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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Singing Accent Americanisation in the Light of Frequency Effects: Lot Unrounding and Price Monophthongisation in Focus
Research in Language, 2018, vol. 16:2 DOI: 10.2478/rela-2018-0008 SINGING ACCENT AMERICANISATION IN THE LIGHT OF FREQUENCY EFFECTS: LOT UNROUNDING AND PRICE MONOPHTHONGISATION IN FOCUS MONIKA KONERT-PANEK University of Warsaw [email protected] Abstract The paper investigates – within the framework of usage-based phonology – the significance of lexical frequency effects in singing accent Americanisation. The accent of Joe Elliott of a British band, Def Leppard is analysed with regard to LOT unrounding and PRICE monophthongisation. Both auditory and acoustic methods are employed; PRAAT is used to provide acoustic verification of the auditory analysis whenever isolated vocal tracks are available. The statistical significance of the obtained results is verified by means of a chi- square test. In both analysed cases the percentage of frequent words undergoing the change is higher compared with infrequent ones and in the case of PRICE monphthongisation the result is statistically significant, which suggests that word frequency may affect singing style variation. Keywords: frequency effects, LOT unrounding, popular music, PRICE monophthong- gisation, singing accent, usage-based phonology 1. Introduction The phenomenon of style-shifting involved in pop singing in general and the Americanisation of British singing accent in particular have been investigated from various theoretical perspectives (Trudgill 1983, Simpson 1999, Beal 2009, Gibson and Bell 2012 among others). Depending on the theoretical standpoint, the notions of identity, reference style or default accent have been brought to light and assigned major explanatory power. Trudgill (1983) in his seminal paper on the sociolinguistics of British pop-song pronunciation interprets the emulation of the American accent as a symbolic tribute to the origins of popular music and provides the list of six characteristic features of this stylisation (1), two of which ((1c) and (1d)) are addressed in the present paper. -
A Journey Through the Inner World of Def Leppard
THE MANY FACES OF DEF LEPPARD A JOURNEY THROUGH THE INNER WORLD OF DEF LEPPARD 2LP 7798093712896 RELEASE: 04-12-2020 With more than 65 million albums sold worldwide and two prestigious Diamond Awards to their credit, Def Leppard with its current line-up –Joe Elliott (vocals), Phil Collen (guitar), Rick Savage LIMITED EDITION (bass), Vivian Campbell (guitar) and Rick Allen (drums)— continue to be one of the most important GATEFOLD TRANSPARENT forces in rock music.n many ways, ORANGE/BLUE MARBLED 180 GR. VINYL Def Leppard were the definitive hard rock band of the ‘80s. There were groups that rocked harder, but few captured the spirit of the times quite as well. Emerging in the late ‘70s as part of the New Wave of British Heavy Metal, Def Leppard gained a following outside of that scene by toning down their heavy riffs and emphasizing melody. In The Many Faces of Def Leppard, we are going to dig deep into the lesser known work of their members, collaborations, side projects and of course, their hit-filled catalog. LP1 - THE MANY FACES OF DEF LEPPARD LP2 - THE SONGS Side A Side A ALL JOIN HANDS - ROADHOUSE FEAT. PETE WILLIS & FRANK NOON POUR SOME SUGAR ON ME - LEE THOMPSON, JOHNNY DEE, RICHARD KENDRICK, I WILL BE THERE - GOMAGOG FEAT. PETE WILLIS & JANICK GERS MARKO PUKKILA & HOWIE SIMON DOIN’ FINE - CARMINE APPICE FEAT. VIVIAN CAMPBELL HYSTERIA - DANIEL FLORES ON A LONELY ROAD - THE FROG & THE RICK VITO BAND LET IT GO - WICKED GARDEN FEAT. JOE ELLIOTT ROCK ROCK TIL YOU DROP - CHRIS POLAND, JOE VIERS & RICHARD KENDRICK OVER MY DEAD BODY - MAN RAZE FEAT. -
Adrenalized : Life, Def Leppard and Beyond Kindle
