The Abstract/Concrete Relation in the Method of Political Economy1
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Slavery, Capitalism, and the “Proletariat”
1 1 The Slave-Machine: Slavery, Capital- ism, and the “Proletariat” in The Black Jacobins and Capital Nick Nesbitt This essay argues that C. L. R. James’s Marxist humanism is inherently inade- quate for describing the distinction and transition between slavery and capitalism. To do so, the essay interrogates James’s famous claim in The Black Jacobins (1938) that the slaves of St. Domingue were “closer to a modern proletariat than any group of workers in existence at the time,” by comparing James’s understand- ing of the concept of proletariat—there and in World Revolution (1937)—with Marx’s various developments of the concept across the three volumes of Capital. This analysis distinguishes James’s political and historicist deployment of the term from Marx’s analytical usage of the notion in his categorial critique of capitalism.In contrast with James’s linear, Marxist-humanist understanding of the passage from slavery to capitalism, Marx himself demarcates a well-defined delineation between these two basic categories, understood in Capital as analytically (as opposed to historically) distinct modes of production.The essay thus concludes by analyzing Marx’s conceptual differentiation of slavery and industrial capitalism in Capital, drawing on Etienne Balibar’s analysis of the concepts of mode of production and transition in Reading Capital (1965). The slaves worked on the land, and, like revolutionary peasants everywhere, they aimed at the extermination of their oppressors. But working and living together in gangs of hundreds on the huge sugar-factories which covered the North Plain, they were closer to a modern proletariat than any group of workers in existence at the time, and the rising was, therefore, a thoroughly prepared and organized mass movement. -
Notes on Abstract Hermeneutics
Research in Phenomenology Research in Phenomenology 41 (2011) 45–59 brill.nl/rp Notes on Abstract Hermeneutics Marcia Sá Cavalcante Schuback Södertörn University, Sweden Abstract Using abstract art as a paradigm, this paper attempts to think, in a provisional manner, the parameters of what the author calls ‘abstract hermeneutics’—a way of thinking capable of responding to the withdrawing, or abstracting, movement of Being. Such abstract thinking— which is an abstracting thinking of the abstract—aims to step beyond objectivity precisely in order to return to phenomenological concreteness. Through an engagement with Heidegger’s understanding of the formal indicative role of the human being as sign (Zeichen), the affinity between the abstracting gestures of abstract art, and the absenting characteristic of human exis- tence, is explored. Keywords Heidegger, hermeneutics, formal-indication, abstract art Die Linien des Lebens sind verschieden Wie Wege sind, und wie der Berge Grenzen. Was hier wir sind, kann dort ein Gott ergänzen Mit Harmonien und ewigem Lohn und Frieden. Hölderlin, “An Zimmern” Would it be something of note for philosophy today to address the question of abstract thought and, more specifically, aboutabstract hermeneutics, what- ever such a phrase might mean? When the challenge of our day seems still, and even more, one of stepping back “to the things themselves” to find a philo- sophical path to the concrete, why address such a question of the abstract? For, phenomenology’s call to the things themselves can be interpreted, and rightly so, precisely as a critique of abstraction. This can also be said in regard to the thoughts of Nietzsche, Marx, and Freud, insofar as they all share with phe- nomenology what could be called a desire or search for lost concreteness. -
The Concrete and the Abstract in the Language of Politics
Edinburgh Research Explorer The concrete and the abstract in the language of politics Citation for published version: Joseph, J 2017, 'The concrete and the abstract in the language of politics', Rivista di psicolinguistica applicata, vol. Anno XVII, no. 2, pp. 97-112. https://doi.org/10.19272/201707702006 Digital Object Identifier (DOI): 10.19272/201707702006 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Rivista di psicolinguistica applicata General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The concrete and the abstract in the language of politics John E. Joseph, University of Edinburgh ABSTRACT Until well into the modern period, concrete was used to mean what is now called abstract. The terms originated as grammatical descriptors for related pairs of nouns and adjectives, then came to be reinterpeted as logical categories tied to the presence or absence of a clear mental image. They remain ambiguous, yet are used as though every word fell clearly into one or the other category. -
CUBISM and ABSTRACTION Background
