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Ontotheology? Understanding Heidegger’S Destruktion of Metaphysics* Iain Thomson
T E D U L G O E R · Internationa l Journal o f Philo sophical Studies Vol.8(3), 297–327; · T a p y u lo o r Gr & Fr ancis Ontotheology? Understanding Heidegger’s Destruktion of Metaphysics* Iain Thomson Abstract Heidegger’s Destruktion of the metaphysical tradition leads him to the view that all Western metaphysical systems make foundational claims best understood as ‘ontotheological’. Metaphysics establishes the conceptual parameters of intelligibility by ontologically grounding and theologically legitimating our changing historical sense of what is. By rst elucidating and then problematizing Heidegger’s claim that all Western metaphysics shares this ontotheological structure, I reconstruct the most important components of the original and provocative account of the history of metaphysics that Heidegger gives in support of his idiosyncratic understanding of metaphysics. Arguing that this historical narrative generates the critical force of Heidegger’s larger philosophical project (namely, his attempt to nd a path beyond our own nihilistic Nietzschean age), I conclude by briey showing how Heidegger’s return to the inception of Western metaphysics allows him to uncover two important aspects of Being’s pre-metaphysical phenomeno- logical self-manifestation, aspects which have long been buried beneath the metaphysical tradition but which are crucial to Heidegger’s attempt to move beyond our late-modern, Nietzschean impasse. Keywords: Heidegger; ontotheology; metaphysics; deconstruction; Nietzsche; nihilism Upon hearing the expression ‘ontotheology’, many philosophers start looking for the door. Those who do not may know that it was under the title of this ‘distasteful neologism’ (for which we have Kant to thank)1 that the later Heidegger elaborated his seemingly ruthless critique of Western metaphysics. -
A Critique of the Metaphysics of Presence Peter Eisenman
Lateness: A Critique of the Metaphysics of Presence Peter Eisenman Colin Rowe used to say that one of the problems with architectural thought was that it saw itself in a state of perpetual crisis. Always focusing on the latest problem or issue, architecture was said to obey a crisis mentality, an attitude partly fueled by nostalgia for an impossible avant-garde and partly by the received notion that archi- tecture was actually about solving problems. But as Rowe also would have said, permanent crisis is no crisis at all. For many historians, crisis is part of an historical cycle. In his book Krisis. Saggio sulla crisi del pensiero negativo da Nietzsche a Wittgenstein (1976), the philoso- pher Massimo Cacciari suggests that a crucial change had taken place in the way modernity was perceived. This rupture, he argued, was a "crisis of foundations," which signaled the end of classical rationality and dialectics in philosophy. He suggested that a crisis of dialectical problem of the limit; it projects the crisis of techniques synthesis in fact underlay the history of the modern already given." "The real problem is how to project a phase of contemporary development. Cacciari's crisis of criticism capable of putting itself into crisis by putting dialectical synthesis opens architecture to the synthetic into crisis the real." In his terms, the historical "project" project. In another interpretation, Manfredo Tafuri saw is an open discursive construct. Rather than producing a the idea of crisis as productive. Tafuri considered history linear narrative of history, the crisis provoked by criticism as a project of crisis, in that historical work, i.e. -
5 Derrida's Critique of Husserl and the Philosophy
5 DERRIDA’S CRITIQUE OF HUSSERL AND THE PHILOSOPHY OF PRESENCE David B. Allison* Now would be the time to reject the myths of inductivity and of the Wesenschau, which are transmitted, as points of honor, from generation to generation. ...Am I primitively the power to contemplate, a pure look which fixes the things in their temporal and local place and the essences in an invisible heaven; am I this ray of knowing that would have to 1 arise from nowhere? SÍNTESE – O autor reexamina a crítica de Derrida ABSTRACT – The author reexamines Derrida’s à fenomenologia de Husserl de forma a mostrar critique of Husserl’s phenomenology, so as to como a sua coerência estrutural emerge não show how its structural coherency arises not so tanto de uma redução a uma doutrina particular, much from the reduction to a particular doctrine, mas antes das exigências de uma concepção but rather from the demands of a unitary concep- unitária, especificamente impostas pelas deter- tion, specifically from the demands imposed by minações epistemológicas e metafísicas da the epistemological and metaphysical determina- presença. tions of presence. PALAVRAS-CHAVE – Desconstrução. Derrida. KEY WORDS – Deconstruction. Derrida. Husserl. Fenomenologia. Husserl. Presença. Significado. Meaning. Phenomenology. Presence. * Doutor. Professor, State University of New York, Stony Brook, EUA. 1 Maurice Merleau-Ponty, Le Visible et l’invisible (Paris: Editions Gallimard, 1964), Eng. tr., Alphonso Lingis, The Visible and the Invisible (Evanston: Northwestern University Press, 1968). pp. 113-116. VERITAS Porto Alegre v. 50 n. 1 Março 2005 p. 89-99 It is practically a truism to say that most of Husserl’s commentators have in- sisted on the rigorously systematic character of his writings. -
