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Transgender Representation on American Narrative Television from 2004-2014
TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project. -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today. -
Annual Report 2018-2019
FY18 ANNUAL REPORT ALL OF US TOGETHER 2 GLAAD 02 Key GLAAD Initiatives ANNUAL REPORT 03 Mission Statement FY18 05 President & CEO’s Message 06 Jan-Sept 2018 Highlights KEY 10 News & Rapid Response ACCOMPLISHMENTS 12 GLAAD Media Institute (GMI) 14 Spanish-Language and Latinx Media 16 Youth Engagement 18 Events 22 Transgender Media Program 24 Voter Education & Engagement GLAAD BY 28 GLAAD at Work THE NUMBERS 29 Letter from the Treasurer 30 Financial Summary INVESTORS 34 GLAAD Supporters & DIRECTORY 36 Giving Circles 39 Staff 40 Board of Directors 2 3 KEY GLAAD INITIATIVES MISSION GLAAD NEWS & RAPID RESPONSE GLAAD serves as a resource to journalists and news outlets in print, broadcast, and online to ensure that the news media is accurately and fairly representing LGBTQ people in its reporting. As the world’s largest GLAAD MEDIA INSTITUTE (GMI) lesbian, gay, bisexual, Through training, consulting, and research—including annual resources like the Accelerating Acceptance report and the GLAAD Studio Responsibility Index—GMI enables everyone from students to professionals, transgender, and queer journalists to spokespeople to build the core skills and techniques that effectuate positive cultural change. GLAAD CAMPUS AMBASSADOR PROGRAM (LGBTQ) media advocacy GLAAD Campus Ambassadors are a volunteer network of university/college LGBTQ and ally students who work with GLAAD and within their local communities to build an LGBTQ movement to accelerate acceptance and end hate. organization, GLAAD is GLAAD MEDIA AWARDS at the forefront of cultural The GLAAD Media Awards recognize and honor media for their fair, accurate, and inclusive representations of the LGBTQ community and the issues that affect their lives. -
A Study of Transgender Characters in Scripted Programming Then and Now
TRANSNORMATIVE TELEVISION: DOES SOCIAL RESPONSIBILITY BENEFIT THE TV INDUSTRY? A Study of Transgender Characters in Scripted Programming Then and Now David Olsson Department of Radio, Television, Film Honors Thesis May 7th, 2016 Lawrence Herbert School of Communication HOFSTRA UNIVERSITY Faculty Advisor - Nancy F. Kaplan, Ph.D David Olsson | TRANSNORMATIVE TELEVISION: Does Social Responsibility Benefit the TV Industry? Hofstra University Department of Radio, Television, Film Honors Thesis ! TABLE OF CONTENTS INTRODUCTION… p. 2 KEY DEFINITIONS AND ORGANIZATIONS… p. 7 THEORIES AND LITERATURE REVIEW… p. 12 A HISTORY OF SCRIPTED TRANSGENDER APPEARANCES… p. 16 TRANSGENDER AMERICA: FACTS AND STATISTICS… p. 27 SOCIAL ANALYSIS… p. 30 INDUSTRY ANALYSIS… p. 38 CONCLUSIONS… p. 48 REFERENCES… p. 51 !1 David Olsson | TRANSNORMATIVE TELEVISION: Does Social Responsibility Benefit the TV Industry? Hofstra University Department of Radio, Television, Film Honors Thesis ! INTRODUCTION There is an oft-discussed concept in political media that is referred to as the “gay agenda.” It alleges that the cultural normalization of gay and lesbian citizens by LGBT advocates is part of an organized endeavor to indoctrinate youths into a so-called “gay lifestyle.” Phil Burress (2012) of the anti-LGBT group Citizens for Community Values, like other proponents of this belief, supposed that “it’s going to continue to confuse children. This is the way the homosexual activists continue to build their numbers - is to get people confused about their gender identity and start -
Costume Designer