015_Cubism_Abstraction.doc READINGS: CUBISM AND ABSTRACTION Background: Apollinaire, On Painting Apollinaire, Various Poems Background: Magdalena Dabrowski, "Kandinsky: Compositions" Kandinsky, Concerning the Spiritual in Art Background: Serial Music Background: Eugen Weber, CUBISM, Movements, Currents, Trends, p. 254. As part of the great campaign to break through to reality and express essentials, Paul Cezanne had developed a technique of painting in almost geometrical terms and concluded that the painter "must see in nature the cylinder, the sphere, the cone:" At the same time, the influence of African sculpture on a group of young painters and poets living in Montmartre - Picasso, Braque, Max Jacob, Apollinaire, Derain, and Andre Salmon - suggested the possibilities of simplification or schematization as a means of pointing out essential features at the expense of insignificant ones. Both Cezanne and the Africans indicated the possibility of abstracting certain qualities of the subject, using lines and planes for the purpose of emphasis. But if a subject could be analyzed into a series of significant features, it became possible (and this was the great discovery of Cubist painters) to leave the laws of perspective behind and rearrange these features in order to gain a fuller, more thorough, view of the subject. The painter could view the subject from all sides and attempt to present its various aspects all at the same time, just as they existed-simultaneously. We have here an attempt to capture yet another aspect of reality by fusing time and space in their representation as they are fused in life, but since the medium is still flat the Cubists introduced what they called a new dimension-movement. -
Reference and Reinterpretation
Reference and Reinterpretation by Anthony Kulic A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in Philosophy Waterloo, Ontario, Canada, 2007 ©Anthony Kulic, 2007 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract Reference is the relation held to obtain between an expression and what a speaker or thinker intends the expression to represent. Reference is a component of interpretation, the process of giving terms, sentences, and thoughts semantic content. An example of reference in a formal context involves the natural numbers, where each one can be taken to have a corresponding set‐theoretic counterpart as its referent. In an informal context reference is exemplified by the relation between a name and the specific name‐bearer when a speaker or thinker utters or has the name in mind. Recent debates over reference have concerned the mechanism of reference: How is it that we can refer? In informal contexts, externalists see the reference relation as explicable in terms of the salient causal relations involved in the naming of a thing, or a class of things, and the ensuing causal chains leading to a term’s use. Opponents of this view— internalists—see the reference relation as being conceptually direct, and they take the external approach to rely on untenable metaphysical assumptions about the world’s structure. -
Capitalism'sessentialsrev4290307
Capitalism’sEssentialsREV4290307 The Essentials of Capitalism Through Definitions: From Adam Smith to the Present Day1 W. Robert Needham (2005) World-wide capitalism kills more people everyday then Hitler did. And he was crazy. Ken Livingston, Mayor of London, http://en.thinkexist.com/quotes/ken_livingstone/ “It was the incarnation of blind and insensate Greed. It was a monster devouring with a thousand mouths, trampling with a thousand hoofs; it was the Great Butcher--it was the spirit of Capitalism made flesh.” Upton Sinclair, The Jungle. http://www.litquotes.com/quote_author_resp.php?AName=Upton%20Sinclair "The mere fact that communism didn't work doesn't mean that capitalism does. In many parts of the globe it's a wrecking, terrible force, displacing people, ruining lifestyles, traditions, ecologies and stable systems with the same ruthlessness as communism." John le Carré The problems that exist in the world today cannot be solved by the level of thinking that created them. Albert Einstein "Justice is the first virtue of social institutions, as truth is of systems of thought. A theory however elegant and economical must be rejected or revised if it is untrue; likewise laws and institutions no matter how efficient and well-arranged must be reformed or abolished if they are unjust." J. Rawls, A Theory of Justice, (Cambridge, MA: Harvard University Press, 1971), 3. “…the socialist objection of justice to the market economy is that it allows private ownership of means of existence which no one has the right to own privately, and therefore rests upon an unjust foundation. …the socializing state is not violating rights, or even overriding them in the interests of something more important, but righting wrongs; it is rectifying violations of rights, violations inherent in the structure of private property.” G. -
How to Cite Complete Issue More Information About This Article
