Holiday 2019 Catalogue
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Gl Obal Eurochart 06/19/99 &Media Spain (Afyve/Alef Mb) 05/29/99
HITS OF THE WORLD K N U E 1:71 MUSIC GL OBAL EUROCHART 06/19/99 &MEDIA SPAIN (AFYVE/ALEF MB) 05/29/99 THIS I LAST THIS LAST WEEK WEEK SINGLES WEEK WEB( SINGLES 1 1 I WANT IT THAT WAY BACKSTREET BOYS JIVE 1 1 BAILAMOS (REMIX) ENRIQUE IGLESIAS POLYDOR/ 2 3 NO SCRUBS TLC LAFACE/ARISTA UNIVERSAL 3 2 ... BABY ONE MORE TIME BRITNEY SPEARS JIVE 2 NEW CANNED HEAT JAMIROQUAI EPIC MiJSIC PlISE 3 3 LIVIN' LA VIDA LOCA COLUMBIA 4 NEW LIVIN' LA VIDA LOCA RICKY MARTIN COLUMBIA RICKY MARTIN THE LATEST NEWS FROM THE PLANET 4 I MUSIC AROUND 5 4 FLAT BEAT MR. OIZO F COMMUNICATIONS 2 WANT IT THAT WAY BACKSTREET BOYS JIVENIR- 6 8 MAMBO NO. 5 LOU BEGA LAUTSTARK/BMG GIN 5 FLAT 7 5 THAT DON'T IMPRESS ME MUCH SHANIA TWAIN 4 BEAT MR. OIZO VALE 6 6 LOOK AT ME GERI HALLIWELL EMI MERCURY EDITED BY DOMINIC PRIDE 7 8 BLUE EIFFEL 65 BLANCO V NEGRO 8 6 AU NOM DE LA ROSE MOOS MERCURY 8 7 MARIA BLONDIE BEYOND/ARIOLA 9 NEW EVERYBODY'S FREE (TO WEAR SUNSCREEN) BA/ & 9 NEW WOULD YOU .. ? TOUCH & GO VIRGIN PAVAROTTI FRIENDS, the annual live con- world." Bregovic recently toured Poland to LUHRMANN EMI 10 5 SALOME CHAYANNE COLUMBIA cert in which the Italian duets with pop support the album, although Kayah only 10 9 CANNED HEAT JAMIROQUAI SONY S2 ALBUMS stars from around the world to raise money appeared on one date. BARNABY HARWARD ALBUMS 1 1 BACKSTREET BOYS MILLENNIUM JIVE/VIRGIN for disadvantaged children, raised 3.1 mil- 1 1 BACKSTREET BOYS MILLENNIUM JIVE 2 2 RICKY MARTIN RICKY MARTIN COLUMBIA lion ($3 'OUR GOAL IS TO MAKE 2 4 RICKY MARTIN RICKY MARTIN COLUMBIA euros million) in this year's event, the folk rhythms and 3 NEW MIKE OLFIELD GUITARS WEA 3 NEW BOYZONE BY REQUEST POLYDOR held June 1 in the tenor's hometown of light classical melodies of India a part of 4 4 ABBA GOLD- GREATEST HITS UNIVERSAL 4 3 ABBA GOLD- GREATEST HITS POLAR 5 3 CHAYANNE ATADO A TU AMOR COLUMBIA Modena. -
Great Expectations on Screen
UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA Y TEORÍA DEL ARTE TESIS DOCTORAL GREAT EXPECTATIONS ON SCREEN A Critical Study of Film Adaptation Violeta Martínez-Alcañiz Directoras de la Tesis Doctoral: Prof. Dra. Valeria Camporesi y Prof. Dra. Julia Salmerón Madrid, 2018 UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA Y TEORÍA DEL ARTE TESIS DOCTORAL GREAT EXPECTATIONS ON SCREEN A Critical Study of Film Adaptation Tesis presentada por Violeta Martínez-Alcañiz Licenciada en Periodismo y en Comunicación Audiovisual para la obtención del grado de Doctor Directoras de la Tesis Doctoral: Prof. Dra. Valeria Camporesi y Prof. Dra. Julia Salmerón Madrid, 2018 “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair” (Charles Dickens, A Tale of Two Cities) “Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?” (Sergei Eisenstein, “A dialectic approach to film form”) “An honest adaptation is a betrayal” (Carlo Rim) Table of contents ACKNOWLEDGMENTS 13 CHAPTER 1. INTRODUCTION 15 CHAPTER 2. LITERATURE REVIEW 21 Early expressions: between hostility and passion 22 Towards a theory on film adaptation 24 Story and discourse: semiotics and structuralism 25 New perspectives 30 CHAPTER 3. -
Emily Finer Dombey in Zhitomir for MLR Sept 2018
Emily Finer, University of St Andrews Dombey in Zhitomir, Pip in Taganrog: Reading Dickens ‘as if for life’ in Russia Abstract Many Russian writers have been eager to demonstrate their intense childhood attachment to the novels of Charles Dickens. This essay focuses on the narrative strategies used by Vladimir Korolenko (1853-1921) and Nelli Morozova (1924-2015) in their autobiographies to convey the importance of reading Dickens in their formation as writers. It argues that David Copperfield offers a useful model for understanding how Korolenko and Morozova write about reading, and that, rather than distancing Dickens and his characters from their global readership, translations increase proximity and facilitate empathetic readings. Dombey in Zhitomir, Pip in Taganrog: Reading Dickens ‘as if for life’ in Russia It is not surprising that authors describe their early immersion in fictional worlds as positive and even therapeutic in their autobiographies. This essay examines three autobiographical texts, from England, the Russian Empire, and the Soviet Union, focusing on the narrative strategies used to write about childhood reading. In David Copperfield (1850), Charles Dickens describes Davey’s early interaction with novels as an experience both escapist and comforting.1 Vladimir Korolenko’s short autobiographical story, ‘My First Acquaintance with Dickens’ (1912), portrays his first encounter with a translation of Dombey and Son as a catalyst in his development as a reader.2 Nelli Morozova structures her entire 1 Charles Dickens, David Copperfield (London: Nonesuch Press, 1937), p. 54. 