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Session 3 - the Difference Jesus Makes
Session 3 - The difference Jesus makes Session 3 - The difference Jesus makes Aims and outcomes You will need: Take time to think about and pray over each member l Fabric and other props to create the Easter story of the group, holding them before God and praying that scene their needs are met. Think about how well the group is l Name and locations for the Good Friday story gelling, and whether people are sticking to the ground scene (see pp. 17-18) rules (Compass, p. 5). Are any gentle reminders needed? l Cross (to include in the Good Friday story scene) Is there someone needing extra attention? Perhaps a l Candle (and matches) mentor to talk to? l Three or four copies of newspapers from this week Remind people briefly of the last session, when they l Chalice and paten (plate), bread and wine looked at the life of Jesus. Invite them to think about l Words describing difference Jesus makes on the their reflections at the end of the last session on what Cross (see pp. 19-21). it means to be transformed (Compass, p. 27). What are l Scissors to cut the words and names out (If you their questions at this point? have time they could be backed and made to stand up. But laying them on the scene works just This session will help participants reflect on different as well.) ways we try to understand the meaning of Jesus’ death. l Pens We can only get so far in looking for rational reasons l Bowl for the meaning of Jesus’ death. -
The Retreat at Geauga Lake
THE RETREAT AT GEAUGA LAKE Kate Jackson ACKNOWLEDGEMENTS To my parents who grew up going to Geauga Lake and also took me when I was a child. Your nostalgia of this park, are what inspired this project. Thank you for your unending love and support. I love you both so much and I hope this project brings some justice to this park. To my God, who has given me far more grace and mercy than I could ever hope to deserve. To my professors, whose guidance and support has been invaluable throughout this entire process. TABLE OF CONTENTS 03 History 6 Background 8 Timeline 009 Site 11 Context 13 Demographics 15 Site Conditions 017 Design 21 Design process 22 Abstract 23 Site Plan 29 Floor Plans 45 Section 47 Details 058 Appendix 60 Bibliography 061 Signatures 2 3 HISTORY SITE HISTORY Originally named Giles Pond, after settler Sullivan Giles, Geuaga Lake became a scenic destination to visitors of Aurora, Ohio. In the 1880’s this land became designated as picnic space, dance hall, and cottages for vacationers to enjoy. In 1887, the park opened under the name Geauga Lake. The name itself comes from the Native American word “Sheauga” which means raccoon. Before the turn of the 20th century, the park expanded to include small rides, roller rink, photo gallery, billiard hall, and bowling alley, and a hotel on the far side of the lake. In the 1920’s the park saw the erection of the park’s first roller coaster, the Big Dipper. Overtime, the park changed hands, and SeaWorld opened across the lake. -
Uhm Phd 9205877 R.Pdf
· INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewri~er face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikeiy event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact liMI directly to order. U-M-I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, M148106-1346 USA 313/761-4700 800/521-0600 Order Number 9205811 Political economy of passion: Tango, exoticism, and decolonization Savigliano, Marta Elena, Ph.D. University of Hawaii, 1991 Copyright @1991 by Savigliano, Marta Elena. -
Chieftaincy and Security in Nigeria: the Role of Traditional Institutions