LINDSAY PUGH - Costume Designer https://cargocollective.com/lindsaypugh SENSE8 (Series 2) Directors: Andy Wachowski and Lana Wachowski. Producers: Marcus Loges, Alex Boden and L. Dean Jones Jr. Starring: Tuppence Middleton, Jamie Clayton, Freema Agyeman and Naveen Andrews. Georgeville Television / Netflix. AND THEN THERE WERE NONE Director: Craig Viveiros. Producer: Abi Bach. Starring: Charles Dance, Toby Stephens, Miranda Richardson and Sam Neill. Mammoth Screen. SENSE8 (Series 1) Directors: Andy Wachowski, Lana Wachowski, James McTeigue, Tom Twyker and Dan Glass. Producers: Marcus Loges, Alex Boden and L. Dean Jones Jr. Starring: Daryl Hannah, Jamie Clayton, Freema Agyeman and Naveen Andrews. Georgeville Television / Netflix. THE SUSPICIONS OF MR WHICHER: “BEYOND THE PALE” / “THE TIES THAT BIND” Directors: Geoff Sax and David Blair. Producer: David Boulter. Starring: Paddy Considine, Helen Bradbury, Alex Robertson, John Heffernan and Adrian Quinton. Hat Trick Productions. SUPERBOB Director: Jon Drever. Producers: Robert Jones and Wayne Marc Godfrey. Starring: Brett Goldstein, Catherine Tate and Laura Haddock. The Fyzz Facility. LUCKY 13 (Musical Circus) Writer/Director: Cal McCrystal. Producer: Nell Gifford. PRESSURE Director: Ron Scalpello. Producer: Jason Newmark. Starring: Matthew Goode, Danny Huston, Joe Cole and Alan McKenna. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] LINDSAY PUGH - Costume Designer Pinewood Films No 8 Ltd. ENDEAVOUR Directors: Ed Bazalgette, Tom Vaughan, Craig Viveiros and Colm McCarthy. Producer: Dan McCulloch. Starring: Shaun Evans, Roger Allam, Patrick Malahide, Flora Montgomery, John Light, Jack Ashton and Daisy Head. Mammoth Screen. DANCING ON THE EDGE Director: Stephen Poliakoff. Producer: Nicky Kentish-Barnes. Starring: John Goodman, Chiwetel Ejiofor, and Matthew Goode. -
Big Eddy Film Festival Announces 2020 Lineup Including Two World Premieres
BIG EDDY FILM FESTIVAL ANNOUNCES 2020 LINEUP INCLUDING TWO WORLD PREMIERES In Person September 24 – 26 Online September 24 – October 4 in Sullivan County, NY This September, the Delaware Valley Arts Alliance will expand the Big Eddy Film Festival (BEFF) beyond the movie theater for one-of-a-kind experiences, both outdoors and online. Central themes of the films being presented include untold female stories and the intersection of politics and music. Screenings will take place at Bethel Woods Center for the Arts Terrace Stage, the Big Eddy Film Festival’s online streaming platform, and at a pop-up drive-in outside Narrowsburg. WORLD PREMIERES AT BETHEL WOODS The BEFF opens on Friday, September 25 with the world premiere theatrical screening of JIMMY CARTER ROCK & ROLL PRESIDENT at Bethel Woods Center for the Arts. The film chronicles the relationship that music played in Carter’s early life, his campaign for the White House, and his term as the 39th President of the United States (1977 - 1981). Particularly relevant in this election year, director Mary Wharton traces how Carter’s genuine approachability became key to his political appeal, and allowed him to connect with voters. His embrace of music, particularly that of Bob Dylan, the Allman Brothers, and Willie Nelson, helped the peanut farmer from small-town Georgia reach out across racial and generational divides. The film, which was slated to open the Tribeca Film Festival in April (which was cancelled due to the coronavirus pandemic), has been picked up for distribution by CNN Films. The festival continues at Bethel Woods on Saturday, September 26 with the world premiere theatrical screening of the new drama GOSSAMER FOLDS, a coming of age story set in 1980s Missouri. -
October 15–25 Tickets At: Threedollarbillcinema.Org/Sqff
SEATTLE FILM FESTIVAL 25 th ANN IVER SARY RY SA VER th ANNI 25 watch virtually together 9/30/20 3:19 PM OCTOBERTICKETS AT: THREEDOLLARBILLCINEMA.ORG/SQFF 15–25 20052_3BC_Program_Cover.indd 1 TABLE OF CONTENTS TABLE OF CONTENTS CREDITS . 2 WELCOME LETTERS . 3 SPONSORS . 4–5 MEMBERS AND DONORS . 6–7 SCHEDULE . 8 TICKETS AND PASSES . 9 OPENING NIGHT FILM . 11 As Presenting Sponsor of Seattle Queer Film CLOSING NIGHT FILM . 13 Festival, We are Proud to be Continued CENTERPIECE FILM . 15 Supporters of Three Dollar Bill Cinema 25TH ANNIVERSARY SCREENING VITO . 17 MANY RIVERS TO CROSS: DIASPORA STORIES . 18–19 FEATURES . 21–45 SHORTS . 47-52 three FREE PROGRAMMING/ WORKSHOPS . 52 DRINK RESPONSIBLY dollar bill ©2020 Brown-Forman Corporation, Louisville, KY cinema THANK YOU TO ALL THE VOLUNTEERS FOR YOUR WORK AND DEDICATION TO THREE DOLLAR BILL CINEMA! 