6. Conflict, Convicts and the Condominium
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Illustrating Mobility: Networks of Visual Print Culture and the Periodical Contexts of Modern Australian Writing VICTORIA KUTTAINEN James Cook University The history of periodical illustration offers a rich example of the dynamic web of exchange in which local and globally distributed agents operated in partnership and competition. These relationships form the sort of print network Paul Eggert has characterised as being shaped by everyday exigencies and ‘practical workaday’ strategies to secure readerships and markets (19). In focussing on the history of periodical illustration in Australia, this essay seeks to show the operation of these localised and international links with reference to four case studies from the early twentieth century, to argue that illustrations offer significant but overlooked contexts for understanding the production and consumption of Australian texts.1 The illustration of works published in Australia occurred within a busy print culture that connected local readers to modern innovations and technology through transnational networks of literary and artistic mobility in the years also defined by the rise of cultural nationalism. The nationalist Bulletin (1880–1984) benefited from a newly restricted copyright scene, while also relying on imported technology and overseas talent. Despite attempts to extend the illustrated material of the Bulletin, the Lone Hand (1907–1921) could not keep pace with technologically superior productions arriving from overseas. The most graphically impressive modern Australian magazines, the Home (1920–1942) and the BP Magazine (1928–1942), invested significant energy and capital into placing illustrated Australian stories alongside commercial material and travel content in ways that complicate our understanding of the interwar period. One of the workaday practicalities of the global book trade which most influenced local Australian producers and consumers prior to the twentieth century was the lack of protection for international copyright. -
Proof Cover Sheet
PROOF COVER SHEET Author(s): MAX QUANCHI Article Title: Norman H. Hardy: Book Illustrator and Artist Article No: CJPH906298 Enclosures: 1) Query sheet 2) Article proofs Dear Author, 1. Please check these proofs carefully. It is the responsibility of the corresponding author to check these and approve or amend them. A second proof is not normally provided. Taylor & Francis cannot be held responsible for uncorrected errors, even if introduced during the production process. Once your corrections have been added to the article, it will be considered ready for publication. Please limit changes at this stage to the correction of errors. You should not make trivial changes, improve prose style, add new material, or delete existing material at this stage. You may be charged if your corrections are excessive (we would not expect corrections to exceed 30 changes). For detailed guidance on how to check your proofs, please paste this address into a new browser window: http://journalauthors.tandf.co.uk/production/checkingproofs.asp Your PDF proof file has been enabled so that you can comment on the proof directly using Adobe Acrobat. If you wish to do this, please save the file to your hard disk first. For further information on marking corrections using Acrobat, please paste this address into a new browser window: http:// journalauthors.tandf.co.uk/production/acrobat.asp 2. Please review the table of contributors below and confirm that the first and last names are structured correctly and that the authors are listed in the correct order of contribution. This check is to ensure that your name will appear correctly online and when the article is indexed. -
Some Australian Literary Myths from the Boer War
Kunapipi Volume 18 Issue 2 Article 4 1996 'A Man Never Knows his Luck in South Africa': Some Australian Literary Myths from the Boer War Shirley Walker Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Walker, Shirley, 'A Man Never Knows his Luck in South Africa': Some Australian Literary Myths from the Boer War, Kunapipi, 18(2), 1996. Available at:https://ro.uow.edu.au/kunapipi/vol18/iss2/4 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] 'A Man Never Knows his Luck in South Africa': Some Australian Literary Myths from the Boer War Abstract One night late in 1901, in the Spelonken district to the North of Pietersburg, a certain Australian Lieutenant in the Bushveldt Carbineers lay with his men in ambush above the laager of Field-Cornet Tom Kelly, a notorious Boer irregular leader: The night was intenselv cold, but we lay there w1thm 50 yards of them until the first streak of dawn. During the n1ght a dog scented us and started to bark, a Boer got up and gave 11 a kick to quieten 1t, at which Morant remarked, 'A man never knows his luck m South Africa'.1 This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol18/iss2/4 :4 Man N~·ver Knows h1::. luck 111 South llfnca ' 1~ SHIRLEY WALKER 'A Man Never Knows his Luck in South Africa': Some Australian Literary Myths from the Boer War O ne night late in 1901, in the Spelonken district to the North of Pietersburg, a certain Australian Lieute nant in the Hushveldt Carbineers lay with his men in ambush above the laager of Field Cornet Tom Kelly, a notori ou s Boer irregular leader: The mght was mtensclv ~:old, but we lay there w1thm 50 yards of them unhl the first s treak of dawn. -