Chieftaincy and Security in Nigeria Past, Present, and Future Edited by Abdalla Uba Adamu ii Chieftaincy and Security in Nigeria Past, Present, and Future Proceedings of the National Conference on Chieftaincy and Security in Nigeria. Organized by the Kano State Emirate Council to commemorate the 40th anniversary of His Royal Highness, the Emir of Kano, Alhaji Ado Bayero, CFR, LLD, as the Emir of Kano (October 1963-October 2003) H.R.H. Alhaji (Dr.) Ado Bayero, CFR, LLD 40th Anniversary (1383-1424 A.H., 1963-2003) Allah Ya Kara Jan Zamanin Sarki, Amin. iii Copyright Pages © ISBN © All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the editors. iv Contents A Brief Biography of the Emir of Kano..............................................................vi Editorial Note........................................................................................................i Preface...................................................................................................................i Opening Lead Papers Chieftaincy and Security in Nigeria: The Role of Traditional Institutions...........1 Lt. General Aliyu Mohammed (rtd), GCON Chieftaincy and Security in Nigeria: A Case Study of Sarkin Kano Alhaji Ado Bayero and the Kano Emirate Council...............................................................14 Dr. Ibrahim Tahir, M.A. (Cantab) PhD (Cantab) -
Rock Bottom Junior Script by Craig Hawes
Rock Bottom Junior Script by Craig Hawes Speaking Roles 41 Minimum Cast Size 25 Duration (minutes) 80 2/270618/28 ISBN: 978 1 84237 158 9 Published by Musicline Publications P.O. Box 15632 Tamworth Staffordshire B78 2DP 01827 281 431 www.musiclinedirect.com Licences are always required when published musicals are performed. Licences for musicals are only available from the publishers of those musicals. There is no other source. All our Performing, Copying & Video Licences are valid for one year from the date of issue. If you are recycling a previously performed musical, NEW LICENCES MUST BE PURCHASED to comply with Copyright law required by mandatory contractual obligations to the composer. Prices of Licences and Order Form can be found on our website: www.musiclinedirect.com Rock Bottom – Script 1 CONTENTS Cast List .............................................................................................................................. 5 Speaking Roles By Number Of Lines................................................................................ 6 Suggested Cast List For 28 (And 25) Actors .................................................................... 8 Characters In Each Scene ................................................................................................ 10 List Of Properties ............................................................................................................. 11 Production Notes ............................................................................................................. -
Seniority Rank with Extimated Times.Xlsx
Seniority Booth Placement ‐ ALPHA Projected Day Projected Time Order Yrs Exh Yrs Mem Company Name Friday, April 12 10:54 AM 633 2 3 1602 Group TiMax Friday, April 12 2:10 PM 860 002 Way Supply/Motorola Solutions Friday, April 12 11:51 AM 700 1 2 24/7 Software Friday, April 12 1:45 PM 832 0 1 360 Karting Thursday, April 11 3:14 PM 435 7 2 50% OFF PLUSH Friday, April 12 12:40 PM 756 105‐hour Energy Thursday, April 11 9:34 AM 41 24 10 A & A Global Industries Friday, April 12 2:25 PM 878 0 0 A.E. Jeffreys Insurance Thursday, April 11 12:29 PM 243 13 19 abc rides Switzerland Thursday, April 11 9:49 AM 58 22 25 accesso Friday, April 12 11:38 AM 684 1 3 ACE Amusement Technologies Co., Ltd. Thursday, April 11 1:46 PM 333 10 8 Ace Marketing Inc. Friday, April 12 1:07 PM 787 0 2 ADJ Products Friday, April 12 11:03 AM 644 2 2 Adolph Kiefer & Associates, LLC Thursday, April 11 2:08 PM 358 9 11 Adrenaline Amusements Thursday, April 11 9:00 AM 2 33 29 Advanced Animations, LLC Friday, April 12 12:01 PM 711 1 2 Advanced Entertainment Services Thursday, April 11 12:40 PM 256 13 0 Adventure Sports HQ Laser Tag Thursday, April 11 12:41 PM 257 13 0 Adventure Sports HQ Laser Tag Thursday, April 11 9:39 AM 47 23 24 Adventureglass Thursday, April 11 2:45 PM 401 8 8 Aerodium Technologies Thursday, April 11 11:13 AM 155 17 18 Aerophile S.A.S Friday, April 12 9:12 AM 516 4 7 Aglare Lighting Co.,ltd Thursday, April 11 9:23 AM 28 25 26 AIMS International Thursday, April 11 12:57 PM 276 12 11 Airhead Sports Group Friday, April 12 11:26 AM 670 1 6 AIRO Amusement Equipment Co. -