Notes on Abstract Hermeneutics
Research in Phenomenology Research in Phenomenology 41 (2011) 45–59 brill.nl/rp Notes on Abstract Hermeneutics Marcia Sá Cavalcante Schuback Södertörn University, Sweden Abstract Using abstract art as a paradigm, this paper attempts to think, in a provisional manner, the parameters of what the author calls ‘abstract hermeneutics’—a way of thinking capable of responding to the withdrawing, or abstracting, movement of Being. Such abstract thinking— which is an abstracting thinking of the abstract—aims to step beyond objectivity precisely in order to return to phenomenological concreteness. Through an engagement with Heidegger’s understanding of the formal indicative role of the human being as sign (Zeichen), the affinity between the abstracting gestures of abstract art, and the absenting characteristic of human exis- tence, is explored. Keywords Heidegger, hermeneutics, formal-indication, abstract art Die Linien des Lebens sind verschieden Wie Wege sind, und wie der Berge Grenzen. Was hier wir sind, kann dort ein Gott ergänzen Mit Harmonien und ewigem Lohn und Frieden. Hölderlin, “An Zimmern” Would it be something of note for philosophy today to address the question of abstract thought and, more specifically, aboutabstract hermeneutics, what- ever such a phrase might mean? When the challenge of our day seems still, and even more, one of stepping back “to the things themselves” to find a philo- sophical path to the concrete, why address such a question of the abstract? For, phenomenology’s call to the things themselves can be interpreted, and rightly so, precisely as a critique of abstraction. This can also be said in regard to the thoughts of Nietzsche, Marx, and Freud, insofar as they all share with phe- nomenology what could be called a desire or search for lost concreteness. -
The Concrete and the Abstract in the Language of Politics
Edinburgh Research Explorer The concrete and the abstract in the language of politics Citation for published version: Joseph, J 2017, 'The concrete and the abstract in the language of politics', Rivista di psicolinguistica applicata, vol. Anno XVII, no. 2, pp. 97-112. https://doi.org/10.19272/201707702006 Digital Object Identifier (DOI): 10.19272/201707702006 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Rivista di psicolinguistica applicata General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The concrete and the abstract in the language of politics John E. Joseph, University of Edinburgh ABSTRACT Until well into the modern period, concrete was used to mean what is now called abstract. The terms originated as grammatical descriptors for related pairs of nouns and adjectives, then came to be reinterpeted as logical categories tied to the presence or absence of a clear mental image. They remain ambiguous, yet are used as though every word fell clearly into one or the other category. -
CUBISM and ABSTRACTION Background
015_Cubism_Abstraction.doc READINGS: CUBISM AND ABSTRACTION Background: Apollinaire, On Painting Apollinaire, Various Poems Background: Magdalena Dabrowski, "Kandinsky: Compositions" Kandinsky, Concerning the Spiritual in Art Background: Serial Music Background: Eugen Weber, CUBISM, Movements, Currents, Trends, p. 254. As part of the great campaign to break through to reality and express essentials, Paul Cezanne had developed a technique of painting in almost geometrical terms and concluded that the painter "must see in nature the cylinder, the sphere, the cone:" At the same time, the influence of African sculpture on a group of young painters and poets living in Montmartre - Picasso, Braque, Max Jacob, Apollinaire, Derain, and Andre Salmon - suggested the possibilities of simplification or schematization as a means of pointing out essential features at the expense of insignificant ones. Both Cezanne and the Africans indicated the possibility of abstracting certain qualities of the subject, using lines and planes for the purpose of emphasis. But if a subject could be analyzed into a series of significant features, it became possible (and this was the great discovery of Cubist painters) to leave the laws of perspective behind and rearrange these features in order to gain a fuller, more thorough, view of the subject. The painter could view the subject from all sides and attempt to present its various aspects all at the same time, just as they existed-simultaneously. We have here an attempt to capture yet another aspect of reality by fusing time and space in their representation as they are fused in life, but since the medium is still flat the Cubists introduced what they called a new dimension-movement. -