THEORIA. Revista de Teoría, Historia y Fundamentos de la Ciencia ISSN: 0495-4548 ISSN: 2171-679X [email protected] Universidad del País Vasco/Euskal Herriko Unibertsitatea España Plebani, Matteo The indispensability argument and the nature of mathematical objects* THEORIA. Revista de Teoría, Historia y Fundamentos de la Ciencia, vol. 33, no. 2, 2018, pp. 249-263 Universidad del País Vasco/Euskal Herriko Unibertsitatea España DOI: https://doi.org/10.1387/theoria.17613 Available in: https://www.redalyc.org/articulo.oa?id=339755528007 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative THEORIA ESTABLISH E D IN 1952 BY MIGU E L SÁNCH E Z -MAZAS Vol. 33/2 • May 2018 Second Series An International Journal for Theory, History and Foundations of Science CALIJ Centro de Análisis, Lógica e Informática Jurídica (CALIJ) http://www.ehu.eus/theoria T H E O R I A REVISTA DE TEORÍA, HISTORIA Y FUNDAMENTOS DE LA CIENCIA AN INTERNATIONAL JOURNAL FOR THEORY, HISTORY AND FOUNDATIONS OF SCIENCE ESTABLISH E D in 1952 by MIGUEL SÁNCHEZ-MAZAS Second Series EDITORIAL BOARD Editor-in-chief: Andoni IBARRA (University of the Basque Country, UPV/EHU) Editors: Cristina CORREDOR (Universidad de Valladolid), Antonio DIÉGUEZ (Universidad de Málaga) Logic and philosophy of logic and mathematics: José Luis ZALABARDO (University College -
Machine Automation and the Critique of Abstract Labor in Hegel's Mature
Georgia State University ScholarWorks @ Georgia State University Philosophy Theses Department of Philosophy 12-12-2018 Machine Automation and the Critique of Abstract Labor in Hegel’s Mature Social Theory Matthew J. Delhey Follow this and additional works at: https://scholarworks.gsu.edu/philosophy_theses Recommended Citation Delhey, Matthew J., "Machine Automation and the Critique of Abstract Labor in Hegel’s Mature Social Theory." Thesis, Georgia State University, 2018. https://scholarworks.gsu.edu/philosophy_theses/248 This Thesis is brought to you for free and open access by the Department of Philosophy at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Philosophy Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MACHINE AUTOMATION AND THE CRITIQUE OF ABSTRACT LABOR IN HEGEL’S MATURE SOCIAL THEORY by MATTHEW J. DELHEY Under the Direction of Sebastian Rand, PhD ABSTRACT This thesis examines Hegel’s critique of abstract labor in the Philosophy of Right and the sections on objective spirit in the Encyclopaedia. Against both Frederick Neuhouser’s and Marxist interpretations, I argue that abstract labor, for Hegel, characterizes the specific kind of mechanical labor undertaken in the nineteenth-century factory. Such repetitive labor, Hegel claims, leads to the deadening (Abstumpfung) of the worker through the deforming of her ethical subjectivity, a social pathology he hopes will be resolved by machine automation. By developing two key aspects of Hegel’s social theory—that labor produces ethical subjectivity or education (Bildung) and that this education is the central locus of civil society’s ethicality—I argue that we ought to understand Hegel’s hope for machine automation as a critique of those forms of labor which prevent the worker’s rational participation in the totality of the labor process and thus fail to actualize her social freedom. -
REVIEWS Apel: Transformation of Philosophy
REVIEWS Apel: Transformation of Philosophy K.O. Apel, Towards a Transformation of PhiZosophy, pragmatics of language. ~ong the conditions is that Routledge and Kegan Paul, 1980 (trans. Adey and a certain notion of communication - which Apel calls Frisby), £12.50 hc the transcendental language-game, and which involves, at least, subjects telling significant truths to others who are treated as equal members of the This book·assembles some of the results of a community - is a norm for participants in any given sustained interplay between the broadly analytic and language-game. A norm not in that it is statistic pragmatist traditions and traditions in German ally the case that this is so (societies exist, as philosophy and critical theory, with the central aim we know, where this does not hold), but in that this of outlining a transformation of philosophy along the notion of communication sets an ideal of what is to be aimed at in social interaction. To illustrate: lines of what the author calls a transce~dental pragmatics of language, or a transcendental unless a child implicitly takes its parents to be saying something true and relevant to it, it will not hermeneutics. Perhaps the guiding theme is a critique of the be able to correlate utterances with states of methodological solipsism which Apel finds pre affairs in the world, and so not be able to grasp supposed by the unified theory of science, all forms their meaning at all. of positivism, certain hermeneutic positions relying In the light of this ideal communication commun on empathy as a key concept, and the transcendental ity, critical theory takes actually existing social formations to task. -
Space As Concrete Abstraction