AT Golden Ticket 1999.Pdf
Park and ride winners Page 3B AMUSEMENT 1999 Top 25 wooden TODAY roller coasters GOLDEN TICKET Page 6B AWARDS V.I.P. Top 25 steel BEST OF THE BEST! BONUS roller coasters Page 7B SECTION BONUS SECTION AUGUST 1999 1B Winners named in 2nd annual survey Amusement Today’s 1999 Golden Ticket Awards As you may recall, Amusement Today introduced a survey in 1998 to poll the well-traveled park experts and experienced enthusiasts to recog- BEST PARK BEST WOODEN COASTER nize the Best of the Best within the amusement industry. With an even CEDAR POINT larger response this year — and not to SANDUSKY, OHIO mention new parks and a mother lode of new coasters for the 1999 season — the results, as always, prove very interesting. Survey overview The poll group selected to complete the survey certainly could boast some TEXAS GIANT well-traveled experience. A greater SIX FLAGS familiarity with the North American OVER TEXAS coasters is apparent among those cho- sen, but the wood and steel coaster lists each show overseas entries. Anyone who believes a single vote doesn’t count only has to glance at the point BEST WATERPARK BEST STEEL COASTER totals to see the value of each opinion. Using various sources, selected MAGNUM XL-200 afficionados were evenly balanced by CEDAR POINT dividing the United States into four geographical regions, with an equal number of surveys sent to each region. Incidentally, all 50 states had a repre- sentative to receive a survey. An addi- tional amount of surveys were sent outside the United States to represent SCHLITTERBAHN foreign expertise. -
Llprefeired Stocw 1
28 THE ST. PAUL GLOBE, SUNDAY, MAY 13, 1900. "KIDSAPPED IX XEW YORK." MISS ! FAY'S SUCCESS successful and thoroughly meritorious American plays, and will be seen at the I Melodrama the Bill at tlte Grand Lends to a Return Engagement the Grand in the very near future, with the Thin Work. author, Russ Whytal, in the principal Coming: Week. part. The attraction at the Grand this week, i METROPOLITAN j^Lg^ The management of the Metropolitan The story of the play is domestic, with commencing tonight, will be Howard theater a story background of the Civil Hall's "Kidnapped In New York," have been fortunate in securing war, but with Fay it is not a melodrama, and the comedy And Barney Gilmore, formerly of and Anna Eva for a return, commenc- is Tonight-Tomorrow Night TUESDAY Gilmore ing Tuesday so important that it is in of Leonard, as the star, and a strong sup- evening, for the balance of one those Two Performances Only. the week, and special Miss characters that Mr. Whytal appears. Tha MIGHT porting company. by request emotional ..... "wSSST work is in hands Jsh.n Brandon, the treasurer of the Fay will give two matinees this week, th>3 of such ; fl"v w-v « Matinees Wednesday and Saturday on Wednesday well-known people as Mable Knowles, j - Manhattan club, is falsely accused of and Saturday, for ladies Angeline robbing the club, and goes only. Crowded houses have greeted Miss Miss S. Pullia, Mr. C. H. Gel- ! the safe of dart, Dingeon, Melville, Ryley's 1 Jos. -
Michael James Elliott Last Updated:2007-08-09
