Post-Abolition in the Atlantic World
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ABSTRACT Title of Dissertation: SLAVE LEGACIES, AMBIVALENT
ABSTRACT Title of dissertation: SLAVE LEGACIES, AMBIVALENT MODERNITY: STREET COMMERCE AND THE TRANSITION TO FREE LABOR IN RIO DE JANEIRO, 1850-1925 Patricia Acerbi, Doctor of Philosophy, 2010 Dissertation directed by: Professor Barbara Weinstein Department of History This project is a history of street vending during the transition from enslaved to free labor in the capital of the most enduring slave society of the Americas. Street vending – long the province of African slaves and free blacks – became in these years a site of expanded (European) immigrant participation and shifting state disciplinary policies. My dissertation contends that during the gradual transition to free labor, urban policing and the judicial system in the city of Rio came to target “criminality” rather than illicit or improper vending practices. Disciplinary measures established by criminal law focused on correcting individuals who were peddlers and not inadequately regulated street commercial activity. Thus, the language of citizenship appeared in court cases to both establish and resist negative characterizations of street vendors while a gradual marginalization of street commerce occurred within the framework of citizenship building. The practice of street commerce during this transitional era reveals a historical process that produced and transformed notions of legitimate work and public order as well as the racial segmentation of the labor force. Street vending, I argue, became a strategy of subsistence among the post-abolition urban poor, who came to their own understandings of freedom, free labor, and citizenship. Elite and popular attitudes toward street vending reflected the post- abolition political economy of exclusion and inclusion, which peddlers did not experience as mutually exclusive but rather as a dialectic of an ambivalent modernity. -
Amazonasbilder 1868
Amazonasbilder 1868 Produktion und Zirkulation von Tropenfotografien aus dem kaiserlichen Brasilien Textband Inauguraldissertation zur Erlangung des Grades eines Doktors der Philosophie dem Fachbereich Gesellschaftswissenschaften und Philosophie der Philipps-Universität Marburg vorgelegt von Frank Stephan Kohl aus Altenkirchen 2012 Vom Fachbereich Gesellschaftswissenschaften und Philosophie als Dissertation angenommen am 29. 08. 2012 Tag der Disputation: 14. 12. 2012 Gutachter: Prof. Dr. Karl Braun Prof. Dr. Mark Münzel [2] Für Nelly, die ich im letzten Moment in Marburg getroffen habe, und mit der ich Brasilien kennen und lieben gelernt habe [3] [4] Inhaltsverzeichnis Textband Danksagung ........................................................................................................................... 9 Einleitung ............................................................................................................................... 11 Kommerzielle Amazonasfotografien ........................................................................................ 11 1 Erkenntnissinteresse, Fragestellung, Untersuchungsgegenstand .............................. 14 1.1 Der Iconic Turn und neue Impulse für die historische Fotoforschung .............................. 14 1.2 Amazonasfotografien ........................................................................................................ 16 1.3 Akteure, Autoren und fotografische Praktiken ................................................................... 18 1.4 Produktion -
The Neural Basis of Social Cognition and Its Relationship to Social Functioning in Young People at Risk for Schizophrenia
The Neural Basis of Social Cognition and Its Relationship to Social Functioning in Young People at Risk for Schizophrenia The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Lincoln, Sarah Hope. 2015. The Neural Basis of Social Cognition and Its Relationship to Social Functioning in Young People at Risk for Schizophrenia. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:23845421 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The neural basis of social cognition and its relationship to social functioning in young people at risk for schizophrenia A dissertation presented by Sarah Hope Lincoln to The Department of Psychology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Psychology Harvard University Cambridge, Massachusetts May 2015 © 2015 Sarah Hope Lincoln All rights reserved. Dissertation Advisor: Professor Christine I. Hooker Sarah Hope Lincoln The neural basis of social cognition and its relationship to social functioning in young people at risk for schizophrenia Abstract These three studies seek to contribute to the neurological characterization of the development of schizophrenia as well as begin to branch into understanding how neuroanatomical structure and function may relate to specific deficits in social cognition and social functioning within in this population. -