ADRENALIZED : LIFE, DEF LEPPARD AND BEYOND PDF, EPUB, EBOOK Philip Collen | 256 pages | 19 May 2016 | Transworld Publishers Ltd | 9780552170451 | English | London, United Kingdom Adrenalized : Life, Def Leppard and Beyond PDF Book It amazes me no one will do that! It may not be everyone's cup of tea, but I, for one, found his take on fame and fortune refreshing. Could Phil Collen become your personal coach then? Harry Crisswell July 18, at pm Reply. I thought the guys were gonna hate it, but I showed it to them anyway — and they really liked it. Wow, these are beautiful! That's what happened to Rep. You can get away with a lot less, just by tweaking it here and there. I'm a huge Def Leppard fan. Leading with a foot-tapping bass beat, "Man Enough" has a jangly rhythm track that uses guitars sparingly. There is beauty in all of it. I lost 6 pounds in a week, and I wasn't actually trying to lose weight. They convey genuine strain and regret about a lost love, alongside a serene acoustic guitar. Sammy Helen! I knew that Collen started in a band named girl with Phil Lewis who went on the L. Def Leppard On Through the Night. Still, the band received a good amount of grief for releasing something so polished in a time when alternative bands were beginning to invade the airwaves. I also didn't appreciate that he blames this evil on religion, greed, blah blah blah, all while admitting his profession is part of the problem. -
BUDDY HOLLY (Charles Hardin Holley) 7Th September 1936 - 3Rd February 1959 LYRICS Coordinated by Robin Dunn & Chrissie Van Varik
BUDDY HOLLY (Charles Hardin Holley) 7th September 1936 - 3rd February 1959 LYRICS Coordinated by Robin Dunn & Chrissie van Varik. Buddy Holly was born Charles Hardin Holley on 7th September 1936 in Lubbock, Texas. At a young age he learned to play guitar, fiddle and piano. He released only three albums during his short lifetime, before his untimely death in an airplane crash that fateful “day the music died”, 3rd February 1959. However, he had been a prolific writer and a couple of albums consisting of unreleased material and demo recordings were issued posthumously. Buddy Holly was one of the inaugural inductees into the Rock and Roll Hall of Fame in 1986, together with The Everly Brothers. The songs are as performed in principal recordings (or demos) by Buddy Holly alone and/or with The Crickets plus those released by other artistes where Buddy was involved. Additionally included, for diehard collectors of all things Holly, are songs where lyrics refer to Buddy Holly or his songs. The bracketed date following the title denotes the year of the initial recording. Where it was difficult to detect precisely what is being sung, queries/gaps or alternative suggestions are included in blue and/or indicated by ??. Details of backing musicians are shown both for the pre and posthumous releases. Reference to The Picks 1980s/90s additional overdubs is omitted. Some very obscure titles have been discovered; information is wanted - dates and any recordings. NB: the notes are from various, sometimes contradictory, sources. In many instances Norman Petty (25th May 1927 - 15th August 1984) is included as a co-composing credit. -
Ef Eppard in 19 Formation: Ste E Clark, Phil Collen, Oe Lliott, Rick Sa Ae, and Rick Llen
ef eppard in 19 formation: Stee Clark, Phil Collen, oe lliott, Rick Saae, and Rick llen (from left) > Def > 20494_RNRHF_Text_Rev1_22-61.pdf 9 3/11/19 5:23 PM 21333_RNRHF_DefLeppard_30-37_ACG.inddLeppard 30 4/25/19 4:11 PM A THEY FORGED A NEW POP-METAL SOUND WITH MULTIPLATINUM RESULTS BY ROBERT BURKE WARREN issing his bus that autumn day States. Their club-mates: Van Halen, Led Zeppelin, in Sheeld, England, 1977, may Pink Floyd, the Eagles, and the Beatles. But while the have inconvenienced 18-year- band’s journey includes these and many other strato- old wannabe rocker Joe Elliott, spheric highs of rock stardom, it also features some but it set in motion a series of unimaginable lows – legendary dues paying, it seems, events that would lead to his for all those dreams come true. fronting one of the biggest Looking back to the murky beginnings, Elliott re- bands in history: Def Leppard. An undeniable eight- called passing 19-year-old local guitar player Pete ies juggernaut still vital today, Def Leppard stand as Willis on that unplanned walk home from the bus one of a handful of rock bands to reach the RIAA’s stop. It was, he said, “a sliding-doors moment.” Elliott “Double Diamond” status, i.e., ten million units of had just taken up guitar and asked if Willis’ new Mtwo or more original studio albums sold in the United metal band, Atomic Mass – which included drummer 21333_RNRHF_DefLeppard_30-37_ACG.indd 31 4/25/19 4:11 PM Pete Willis, Allen, Elliott, Clark, and Savage (clockwise from bottom), before a gig at Atlanta’s Fox Theatre, 1981 20494_RNRHF_Text_Rev1_22-61.pdf 11 3/11/19 5:23 PM Above: Elliott surprised by Union Jack-ed fans, c. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance -
A Critical Friendship Elizabeth Murphy
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln University of Nebraska Press -- Sample Books and University of Nebraska Press Chapters 2013 A Critical Friendship Elizabeth Murphy William Logan Follow this and additional works at: http://digitalcommons.unl.edu/unpresssamples Murphy, Elizabeth and Logan, William, "A Critical Friendship" (2013). University of Nebraska Press -- Sample Books and Chapters. 234. http://digitalcommons.unl.edu/unpresssamples/234 This Article is brought to you for free and open access by the University of Nebraska Press at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in University of Nebraska Press -- Sample Books and Chapters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. A CRITICAL FRIENDSHIP Buy the Book Buy the Book A CRITICAL FRIENDSHIP DONALD JUSTICE AND RICHARD STERN, 1946–1961 EDITED BY Elizabeth Murphy University of Nebraska Press FOREWORD BY William Logan LINCOLN AND LONDON Buy the Book © 2013 by the Board of Regents of the University of Nebraska. All rights reserved. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data A critical friendship: Donald Justice and Richard Stern, 1946–1961 / edited by Elizabeth Murphy; foreword by William Logan. pages cm Summary: “A selection of letters from the first fifteen years of a sixty-year friendship between American poet Donald Justice and American novelist Richard Stern”—Provided by publisher. Includes bibliographical references and index. ISBN 978-0-8032-4504-4 (hardback: alk. paper) 1. Justice, Donald, 1925–2004— Correspondence. 2. Poets, American—20th century—Correspondence. 3. Stern, Richard, 1928–2013—Correspondence. 4. Novelists, American—20th century—Correspondence. -
DB-Discography-Albums
David Bates Discography – Albums Artist Album Title Released UK USA AUS CAN GER FRA NZ Awards DB Role Paul Carrack Nightbird 1979 - - Signed A&R Blitz Brothers Deerfrance (The Rose Tattoo) 1979 Signed A&R Huey Lewis American Exo Disco 1979 Signed A&R Express Blitz Brothers Gloria 1979 Discovered Signed A&R Dalek I Love You Compass Kumpass 1980 - - Signed A&R Def Leppard On Through The Night 1980 15 US Plat- Can Plat Signed A&R Teardrop Explodes Kilimanjaro 1980 24 156 25 UK Silver Signed A&R Dire Straits Making Movies 1980 4 19 6 UK 2 x Plat, US Plat, Ger - Gold - France - Gold A&R Teardrop Explodes Wilder 1981 29 196 19 UK Silver Signed A&R Def Leppard High n Dry 1981 26 38 US 2X Pla - Can Plat Discovered Signed Bill Nelson Quit Dreaming Get On The 1981 Signed Beam Bill Nelson Sounding The Ritual 1981 Signed Bill Nelson The Love That Whirls 1982 Signed Monsoon Third Eye 1983 Discovered Signed A&R Tears For Fears The Hurting 1983 1 73 15 7 15 16 30 UK Plat - US Gold - Can Plat - Fra Gold Discovered Signed A&R Bill Nelson Chimera 1983 Signed Def Leppard Pyromania 1983 18 2 70 26 UK Silver - US 15X Plat - Can 7x Plat - Fra Gold Discovered Signed Julian Cope World Shut Your Mouth 1984 40 Signed A&R Julian Cope Fried 1984 87 Signed A&R Tears For Fears Songs From The Big Chair 1985 2 1 5 1 1 12 2 UK 3 X plat - US 5 X Plat - Can 7 X Plat Discovered Signed A&R Aus Plat - Ger Gold - Fra - Gold - NZ Plat Green On Red No Free Lunch 1985 95 Signed A&R Hipsway Hipsway 1986 42 55 UK Goldr Signed Status Quo In The Army Now 1986 7 4 16 UK Gold A&R Wet -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Elephant States Jacob Shell