Rollercoaster List Name: Michael James Elliott Last Updated:2007-08-09 Year Year Roller Coaster Name Park Name Type Current Status Opened Built 1 Alpengeist Busch Gardens Williamsburg Steel-Inverted 1997 1997 Operating 2 Big Bad Wolf Busch Gardens Williamsburg Steel-Suspended 1984 1984 Operating 3 Drachen Fire Busch Gardens Williamsburg Steel-Sit Down 1992 1992 Scrapped 4 Loch Ness Monster Busch Gardens Williamsburg Steel-Sit Down 1978 1978 Operating 5 Big Dipper Camden Park Wood-Classic 1958 1958 Operating 6 Haunted House Camden Park Haunted House-WildMouse Operating 7 Lil' Dipper Camden Park Wood-Classic 1961 1961 Operating 8 Canobie Corkscrew Canobie Lake Park Steel-Looping 1987 1975 Operating 9 Dragon Canobie Lake Park Steel-Kiddie 1991 Operating 10 Borg Assilimator Carowinds Steel-Flying 2004 2000 Relocated from CA 11 Carolina Cyclone Carowinds Steel-Looping 1980 1980 Operating 12 Caroline Goldrusher Carowinds Mine Train 1973 1973 Operating 13 Fairly Odd Coaster (Scooby Doo) Carowinds Wood 1975 1975 No Longer Classic 14 Hurler Carowinds Wood 1994 1994 Operating 15 Rugrats Runaway Reptar Carowinds Steel-Inverted 2003 2003 Operating 16 Thunder Road Carowinds Wood-Racing 1976 1976 Operating 17 Top Gun Carowinds Steel-Inverted 1999 1999 Operating 18 Vortex Carowinds Steel-Stand Up 1992 1992 Operating 19 Yankee Cannonball Canobie Lake Park Wood 1936 1930 Operating 20 Blue Streak Cedar Point Wood-Classic 1964 1964 No Longer Classic 21 Cedar Creek Mine Ride Cedar Point Steel-Sit Down 1969 1969 Operating 22 Corkscrew Cedar Point Steel-Looping 1976 1976 Operating 23 Disaster Transport Cedar Point Bobsled 1990 1985 Operating 24 Gemini Cedar Point Steel-Racing 1978 1978 Operating 25 Iron Dragon Cedar Point Steel-Suspended 1987 1987 Operating 26 Jr. -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods. -
Communication Dialectics in a Musical Community: the Anti- Socialization of Newcomers
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1995 Communication dialectics in a musical community: The anti- socialization of newcomers Karen Louise Rohrbauck-Stout The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Rohrbauck-Stout, Karen Louise, "Communication dialectics in a musical community: The anti-socialization of newcomers" (1995). Graduate Student Theses, Dissertations, & Professional Papers. 5411. https://scholarworks.umt.edu/etd/5411 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of ^ M O N T A N A Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. * * Please check "Yes" or "No" and provide signature * * Yes, I grant permission No, I do not grant permission Author's Signature Date Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. COMMUNICATION DIALECTICS IN A MUSICAL COMMUNITY: THE ANTI-SOCIALIZATION OF NEWCOMERS. by Karen Louise Rohrbauck-Stout B .A. the University of Puget Sound, 1992 presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana 1995 Approved by: Dean, Graduate School Date UMI Number: EP40875 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Rjfs JOUB NIIL 11
rJf JOUB_NIIL 11 GUILDERLAND CENTRALs HIGH SCHOOL MARCH 6, 1978 Sooth Seas Flood School Star.ce on the lighting and sound by Steven Linford equipment that has just been and Liz Floyd I J installed. Where, other than at a l t I I 11 ij! I • 11111111 I I 1, Ii p I f' i •. In order to save time, there will rehearsal for the musical South be no curtain closings. This is Pacific, to be presented by the expected to save about 25 Guilderland Players March 9, IO, minutes, that would have been 11 and 12, can you hear Mr. Fred needed to change scenes behind Heitkamp exclaim, "We'll put it the curtain. in the program - Elbow by "The audience," says Mr. Rusty... ," or Paul DeAllume say, Heitkamp, "will be able to see the "... Music! ... Music? ...Hey! Where set changes if they are looking for is the music?" Nowhere, that's them. But," as he explains, "if where. they are watching the continuous What is South Pacific? "Only," action, they won't pay any according to director Fred attention to the scene changes." Heitkamp, "the most popular By darkening one stage and musical we've ever attempted." simultaneously spot lighting In its first Broadway run, another, the stage crew will be South Pacific · was performed able to change scenes with only 1,925 times. Perhaps even more the slightest detection. Mr. impressively, it won the Pulitzer Heitkamp explained that this is Prize for Drama in 1950. This "the way scenes are changed on meant beating out all the Broadway.