Daniel Stamm Patrick Fabian, Ashley Bell, Iris Bahr
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Oscar Wilde Described the Theatre As “The Greatest of All Art Forms, the Most
T H E A T R E O F C ONFLICT , T H E A T R E O F C HANGE MIRIAM GARDIN AND SUE SEMAAN Oscar Wilde described the theatre as “the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being” (ThingExist.com). Theatre people know that theatre changes opinions, even changes lives. Most performance pieces deal with issues that, the artists hope, will affect those watching. Indeed, many theatre historians believe that performance comes from our most basic human need to connect to other human beings – to share stories, to imagine experiencing other people’s experiences, to learn from each other, to laugh and to cry together. The live enactment of a story helps audiences connect to the story directly. News media can oftentimes distance its audience – people tune out, or just ignore the stories. In live performance, those ideas and images become real people with real stories and the distance suddenly shortens. With this in mind, as theatre professionals, and students of and believers in the theatre, we set out to look at how theatre tells the stories of the Palestinian-Israeli conflict, and how audiences receive those stories. A Lebanese American, and an American who became Israeli, we came together to look at the subject. We focused on the East Coast to find out what theatre is being produced around the topic, what the mission of such work is, and how the audience is responding. -
42 / Arkadaşlar—Friends of Turkey a Flag to Burn My “Preservatif ” Bread
Sandra Lee Diekmann Brown Fred J Bueche 1760 Beretania St Apt 8D 45 Oakland Hills Pl Honolulu, HI 96826-1131 Rotondo West, FL 33947-2234 808-456-3269 ♦ T-03 941-697-8696 ♦ T-04 [email protected] Janet E Bullock Barbara C Bryan 12900 Woolman Ln 179 Stanton St Apt 3R Nevada City, CA 95959 New York, NY 10002-1883 530-477-8021 ♦ T-03 212-228-6065 ♦ T-13 [email protected] Shirley A Burkey 769 Fir Linda Jean Harris Budan Pocatello, ID 83202 19759 NE Calkins Lane 208-232-1510 ♦ T-12 Newberg, OR 97132-6567 503-537-0371 ♦ T-13 [email protected] A Flag to Burn flag to burn.” Needless to say, I was most concerned about this “gift”—perhaps even alarmed. Abruptly, I A tiny, peaceful village in a remote location kept me put the flag back into the presenter’s hands. from ever worrying about my safety. I rarely locked With firm conviction, I looked at them and said, my door. Why should I have? Locked or not, every- “I love the American flag, and I don’t believe anyone one was respectful. All visitors knocked and waited for should burn it. I also love the Turkish flag, and I their invitation to enter. This night was no different, don’t believe anyone should burn it, either. I am very except for that the knock came at 2:00 a.m. touched by your feelings, and your thoughts are very I struggled to untangle myself from my mosquito kind. But please, take your flag back. -
PBIFF 2012 Film Announcement-1
FOR IMMEDIATE RELEASE National Press Contact: March 13, 2012 Carol Marshall Carol Marshall Public Relations, Inc. 818/760‐6450 [email protected] Local Press Contact: Profile Marketing & PR Joanne Polin [email protected] 561‐350‐8784 Hillary Reynolds [email protected] 954‐815‐1186 17th PALM BEACH INTERNATIONAL FILM FESTIVAL UNVEILS 2012 LINE‐UP * * * “ROBOT & FRANK” OPENS FESTIVAL THURSDAY, APRIL 12; CLOSES WITH “SASSY PANTS” * * * Festival Presents 40 World and U.S. Premiere Feature Films BOCA RATON, FL – The Palm Beach International Film Festival (PBIFF) announced its highly anticipated film line‐up for the 17th edition, April 12‐19, 2012, featuring 25 World Premieres, 14 U.S. Premieres and 2 North American Premieres. PBIFF (www.pbifilmfest.org) will present features, documentaries and short films from the U.S. and around the world, including Netherlands, Spain, Argentina, Tanzania, Italy, France, England, Israel, Thailand, Guinea‐Bissau, Portugal, Australia, Canada, Romania and Sweden, and will play host to filmmakers, producers, and actors to represent and discuss their films. “We are excited about this year’s program,” comments PBIFF Director Randi Emerman, “which reflects our ongoing mission to engage with the community, expanding and enhancing its knowledge of the world through the unique lens of independent film.† We encourage people to take this opportunity to enjoy these diversely international stories.ʺ Opening Night kicks off with Robot & Frank, directed by Jake Schreier. Set in the near future, Frank, a retired cat burglar, has two grown kids who are concerned he can no longer live alone.† They are tempted to place him in a nursing home until Frankʹs son chooses a different option: against the old manʹs wishes, he buys Frank a walking, talking humanoid robot programmed to improve his physical and mental health. -
