Hegel and the Myth of the Accessibility of the Lectures on the Philosophy of History
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1 Biblioteca Nacional De Colombia Procesos
BIBLIOTECA NACIONAL DE COLOMBIA PROCESOS TÉCNICOS REPORTE DE REGISTROS DEL FONDO DANILO CRUZ VÉLEZ Total registros en la Base de Datos de la Biblioteca Nacional: 3.556 ISBN: 958-18-0127-8 (Obra Completa) ISBN: 958-18-0137-5 Autor personal: Zalamea Borda, Eduardo, 1907-1963 Título: 4 años a bordo de mí mismo / Eduardo Zalamea Borda Pie de imprenta: Colombia : Imprenta Nacional, 1996 Descripcion física: 313 p. ; 21 cm A 110863 F. DANILO 2505 Título: 9 Asedios a García Márquez / Benedetti ... [et.al.] Pie de imprenta: Santiago de Chile : Editorial Universitaria, ©1969 Descripcion física: 181 p. ; 19 cm F. DANILO 2610 Autor personal: Shakespeare, William, 1564-1616 Título: 20 sonetos / de William Shakespeare Pie de imprenta: Bogotá : Arte Dos Gráficos, 1996 Descripcion física: 53 p. ; 24 cm F. DANILO 405 Título: 70 años de narrativa argentina, 1900-1970 / [prólogo, selección y notas de Roberto Yahni] Pie de imprenta: Madrid : Alianza Editorial, 1970 Descripcion física: 212 p. ; 19 cm F. DANILO 1403 N 68144 PN 31087 ISBN: 3-445-01948-7 Título: 90 Jahre philosophische Nietzsche-Rezeption / Alfredo Guzzoni (Hrsg.) Pie de imprenta: Königstein : Verlag Anton Hain Meisenheim Gmbh, c1979 Descripcion física: x, 189 p. ; 22 cm F. DANILO 3742 1 Autor personal: Heidegger, Martín, 1889-1976 Título: 700 Jahre Stadt Messkirch : Festansprachen zum 700-jährigen Messkircher stadtjubiläum 22. bis 30 / Martin Heidegger, Bernhard Welte, Altgraf Salm Pie de imprenta: München : [s n.], [1961?] Descripcion física: 36 p. ; fot. ; 21 cm F. DANILO 2318 Autor personal: Russell, Bertrand, 1872-1970 Título: El A.B.C. de la relatividad / Russell Bertrand Pie de imprenta: Buenos Aires : Ediciones Imán, 1943 Descripcion física: 194 p. -
Download Course Outline in PDF Format
POLS 3040.6 Modern Political Thought 2010/11 Course Website: http://moodle10.yorku.ca You will need your Passport York to sign in, then you will be directed to POLS 3040.6 course website. Class Time: Wednesday 11:30-14:30 Class Location: TEL 1005 Professor: Shannon Bell Office Location: S 634 Ross E-mail: [email protected] Website: www.arts.yorku.ca/politics/shanbell/index.html Telephone Office: 416 2100 ext. 22552 Office Hours: Tues 15:00-17:00 Mobile: 416 822 6831 Wed 15:00-17:00 Course Description POLS 3040.6 Modern Political Thought meshes political theory with digital imagery. The course operationalizes Gilles Deleuze claim that philosophical concepts are like sounds, images and colors. This will be accomplished through digital image/sound production of theoretical concepts. Film images, which I have videoed will accompany each lecture. Course requirements include two short film productions relating to a theoretical concept; the films accompany the two essays. I have scheduled extra office hours to assist with the film aspect of the course which is 15% of the grade. It is assumed that people do not have any film experience. The idea is to transpose Martin Heidegger’s claim regarding technology, ‘that you can’t think technology technologically,’ to the techne of political thought. The argument is that you can’t think political theory simply with language, that is, inside the sayable in which it is produced. Heidegger contended that the site from which to think technology is art. POLS 3040 uses visual images to supplement and enhance philosophical concepts. -
Hegel's Introduction to Aesthetics
