Machine Automation and the Critique of Abstract Labor in Hegel's Mature
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Notes on Abstract Hermeneutics
Research in Phenomenology Research in Phenomenology 41 (2011) 45–59 brill.nl/rp Notes on Abstract Hermeneutics Marcia Sá Cavalcante Schuback Södertörn University, Sweden Abstract Using abstract art as a paradigm, this paper attempts to think, in a provisional manner, the parameters of what the author calls ‘abstract hermeneutics’—a way of thinking capable of responding to the withdrawing, or abstracting, movement of Being. Such abstract thinking— which is an abstracting thinking of the abstract—aims to step beyond objectivity precisely in order to return to phenomenological concreteness. Through an engagement with Heidegger’s understanding of the formal indicative role of the human being as sign (Zeichen), the affinity between the abstracting gestures of abstract art, and the absenting characteristic of human exis- tence, is explored. Keywords Heidegger, hermeneutics, formal-indication, abstract art Die Linien des Lebens sind verschieden Wie Wege sind, und wie der Berge Grenzen. Was hier wir sind, kann dort ein Gott ergänzen Mit Harmonien und ewigem Lohn und Frieden. Hölderlin, “An Zimmern” Would it be something of note for philosophy today to address the question of abstract thought and, more specifically, aboutabstract hermeneutics, what- ever such a phrase might mean? When the challenge of our day seems still, and even more, one of stepping back “to the things themselves” to find a philo- sophical path to the concrete, why address such a question of the abstract? For, phenomenology’s call to the things themselves can be interpreted, and rightly so, precisely as a critique of abstraction. This can also be said in regard to the thoughts of Nietzsche, Marx, and Freud, insofar as they all share with phe- nomenology what could be called a desire or search for lost concreteness. -
Hegel and Marx on Alienation a Thesis Submitted to the Graduate School of Social Sciences of Middle East Technical University By
HEGEL AND MARX ON ALIENATION A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY SEVGİ DOĞAN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF PHILOSOPHY FEBRUARY 2008 Approval of the Graduate School of (Name of the Graduate School) Prof. Dr. Sencer Ayata Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Arts. Prof. Dr. Ahmet İnam Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Arts of Philosophy. Assist. Prof. Dr. Barış Parkan Supervisor Examining Committee Members Assist. Prof. Dr. Barış Parkan (METU, PHIL) Assist. Prof. Dr. Elif Çırakman (METU, PHIL) Assist. Prof. Dr. Çetin Türkyılmaz (Hacettepe U., PHIL) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Sevgi Doğan Signature : iii ABSTRACT HEGEL AND MARX ON ALIENATION Doğan, Sevgi M.A., Department of Philosophy Supervisor: Assist. Prof. Barış Parkan February 2008, 139 pages Is alienation a process of self-discovery or is it a loss of reality? The subject of this thesis is how alienation is discussed in Hegel and Marx’s philosophies in terms of this question. -
Cultural Naturalism and the Market God David Timothy Denenny Southern Illinois University Carbondale, [email protected]
Southern Illinois University Carbondale OpenSIUC Theses Theses and Dissertations 12-1-2018 Cultural Naturalism and the Market God David Timothy Denenny Southern Illinois University Carbondale, [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/theses Recommended Citation Denenny, David Timothy, "Cultural Naturalism and the Market God" (2018). Theses. 2464. https://opensiuc.lib.siu.edu/theses/2464 This Open Access Thesis is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. CULTURAL NATURALISM AND THE MARKET GOD by David Denenny B.A. Eastern Washington University, 2015 A Thesis Submitted in Partial Fulfillment of the Requirements for the Master of Arts Degree Department of Philosophy in the Graduate School Southern Illinois University Carbondale December 2018 Copyright by David Denenny, 2018 All Rights Reserved THESIS APPROVAL CULTURAL NATURALISM AND THE MARKET GOD by David Denenny A Thesis Submitted in Partial Fulfillment of the Requirements for the degree of Master of Arts in the field of Philosophy Approved by: Kenneth William Stikkers, Chair Randall Auxier Alfred Frankowski Graduate School Southern Illinois University Carbondale November 8, 2018 AN ABSTRACT OF THE THESIS OF David Denenny, for the Master of Arts degree in Philosophy, presented on November 8, 2018, at Southern Illinois University Carbondale. TITLE: CULTURAL NATURALISM AND THE MARKET GOD MAJOR PROFESSOR: Dr. Kenneth William Stikkers This work employs John Dewey's cultural naturalism to explore how and why the orthodox economic tradition functions as a religious faith. -
The Concrete and the Abstract in the Language of Politics