Small-Screen Courtrooms a Hit with Lawyers - Buffalo - Buffalo Business First
9/18/2018 Small-screen courtrooms a hit with lawyers - Buffalo - Buffalo Business First MENU Account FOR THE EXCLUSIVE USE OF [email protected] From the Buffalo Business First: https://www.bizjournals.com/buffalo/news/2018/09/17/small-screen-courtrooms-a-hit-with-lawyers.html Small-screen courtrooms a hit with lawyers Sep 17, 2018, 6:00am EDT For many, TV shows are an escape from reality. For attorneys, that’s no different – even when they’re watching lawyers on TV. “Better Call Saul” is the latest in a long line of TV shows about the legal profession. A prequel to AMC’s “Breaking Bad,” the show stars Bob Odenkirk as a crooked-at-times attorney named Jimmy McGill. “He’s a likable guy and you like his character,” said Patrick Fitzsimmons, senior associate at Hodgson Russ LLP in Buffalo. “It’s a great show. I think it’s the one BEN LEUNER/AMC show compared to the others where it’s not about a big firm.” “Better Call Saul” puts a new spin on legal drama as the slippery Jimmy McGill (played by Bob Odenkirk) Also a fan is Michael Benz, an associate at HoganWillig who recently returned to builds his practice. his native Buffalo after working in the Philadelphia public defender’s office and in his own practice as a criminal defense attorney. “(Odenkirk’s character is) the classic defense attorney who will do anything to make a buck or help his client,” Benz said, adding that he often binge-watches shows with his wife, Carla, an attorney in the federal public defender’s office in Buffalo. -
Kristen Connolly Helps Move 'Zoo' Far Ahead
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LILI HAYDN BIO ~Rolling Stone Called Her Music “Fiery and Virtuosic...” George Clinton Called Her "The Jimi Hendrix of the Violin."
"Bliss-inducing original music by violinist/vocalist/composer Lili Haydn ...My response was the reviewer’s equivalent of a spiritual visitation." - L.A. Times LILI HAYDN BIO ~Rolling Stone called her music “fiery and virtuosic...” George Clinton called her "the Jimi Hendrix of the violin." GRAMMY winner Lili Haydn has released six critically acclaimed major label recordings as an artist, and appeared on numerous TV shows, including the Tonight Show with Jay Leno and the HBO hit Californication. Also known for her legendary collaborations; she has played with, sung with, and opened for everyone from Roger Waters, Herbie Hancock, Sting, Jimmy Page and Robert Plant, the Los Angeles Philharmonic, and George Clinton's P-Funk All Stars to name a few. In addition to Lili's extensive recording and touring career, Lili’s music has been licensed for TV, film, and commercials, and she is the featured voice and violin on several films with Hans Zimmer, Marco Beltrami, and other illustrious composers. It was after a friend asked her to score what became the award winning documentary The Horse Boy in 2009, that Lili embarked on a career as a film composer, with 15 feature films/documentaries to her credit, additional music credits on several films, and a Film Composing Fellowship to the Sundance Film Institute. Her film’s have been festival favorites, with credits that include Somewhere Between (2012) The Sublime and Beautiful (2015), The House That Jack Built (2015), Broken Kingdom (2016), ANITA by Academy Award winner Freida Lee Mock (2014), Netflix’s hit Feminists: What Were They Thinking? (2018) with Jane Fonda and Lily Tomlin, and Sundance Selects’ release of DriverX starring Better Call Saul’s Patrick Fabian (2018). -
FOR IMMEDIATE RELEASE: LABA: a Laboratory for Jewish Culture 2019-2020 Season: HUMOR
