table of Contents Claire Anscomb Does a Mechanistic Etiology Reduce Artistic Agency? ... 1 Emanuele Arielli Aesthetic Opacity ................................ ........................ 15 Zsolt Bátori The Ineffability of Musical Content : Is Verbalisation in Principle Impossible ? ................................ ............................... -
Kierkegaard, Literature, and the Arts
Kierke gaard, Literature, and the Arts Engraving, ca. 1837, by Carl Strahlheim showing the Gendarmenmarkt in Berlin, with what was then the Schauspielhaus, or Theater (center)— now the concert house of the Konzerthausorchester Berlin— flanked by the German Cathedral (left) and the French Cathedral (right). Pictured in the background to the immediate right of the theater is the building, still standing today, in which Kierkegaard lodged during his four stays in Berlin, in 1841– 42, 1843, 1845, and 1846. It was there, as noted by a plaque outside, that Kierkegaard wrote the first drafts of Either/Or, Repetition, and Fear and Trembling. Kierkegaard, Literature, and the Arts Edited by Eric Ziolkowski northwestern university press evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2018 by Northwestern University Press. Published 2018. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging- in- Publication Data Names: Ziolkowski, Eric Jozef, 1958– editor. Title: Kierkegaard, literature, and the arts / edited by Eric Ziolkowski. Description: Evanston, Illinois : Northwestern University Press, 2018. | Includes index. Identifiers: LCCN 2017029795 | ISBN 9780810135970 (cloth : alk. paper) | ISBN 9780810135963 (pbk. : alk. paper) | ISBN 9780810135987 (e-book) Subjects: LCSH: Kierkegaard, Søren, 1813–1855. | Kierkegaard, Søren, 1813– 1855—Aesthetics. | Literature—Philosophy. | Music and philosophy. | Art and philosophy. | Performing arts—Philosophy. Classification: LCC B4377 .K4558 2018 | DDC 198.9—dc23 LC record available at https://lccn.loc.gov/2017029795 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. -
Hegel and the Myth of the Accessibility of the Lectures on the Philosophy of History
Hegel and the LPH Myth 1 Running head: HEGEL AND THE LPH MYTH Hegel and the Myth of the Accessibility of the Lectures on the Philosophy of History Adam Myers A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2008 Hegel and the LPH Myth 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Craig Q. Hinkson, Ph.D. Chairman of Thesis ______________________________ Thomas A. Provenzola, Ph.D. Committee Member ______________________________ Michael A. Babcock, Ph.D. Committee Member ______________________________ Brenda Ayres, Ph.D. Assistant Honors Director ______________________________ Date Hegel and the LPH Myth 3 Abstract Hegel's Lectures on the Philosophy of History (hereafter LPH) has been often hailed as his most accessible work. I wish to argue that, even if it were at one point in time the best entrée to Hegel's thought, it is no longer. More specifically, I argue that the claim that it is still his most accessible work needs retooling. To do this, I have set up three criteria for what it means for a work to be accessible: authenticity, self-containedness, and navigability. The criterion of authenticity simply states that the more authorial integrity a work has, the more accessible it is; that of self-containedness demands that a work be relatively understandable in itself; and that of navigability demands that an accessible work help the reader navigate in further studies of the same author. -
PHILOSOPHY and RELIGION in GERMAN IDEALISM Studies in German Idealism
PHILOSOPHY AND RELIGION IN GERMAN IDEALISM Studies in German Idealism Series Editor: Reinier Munk, Leiden University and Vrije Universiteit Amsterdam, The Netherlands Advisory Editorial Board: Frederick Beiser, Syracuse University, U.S.A. George di Giovanni, McGill University, Montreal, Canada Helmut Holzhey, University of Zürich, Switzerland Detlev Pätzold, University of Groningen, The Netherlands Robert Solomon, University of Texas at Austin, Texas, U.S.A. VOLUME 3 PHILOSOPHY AND RELIGION IN GERMAN IDEALISM Edited by WILLIAM DESMOND Catholic University of Louvain ERNST-OTTO ONNASCH Vrije Universiteit Amsterdam and PAUL CRUYSBERGHS Catholic University of Louvain KLUWER ACADEMIC PUBLISHERS NEW YORK, BOSTON, DORDRECHT, LONDON, MOSCOW eBook ISBN: 1-4020-2325-1 Print ISBN: 1-4020-2324-3 ©2005 Springer Science + Business Media, Inc. Print ©2004 Kluwer Academic Publishers Dordrecht All rights reserved No part of this eBook may be reproduced or transmitted in any form or by any means, electronic, mechanical, recording, or otherwise, without written consent from the Publisher Created in the United States of America Visit Springer's eBookstore at: http://ebooks.springerlink.com and the Springer Global Website Online at: http://www.springeronline.com This book is dedicated to Ludwig Heyde (†) CONTENTS Preface ix WILLIAM DESMOND, ERNST-OTTO ONNASCH and PAUL CRUYSBERGHS Introduction xi WALTER JAESCHKE Philosophy of Religion after the Death of God 1 MARTIN MOORS Kant on Religion in the Role of Moral Schematism 21 DANIEL BREAZEALE “Wishful Thinking.” Concerning Fichte’s Interpretation of the Postulates of Reason in his Versuch einer Kritik aller Offenbarung (1792) 35 LUDWIG HEYDE (†) The Unsatisfied Enlightenment. Faith and Pure Insight in Hegel’s Phenomenology of Spirit 71 STEPHEN HOULGATE Religion, Morality and Forgiveness in Hegel’s Philosophy 81 SANDER GRIFFIOEN The Finite does not Hinder.