2 V. Korolenko, Moe pervoe znakomstvo s Dikkensom (1912) in Sobranie sochinenii v 6 tomakh (Moscow: Emily Finer Page 1 autobiography, My Passion for Dickens: A Family Chronicle (1990), around readings and re- readings of Dickens’s novels in Russian.3 All represent their relationships with characters or authors to be as valuable as actual friendships, to have the potential to be sustained over a lifetime. -
The Heart of London: Charles Dickens and Social Reform
The Heart of London Charles Dickens and Social Reform HEART OF LONDON, THERE IS A MORAL IN THY EVERY STROKE! as I look on at thy indomitable working, which neither death, nor press of life, nor grief, nor gladness out of doors will influence one jot, I seem to hear a voice within thee which sinks into my heart, bidding me, as I elbow my way among the crowd, have some thought for the meanest wretch that passes, and, being a man, to turn away with scorn and pride from none that bear the human shape. Master Humphrey's Clock (1840) THE LIFE of Charles Dickens (1812-1870) spanned much of the century transformed by the Industrial Revolution, and he witnessed the results, both positive and negative, that impacted England and especially his beloved London. Thousands of people who migrated from rural areas to the capital found a city almost entirely without social infrastructure and lacking the central organization needed to manage such urban necessities as police, fire control, water and sewage, and roads and bridges. The traditional parish oversight was quickly overwhelmed, and it would be the end of the century before many of these problems were properly addressed. The atmosphere, however, was one of progress and the possibilities of reform. Education and therefore literacy were seen as the means to improve the lives of the masses, and the mechanization of printing provided the means to distribute an increasing amount of reading material. The periodical press boomed, generating dailies, weeklies and monthlies that distributed fiction and non-fiction to a voracious reading public. -
Uni International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
The Bookcollection of C.F. Hultenheim, Camera Antiqua, in Selection from Ca 4000 Volumes
THE BOOKCOLLECTION OF C.F. HULTENHEIM, CAMERA ANTIQUA, IN SELECTION FROM CA 4000 VOLUMES Books and prints numbered 1 to 113 was exhibited on The Royal Library´s ”Typographia” sept 10,2000-jan 10,2003. An Exhibition of 20 th Century Typography and Graphic Design Compiled and Edited by C.F. Hultenheim. Litterature: “Typographica, 1900-2000”, Exhibition Catalogue No. 138 The Royal Library Stockholm 2002 1 DANIEL BERKERLY UPDIKE (1860-1941). Printing types, their history, forms and use. A study in survivals. I-II. Full cloth binding. Harvard and Oxford. Printed by the Merrymount Press, Boston 1922. (2). 2 DANIEL BERKERLY UPDIKE (1860-1941). Advertising card for a Boston tea merchant, “The Cup of Human Enjoyment”. Elihu White Foundry New York. In a frame, 15 x 8,5 cm. 4 BRUCE ROGERS ( 1870-1957). Bookplate ”Anne Lyon Haight”. In a frame, 5,5 x 5 cm. 11 JOHN S. FASS (1890-1973). The Hammer Creek Press type specimen book. Number 22 of 100 copies. Paper binding. New York 1954. 12 SAMUEL A. JACOBS (1891-1971). Christmas Tree, E.E. Cummings. Half cloth binding. Published and printed by S.A. Jacobs, New York 1928. 17 RAY NASH (1905-1982). PaGA, Printing & Graphic Arts, 1953-1965. The Stinehour Press, Luneburg. Unbound in box. 22 LEO LIONNI (1910-1999). World Geo-Graphic Atlas. Full cloth binding. CCA, Chicago 1953. 34 THE STINEHOUR PRESS. Goodspeed´s Book Shop, Catalogue 500. Paper binding. Boston 1961. 58 FRANCIS MEYNELL (1891-1975). Ten poems, Alice Meynell 1913-1915. One of 50 copies. Full vellum binding. The Romney Street Press 1915. -