Hegel’s Introduction to Aesthetics 1 Karsten Harries Hegel's Introduction to Aesthetics Fall Semester 2009 Yale University Copyright Karsten Harries Hegel’s Introduction to Aesthetics 2 Contents 1. Introduction: Hegel on the Death of Art 3 2. Danto on the End of Art 15 3. Art and Nature 37 4. Art and Theory 50 5. Towards a Science of Art 60 6. The Work of Art as an Artifact 78 7. The Sensuousness of Art 85 8. Art and Imitation 96 9. Why Art in a Needy Age? 104 10. Hegel and his Predecessors 119 11. Irony 128 12. The Division of the Arts 137 13. Conclusion: The History and End of Art 148 Hegel’s Introduction to Aesthetics 3 1. Introduction: Hegel on the Death of Art 1 In the Spring semester of 2008 I taught, for the last time, a seminar on Heidegger's The Origin of the Work of Art. A reworked version of my class notes has just been published as a book by Springer.1 In my mind that seminar and this seminar on Hegel, while they do not depend on each other, belong together. What joins them is most fundamentally the question of the place of art in the modern world. Both seminars are part of an attempt to work out in more detail the concluding chapter of my The Ethical Function of Architecture,2 which confronts Hegel with Heidegger. What is at issue in this confrontation is hinted at by some remarks Heidegger makes in the Epilogue to The Origin of the Work of Art. -
Christ and Revelatory Community in Bonhoeffer's Reception of Hegel
Dogmatik in der Moderne Edited by Christian Danz, Jörg Dierken, Hans-Peter Großhans und Friederike Nüssel 22 David S. Robinson Christ and Revelatory Community in Bonhoeffer’s Reception of Hegel Mohr Siebeck David S. Robinson, born 1980; 2003 BA; 2008 MDiv; 2017 PhD in Systematic Theology and Ethics from The University of Edinburgh; currently Post-Doctoral Fellow in Theo- logy and Science at Regent College and Research Associate at Vancouver School of Theology, Vancouver, British Columbia, Canada. orcid.org / 0000-0002-8552-4369 ISBN 978-3-16-155963-1 / eISBN 978-3-16-156148-1 DOI 10.1628 / 978-3-16-156148-1 ISSN 1869-3962 / eISSN 2569-3913 (Dogmatik in der Moderne) The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbiblio- graphie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Mohr Siebeck Tübingen. www.mohrsiebeck.com This book may not be reproduced, in whole or in part, in any form (beyond that per- mitted by copyright law) without the publisher’s written permission. This applies parti- cularly to reproductions, translations and storage and processing in electronic systems. The book was printed on non-aging paper by Laupp & Göbel in Gomaringen and bound by Buchbinderei Nädele in Nehren. Printed in Germany. For my mother and father Acknowledgements This book is based on the Ph.D. thesis that I completed at the University of Edinburgh in 2017. I begin with thanks to my primary supervisor, David Fer- gusson, for guiding the final revision period and for encouraging engagement with the broader scholarly community, providing professional opportunities to that end. -
Hegel's Philosophy Of
L- ,o C| L> t ty- NUI MAYNOOTH Ollacali •• atiraann Wt Huad BOHM E AND HEGEL: A STUDY OF THEIR INTELLECTUAL DEVELOPMENT AND SHARED READINGS OF TWO CHRISTIAN THEOLOGOUMENA NEIL O’DONNELL SUBMITTED WITH A VIEW TO OBTAIN THE DEGREE OF M.LITT. NATIONAL UNIVERSITY OF IRELAND, MAYNOOTH DEPARTMENT OF PHILOSOPHY, FACULTY OF ARTS, CELTIC STUDIES, AND PHILOSOPHY OCTOBER 2008 ACTING HEAD OF DEPARTMENT DR MICHAEL DUNNE SUPERVISED BY DR CYRIL MCDONNELL CONTENTS Preface IV Abstract v Abbreviations and Conventions vii INTRODUCTION CHAPTER I THE DEVELOPMENT OF BÖHME AND HEGEL’S PHILOSOPHY OF RELIGION Section One Reaction Against Christian Orthodoxy 6 § 1. 1. The Development o f Böhme ’s Theological Vision in the Face o f Protestant Orthodoxy 7 § 1. 2. Hegel, Tübingen, and Protestant Orthodoxy 16 Section Two Heterodox Leanings 27 § 2. 1. Böhme ’s Period o f Silence and the Failure o f Hermeticism 28 § 2. 2. Hegel's Swabian Heritage 38 Section Three The Return to the Reformation 53 § 3. 1. Böhme ’s Return to the Reformation 54 § 3. 2. Hegel the Reformer? 68 § 3. 3. 1. Liberating Religion from Representation 76 CHAPTER II THE CONCEPT OF GOD 86 Section One The Father 91 § 1. 1. Böhme 's Conception o f the Deus Absconditus 96 § 1. 2. Hegel’s Treatment o f Böhme 's Trinitarian Dynamic 107 § 1. 3. H eg e l’s G od and its H istorical Traces 112 Section Two The Son 119 § 2. 1. The Personhood o f the Trinity 120 §2. 2. The Incarnation 130 Section Three The Holy Spirit 144 § 3. -