Elephant States Jacob Shell am a geographer by training; this means, so I persuade myself, I that I should pay close attention to those zones of the inhabited earth that do not show up on Google Maps. Among these zones are the tangles of elephant trails that wind their way through the Burmese teak forests, hidden from satellite view by cover of forest canopy and thick brush, shifting their position in yearly and seasonal cycles, too rough, narrow and quagmire-prone for motorized vehicles. If contemporary maps are to be believed, the trails stopped existing once modern car- tographers traded in their boots and mosquito nets for software manu- als and company subscriptions to the latest satellite imagery databases. Contemporary maps are not always to be believed. The elephant trails are still there. So are the trained elephants who trod these paths, car- rying on their big necks and backs their human riders, called oozies in Burmese, mahouts in English (a loanword from Hindi). These are Burma’s timber elephants, who to this day make up the center of the Burmese teak-logging industry, which produces some 80 percent of the world’s traded teak wood. The wood is purchased pri- marily by construction, furniture, and boat-building companies that prize its water-resistant resin. Teak grows best in forest soils unscarred by trucking roadways; elephants can go where roads cannot. The rela- tive comfort and ease with which trained work elephants can move across sodden, monsoon-soaked landscapes also makes them optimal transportation during floods: in one famous incident during World War II, elephant convoys from Assam, a state in northeastern India that bor- ders Burma, rescued hundreds of Indian, Burmese, and British refugees 127 128 Jacob Shell trapped at an upland river confluence near the Burma-India border. -
The Final Cut Plotting World Domination from Altoona
NOVEMBER 15, 1999 VOLUME 14 #4 The Final Cut Plotting world domination from Altoona Otherwise,CD/Tape/Culture analysis and commentary with D'Scribe, D'Drummer, Da Boy, D'Sebastiano's Doorman, Da Common Man, D' Big Man, Al, D'Pebble, Da Beer God and other assorted riff raff, D'RATING SYSTEM: 9.1-10.0 Excellent - BUY OR DIE! 4.1-5.0 Incompetent - badly flawed 8.1-9.0 Very good - worth checking out 3.1-4.0 Bad - mostly worthless 7.1-8.0 Good but nothing special 2.1-3.0 Terrible - worthless 6.1-7.0 Competent but flawed 1.1-2.0 Horrible - beyond worthless 5.1-6.0 Barely competent 0.1-1.0 Bottom of the cesspool abomination! I GUESS THIS ISSUE IS A LITTLE BIT LATE… I can’t offer any excuses, except that things at Cut headquarters have been hellaciously busy over the past few months, affording yours truly very little time to sit down and get this tome written up. But do not despair, this rag will continue on, even if only 3 or 4 times a year. But we’ll try to get it out a little more frequently, if our schedules allow us. Hopefully the contents within this issue are worth the long wait. SINCE IT HAS BEEN A LONG TIME BETWEEN ISSUES, I have built up a ton of takes I have to get out of my system, so please bear with me and deal with it… FIRST, MEMO TO THE ALTOONA CLUB SCENE: Stop the DAMN FIGHTING! Just about every ‘Toona live music nightspot has endured at least one slobberknocker in recent months, and it has to end! The post -Halloween Party free-for-all at Pellegrine’s was total BULLS**T!!! Because of idiots fighting, one nightspot is facing a