Christine Macgregor's Illustrated Private Press Books
Christine Macgregor's Illustrated Private Press Books MAUREEN PRICHARD We are waiting impatiently for the telegram which will tell us [Molly] is through her second trial safely.1 With these words Robert Barr Smith (1824-1915) heralded the imminent arrival into this world of his fifth grandchild. The child, named Christine Margaret, was born on 23 January 1890 at Ballengeich, the house her parents were renting at Torrens Park, just two weeks after her grandfather wrote these words. She was the child — the second of six — of Joanna and Robert Barr Smith's son Tom, and his wife Mary Isobel (Molly).2 Christine Barr Smith's grandfather was reckoned in some quarters to be the richest man in Australia. He was certainly one of this state's greatest benefac- tors. One small but relevant example of Robert Barr Smith's generosity is repre- sented in the Library of the University of Adelaide. It was named after him in 1899 in recognition of amounts totalling £9,000 that he had given to it in the previous twenty years, solely for the purpose of the acquisition of books. In all he gave to the University of Adelaide over £21,000 before he died. Christine's fa- ther carried on in his father's footsteps; in all, his gifts to the Library alone to- talled over £55,000, the bulk of that used to finance the original library building. Tom Elder Barr Smith's children inherited the habit of generous giving and service. They also inherited their grandparent's habit of collecting. Joanna Barr Smith (along with her children) was a great accumulator of Morris 8c Co. -
Sindismaiu Comemora O Dia Do Trabalho
ANO II NUMERO 12 UNAÍ-MG / MAIO / 2012 www.jornalalternativo.net FACISA / UNITEC, REALIZAM A VII SEMANA DA SAÚDE E A II SEMANA DE ENFERMAGEM A FACISA /UNITEC realizou de 07 a 11 Páginas 08/09 de maio a II Semana de Enfermagem , com o tema “Cuidado de Enfermagem, Ética e Humanização” e VII Semana da Saúde, com o tema “Estilo de Saúde. Qual é o seu”. 264ª Festa E ROMARIA DE Santo SINDISMAIU COMEMORA ANTÔNIO DO BOQUEIRÃO O DIA DO TRABALHO De 07 a 14 de junho O S i n d i c a t o d o s Servidores Municipais Unaí - MG de Unaí comemorou o Dia do Trabalho com grandes atrações nas dependências do Clube dos Servidores Tema:Por uma vida mais sadia, eis o povo em Página 03 Romaria Lema: Que a saúde se difunda sobre a terra. ecf (Eclo - 38,8) CF Ernani Zago comemora seu aniversário 2012 Em um ambiente de total harmonia e descontração, Ernani Zago recebeu e comemorou seu aniversário junto a seus convidados, com música ao vivo com o Trio Confira a programação: BMW e várias iguarias a serem degustadas. Página 10 Página 11 Classificados Prefeitura de y Imóveis rurais e urbanos Unaí investe em y Veículos vários setores da Página 14 administração municipal Página 05 PÁGINA 2 UNAÍ - MG / MAIO / 2012 UNAÍ - MG / MAIO / 2012 PÁGINA 3 Poder Legislativo O Dia Nacional de Combate ao Abuso e à Exploração Sexual de Crianças e Adolescentes – 18 de maio – serviu A Câmara Municipal de como referência para o Unaí, informa a todos que O Sindicato dos Servidores Municipais de Unaí comemorou o Dia do Trabalho município fazer uma mo- as reuniões ordinárias são bilização, a fim de orientar abertas ao público e real- com grandes atrações nas dependências do Clube dos Servidores a comunidade sobre o izadas sempre às segundas- problema e incrementar a No dia 30 de abril antecipando ao feriado do Dia do feiras, às 15 horas. -
Fine Printing & Small Presses L
Fine Printing & Small Presses L - Z Catalogue 356 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Books of the Fine and Private Presses a Catalogue from Buddenbrooks January, 2020
Books of the Fine and Private Presses A Catalogue from Buddenbrooks January, 2020 (617) 536-4433 - 1 - [email protected] Fine & Private Press Books Cover illustration is adapted from an image in items 16 & 17. To order from this catalogue please contact us by phone, fax or email, or online at buddenbrooks.com BUDDENBROOKS 21 Pleasant Street, On the Courtyard Newburyport, MA. 01950, USA (617) 536-4433 F: (978) 358-7805 [email protected] or [email protected] www.Buddenbrooks.com TERMS l Prices are net; postage and insurance are extra. l All books are offered subject to prior sale. l Bookplates and previous owners' signatures are not noted unless particularly