Media Contact: Kelly Glenn + Courtney Smith | Throughline Creative [email protected] 978.423.2748 FOR IMMEDIATE RELEASE: LABA: A Laboratory for Jewish Culture 2019-2020 Season: HUMOR New York, NY - September 16, 2019 - LABA: A Laboratory for Jewish Culture, a ground-breaking artistic fellowship program of the 14th Street Y in the East Village that uses classic Jewish texts to inspire the creation of art, dialogue and study, is back for its 11th season. Each year, LABA: A Laboratory for Jewish Culture brings together ten fellows to study classic Jewish texts in a non-religious, open-minded setting centered on a chosen theme. HUMOR will be explored this year and will act as the focal point for the fellows’ multi-disciplinary artistic projects. Additionally, this year’s fellows will take part in study sessions where a portion of the time will be devoted to interviewing Jewish comedic professionals to discuss the role Judaism has played in their creative lives. These interviews will be led by former LABA fellow Amy Handelsman. The 2019-2020 fellows are Charlie Buckholtz, Charles Gershman, Jared Hoffman, Mark Katz, Anna Lublina, Rokhl Kafrissen, Liba Vaynberg , Ari Wolff, Willie Zabar, with staff fellow Anya Hoerburger, and visiting fellows Iris Bahr and Ophir Tal. The resident Scholar will be author and teacher Ruby Namdar, who is the recipient of Israel’s most prestigious literary award the Sapir Prize for The Ruined House. Shira Hecht-Koller, Esq of 929 English will join as a guest lecturer, as will Rabbi Scott Perlo of the 92nd Street Y. Laura Beatrix Newmark will be taking on the role of Director of LABA and LABA Fellow Charles Gershman will be editor of the LABA Journal. -
Alessandro Quarta Cv Formazione
ALESSANDRO QUARTA CV Doppiatore, Direttore di doppiaggio, Adattatore dialoghista, Attore, Cantante, Compositore. Alessandro Quarta è uno dei massimi esponenti del doppiaggio italiano, è attore teatrale da quando aveva 6 anni, 1976, e Doppiatore dal 1980. In 40 anni di carriera a doppiato più di 1200 opere, tra film, serie TV e film di animazione, tra cui Casey Affleck, Ethan Hawke, Jeremy Renner, Paul Rudd, Ed Helms, Mark Wahlberg, Peter Sarsgaard e ha vinto numerosi premi come miglior voce maschile. È la voce ufficiale italiana di Mickey Mouse dal 1995, è il doppiatore che l’ha interpretato da più tempo in Italia e, per questo, è il primo ad aver ricevuto un riconoscimento ufficiale direttamente da Disney Company, il “Premio Speciale Mickey 90”. L’Istituto Italiano di Cultura di Los Angeles gli ha conferito il primo riconoscimento a un doppiatore italiano negli USA, il “IIC Los Angeles Creativity Award”, come ambasciatore della lingua italiana nel mondo. Come rappresentante del doppiaggio italiano, ha partecipato al tour di presentazione negli USA del libro “Senti chi parla! Le 101 frasi più famose del cinema”, tenendo interventi presso la Chapman University di Orange County, in California, l’Università di Houston, e presso l’Istituto Italiano di Cultura di Los Angeles. Ricopre anche il ruolo di Direttore di doppiaggio e Adattatore Dialoghista di film cinema, serie TV e Cartoni Animati. Insegna doppiaggio e recitazione presso accademie e scuole di recitazione e doppiaggio, e ha tenuto corsi di doppiaggio presso l’Università degli studi di Salerno. Partecipa al Cortometraggio AttorInVoce alla 74ª Mostra Internazionale d’Arte Cinematografica la Biennale di Venezia e alla mostra fotografica “AttorInVoce” presso la Casa del Cinema di Roma, nei quali è stato scelto assieme ai migliori doppiatori italiani. -
Production Notes
PRODUCTION NOTES Directed by Daniel Stamm Produced by Eli Roth Starring Patrick Fabian Ashley Bell Louis Herthum Caleb Jones Release date: November 25, 2010 Running time: 90 minutes Rated: MA 15+ Strong horror themes and violence For more information contact Jillian Heggie at Hopscotch Films on: 02) 8303 3800 or email: [email protected] SYNOPSIS In the terrifying new documentary-style film, THE LAST EXORCISM, Reverend Cotton Marcus is a man whose lack of faith is challenged head-on during his documentary film of his last act of ministry, the exorcism of an innocent young girl whose anguished father is convinced that she's demonically possessed. Reverend Cotton Marcus is a fourth generation evangelical minister, and after 25 years, a man who thought he'd seen it all in his chosen