Reference and Reinterpretation
Reference and Reinterpretation by Anthony Kulic A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in Philosophy Waterloo, Ontario, Canada, 2007 ©Anthony Kulic, 2007 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract Reference is the relation held to obtain between an expression and what a speaker or thinker intends the expression to represent. Reference is a component of interpretation, the process of giving terms, sentences, and thoughts semantic content. An example of reference in a formal context involves the natural numbers, where each one can be taken to have a corresponding set‐theoretic counterpart as its referent. In an informal context reference is exemplified by the relation between a name and the specific name‐bearer when a speaker or thinker utters or has the name in mind. Recent debates over reference have concerned the mechanism of reference: How is it that we can refer? In informal contexts, externalists see the reference relation as explicable in terms of the salient causal relations involved in the naming of a thing, or a class of things, and the ensuing causal chains leading to a term’s use. Opponents of this view— internalists—see the reference relation as being conceptually direct, and they take the external approach to rely on untenable metaphysical assumptions about the world’s structure. -
How to Cite Complete Issue More Information About This Article
THEORIA. Revista de Teoría, Historia y Fundamentos de la Ciencia ISSN: 0495-4548 ISSN: 2171-679X [email protected] Universidad del País Vasco/Euskal Herriko Unibertsitatea España Plebani, Matteo The indispensability argument and the nature of mathematical objects* THEORIA. Revista de Teoría, Historia y Fundamentos de la Ciencia, vol. 33, no. 2, 2018, pp. 249-263 Universidad del País Vasco/Euskal Herriko Unibertsitatea España DOI: https://doi.org/10.1387/theoria.17613 Available in: https://www.redalyc.org/articulo.oa?id=339755528007 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative THEORIA ESTABLISH E D IN 1952 BY MIGU E L SÁNCH E Z -MAZAS Vol. 33/2 • May 2018 Second Series An International Journal for Theory, History and Foundations of Science CALIJ Centro de Análisis, Lógica e Informática Jurídica (CALIJ) http://www.ehu.eus/theoria T H E O R I A REVISTA DE TEORÍA, HISTORIA Y FUNDAMENTOS DE LA CIENCIA AN INTERNATIONAL JOURNAL FOR THEORY, HISTORY AND FOUNDATIONS OF SCIENCE ESTABLISH E D in 1952 by MIGUEL SÁNCHEZ-MAZAS Second Series EDITORIAL BOARD Editor-in-chief: Andoni IBARRA (University of the Basque Country, UPV/EHU) Editors: Cristina CORREDOR (Universidad de Valladolid), Antonio DIÉGUEZ (Universidad de Málaga) Logic and philosophy of logic and mathematics: José Luis ZALABARDO (University College -
Machine Automation and the Critique of Abstract Labor in Hegel's Mature
Georgia State University ScholarWorks @ Georgia State University Philosophy Theses Department of Philosophy 12-12-2018 Machine Automation and the Critique of Abstract Labor in Hegel’s Mature Social Theory Matthew J. Delhey Follow this and additional works at: https://scholarworks.gsu.edu/philosophy_theses Recommended Citation Delhey, Matthew J., "Machine Automation and the Critique of Abstract Labor in Hegel’s Mature Social Theory." Thesis, Georgia State University, 2018. https://scholarworks.gsu.edu/philosophy_theses/248 This Thesis is brought to you for free and open access by the Department of Philosophy at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Philosophy Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MACHINE AUTOMATION AND THE CRITIQUE OF ABSTRACT LABOR IN HEGEL’S MATURE SOCIAL THEORY by MATTHEW J. DELHEY Under the Direction of Sebastian Rand, PhD ABSTRACT This thesis examines Hegel’s critique of abstract labor in the Philosophy of Right and the sections on objective spirit in the Encyclopaedia. Against both Frederick Neuhouser’s and Marxist interpretations, I argue that abstract labor, for Hegel, characterizes the specific kind of mechanical labor undertaken in the nineteenth-century factory. Such repetitive labor, Hegel claims, leads to the deadening (Abstumpfung) of the worker through the deforming of her ethical subjectivity, a social pathology he hopes will be resolved by machine automation. By developing two key aspects of Hegel’s social theory—that labor produces ethical subjectivity or education (Bildung) and that this education is the central locus of civil society’s ethicality—I argue that we ought to understand Hegel’s hope for machine automation as a critique of those forms of labor which prevent the worker’s rational participation in the totality of the labor process and thus fail to actualize her social freedom. -
Derrida's Objection to the Metaphysical Tradition