Edinburgh Research Explorer The concrete and the abstract in the language of politics Citation for published version: Joseph, J 2017, 'The concrete and the abstract in the language of politics', Rivista di psicolinguistica applicata, vol. Anno XVII, no. 2, pp. 97-112. https://doi.org/10.19272/201707702006 Digital Object Identifier (DOI): 10.19272/201707702006 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Rivista di psicolinguistica applicata General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The concrete and the abstract in the language of politics John E. Joseph, University of Edinburgh ABSTRACT Until well into the modern period, concrete was used to mean what is now called abstract. The terms originated as grammatical descriptors for related pairs of nouns and adjectives, then came to be reinterpeted as logical categories tied to the presence or absence of a clear mental image. They remain ambiguous, yet are used as though every word fell clearly into one or the other category. -
CUBISM and ABSTRACTION Background
015_Cubism_Abstraction.doc READINGS: CUBISM AND ABSTRACTION Background: Apollinaire, On Painting Apollinaire, Various Poems Background: Magdalena Dabrowski, "Kandinsky: Compositions" Kandinsky, Concerning the Spiritual in Art Background: Serial Music Background: Eugen Weber, CUBISM, Movements, Currents, Trends, p. 254. As part of the great campaign to break through to reality and express essentials, Paul Cezanne had developed a technique of painting in almost geometrical terms and concluded that the painter "must see in nature the cylinder, the sphere, the cone:" At the same time, the influence of African sculpture on a group of young painters and poets living in Montmartre - Picasso, Braque, Max Jacob, Apollinaire, Derain, and Andre Salmon - suggested the possibilities of simplification or schematization as a means of pointing out essential features at the expense of insignificant ones. Both Cezanne and the Africans indicated the possibility of abstracting certain qualities of the subject, using lines and planes for the purpose of emphasis. But if a subject could be analyzed into a series of significant features, it became possible (and this was the great discovery of Cubist painters) to leave the laws of perspective behind and rearrange these features in order to gain a fuller, more thorough, view of the subject. The painter could view the subject from all sides and attempt to present its various aspects all at the same time, just as they existed-simultaneously. We have here an attempt to capture yet another aspect of reality by fusing time and space in their representation as they are fused in life, but since the medium is still flat the Cubists introduced what they called a new dimension-movement. -
Reference and Reinterpretation
Reference and Reinterpretation by Anthony Kulic A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in Philosophy Waterloo, Ontario, Canada, 2007 ©Anthony Kulic, 2007 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract Reference is the relation held to obtain between an expression and what a speaker or thinker intends the expression to represent. Reference is a component of interpretation, the process of giving terms, sentences, and thoughts semantic content. An example of reference in a formal context involves the natural numbers, where each one can be taken to have a corresponding set‐theoretic counterpart as its referent. In an informal context reference is exemplified by the relation between a name and the specific name‐bearer when a speaker or thinker utters or has the name in mind. Recent debates over reference have concerned the mechanism of reference: How is it that we can refer? In informal contexts, externalists see the reference relation as explicable in terms of the salient causal relations involved in the naming of a thing, or a class of things, and the ensuing causal chains leading to a term’s use. Opponents of this view— internalists—see the reference relation as being conceptually direct, and they take the external approach to rely on untenable metaphysical assumptions about the world’s structure. -
How to Cite Complete Issue More Information About This Article
THEORIA. Revista de Teoría, Historia y Fundamentos de la Ciencia ISSN: 0495-4548 ISSN: 2171-679X [email protected] Universidad del País Vasco/Euskal Herriko Unibertsitatea España Plebani, Matteo The indispensability argument and the nature of mathematical objects* THEORIA. Revista de Teoría, Historia y Fundamentos de la Ciencia, vol. 33, no. 2, 2018, pp. 249-263 Universidad del País Vasco/Euskal Herriko Unibertsitatea España DOI: https://doi.org/10.1387/theoria.17613 Available in: https://www.redalyc.org/articulo.oa?id=339755528007 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative THEORIA ESTABLISH E D IN 1952 BY MIGU E L SÁNCH E Z -MAZAS Vol. 33/2 • May 2018 Second Series An International Journal for Theory, History and Foundations of Science CALIJ Centro de Análisis, Lógica e Informática Jurídica (CALIJ) http://www.ehu.eus/theoria T H E O R I A REVISTA DE TEORÍA, HISTORIA Y FUNDAMENTOS DE LA CIENCIA AN INTERNATIONAL JOURNAL FOR THEORY, HISTORY AND FOUNDATIONS OF SCIENCE ESTABLISH E D in 1952 by MIGUEL SÁNCHEZ-MAZAS Second Series EDITORIAL BOARD Editor-in-chief: Andoni IBARRA (University of the Basque Country, UPV/EHU) Editors: Cristina CORREDOR (Universidad de Valladolid), Antonio DIÉGUEZ (Universidad de Málaga) Logic and philosophy of logic and mathematics: José Luis ZALABARDO (University College -
REVIEWS Apel: Transformation of Philosophy
