Various Blues... Where It's at Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Various Blues... Where It's At mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Blues... Where It's At Country: Netherlands MP3 version RAR size: 1649 mb FLAC version RAR size: 1768 mb WMA version RAR size: 1843 mb Rating: 4.6 Votes: 571 Other Formats: MOD DXD AU WAV MPC VQF MP2 Tracklist A1 –B.B. King Blind Love A2 –John Lee Hooker One Bourbon, One Scotch, One Beer A3 –Otis Spann Chicago Blues A4 –The Dirty Blues Band Don't Start Me Talkin' A5 –Jimmy Reed Give Up And Let Me Go A6 –B.B. King Paying The Cost To Be The Boss B1 –John Lee Hooker Heartaches And Misery B2 –The Dirty Blues Band Hound Dog B3 –B.B. King Don't Anwser The Door B4 –Otis Spann Heart Loaded With Trouble B5 –Jimmy Reed When I Woke Up This Morning B6 –John Lee Hooker Boom Boom Companies, etc. Recorded By – Bluesway – SSLH 1009 Credits Bass – Les Morrison (tracks: A4, B2), Louis Satterfield (tracks: A1, B3) Bass Guitar – Eddie Taylor (tracks: B6, A5, B6) Drums – Al Duncan (tracks: B6), Francis Clay (tracks: A2, B1), Jimmy Tillman (tracks: A5, B5), John Milliken (tracks: A4, B2), Sonny Freeman (tracks: A1, B3) Electric Bass – Mac Arnold (tracks: A2, B1) Guitar – Luther Allison (tracks: A2, B1), Muddy Waters (tracks: A2, B1), Robert Sandell (tracks: A4, B2), Sammy Lawhorn (tracks: A2, B1) Guitar, Vocals – B.B. King (tracks: A1, B3, A6), John Lee Hooker (tracks: A2, B1, B6) Harmonica – George Smith (tracks: A2, B1) Harmonica, Guitar – Jimmy Reed (tracks: A5, B5) Lead Vocals – Rod Piazza (tracks: A4, B2) Orchestrated By – Johnny Pate (tracks: A6) Organ – Duke Jethro (tracks: A1, B3), Pat Malone (tracks: A4, B2) Piano – Otis Spann (tracks: A2, B1) Rhythm Guitar – Lefty Bates (tracks: A5, B5) Steel Guitar – Glenn Ross Campbell (tracks: A4, B2) Tenor Saxophone – Bobby Forte (tracks: A1, B3) Trumpet – Kenneth Sands (tracks: A1, B3) Notes Vervaardigd in licentie door N.V. Bovema - Gramophonehouse - Heemstede - Holland druk: n.v. habo - amsterdam Related Music albums to Blues... Where It's At by Various Various - Best Of The Blues Sonny Boy Williamson - Stop Crying Various - La Grande Storia Del Rock 36 Various - The Golden Age Of Blue Chicago Various - Mojo Blues - 18 Vintage Blues Tracks Various - Chicago/The Blues/Today! Vol. 2 Elmore James, Eddie Taylor & Jimmy Reed - South Side Blues Various - The Ultimate Blues Box Various - Blues Classics, Volume One Various - The Blues Anthology John Lee Hooker - Live From The House Of Blues Jimmy Reed - Soulin'.

Copy Link

Recommended publications

Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band.