obtrusive. l We respectfully request that payment be included with orders. l Massachusetts residents are requested to include 6.25% sales tax. l All books are returnable within ten days. We ask that you notify us by phone or fax in advance if you are returning a book. l We offer deferred billing to institutions in order to accomodate budgetary requirements. l Prices are subject to change without notice and we cannot be responsible for misprints or typographical errors. We invite you to search for books via our on-line listings at www.buddenbrooks. com. Please remember only a fraction of our inventory is listed at any time. If you are looking for something and you don't find it on-line, please call us to check our full listings or to take advantage of our Search Department. America's Award Winning Bookseller Buddenbrooks has one of the finest selections of fine and rare books in a number of fields, but we are happy to find any books, old or new, for our customers. -
Előadó Album Címe a Balladeer Panama -Jewelcase- a Balladeer Where Are You, Bambi
Előadó Album címe A Balladeer Panama -Jewelcase- A Balladeer Where Are You, Bambi.. A Fine Frenzy Bomb In a Birdcage A Flock of Seagulls Best of -12tr- A Flock of Seagulls Playlist-Very Best of A Silent Express Now! A Tribe Called Quest Collections A Tribe Called Quest Love Movement A Tribe Called Quest Low End Theory A Tribe Called Quest Midnight Marauders A Tribe Called Quest People's Instinctive Trav Aaliyah Age Ain't Nothin' But a N Ab/Cd Cut the Crap! Ab/Cd Rock'n'roll Devil Abba Arrival + 2 Abba Classic:Masters.. Abba Icon Abba Name of the Game Abba Waterloo + 3 Abba.=Tribute= Greatest Hits Go Classic Abba-Esque Die Grosse Abba-Party Abc Classic:Masters.. Abc How To Be a Zillionaire+8 Abc Look of Love -Very Best Abyssinians Arise Accept Balls To the Wall + 2 Accept Eat the Heat =Remastered= Accept Metal Heart + 2 Accept Russian Roulette =Remaste Accept Staying a Life -19tr- Acda & De Munnik Acda & De Munnik Acda & De Munnik Adem-Het Beste Van Acda & De Munnik Live Met Het Metropole or Acda & De Munnik Naar Huis Acda & De Munnik Nachtmuziek Ace of Base Collection Ace of Base Singles of the 90's Adam & the Ants Dirk Wears White Sox =Rem Adam F Kaos -14tr- Adams, Johnny Great Johnny Adams Jazz.. Adams, Oleta Circle of One Adams, Ryan Cardinology Adams, Ryan Demolition -13tr- Adams, Ryan Easy Tiger Adams, Ryan Love is Hell Adams, Ryan Rock'n Roll Adderley & Jackson Things Are Getting Better Adderley, Cannonball Cannonball's Bossa Nova Adderley, Cannonball Inside Straight Adderley, Cannonball Know What I Mean Adderley, Cannonball Mercy -
Biography and Autobiography at the Hogarth Press
Biography and Autobiography at the Hogarth Press by Claire Battershill A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Claire Battershill 2012 Biography and Autobiography at the Hogarth Press Claire Battershill Doctor of Philosophy Department of English University of Toronto 2012 Abstract The subject of this thesis is the biographies and autobiographies published by Leonard and Virginia Woolf’s Hogarth Press between 1917 and 1946. I combine several areas of scholarly inquiry – biography and autobiography studies, modernist studies, book history, and the history of reading – in order to examine the intersections between literary and textual constructions of genre and the role of categorization in the book trade. My central argument is that diversity, as both the policy and the product of the Hogarth Press, allowed a multitude of voices, methodologies, perspectives, and subjects to co-exist at one publishing house and produced a body of works that goes far beyond the small circle of Bloomsbury with which it is usually associated. The variety of the Hogarth Press’s publications meant that its approach to genre was one of hybridity, oscillation, and ambivalence, but one that nevertheless found ways to position complicated works in the category-oriented world of the book trade. Drawing from unpublished archival materials in order to uncover relationships between authors, readers, publishers, booksellers, literary agents, book clubs, and critics, I argue that the Hogarth Press’s practices in publishing biographies and autobiographies informed the Woolfs’ writings about the importance and role of the genres in the context of literary modernism.