George Witton and the Breaker Morant Affair
Empire: Scapegoat of the George Witton and the Breaker Morant Affair MARK CRYLE, FRYER LIBRARY MANAGER, EXAMINES THE ROLE OF GEORGE WITTON IN SHAPING OUR UNDERSTANDING OF THE BREAKER MORANT AFFAIR. Above: Bruce Beresford’s 1980 feature film The Witton character in the film George Witton, possibly Breaker Morant retells an incident that epitomises naïve imperial idealism. He taken at his brother’s took place during the Anglo-Boer War, in is a young man who “believed in the property at Lancefield, which a number of Australian officers in a British Empire”2 and yet becomes a Victoria in 1907. This photo unit under British command, the Bushveldt repudiated victim of it. It is a powerful appears in one of Fryer’s copies of Scapegoats of the Carbineers, were court martialled for trope in the mythology of Australia’s Empire and appears not shooting Boer prisoners of war. In the “war of independence” from Britain to have been published closing sequence of the film, the character which surfaces again 13 years later when previously. George Witton is standing at a train station the sacrifice of thousands of Australian on his way to prison. He hears the volley soldiers on the beaches of Gallipoli is so of rifle fire as his Australian mates, Harry readily attributed to the incompetence Morant and Peter Handcock, are executed of their British commanders. Like that by a British firing squad. He too had been of the Anzacs, Witton’s “innocence” is sentenced to death but learns subsequently transformed into cynicism, not just by the that “Lord Kitchener has been pleased to general war experience, but specifically commute your sentence to penal servitude by the callous machinery of the British for life.” A caption then appears on the military, in this case, under the command screen: “George Witton was released of the arch villain, Lord Horatio Kitchener. -
Australian Travellers in the South Seas
AUSTRALIAN TRAVELLERS IN THE SOUTH SEAS AUSTRALIAN TRAVELLERS IN THE SOUTH SEAS NICHOLAS HALTER PACIFIC SERIES Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760464141 ISBN (online): 9781760464158 WorldCat (print): 1232438742 WorldCat (online): 1232438653 DOI: 10.22459/ATSS.2021 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press. Cover photograph reproduced courtesy of the Fiji Museum (Record no. P32.4.157). This edition © 2021 ANU Press Contents Acknowledgements . vii List of Figures . ix Preface . xi Note . xiii Introduction . 1 1 . Fluid Boundaries and Ambiguous Identities . 25 2 . Steamships and Tourists . 61 3 . Polynesian Promises . 109 4 . Degrees of Savagery . 145 5 . In Search of a Profitable Pacific . 187 6 . Conflict, Convicts and the Condominium . 217 7 . Preserving Health and Race in the Tropics . 255 Conclusion . 295 Appendix: An Annotated Bibliography of Australian Travel Writing . .. 307 Bibliography . 347 Acknowledgements This book took life as a doctoral dissertation in Pacific History at The Australian National University under the supervision of Brij Lal, to whom it is dedicated. Brij has been a generous mentor and friend from the beginning. I credit my personal and professional development to Brij’s inspirational example. I would not be where I am today without the love and support of Brij, Padma and his family. -
1949-1950 Obituary Record of Graduates of Yale University
BULLETIN OF YALE UNIVERSITY OBITUARY RECORD OF GRADUATES OF THE UNDERGRADUATE SCHOOLS DECEASED DURING THE YEAR I949-I95O SERIES 47 I JANUARY I951 NUMBER I BULLETIN OF YALE UNIVERSITY Entered as second-class matter, August 30, 1906, at the post office at New Haven, Conn., under the Act of Congress of July 16,1894. Acceptance for mailing at the special rate of postage pro- vided for in Section 1103, Act of October 3,1917, authorized August 12,1918. The BULLETIN, which is issued semimonthly, includes: 1. The University Catalogue Number. 2. The Report of the Treasurer Number. 3. The Catalogue Numbers of the several Schools. 4. The Alumni Directory Number. 5. The Obituary Record Number. BULLETIN OF YALE UNIVERSITY OBITUARY RECORD OF GRADUATES OF THE UNDERGRADUATE SCHOOLS DECEASED DURING THE YEAR ENDING JULY i, 1950 INCLUDING THE RECORD OF A FEW WHO DIED PREVIOUSLY, HITHERTO UNREPORTED NUMBER 109 NEW HAVEN 1951 YALE UNIVERSITY OBITUARY RECORD* YALE COLLEGE HENRY MALTZBERGER, B A 1879 Born October 10, 1858, Reading, Pa , died November 21, 1949, Reading, Pa Father, Charles Coleman Maltzberger, a merchant in Reading, son of John Maltzberger Mother, Margaret Catherine (Haas) Maltzberger, daughter of Charles F Haas Hopkins Grammar School Oration appointment Junior and Senior years, Delta Kappa, Delta Kappa Epsilon, and Lmonia Studied law in Reading 1879-81 and lawyer there 1881-1949, U S Commissioner Eastern District of Pennsylvania 1905-29, member Berks County Bar Association and First Reformed Church, Reading Married February 20, 1917, Reading, -