REVIEWS Apel: Transformation of Philosophy K.O. Apel, Towards a Transformation of PhiZosophy, pragmatics of language. ~ong the conditions is that Routledge and Kegan Paul, 1980 (trans. Adey and a certain notion of communication - which Apel calls Frisby), £12.50 hc the transcendental language-game, and which involves, at least, subjects telling significant truths to others who are treated as equal members of the This book·assembles some of the results of a community - is a norm for participants in any given sustained interplay between the broadly analytic and language-game. A norm not in that it is statistic pragmatist traditions and traditions in German ally the case that this is so (societies exist, as philosophy and critical theory, with the central aim we know, where this does not hold), but in that this of outlining a transformation of philosophy along the notion of communication sets an ideal of what is to be aimed at in social interaction. To illustrate: lines of what the author calls a transce~dental pragmatics of language, or a transcendental unless a child implicitly takes its parents to be saying something true and relevant to it, it will not hermeneutics. Perhaps the guiding theme is a critique of the be able to correlate utterances with states of methodological solipsism which Apel finds pre affairs in the world, and so not be able to grasp supposed by the unified theory of science, all forms their meaning at all. of positivism, certain hermeneutic positions relying In the light of this ideal communication commun on empathy as a key concept, and the transcendental ity, critical theory takes actually existing social formations to task. -
Space As Concrete Abstraction
ace, Diff-01-p.qxd 29/10/07 14:22 Page 62 4 4 1 2 3 SPACE AS CONCRETE 4 5 ABSTRACTION 6 Hegel, Marx, and modern 7 8 urbanism in Henri Lefebvre 9 0 Lukasz Stanek 1 2 3 INTRODUCTION 4 With the current success and proliferation of Henri Lefebvre’s phrase “the 5 production of space,” it becomes increasingly necessary to oppose its banalization 6 by revealing the philosophical sources of this concept and preventing the isolation 7 of the thesis that space is socially produced from other dimensions of his theory. 8 Of paramount import in this regard is Lefebvre’s argument that space is a concrete 9 abstraction.1 In this chapter I would like to assert that the concept of concrete 0 abstraction brings together the most vital elements of Lefebvre’s theory of 1 production of space, relating it to his rethinking of the philosophies of Hegel and 2 Marx as well as studies of postwar French architecture and urbanism. In so doing, 3 I wish to show in particular how Lefebvre’s approach to space as a product of 4 historically specific material, conceptual and quotidian practices was facilitated by 5 his use of the concept of concrete abstraction.This requires a brief discussion of its 6 Hegelian origins, before examining three appropriations of concrete abstraction 7 by Marx to highlight their mobilization in Lefebvre’s theory. 8 I will first argue that Marx’s definition of concrete abstraction as an “abstraction 9 which became true in practice” was developed by Lefebvre into the claim that the 40 space of capitalism is an abstraction that “became true” in social, economic, political, 41 ace, Diff-01-p.qxd 29/10/07 14:22 Page 63 space as a concrete abstraction 63 and cultural practice. -
The Abstract/Concrete Relation in the Method of Political Economy1
1 The abstract/concrete relation in the method of political economy1 Claus Magno Germer 2 Introduction. Marx’s method is a topic of special relevance for the development of Marxist theory. I do not mean the overall relevance of the method as an essential moment of all scientific research, but to the specific nature of its current relevance for Marxism, due to the consequences of the pronounced difference between the philosophical bases of Marxism and the bases of the dominant, non-Marxist science. The philosophical basis of Marxism is materialism, understood as a philosophical current, as opposed to idealism, the philosophical basis of non-Marxist science. Its method is dialectical logic, in opposition to the dominant formal logic3. Given the absolute dominance of idealism and formal logic in the scientific establishment of capitalist societies, which furthermore is projected over common sense forms of thinking in general, and given the smaller number of materialists and of Marxist researchers within these milieus, it is not hard to understand the difficulties that emerge for the apprehension of the particularities of Marxist philosophy and method, but also the possibility of its distorted apprehension resulting from the dominant influence of an antithetical mode of thought4. The faulty apprehension of Marx’s theoretical method shows itself, in the first place, in the methodological deficiencies of Marxist theoretical production, and secondly, in the scarcity of texts that deal with problems of method5. In Brazilian economic literature, in which Marxist production is modestly represented, this insufficiency is obviously more pronounced. One cause of this is the insufficient in-depth discussion on the topic, in contrast with its complexity and with the variety of relevant aspects and angles of reflection that it entails. -
Hegel 250—Too Late?