ace, Diff-01-p.qxd 29/10/07 14:22 Page 62 4 4 1 2 3 SPACE AS CONCRETE 4 5 ABSTRACTION 6 Hegel, Marx, and modern 7 8 urbanism in Henri Lefebvre 9 0 Lukasz Stanek 1 2 3 INTRODUCTION 4 With the current success and proliferation of Henri Lefebvre’s phrase “the 5 production of space,” it becomes increasingly necessary to oppose its banalization 6 by revealing the philosophical sources of this concept and preventing the isolation 7 of the thesis that space is socially produced from other dimensions of his theory. 8 Of paramount import in this regard is Lefebvre’s argument that space is a concrete 9 abstraction.1 In this chapter I would like to assert that the concept of concrete 0 abstraction brings together the most vital elements of Lefebvre’s theory of 1 production of space, relating it to his rethinking of the philosophies of Hegel and 2 Marx as well as studies of postwar French architecture and urbanism. In so doing, 3 I wish to show in particular how Lefebvre’s approach to space as a product of 4 historically specific material, conceptual and quotidian practices was facilitated by 5 his use of the concept of concrete abstraction.This requires a brief discussion of its 6 Hegelian origins, before examining three appropriations of concrete abstraction 7 by Marx to highlight their mobilization in Lefebvre’s theory. 8 I will first argue that Marx’s definition of concrete abstraction as an “abstraction 9 which became true in practice” was developed by Lefebvre into the claim that the 40 space of capitalism is an abstraction that “became true” in social, economic, political, 41 ace, Diff-01-p.qxd 29/10/07 14:22 Page 63 space as a concrete abstraction 63 and cultural practice. -
Ecologies of Relation: Collectivity in Art and Media
Ecologies of Relation: Collectivity in Art and Media Christoph Brunner A Thesis in the Centre for Interdisciplinary Studies in Society and Culture Interdisciplinary PhD in Humanities Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (PhD in Humanities) at Concordia University Montreal, Quebec, Canada October 2014 © Christoph Brunner, 2014 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Christoph Brunner Entitled: Ecologies of Relation: Collectivity in Art and Media and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Humanities) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. M. Gagnon External Examiner Dr. A. Munster External to Program Dr. O. Chapman Examiner Dr. B. Massumi Examiner Dr. X.W. Sha Thesis Supervisor Dr. E. Manning Approved by: Dr. J. Potvin , Graduate Program Director January 6, 2015 Dr. A. Roy, Dean Faculty of Arts and Science Abstract Ecologies of Relation: Collectivity in Art and Media Christoph Brunner, Ph.D. Concordia University, 2014 How can relation be considered a creative force in the composition of experience? Investigating the status of relation in art, media, and philosophy, this thesis outlines an account of research- creation as a creative practice and tool for analysis. Research-creation, a term used to describe creative practices comprising artistic and theoretical components, provides the backdrop for a more general discussion of the production of knowledge beyond human cognition. By taking a radical empiricist approach, the thesis proposes to include preindividual, affective, and more- than-human elements in the conception of experience. -
Prioritizing Platonism Kelly Trogdon & Sam Cowling
Prioritizing Platonism Kelly Trogdon & Sam Cowling Penultimate version; forthcoming in Philosophical Studies Some see concrete foundationalism as providing the central task for sparse ontology, that of identifying which concreta ground other concreta but aren’t themselves grounded by concreta. There is, however, potentially much more to sparse ontology. The thesis of abstract foundationalism, if true, provides an additional task: identifying which abstracta ground other abstracta but aren’t themselves grounded by abstracta. We focus on two abstract foundationalist theses—abstract atomism and abstract monism—that correspond to the concrete foundationalist theses of priority atomism and priority monism. We show that a consequence of an attractive package of views is that abstract reality has a particular mereological structure, one capable of underwriting both theses. We argue that, of abstract foundationalist theses formulated in mereological terms, abstract atomism is the most plausible. 1. Introduction We begin with the notion of grounding. In this article, we work with the view that grounding is to be treated in a manner parallel to familiar ideology-driven views concerning instantiation and other central metaphysical notions. So, while we help ourselves to grounding as an element of our best metaphysical theories and an indispensable tool for stating facts about metaphysical structure, for reasons that will become clear later we deny that grounding talk expresses a relation “out there” in the domain of our ontology. In this respect, talk of grounding is markedly different from talk of relations like “is five feet from” or “is better than.” Kment captures the idea behind ideology-driven views nicely: “It shouldn’t be assumed that all ingredients of reality must be individuals, properties, or relations—or entities of any kind, for that matter.