Economy, Magic and the Politics of Religious Change in Pre-Modern
1 Economy, magic and the politics of religious change in pre-modern Scandinavia Hugh Atkinson Department of Scandinavian Studies University College London Thesis submitted for the degree of PhD 28th May 2020 I, Hugh Atkinson, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that these sources have been acknowledged in the thesis. 2 Abstract This dissertation undertook to investigate the social and religious dynamic at play in processes of religious conversion within two cultures, the Sámi and the Scandinavian (Norse). More specifically, it examined some particular forces bearing upon this process, forces originating from within the cultures in question, working, it is argued, to dispute, disrupt and thereby counteract the pressures placed upon these indigenous communities by the missionary campaigns each was subjected to. The two spheres of dispute or ambivalence towards the abandonment of indigenous religion and the adoption of the religion of the colonial institution (the Church) which were examined were: economic activity perceived as unsustainable without the 'safety net' of having recourse to appeal to supernatural powers to intervene when the economic affairs of the community suffered crisis; and the inheritance of ancestral tradition. Within the indigenous religious tradition of the Sámi communities selected as comparanda for the purposes of the study, ancestral tradition was embodied, articulated and transmitted by particular supernatural entities, personal guardian spirits. Intervention in economic affairs fell within the remit of these spirits, along with others, which may be characterized as guardian spirits of localities, and guardian spirits of particular groups of game animals (such as wild reindeer, fish). -
Photojournalism in Nineteenth Century Brazil
PHOTOJOURNALISM IN NINETEENTH CENTURY BRAZIL: A METHODOLOGICAL APPROACH BEATRIZ MAROCCO 92 - Abstract The essay focuses on the work of two German photog- Beatriz Marocco is professor raphers, Augusto Stahl and Revert Henrique Klumb, whose of journalism at the Univer- work predates the journalistic genre of photojournalism in sidade do Vale do Rio dos nineteenth century Brazil. The author proposes the use of Sinos; e-mail: bmarocco@ a Foucaultian archaeology as a method of exploring and unisinos.br. analysing the contributions of these photographers to the journalistic discourse, and to reporting in particular. Vol.14 (2007), No. 3, pp. 79 3, pp. (2007), No. Vol.14 79 German photographers Augusto Stahl and Revert Henrique Klumb become central to discussions concerning early Brazilian photojournalism. Their contribu- tions, however, are missing from the study of photography. This essay explores this epistemological gap and proposes a Foucaultian archaeology for bringing to light their proximity to a journalistic order of discourse and their critical att itude towards its subjects proclaimed later by industrial journalism. Stahl arrived in Recife in 1853, on board of the Thames of the English Royal Mail. It is assumed that he was a young German, between 20 and 30 years of age, who had improved his training possibly in England, where there were remarkable advances in photographic techniques. Although several foreign photographers had worked in the province before him, Stahl was the only one to sett le there, opening a studio on Crespo Street, at the corner of the Cadeic Street. Klumb is reported to have arrived in Brazil as a German mercenary, fl eeing from the French government that constituted the Second Empire in 1852. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
The Frick Collection Staff As of June 30, 2011
The Frick Collection annual report july 2010 – june 2011 The Frick Collection annual report july 2010 – june 2011 leadership 2 Board of Trustees reports 3 Margot Bogert, Chairman 6 Anne L. Poulet, Director 8 Colin B. Bailey, Associate Director and Peter Jay Sharp Chief Curator 11 Stephen Bury, Andrew W. Mellon Chief Librarian collection 13 Museum Acquisitions 13 Noteable Library Acquisitions public programming 15 Exhibitions 15 Lectures 17 Free Public Evenings 17 Symposia 17 Publications 18 Concerts financial statements 19 Statement of Financial Position 20 Statement of Activities donor support and membership 21 Gifts and Grants 25 Fellows and Friends 32 Corporate Members and Sponsors staff 33 The Frick Collection 36 Frick