[Show full text]
Red Lightnin Brochure
ESTABLISHED IN 1968 AS PURVEYORS OF CONTEMPORARY BLUES, OUR EDICT IS TO PUSH BLUES TO THE LIMIT! AS THE MOST INFLUENTIAL MUSICAL FORM RED LIGHTNIN’ OF THE 20TH CENTURY. THE ROLE OF THE BLUES CAN BE FOUND IN ALL FORMS OF The White House, MUSIC. THE BLUES MUST AND WILL ADAPT 42 The Street, TO THE FUTURE SOCIAL CLIMATE, AFTER North Lopham, ALL, THE PROBLEMS AND HENCE THE LYRICS THAT BLUES DERIVED FROM HAVE Diss, Norfolk, ’T L NOT ALTERED - ONLY THE TECHNOLOGY IP22 2LU, UK AN OS HAS! C E” TEL: 44 1379 687693 U WE HAVE OVER 1500 + MASTERS AVAILABLE FAX: 44 1379 687559 O AND CAN FILL ALL YOUR REQUIREMENTS FOR Mobile: 07710 230226 Y COMPILATIONS, LICENSING, ADVERTISING, S PREMIUM PRODUCTS, FILM, TV,, Email: [email protected] E PROMOTIONS, INTERNET, ETC. www.redlightnin.com U L B E KEEP THE TRAIN S E H T AROLLING, L © 2007 L A BUY BIGGER, H T I W “ BUY BETTER - BUY BLUES!! ARTIST’S INCLUDE: - ALBERT COLLINS• JOHN LEE HOOKER• BIG WALTER "SHAKEY" HORTON ( 2.5 discs worth)• EARL HOOKER• BILLY BOY ARNOLD• MUDDY WATERS• JOHNNY OTIS• JIMMY WITHERSPOON (with Duke Robbilard)• KING BISCUIT BOY ( 2 discs)• SCREAMING JAY HAWKINS• BUSTER BENTON & CAREY BELL• TROYCE KEY & JJ MALONE• BIG JOE WILLIAMS• LITTLE BROTHER MONTGOMERY• SMOKEY LOGG• THE MIGHTY HOUSEROCKERS• ROY GAINES & CRUSADERS• LUTHER ALLISON• TOMMY TUCKER• CHARLIE MUSSELWHITE• ISAAC SCOTT• OTIS RUSH• MARIA MULDAUR• LONG JOHN BALDRY• BRIAN KNIGHT• IKE TURNER• EDDIE CLEARWATER• JIMMY JOHNSON• MAGIC SLIM• BUDDY GUY & JUNIOR WELLS• MISSISSIPPI FRED McDOWELL• MEMPHIS SLIM• MATT 'GUITAR' MURPHY• SONNY BOY WILLIAMSON• PHIL GUY• LOUISIANA RED• PAUL deLAY BAND• UP WILSON• PAUL ORTA• CLARENCE EDWARDS• JIMMY REED• ROOSEVELT SYKES• PROFESSOR LONGHAIR• JO-EL SONNIER• AMOS GARRETT• DOUG SAHM• HANS THEESINK• PETER GREEN & MICK GREEN• BRIAN KNIGHT with MICKEY MOODY (WHITESNAKE)• LIGHTNIN' HOPKINS BREWERS DROOP with MARK KNOPFLER• THE ENEMY WITHIN FEATURING GYPIE MAYO• LOUISIANA BOB KIRKPATRICK• ETC,.
[Show full text]
BLUES La Colonna Sonora Della Mia Anima … Ain’T Nothin’ but the Blues
http://scrivi.10righedailibri.it/ leggi, scrivi e condividi le tue 10 righe dai libri http://www.10righedailibri.it GRANDI OPERE Salvatore Amara UN SALTO NEL BLUES La colonna sonora della mia Anima … ain’t nothin’ but the Blues CUEC Salvatore Amara Un salto nel Blues La colonna sonora della mia Anima … ain’t nothin’ but the Blues ISBN: 978-88-8467-960-4 © CUEC Editrice 2015 prima edizione dicembre 2015 Realizzazione editoriale CUEC Editrice by Sardegna Novamedia Soc. Coop. via Basilicata 57/59 09127 Cagliari www.cuec.eu [email protected] [email protected] Questo libro è realizzato in coproduzione CUEC Editrice/Salvatore Amara Senza il permesso scritto dell’Editore è vietata la riproduzione anche parziale, con qualsiasi mezzo effettuata, compresa la fotocopia, anche ad uso interno o didattico Realizzazione grafica Antonello De Cicco Stampa e legatura Arti Grafiche CDC Srl Città di Castello (PG) “Tutto il pensare che fate prima di iniziare un lavoro abbrevia il tempo che dovete spendere per eseguirlo” R.C. SMITH Dedico questo libro a Barbara Derosas, moglie, amica e amante, il Sole che illumina il mio mondo e riscalda il mio Cuore. Che occhi avrà Railgac Blues Che occhi avrà, il futuro, ora? “Le mie viscere sono marce. Che occhi avrà, ora, la storia? Viaggio in un treno verso il fiume. Avrà quegli occhi che aveva il vento, Nessuno sa gli accordi della mia chitarra. quel vento caldo che dall’Africa saliva Anch’io li ho dimenticati nel viaggio. nel canto degli schiavi, nel gospel, nel blues Sparsi nelle rotaie della città di Railgac.