Behind the Scenes Hans Heysen's Art World Networks
Behind the Scenes Hans Heysen’s Art World Networks Ralph Body Department of Art History School of Humanities Faculty of Arts University of Adelaide February 2019 Behind the Scenes Hans Heysen’s Art World Networks Volume One Ralph Body Department of Art History School of Humanities Faculty of Arts University of Adelaide February 2019 i Table of Contents – Volume One Abstract .................................................................................................................. iii Thesis Declaration ................................................................................................... v Acknowledgements ................................................................................................ vii Abbreviations .......................................................................................................... ix Introduction .............................................................................................................. 1 Literature Review ................................................................................................ 8 Conceptual Framework and Methodology ........................................................ 22 Chapter One: Establishing a Career, c.1903-1914 ................................................. 33 1.1. 1904: Getting Established in the Cultural Field ...................................... 34 1.2. Gallery Validation: Recognition of Heysen’s Art by Municipal Collections ........................................................................................................ -
Harbord Morant - Poems
Classic Poetry Series Harry 'Breaker' Harbord Morant - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive www.PoemHunter.com - The World's Poetry Archive 1 Harry 'Breaker' Harbord Morant(9 December 1864 – 27 February 1902) Harry 'Breaker' Harbord Morant was an Anglo-Australian drover, horseman, poet, soldier and convicted war criminal whose skill with horses earned him the nickname "The Breaker". The bulk of his published work appeared in The Bulletin magazine. During service in the Second Boer War, Morant participated in the summary execution of several Boer (Afrikaner) prisoners and the killing of a German missionary, Daniel Heese, who had been a witness to the shootings. His actions led to his controversial court-martial and execution for murder. In the century since his death, Morant has become a folk hero to some in Australia. His story has been the subject of several books, a stage play, and a major Australian feature film. <b>Early Life</b> Accounts of Morant's life before the Boer War vary considerably, and it appears that Morant fabricated a number of these romantic legends. Morant is often described as being 'well-educated' and claimed to have been born in 1865 at Bideford, Devon, England and to have been the illegitimate son of Admiral Sir George Digby Morant of the Royal Navy; a claim repeated as fact by later writers, although the admiral denied it. Morant entrusted his cigarette case and other personal belongings to Major Bolton, the prosecuting officer during the later courts martial with the words "see that my family gets them". -
Holocaust Denial
Holocaust Denial Holocaust Denial The Politics of Perfidy Edited by Robert Solomon Wistrich Co-published by The Hebrew University Magnes Press (Jerusalem) and De Gruyter (Berlin/Boston) for the Vidal Sassoon International Center for the Study of Antisemitism DE GRUYTER MAGNES An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org We would like to acknowledge the support of the Fondation pour la Mémoire de la Shoah in Paris which made possible the publication of this volume. Editorial Manager: Alifa Saadya An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-3-11-021808-4 e-ISBN (PDF) 978-3-11-021809-1 e-ISBN (EPUB) 978-3-11-021806-2 ISSN 0179-0986 e-ISSN 0179-3256 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License, as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. ISBNLibrary 978-3-11-028814-8 of Congress Cataloging-in-Publication Data e-ISBNA CIP catalog 978-3-11-028821-9 record for this book has been applied for at the Library of Congress. Bibliografische Information der Deutschen Nationalbibliothek LibraryDie Deutsche of Congress Nationalbibliothek Cataloging-in-Publication verzeichnet diese Data Publikation in der Deutschen Nationalbibliogra- ISBN 978-3-11-021808-4 Afie; CIP detaillierte catalog record bibliografische for this book Daten has sindbeen im applied Internet for über at the Library of Congress. -