Art Reference Library cover Giovanni Bellini (c. 1430/1435–1516), detail of St. Francis in the Desert, c. 1475–78, oil on poplar panel, The Frick Collection; photograph by Michael Bodycomb The Frick Collection Board of Trustees As of June 30, 2011 Margot Bogert, Chairman Walter A. Eberstadt, Vice Chairman Franklin W. Hobbs, Treasurer John P. Birkelund, Secretary Peter P. Blanchard III L. F. Boker Doyle Blair Effron Jean-Marie Eveillard Barbara G. Fleischman Emily T. Frick Martha Loring Anne L. Poulet, ex officio Juan Sabater Stephen A. Schwarzman Aso O. Tavitian Helen Clay Chace President Emerita I. Townsend Burden III Walter Joseph Patrick Curley Howard Phipps Jr. Trustees Emeriti Annual Report July 2010–June 2011 2 optimistic that the year ahead will continue range of high-profile media coverage, includ- Report of the Chairman on a steady course. ing a substantial “Why the Frick Matters” Margot Bogert I am happy to report that the physical article published in the Wall Street Journal. -
Humanism and Hebraism: Christian Scholars and Hebrew Sources in the Renaissance
Humanism and Hebraism: Christian Scholars and Hebrew Sources in the Renaissance Kathryn Christine Puzzanghera Submitted in Partial Fulfillment of the Prerequisite for Honors in Religion April 2016 © 2016 Kathryn C. Puzzanghera, All Rights Reserved This thesis is dedicated to the glory of God Who gave us reason, creativity, and curiosity, that they might be used AND To the mixed Protestant-Catholic family I was born into, and the Jewish family we chose Table of Contents Chapter I: Christian Humanist Hebraism in Context .................................... 1 Christian Thought and Biblical Exegesis ......................................................................... 8 Jewish-Christian Dialogue and Anti-Semitism .............................................................. 17 Scholastics and Humanists in dialogue .......................................................................... 29 Christian Hebraists: Medieval Exegetes, Renaissance Humanists, and Protestant Reformers ....................................................................................................................... 43 Renaissance Hebraists: Nicholas of Lyra, Johannes Reuchlin, and Philip Melanchthon ........................................................................................................................................ 55 Chapter II: Nicholas of Lyra ...........................................................................58 Nicholas in Dialogue: Influences and Critiques ............................................................. 71 Nicholas’s -
Making Sense As a Cultural Practice
Jörg Rogge (ed.) Making Sense as a Cultural Practice Mainz Historical Cultural Sciences | Volume 18 Editorial The Mainzer Historische Kulturwissenschaften [Mainz Historical Cultural Sciences] series publishes the results of research that develops methods and theories of cultural sciences in connection with empirical research. The central approach is a historical perspective on cultural sciences, whereby both epochs and regions can differ widely and be treated in an all-embracing manner from time to time. Amongst other, the series brings together research approaches in archaeology, art history, visual studies, literary studies, philosophy, and history, and is open for contributions on the history of knowledge, political culture, the history of perceptions, experiences and life-worlds, as well as other fields of research with a historical cultural scientific orientation. The objective of the Mainzer Historische Kulturwissenschaften series is to be- come a platform for pioneering works and current discussions in the field of historical cultural sciences. The series is edited by the Co-ordinating Committee of the Research Unit His- torical Cultural Sciences (HKW) at the Johannes Gutenberg University Mainz. Jörg Rogge (ed.) Making Sense as a Cultural Practice Historical Perspectives The conference on Making Sense as a Cultural Practice and this print were spon- sored by the Research Unit Historical Cultural Sciences (HKW). This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 (BY-NC-ND). which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Natio- nalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de All rights reserved. -
Renata Conceicao Nobrega Santos.Pdf