[Show full text]
Deb Cleveland
CLASSIC AND CONTEMPORARY BLUES Featuring DEB CLEVELAND For nearly 30 years The Vipers have been entertaining fans in the Pacific Northwest and Europe. These veteran musicians mix an intoxicating brew of Chicago and Delta blues, funky R&B, and New Orleans rhythms that will bring you out of your seat and onto the dance floor. The Vipers is comprised of Deb Cleveland (vocals) Jon Silvermoon (vocals, harmonica), Johnny “Guitar” Ward (guitar), Russ Whitlach (bass), and Pete “The Beat” Burger (drums). The band is a past winner of the Eugene Weekly Reader’s poll as Best Local Blues Band and Deb has won twice as Best Local Blues Personality and once as Female Vocalist. She has also won the Rainy Day Blues Society’s Rooster Award for Female Blues Vocalist. Deb Cleveland has been with the band since late 2002 and is featured on the CD Tickle My Toes. She toured Europe with the band in including an appearance at Sweden’s Linköping Blues and Jazz Festival. Currently the band is working on a new CD. Originally the band featured the incendiary guitar work of the late Canned Heat guitarist Henry Vestine from the band’s inception in 2002 until Vestine’s untimely death in 1997. From 1997 to 2002 the band featured veteran bluesman Eagle Park Slim, several of whose original songs are on the CD Good Times Live!. The Vipers have performed at numerous festivals including The Waterfront Blues Festival, the Eugene Celebration, the Salem Art Fair and Festival, the Willamette Valley Folk Festival, the Oregon Country Fair, and the Linköping Jazz and Blues Festival (Sweden).
[Show full text]
LCBS Members Pack Limos to Kalona for a Night of Blues!
I read the news today, oh boy!I read the today, news Issue 164 The Publication of the Linn County Blues Society- lcbs.org March 2008 LCBS Members Pack Limos to Kalona for a 52406-2672 Cedar Rapids, IA Rapids, Cedar Night of Blues! PO Box 2672 Box PO Linn County Blues Society Blues County Linn A very special THANK YOU to these businesses who have signed up to help us kcck.org Keep the Blues Alive! • C.R. Bank & Trust • The Fifth Gear Friday Blues- • Chappy’s Safari • 16th Avenue Prod. • 6-10 PM - Da Friday Blues In this cool issue — • Chrome Horse • KCCK 88.3 • 10-11 PM - Backstage Blues • Longbranch • Checkers Tavern • 11 PM to midnight - KCCK Jams LCBS Blues Bash at Tuscan Moon! • Dudley Bros. Co. • Home Town Restyling • Midnight Blues CD Perry Weber Band at Checkers! • Cocktails & Co. • Next Door Saturday Blues - KUNI Blues Blowout photos • Ron Schantz Const. • Tomaso’s Pizza • 6-10 PM - Da Blues with Bobby D Big Mo’s CD Review • J.M. O’Malley’s • Mahoney’s Irish Pub • 10-11 PM - The Crawfish Circuit Francis Clay 1923-2008 More photos inside! • 11 PM -midnight - The Melting Pot Vinyl LPs From Blind Pig Records “I complained about the salt in her blackeyed peas, and she • Midnight Blues CD Local LIVE Music Schedules put her hand on her hip and she told me to leave” – Keb Mo ©2008-Linn County Blues Society ©2008-Linn County Blues Society The Linn County Blues Society is a way continued from page 4 cool, non-profit organization dedicated to we were both raised up in the same town tavern the preservation of Blues music in Eastern CEDAR RAPIDS,IA.