1 STAFF WELCOME FESTIVAL CREDITS Welcome to the 25th Annual Seattle Queer Film Festival! I am so pleased to welcome you all to the 25th annual Seattle BOARD OF DIRECTORS Features Committee Programmers Thank you Queer Film Festival. I hope you are healthy and hanging in there Board President Clay Warner Syriah Bailey Alfredo Biralde III while we enjoy some beautiful and provocative films together. Secretary Topher Shields Blake Buckley Arabelle Liepold This year’s virtual festival has everything from Truman Capote Treasurer Telved Devlet Arthur Canales Ben McCarthy to secret lesbian life behind the Berlin Wall. From serial killers to Board Member Fatima Aviquivil Brian Davis Beth Barrett Board Member Michael Bini Greg Eppich Betsey Brock music and dance, we’re packing a lot in our 11-day lineup—just Board Member Amy Yunis Marcus Gorman BJ Duft when we need a diversion! I hope you share the feeling of com- Reggie Gulley Brandon Yan munity that we did while we were screening and curating these ADVISORY BOARD Chris Jones Brenan Chambers Advisor to the Board Kathleen Mullen Bryce Campbell special programs from the hundreds of submissions we received. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
Daniel Kemp Union Location Manager & Scout
Daniel Kemp Union Location Manager & Scout 2021 “Nash Bridges” TV movie for USA Network Village NB Productions starring Don Johnson & Cheech Marin 2020 “Clickbait” Season 1 & 2 Oakland unit Netflix 2018- 2019 “13 Reasons Why” Season 3 & Season 4 Netflix/ Paramount Television starring Dylan Minnette 2018 “Wine Country” Napa scouting Netflix/ Cali Productions directed by and starring Amy Poehler 2017 “13 Reasons Why” Season 2 Netflix/ Paramount Television starring Dylan Minnette & Katherine Langford 2017 “Ballers”, San Francisco unit HBO/ Chori Perros Productions starring Dwayne Johnson 2016 “13 Reasons Why” Netflix/ Paramount Television starring Dylan Minnette & Katherine Langford 2016 “Sense8” season 2, San Francisco unit Netflix/ Unpronounceable Prod., LLC directed by Lana Wachowski, starring Jamie Clayton 2015 “L’Estate Addosso” (“Summertime”) Indiana Prod. Co., Rome directed by Gabriele Muccino 2014 “Looking” season 2 HBO/Mission St. Prod. created by Michael Lannan, starring Jonathan Groff 2014 “Sense8” season 1, San Francisco unit Netflix/ Unpronounceable Prod., LLC directed by Lana & Andy Wachowski, starring Jamie Clayton 2014 “Exposed” (pilot) NBC Universal for ABC directed by Patty Jenkins, starring Mary Elizabeth Winstead 2014 “Parks & Recreation” (season 6, SF unit) NBC/Open 4 Business Prod. starring Amy Poehler 2013 “Looking” season 1 HBO/Mission St. Prod. created by Michael Lannan, starring Jonathan Groff 2013 “Quitters” Fredrick & Ashbury, LLC directed by Noah Pritzker, starring Mira Sorvino & Kara Hayward 2013 “Cosmos” Voyager Pictures, LLC starring Neil DeGrasse Tyson 2011-2012 “Chasing Mavericks” Iron Cross LLC/Walden Media starring Gerard Butler & Johnny Weston 2011 “The Five Year Engagement” (SF unit) NBC/Universal starring Jason Segal & Emily Blunt 2011 “Contagion” (San Francisco unit) Warner Bros. -
Directed by Sam Feder Produced by Amy Scholder And
Directed by Sam Feder Produced by Amy Scholder and Sam Feder Executive Producers Laverne Cox, Caroline Libresco, Laura Gabbert, S. Mona Sinha, Abigail E. Disney, Lynda Weinman, Charlotte Cook, Michael Sherman, Matthew Perniciaro, WORLD PREMIERE 2020 SUNDANCE FILM FESTIVAL Released globally on Netflix June 19, 2020 PRESS CONTACTS Netflix: Rene Ridinger [email protected] Acme PR: Nancy Willen [email protected] LOGLINE Disclosure shows how the fabled stories of Hollywood deeply influence how Americans feel about transgender people, and how trans people are taught to feel about themselves. SYNOPSIS Disclosure is an unprecedented, eye-opening look at transgender depictions in film and television, revealing how Hollywood simultaneously reflects and manufactures our deepest anxieties about gender. Leading trans thinkers and creatives, including Laverne Cox, Lilly Wachowski, Yance Ford, Mj Rodriguez, Jamie