HEGEL 250—TOO LATE? Ljubljana 2020 HEGEL 250—TOO LATE? ANALECTA Publisher: Društvo za teoretsko psihoanalizo Publishing board: Miran Božovič, Mladen Dolar, Rado Riha, Alenka Zupančič (president), Slavoj Žižek Edited by Mladen Dolar Copyedited by Tanja Dominko and Eric Powell Cover Design by AOOA Layout by Klemen Ulčakar Printed by Ulčakar Grafika First Edition Circulation 200 Ljubljana 2020 This publication has been co-published in partnership with the Goethe-Institut Ljubljana. CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 1Hegel G.W.F.(082) HEGEL 250 - too late? / [edited by Mladen Dolar]. - 1st ed. - Ljubljana : Društvo za teoretsko psihoanalizo : Goethe-Institut, 2020. - (Zbirka Analecta) (Problemi ; let. 58, 11-12) (Problemi International ; 2020, 4) ISBN 978-961-6376-94-5 (Društvo za teoretsko psihoanalizo) COBISS.SI-ID 61238531 Table of Contents Hegel Reborn: A Brief Introduction to HEGEL 250—TOO LATE? Árpád-Andreas Sölter. 5 Hegel’s Time! Ana Jovanović, Bara Kolenc, Urban Šrimpf, Goran Vranešević. 9 Nadia Bou Ali and Ray Brassier After Too Late: The Endgame of Analysis. 11 Mladen Dolar What’s the Time? On Being Too Early or Too Late in Hegel’s Philosophy. 31 Luca Illetteratti Nature’s Externality: Hegel’s Non-Naturalistic Naturalism. .51 Zdravko Kobe The Time of Philosophy: On Hegel’s Conception of Modern Philosophy . 73 Bara Kolenc Is It Too Late?. 91 Christian Krijnen “What, if Anything, Has Not Been Called Philosophizing?” On the Relevance of Hegel’s Conception of a Philosophical History of Philosophy. 119 Gregor Moder What Is To Be Done: On the Theatricality of Power. 143 Nadia Bou Ali and Ray Brassier Sebastian Rödl Thinking Nothing . -
Ecologies of Relation: Collectivity in Art and Media
Ecologies of Relation: Collectivity in Art and Media Christoph Brunner A Thesis in the Centre for Interdisciplinary Studies in Society and Culture Interdisciplinary PhD in Humanities Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (PhD in Humanities) at Concordia University Montreal, Quebec, Canada October 2014 © Christoph Brunner, 2014 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Christoph Brunner Entitled: Ecologies of Relation: Collectivity in Art and Media and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Humanities) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. M. Gagnon External Examiner Dr. A. Munster External to Program Dr. O. Chapman Examiner Dr. B. Massumi Examiner Dr. X.W. Sha Thesis Supervisor Dr. E. Manning Approved by: Dr. J. Potvin , Graduate Program Director January 6, 2015 Dr. A. Roy, Dean Faculty of Arts and Science Abstract Ecologies of Relation: Collectivity in Art and Media Christoph Brunner, Ph.D. Concordia University, 2014 How can relation be considered a creative force in the composition of experience? Investigating the status of relation in art, media, and philosophy, this thesis outlines an account of research- creation as a creative practice and tool for analysis. Research-creation, a term used to describe creative practices comprising artistic and theoretical components, provides the backdrop for a more general discussion of the production of knowledge beyond human cognition. By taking a radical empiricist approach, the thesis proposes to include preindividual, affective, and more- than-human elements in the conception of experience.