vocation. Cotton is a well-known practitioner of exorcism, with many faithful believers in his work. Only he's not one of them. People believe what they need to believe, and Cotton has helped many lost souls work out their "demons," but it's time to put away the smoke and mirrors, pull the curtain back, and for people to know the truth. Now in the twilight of his career, and with a few more bucks to earn for one last job, Cotton allows a film crew to finally reveal the tricks of his trade. Feverish requests for Cotton's help come regularly. And soon after filming begins, Cotton receives a letter laced with urgency and desperation. His last case takes him into the rural Louisiana, to the Ivanwood home of Louis Sweetzer. -
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2Ndjewishfilmfest Brochure
th Annual4 HOUSTON JEWISH film festival March 12 – March 23, 2008 Fabulous Fourth Year of Films Sue Goott Mignon Wolf elcome to a banner year for the Houston Jewish Film Festival. Co-Chair Co-Chair WeW are thrilled to announce our largest film festival to date with an interesting Doreen Joffe and Sharon Kagan, Honorary Chairs mix of documentaries, features, Israeli, French, English and American films that bring a multiplicity of Jewish lives and stories to our Festival. This year’s film festival includes Houston premieres, high-level discussions, interesting panels, film analyses, lively talk-backs and big-name stars such as Judd Hirsch, Helena Bonham-Carter, and David Strathairn. Israeli film-making has surged onto the scene. Never has there been such an increase in the number of breakout Israeli films that have succeeded so well internationally, including the Oscar-nominated Beaufort, Sundance International Jury Award-winning Sweet Mud, the Cannes Film Festival Camera D’Or – winning Jellyfish, and Miami’s Grand Jury prize-winning Someone To Run With. Thanks to the overwhelming generosity of our supporters and the creative collaboration of the staff and volunteers of the Jewish Community Center and the Museum of Fine Arts, Houston. And now, we need the support of you, our viewers. Buy a ticket! Buy a pass! Bring a friend! Bring a group! We look forward to seeing you at the movies….. Sue Goott Mignon Wolf Co-Chair Co-Chair TICKET INFORMATION Individual Tickets $6 JCC & MFAH Members & MFAH Film Buffs $8 Public $1 discount for students -
Presenta Un Film Diretto Da DANIEL STAMM Con PATRICK FABIAN
Presenta Un film diretto da DANIEL STAMM Con PATRICK FABIAN, ASHLEY BELL, IRIS BAHR Scritto da HUCK BOTKO, ANDREW GURLAND Prodotto da ERIC NEWMAN e ELI ROTH Durata 87’ I materiali sono scaricabili da www.eaglepictures.com DAL 3 DICEMBRE AL CINEMA Ufficio Stampa: Marianna Giorgi [email protected] Interpreti Personaggi Patrick Fabian Cotton Marcus Ashley Bell Nell Sweetzer Iris Bahr Iris Reisen Louis Herthum Louis Sweetzer Caleb Landry Jones Caleb Sweetzer I Filmmaker Regia di Daniel Stamm Sceneggiatura di Huck Botko & Andrew Gurland Prodotto da Eric Newman Eli Roth Prodotto da Marc Abraham Thomas A. Bliss Produttori Esecutivi Huck Botko Andrew Gurland Produttori Esecutivi Phil Altmann Ron Halpern Co-Produttori Patty Long Gabrielle Neimand Direttore Fotografia Zoltan Honti Scenografie Andrew Bofinger Montaggio Shilpa Khanna Costumi Shauna Leone Musiche di Nathan Barr Casting Lauren Bass ‐2 ‐ SINOSSI Il Reverendo Cotton Marcus arriva nella fattoria di Louis Sweetzer, nella Lousiana, pensando di dover compiere il solito “esorcismo” di routine su una fanatica religiosa affetta da disturbi psicologici. Sweetzer, fervente fondamentalista, ha contattato il carismatico predicatore come sua ultima risorsa, perché è convinto che sua figlia - l’adolescente Nell - sia posseduta da un demone che debba essere esorcizzato prima che una situazione già di per sé terrificante si trasformi in una tragedia inimmaginabile. Cotton è un uomo schiacciato dal peso della sua coscienza, pentito degli anni passati a rubare i soldi alle persone disperate, per questo, assieme al suo team, decide di filmare un documentario-confessione di quello, che sarà il suo ultimo esorcismo. Al loro arrivo, però, la fattoria a conduzione familiare è già immersa nel sangue, e, ben presto, Cotton si rende conto che niente lo avrebbe potuto preparare al male che qui si troverà ad affrontare.