Marx and Art: Use, Value, Poetry
CONTINENTAL THOUGHT & THEORY: A JOURNAL OF INTELLECTUAL FREEDOM Marx and Art: Use, Value, Poetry Volume 1 | Issue 4: 150 years of Capital 587-615 | ISSN: 2463-333X Marx and Art: Use, Value, Poetry Ali Alizadeh Abstract: Despite Karl Marx’s overwhelming focus on economics and politics – culminating in Capital: Critique of Political Economy – his philosophy has inspired an array of Marxist or Marxian theories regarding the arts. Yet, the key tenet of these theories has not been Marx’s radical emphasis on the foundational role of production in human subjectivity. Marxist theories of art have, generally speaking, either examined the arts’ capacity for signifying social relations and class struggle – as seen in many a Marxists’ penchant for realism – or they have seen the arts as little more than aesthetic legitimations of ruling class ideology, a view which, in its most positive manifestation, can be found in the experimental and modernist tendency to undermine the morals and mores of the bourgeoisie by committed artists. Neither of these approaches, at any rate, sees art as a form and outcome of production in itself. In this article, I wish to present a Marxian theory of art, based on Marx’s entire oeuvre, from his earliest journalistic writings to Capital, which presents art as neither an aesthetic mimesis nor an ideological alibi of production. I would like to propose that for Marx art was, first and foremost, a use-value produced by concrete human labour. Keywords: art, Marx, value, use, labour 587 CONTINENTAL THOUGHT & THEORY: A JOURNAL -
Introduction to Hegel's Theory of Tragedy
Introduction to Hegel’s Theory of Tragedy MARK W. ROCHE Next to Aristotle’s account of tragedy, the theory of tragedy developed by the German philosopher G. W. F. Hegel (1770-1831) has become the most studied and quoted in the West. Tragedy arises, according to Hegel, when a hero courageously asserts a substantial and just position, but in doing so simultaneously violates a contrary and likewise just position and so falls prey to a one-sidedness that is defined at one and the same time by greatness and by guilt. Tragedy surfaces as a topic in Hegel’s Phenomenology of Mind and his Lectures on the Philosophy of History, arguably his two best known works in the Anglo-American world. In chapter five of the Phenomenology Hegel discusses character, ethical action, and guilt partly by way of an analysis of Sophocles’ Antigone. In his introduction to the Lectures on the Philosophy of History Hegel analyzes the world-historical individual who shapes history often beyond her conscious intentions; such figures emerge ahead of their time, come into conflict with their ages, and prepare a new world. In his Lectures on the History of Philosophy Hegel offers a fascinating portrait of Socrates in the light of this tragic dialectic. Also in his Lectures on the Philosophy of Religion Hegel touches on tragedy, especially in the Greek world and in relation to reconciliation. Tragedy is most prominent in Hegel’s Lectures on Aesthetics, which is one of his most accessible texts. The Aesthetics, which was compiled and edited by Hegel’s student Heinrich PhaenEx 1, no. -
Embodied Meaning and Art As Sense-Making: a Critique of Beiser’S Interpretation of the ‘End of Art Thesis’ 1