Catalogue Books and Journals for RHSQ Book Fair 2021
Book Fair Catalogue Books and Journals for RHSQ Book Fair 2021 1. 150 Years in Paradise Commemorative Book – Surfers Paradise 2. A collection from the works of Henry Lawson and Banjo Paterson 3. A history of Wheatvale and District 4. A hundred years of Yachting 5. A Janet Reakes Guide: How to Trace your Missing Ancestors – Hale & Iremonger Genealogies Series, 2000 6. A time to Keep 1930-2005 [Jewish] 7. Aboriginal Communities of the Northern Territory – Traditional Bush Medicines: an Aboriginal pharmacopoeia 8. Acts Relating to Mining in Queensland 9. Adams, David (ed) – The Letters of Rachel Henning 10. Adelaide House: The Deanery 11. Albert Namatjira Souvenir Portfolio – Sydney: Legend Press 12. Aldine Queensland 13. Aldine Vol 2 14. Allen, Benedict (ed) – Faber Book of Exploration 15. Allen, Christopher – French Painting in the Golden Age – Thames & Hudson, 2003 16. Anderson, Patricia – Robert Hughes: The Australian Years 17. Anthony, Doug and Margot (eds) – Letters Home to Mother from Gallipoli and Beyond 18. Art Collector Magazine, April-June 2019 19. Art Collector Magazine, July-September 2018 20. Arthur, Max – The Road Home: The Aftermath of the Great War told by the Men and Women who survived it 21. Artist Profile Issue 29, 2014-15 22. Aspro Yearbook 1936 23. Atkins, Ronald (gen ed) – Jazz the Ultimate Guide: From New Orleans to the New Jazz Age 24. Atkinson, Ann – Dictionary of Famous Australians 25. Australia 26. Australia – a cultural heritage 27. Australia Comes of Age: Rebellion, independence, war, and the worker – Bay Books (3 copies) 28. Australia: Land of Things to do 29. -
Australasiana
Australasiana Collectors’ List No. 181, 2015 Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW P: (02) 9663 4848 E: [email protected] W: joseflebovicgallery.com 1. First General Map Of The World, Showing JOSEF LEBOVIC GALLERY Unknown “Terra Australis”, c1588. Wood engrav Established 1977 ing, 32.3 x 35.9cm. Minor foxing, old folds and Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) creases, chips and repaired tears to edges. $4,400 Address: 103a Anzac Parade, Kensington (Sydney) NSW Text loosely translated from German includes “The first general chart showing the sphere of the Earth.” The map shows “Terra Postal: PO Box 93, Kensington NSW 2033, Australia Australis non dum cognita [not yet known]”, which includes Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 parts of the coastlines of Antarctica and Australia. Email: [email protected] • Website: joseflebovicgallery.com This map was completely redrawn and reengraved for the 1588 edition of Sebastian Münster’s Cosmographia, Open: Monday to Saturday by chance or please make an appointment. and all subsequent editions up to 1628, published in Basle, Switzerland by Sebastian Petri [?]. Münster was not directly connected with this map, which is based on the world maps by A. Ortelius of 1570. Ref: Shirley #163. COLLECTORS’ LIST No. 181, 2015 2. After Sydney Parkinson (Scot tish, c17451771). Vue De La Riviere D’Endeavour Sur La Côte De La Australasiana Nouvelle Hollande Ou Le Vaisseau Fut Mis À La Bande (A View Of The On exhibition from Wed., 23 December to Sat., 27 February. -
Notes on Contributors, Index
Kunapipi Volume 18 Issue 2 Article 35 1996 Notes on Contributors, Index Anna Rutherford Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Rutherford, Anna, Notes on Contributors, Index, Kunapipi, 18(2), 1996. Available at:https://ro.uow.edu.au/kunapipi/vol18/iss2/35 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Notes on Contributors, Index Abstract NOTES ON CONTRIBUTORS, Index This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol18/iss2/35 Notes on Contributors 345 NOTES ON CONTRIBUTORS MICHAEL ACKLAND'S principal research interests are nineteenth century literary culture. He has published extensively on Charles Harpur and Henry Kendall and is the editor of The Penguin book of 19th Century Australian Literature. He teaches at Monash University. JAN BRAZIER assisted Ken Inglis on his survey of war memorials in Australia. She is currently Archivist at the Australian Museum in Sydney. Having taught in Australia and the USA, BRUCE CLUNIES ROSS is a Professor at the University of Copenhagen. He has published extensively on many aspects of Australian literary culture and music, and is an authority on the work of Percy Grainger. BRUCE DAWE is one of Australia's best known poets. He has won many awards including the Mary Gilmore Prize and the Patrick White Literary Award in 1980. Deeply concerned with the oppressed and deprived, he has an abiding interest in 'the lost people in our midst for whom no one speaks.' LIVIO DOBREZ is Reader in English and Convenor of Australian Studies at the Australian National University.