CORE Metadata, citation and similar papers at core.ac.uk Provided by Scholarship@Claremont Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2015 Derrida's Objection To The etM aphysical Tradition Christopher A. Wheat Claremont McKenna College Recommended Citation Wheat, Christopher A., "Derrida's Objection To The eM taphysical Tradition" (2015). CMC Senior Theses. Paper 1188. http://scholarship.claremont.edu/cmc_theses/1188 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College Derrida’s Objection to the Metaphysical Tradition Submitted to Prof. James Kreines And Dean Nicholas Warner By Christopher Wheat For Senior Thesis Spring 2015 4/27/15 Table of Contents: Acknowledgements……………………………………………………………………2 Abstract………………………………………………………………………………..3 Introduction……………………………………………………………………………4 The Metaphysical Tradition…………………………………………………………...6 Derrida’s Objection…………………………………………………………………..16 Metaphysics Given the Abandonment of the Metaphysical Tradition………………26 Conclusion………………………………………………….………………………..31 Bibliography…………………………………………………………..……………..33 1 Acknowledgements: I would like to thank Professor Kreines for his generous assistance in my thesis and initial research of deconstruction, and for helping to nurture my interest in philosophy over the course of my college career. I would also like to thank Professor Rajczi, Professor Schroeder, Professor Kind, Professor Kincaid, and Professor Gaitskill. In addition to my professors, my friends and family have supported and influenced me in ways I could never begin to repay them for, and hope that this thesis is only a small reflection of what they have taught me. 2 Abstract Derrida’s deconstruction of the philosophic tradition shows us not only the importance of pursuit of knowledge, but also the importance of questioning the assumptions on which such a pursuit is based. -
REVIEWS Apel: Transformation of Philosophy
REVIEWS Apel: Transformation of Philosophy K.O. Apel, Towards a Transformation of PhiZosophy, pragmatics of language. ~ong the conditions is that Routledge and Kegan Paul, 1980 (trans. Adey and a certain notion of communication - which Apel calls Frisby), £12.50 hc the transcendental language-game, and which involves, at least, subjects telling significant truths to others who are treated as equal members of the This book·assembles some of the results of a community - is a norm for participants in any given sustained interplay between the broadly analytic and language-game. A norm not in that it is statistic pragmatist traditions and traditions in German ally the case that this is so (societies exist, as philosophy and critical theory, with the central aim we know, where this does not hold), but in that this of outlining a transformation of philosophy along the notion of communication sets an ideal of what is to be aimed at in social interaction. To illustrate: lines of what the author calls a transce~dental pragmatics of language, or a transcendental unless a child implicitly takes its parents to be saying something true and relevant to it, it will not hermeneutics. Perhaps the guiding theme is a critique of the be able to correlate utterances with states of methodological solipsism which Apel finds pre affairs in the world, and so not be able to grasp supposed by the unified theory of science, all forms their meaning at all. of positivism, certain hermeneutic positions relying In the light of this ideal communication commun on empathy as a key concept, and the transcendental ity, critical theory takes actually existing social formations to task. -
Space As Concrete Abstraction
ace, Diff-01-p.qxd 29/10/07 14:22 Page 62 4 4 1 2 3 SPACE AS CONCRETE 4 5 ABSTRACTION 6 Hegel, Marx, and modern 7 8 urbanism in Henri Lefebvre 9 0 Lukasz Stanek 1 2 3 INTRODUCTION 4 With the current success and proliferation of Henri Lefebvre’s phrase “the 5 production of space,” it becomes increasingly necessary to oppose its banalization 6 by revealing the philosophical sources of this concept and preventing the isolation 7 of the thesis that space is socially produced from other dimensions of his theory. 8 Of paramount import in this regard is Lefebvre’s argument that space is a concrete 9 abstraction.1 In this chapter I would like to assert that the concept of concrete 0 abstraction brings together the most vital elements of Lefebvre’s theory of 1 production of space, relating it to his rethinking of the philosophies of Hegel and 2 Marx as well as studies of postwar French architecture and urbanism. In so doing, 3 I wish to show in particular how Lefebvre’s approach to space as a product of 4 historically specific material, conceptual and quotidian practices was facilitated by 5 his use of the concept of concrete abstraction.This requires a brief discussion of its 6 Hegelian origins, before examining three appropriations of concrete abstraction 7 by Marx to highlight their mobilization in Lefebvre’s theory. 8 I will first argue that Marx’s definition of concrete abstraction as an “abstraction 9 which became true in practice” was developed by Lefebvre into the claim that the 40 space of capitalism is an abstraction that “became true” in social, economic, political, 41 ace, Diff-01-p.qxd 29/10/07 14:22 Page 63 space as a concrete abstraction 63 and cultural practice.