Proceedings of the European Society for Aesthetics Volume 9, 2017 Edited by Dan-Eugen Ratiu and Connell Vaughan Published by the European Society for Aesthetics esa Proceedings of the European Society for Aesthetics Founded in 2009 by Fabian Dorsch Internet: http://proceedings.eurosa.org Email: [email protected] ISSN: 1664 – 5278 Editors Dan-Eugen Ratiu (Babes-Bolyai University of Cluj-Napoca) Connell Vaughan (Dublin Institute of Technology) Editorial Board Zsolt Bátori (Budapest University of Technology and Economics) Alessandro Bertinetto (University of Udine) Matilde Carrasco Barranco (University of Murcia) Daniel Martine Feige (Stuttgart State Academy of Fine Arts) Francisca Pérez Carreño (University of Murcia) Kalle Puolakka (University of Helsinki) Isabelle Rieusset-Lemarié (University of Paris 1 Panthéon-Sorbonne) Karen Simecek (University of Warwick) John Zeimbekis (University of Patras) Publisher The European Society for Aesthetics Department of Philosophy University of Fribourg Avenue de l’Europe 20 1700 Fribourg Switzerland Internet: http://www.eurosa.org Email: [email protected] Proceedings of the European Society f or Aesthetics Volume 9, 2017 Edit ed by D an - Eugen Ratiu and Connell Vaughan Table of Contents Claire Anscomb Does a Mechanistic Etiology Reduce Artistic Agency? ... 1 Emanuele Arielli Aesthetic Opacity ................................ ........................ 15 Zsolt Bátori The Ineffability of Musical Content : Is Verbalisation in Principle Impossible ? ................................ ............................... -
CURRICULUM VITAE ROBERT B. PIPPIN Evelyn Stefansson Nef Distinguished Service Professor in the John U. Nef Committ
CURRICULUM VITAE ROBERT B. PIPPIN Evelyn Stefansson Nef Distinguished Service Professor in the John U. Nef Committee on Social Thought, the Department of Philosophy, and the College The University of Chicago The John U. Nef Committee on Social Thought 1130 East 59th Street Chicago, Illinois 60637 The Department of Philosophy 1115 E. 58th St. Chicago, IL 60637 (773) 702-5453 FAX: (773) 834-1968 email: [email protected] website: http://home.uchicago.edu/~rbp1/ Education B.A. with Honors in English, Trinity College, Hartford, Conn. 1970 M.A. Philosophy (Minor: Greek), Pennsylvania State University 1972 Ph.D. Philosophy, Pennsylvania State University, August 31, 1974 Honors, Awards, Endowed Lectures, Prizes 2019 - Guggenheim Fellowship 2019 - Penn State Alumni Association Lifetime Achievement Award 2018 - Penn State Graduate School Distinguished Alumnus Award 2018 (winter) – Steiner Lecture, St. John’s College, Santa Fe, New Mexico 2018 (spring) – Kneller Lecture, Philosophy of Education Society, Chicago, Illinois 2019 (winter) – Penn State Alumni Fellow Award 2017 (fall) – Alumni Association of Penn State Lifetime Achievement Award 2017 (fall) – Thomas Scholl Lecture, Purdue University Philosophy Department 2017 (fall) – Friedrich Nietzsche Lecture (Inaugural), University of Basel, Switzerland 2017 (spring) – elected to the German National Academy of Sciences Leopoldina 2016 (fall) – Townsend Visitor (three lectures), University of California, Berkeley 2015 (fall) – Suarez Lecture, Fordham University 2015 (fall) - Larwill Lecture, Kenyon -
Art and Aesthetics After Adorno
The Townsend Pa P e r s i n T h e h u m a n i T i e s No. 3 Art and Aesthetics After Adorno Jay M. Bernstein Claudia Brodsky Anthony J. Cascardi Thierry de Duve Aleš Erjavec Robert Kaufman Fred Rush Art and Aesthetics After Adorno The Townsend Pa P e r s i n T h e h u m a n i T i e s No. 3 Art and Aesthetics After Adorno J. M. Bernstein Claudia Brodsky Anthony J. Cascardi Thierry de Duve Aleš Erjavec Robert Kaufman Fred Rush Published by The Townsend Center for the Humanities University of California | Berkeley Distributed by University of California Press Berkeley, Los Angeles, London | 2010 Copyright ©2010 The Regents of the University of California ISBN 978-0-9823294-2-9 Library of Congress Cataloging-in-Publication Data Art and aesthetics after Adorno / J. M. Bernstein...[et al]. p. cm. — (The Townsend papers in the humanities ; no. 3) ISBN 978-0-9823294-2-9 1. Aesthetics, Modern—20th century 2. Aesthetics, Modern—21st century 3. Adorno, Theodor W., 1903–1969. Ästhetische Theorie. I. Bernstein, J. M. BH201.A78 2010 111’.850904—dc22 2010018448 Inquiries concerning proposals for the Townsend Papers in the Humanities from Berkeley faculty and Townsend Center affiliates should be addressed to The Townsend Papers, 220 Stephens Hall, UC Berkeley, Berkeley, CA 94720- 2340, or by email to [email protected]. Design and typesetting: Kajun Graphics Manufactured in the United States of America Credits and acknowledgements for quoted material appear on page 180–81. -