Clayton, and Chaz Bono, share their reactions and resistance to some of Hollywood’s most beloved moments. Grappling with films like A Florida Enchantment (1914), Dog Day Afternoon, The Crying Game, and Boys Don’t Cry, and with shows like The Jeffersons, The L-Word, and Pose, they trace a history that is at once dehumanizing, yet also evolving, complex, and sometimes humorous. What emerges is a fascinating story of dynamic interplay between trans representation on screen, society’s beliefs, and the reality of trans lives. Reframing familiar scenes and iconic characters in a new light, director Sam Feder invites viewers to confront unexamined assumptions, and shows how what once captured the American imagination now elicit new feelings. Disclosure provokes a startling revolution in how we see and understand trans people. -
February 14-16, 2020 Washington, Dc
PROMOTING SAFETY, INCLUSION AND WELL-BEING FOR LGBTQ YOUTH EVERYTHWERE! FEBRUARY 14-16, 2020 WASHINGTON, DC CO-PRESENTING TIME TO THRIVE PRESENTING SPONSORS Freedom to reach your potential BBVA is proud to be a Presenting Sponsor of Time to THRIVE. Thank you, HRC, for creating opportunities for all LGBTQ youth. BBVA and BBVA Compass are trade names of BBVA USA, a member of the BBVA Group. BBVA USA, Member FDIC. Rev. 01/2020 / #830728 “As professionals who work closely with youth, it is essential to amplify and elevate our voices as you strive to become stronger advocates for our safety and inclusion. We are the experts of our own stories and experiences and have valuable suggestions on what works and doesn’t work. Thank you in advance for making sure we are invited to the table.” — Makayla Humphrey HRC Youth Ambassador SCHEDULE AT A GLANCE Friday, February 14th 1:00 p.m. Conference Registration (Location: Grand Ballroom Foyer) 2:00 – 4:30 p.m. Optional Pre-Conference for Beginners (Location: Congressional Ballroom C) 5:00 – 6:30 p.m. Attendee Welcome Reception with Food and Cash Beverages (Location: Grand Ballroom Foyer and Congressional Ballroom A/B) *More details on page 14 6:35 – 8:45 p.m. Opening Plenary (Location: Grand Ballroom) *More details on page 15–17 9:00 – 10:00 p.m. Optional Late-Night Networking (Location: MIXX Lounge) *More details on page 17 Saturday, February 15th 7:30 a.m. – 5:45 p.m. Conference Registration (Location: Grand Ballroom Foyer) 7:30 – 8:30 a.m. Breakfast Buffet (Location: Grand Ballroom Foyer and Congressional Ballroom A/B) 8:30 – 9:45 a.m. -
Beverly Hills Board of Ed Reconfigures K-8 Schools Election Day 2018
WWW.BEVERLYPRESS.COM INSIDE • Funding for homeless housing. pg. 6 Sunny, with • Motion for DWP highs in the report moves low 80s forward. pg. 7 Volume 28 No. 44 Serving the Beverly Hills, West Hollywood, Hancock Park and Wilshire Communities November 1, 2018 Beverly Hills Board of Ed nPittsburgh shooting shocks community Local leaders mourn nreconfigures K-8city’s school schools district will begin a tran- the 11 deaths in an Beverly Vista will be a sition to two K-5 schools and one 6-8 attack motivated by 6-8 grade middle school middle school as another school clos- es for construction. anti-Semitism as El Rodeo closes for The Beverly Hills Unified School construction District’s Board of Education voted 3-0 on Oct. 30 to approve the new Civic leaders and Jewish com- configuration, with board members munity members called for soli- Lisa Korbatov and Howard darity and healing in the after- The four K-8 schools in Beverly Goldstein, who are stepping down math of a mass shooting on Oct. Hills have been hallmarks of the 27 at the Tree of Life synagogue community for generations, but the See Beverly Hills page 25 in Pittsburgh that left 11 people dead. Police in Los Angeles, West Hollywood and Beverly Hills photo by Edwin Folven have increased patrols around temples, community centers and Rabbi Denise Eger (left), of Congregation Kol Ami in West Hollywood, other sites. Los Angeles City led a candle lighting ceremony for victims of the mass shooting in Councilmen Bob Blumenfield, Pittsburgh with congregants Richard Bernard and Marilyn Ader.