MINISTÉRIO DA EDUCAÇÃO UNIVERSIDADE FEDERAL RURAL DE PERNAMBUCO PRÓ-REITORIA DE PESQUISA E PÓS-GRADUAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA RENATA CONCEIÇÃO NÓBREGA SANTOS AÇO E SUOR PELO AÇÚCAR E EM NOME DO PROGRESSO: 1ª SEÇÃO DA RECIFE SÃO FRANCISCO RAILWAY (Pernambuco, 1852-1859). RECIFE/PE 2017 RENATA CONCEIÇÃO NÓBREGA SANTOS AÇO E SUOR PELO AÇÚCAR E EM NOME DO PROGRESSO: 1ª SEÇÃO DA RECIFE SÃO FRANCISCO RAILWAY (Pernambuco, 1852-1859). Dissertação apresentada ao Programa de Pós-Graduação em História da Universidade Federal Rural de Pernambuco como um dos requisitos para a obtenção do grau de Mestra.. Orientadora: Prof. Dr.ª Vicentina Maria Ramires Borba RECIFE/PE 2017 Dados Internacionais de Catalogação na Publicação (CIP) Sistema Integrado de Bibliotecas da UFRPE Nome da Biblioteca, Recife-PE, Brasil S237a Santos, Renata Conceição Nóbrega Aço e suor pelo açúcar e em nome do progresso: 1ª Seção da Recife São Francisco Railway (Pernambuco, 1852-1859) / Renata Conceição Nóbrega Santos. – 2017. 205 f. : il. Orientador: Vicentina Maria Ramires Borba. Dissertação (Mestrado) – Universidade Federal Rural de Pernambuco, Programa de Pós-Graduação em História, Recife, BR-PE, 2017. Inclui referências e anexo(s). 1. Escravidão 2. Ferrovia 3. Progresso 4. Trabalho I. Borba, Vicentina Maria Ramires, orient. II. Título CDD 981.34 MINISTÉRIO DA EDUCAÇÃO UNIVERSIDADE FEDERAL RURAL DE PERNAMBUCO PRÓ-REITORIA DE PESQUISA E PÓS-GRADUAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA SOCIAL DA CULTURA REGIONAL BANCA EXAMINADORA Profª Drª Vicentina Maria Ramires Borba Orientadora- Programa de Pós-Graduação em História – UFRPE Profª Drª Christine Paulette Yves Rufino Dabat Examinadora externa - Programa de Pós-Graduação em História – UFPE Prof Dr Humberto da Silva Miranda Examinador interno – Programa de Pós-Graduação em História – UFRPE RESUMO: Através do Decreto n. -
Henrik Ibsen Wikipedia, the Free Encyclopedia Henrik Ibsen from Wikipedia, the Free Encyclopedia
7/28/2015 Henrik Ibsen Wikipedia, the free encyclopedia Henrik Ibsen From Wikipedia, the free encyclopedia Henrik Johan Ibsen (/ˈɪbsәn/;[1] Norwegian: [ˈhɛnɾɪk ˈɪpsәn]; 20 March 1828 – 23 May 1906) was a major Henrik Ibsen 19thcentury Norwegian playwright, theatre director, and poet. He is often referred to as "the father of realism" and is one of the founders of Modernism in theatre.[2] His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, and The Master Builder. He is the most frequently performed dramatist in the world after Shakespeare,[3][4] and A Doll's House became the world's most performed play by the early 20th century.[5] Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later work examined the realities Henrik Ibsen by Gustav Borgen that lay behind many façades, revealing much that Born Henrik Johan Ibsen was disquieting to many contemporaries. It utilized a 20 March 1828 critical eye and free inquiry into the conditions of life Skien, Grenland, Norway and issues of morality. The poetic and cinematic early play Peer Gynt, however, has strong surreal Died 23 May 1906 (aged 78) Kristiania, Norway elements.[6] (modern Oslo) Ibsen is often ranked as one of the truly great Occupation Writer playwrights in the European tradition.[7] Richard Nationality Norwegian Hornby describes him as "a profound poetic dramatist Genre Naturalism [8] —the best since Shakespeare". -
The Case of Napoleon Bonaparte Reflections on the Bicentenary of His Death
Working Paper 2021/18/TOM History Lessons: The Case of Napoleon Bonaparte Reflections on the Bicentenary of his Death Ludo Van der Heyden INSEAD, [email protected] April 26, 2021 In this article we reassess the myth of Napoleon Bonaparte, not so much from the standpoint of battles and conquests, but more from the point of view of justice, particularly procedural justice. This approach allows us to define the righteous leader as one who applies procedural justice. Using this concept, we aim to demonstrate that General Bonaparte could be considered as a just leader, although, in the guise of Emperor, he will be qualified here as the antithesis of that. The inevitable conclusion is that the Empire came to an end as a predictable consequence of Emperor Napoleon's unjust leadership. We recognize that the revolutionary aspirations of Liberté, Égalité, Fraternité were in themselves noble, but that they required for their implementation a system of procedural justice central to the resolution of the inevitable tensions and contradictions that these precepts would generate. We conclude by highlighting and examining how the notion of procedural justice is vital to the proper functioning of the modern European Union. In contrast, the difficulties presented by Brexit, or the Trump presidency, can be seen as the tragic, but also predictable consequences of an unjust leadership. We revisit the urgent need for fair management and debate; debate that can only take place when guided by righteous leaders. The imperial failure was a consequence of the drift towards injustice in the management of Empire.