KOYRÉ, KOJÈVE, and MALABOU SPECULATE on HEGELIAN TIME Rory Jeffs
PARRHESIA NUMBER 15 • 2012 • 35-53 THE FUTURE OF THE FUTURE: KOYRÉ, KOJÈVE, AND MALABOU SPECULATE ON HEGELIAN TIME Rory Jeffs … will there and can there be a future after the supposed end of history…. beyond ‘absolute knowledge’? — Jacques Derrida1 The relationship between Hegel’s speculative idealist philosophy and time has a long and complicated history. Since his death in 1831, Hegel’s name has inspired a range of interpretations and speculations about what his philosophy entails. In 1946, the Russian-born French Hegelian Alexandre Kojève speculated: [I]t may be that, in fact the future of the world, and therefore the meaning of the present and the significance of the past, depend, in the final analysis, on the way in which the Hegelian writings are interpreted today.2 Half a century later as we entered the twenty-first century, Catherine Malabou speculated that the future of Hegel depended on how we read the future in Hegel’s philosophy.3 And more recently, Slavoj Žižek in his own typically speculative manner, claimed that even after decades of anti-Hegelian sentiment and a wilful forgetting of Hegel, “Hegel’s century will be the twenty-first.”4 On the surface, such statements seem to place undue importance on Hegel and may confirm the conventional suspicion of him as an all-encompassing philosopher. However, there is also the implication that the future itself, or to loosely paraphrase Malabou, “the future of the future” is what is at stake. Hegel’s value then would be to act as a guide to working out and potentially saving the time of the future itself from insignificance, repetition, or a “levelling down”.5 Žižek may have also intimated something, that Hegel’s time, or future, is yet-to-come—which raises the question of what could have delayed Hegel’s true arrival? I will examine in this article one possible response to such a question that THE FUTURE OF THE FUTURE concerns how the riddle of Hegelian temporality plagued the twentieth-century French reading of Hegel. -
Robert B. Pippin
CURRICULUM VITAE ROBERT B. PIPPIN Evelyn Stefansson Nef Distinguished Service Professor in the John U. Nef Committee on Social Thought, the Department of Philosophy, and the College The University of Chicago The John U. Nef Committee on Social Thought 1130 East 59th Street Chicago, Illinois 60637 The Department of Philosophy 1115 E. 58th St. Chicago, IL 60637 (773) 702-5453 FAX: (773) 834-1968 email: [email protected] website: http://home.uchicago.edu/~rbp1/ Education B.A. with Honors in English, Trinity College, Hartford, Conn. 1970 M.A. Philosophy (Minor: Greek), Pennsylvania State University 1972 Ph.D. Philosophy, Pennsylvania State University, August 31, 1974 Honors, Awards, Endowed Lectures, Prizes 2019 - Guggenheim Fellowship 2019 - Penn State Alumni Association Lifetime Achievement Award 2018 - Penn State Graduate School Distiunguished Alumnus Award 2018 (winter) – Steiner Lecture, St. John’s College, Santa Fe, New Mexico 2018 (spring) – Kneller Lecture, Philosophy of Education Society, Chicago, Illinois 2019 (winter) – Penn State Alumni Fellow Award 2017 (fall) – Alumni Association of Penn State Lifetime Achievement Award 2017 (fall) – Thomas Scholl Lecture, Purdue University Philosophy Department 2017 (fall) – Friedrich Nietzsche Lecture (Inaugural), University of Basel, Switzerland 2017 (spring) – elected to the German National Academy of Sciences Leopoldina 2016 (fall) – Townsend Visitor (three lectures), University of California, Berkeley 2015 (fall) – Suarez Lecture, Fordham University 2015 (fall) - Larwill Lecture, Kenyon