[Show full text]
BOB CORRITORE a Blues Life Order Today Click Here! Four Print Issues Per Year
BOB CORRITORE A Blues Life Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today Click Here! 20-0913-Blues Music Magazine Full Page 4C bleed.indd 1 17/11/2020 09:17 BLUES MUSIC ONLINE December 01, 2020 - Issue 23 Table Of Contents 06 - BOB CORRITORE A Blues Life By Art Tipaldi 16 - SEVEN NEW CD REVIEWS By Various Writers 31 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 Illustration by Tom Walbank COVER PHOTOGRAPHY © DAVE BLAKE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! FEATURING: - Music News - Breaking News - CD Reviews - Music Store Specials - Video Releases - Festivals - Artists Interviews - Blues History - New Music Coming - Artist Profiles - Merchandise - Music Business Updates BOB CORRITORE A Blues Life By Art Tipaldi PHOTOGRAPHY © JEFF FASANO lues Music Magazine: Primer/Bob Corritore collaborative The feature will include all release and I think this one is our aspects of your musical best so far. I’ve known John since Bcareer to include but not limited to: the mid-1970s from going to see musician, club owner, producer, Junior Wells at Theresa’s Lounge record label, newsletter writer, on the South Side. I’ve watched and founder of the Southwest John’s progression to the Muddy Musical Arts Foundation. Did I Waters band to Magic Slim & The miss anything? Teardrops to launching his own brilliant solo career.
[Show full text]
The Blues Scale
Blues Ukulele Workshop Four part workshop with songbook 1. Structure and feel of blues songs 2. Turnarounds and dominant 7ths 3. The blues scale 4. Putting it all together A web-based listening guide is also provided Accompanying songs for parts: 1. How Long Blues, Baby What You Want Me to Do 2. Red River Blues in G & E, 3. You Got to Move, Sitting On Top Of The World 4. See See Rider Trouble in Mind Review quizzes for, Big parts Boss 1 -3Man, Backwater Blues Recommended from ukeeducation.org Fingerpicking for uke Scales and Chords Fretboard learning tool Material compiled and arranged by Spencer Gay 2018 The Copyrighted songs provided free herein are for education and thus fall under FAIR USE This book is not for sale Blues The blues is a feelin’… a good man feelin’ bad – a woman waitin’ for her man – losin’ your lover. Singing the blues is a good way to lose them Also, it is the name of a common song format – whether 12 or 8 bar blues Lyrics often are in an AAB format; the first line is then repeated - the third explains or ties the thought together. Try creating some new lyrics of your own to see how this works. A If I feel tomorrow the way I feel to day From St. Louis Blues - W.C. Handy A If I feel tomorrow the way I feel today B ‘Gonna pack my grip and make my getaway Relative Chord Naming - Roman Numerals Chords can be identified relative to the root (the key in which the song is composed.) This is the one chord, shown in roman numerals, I.
[Show full text]
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the
[Show full text]
Giving America Back the Blues
GIVING AMERICA BACK THE BLUES OVERVIEW ESSENTIAL QUESTION How did the early Rolling Stones help popularize the Blues? OVERVIEW The Rolling Stones ultimately made their mark as the nonconformist outlaws of Rock and Roll. But before they were bad boys, the Stones were missionaries of the Blues. The young Rolling Stones — Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Bill Wyman — were white kids who hailed from working- and middle-class Britain and set out to play American music, primarily that of African Americans with roots in the South. In so doing, they helped bring this music to a new, largely white audience, both in Britain and the United States. The young men who formed the Rolling Stones emerged from the club scene fostered by British Blues pioneers Cyril Davies and Alexis Korner. These two men and their band, Blues Incorporated, helped popularize the American Blues, whose raw intensity resonated with a generation of Britons who had grown up in the shadow of war, death, the Blitz, postwar rationing, and the hardening of the Cold War standoff. Much of the Stones’ early work consisted of faithful covers of American Blues artists that Davies, Korner, and the Stones venerated: Muddy Waters, Howlin’ Wolf, Slim Harpo, Jimmy Reed. The early Stones in particular helped make the Blues wildly popular among young Britons. As the Stones’ fame grew and they became part of the mid-1960s British “invasion” of America, they also reintroduced the Blues to American listeners, most notably young, white audiences with limited exposure to the music. But almost from day one, the Stones were more than a Blues cover band.
[Show full text]
Big Mama Thornton 1 Big Mama Thornton
Big Mama Thornton 1 Big Mama Thornton Big Mama Thornton Big Mama Thornton circa 1955-1960 Background information Birth name Willie Mae Thornton Born December 11, 1926 Origin Ariton, Alabama, United States Died July 25, 1984 (aged 57) Los Angeles, California, United States Genres Rhythm and blues, Texas blues Occupations Singer, songwriter Instruments Vocals, drums, harmonica Years active 1947–1984 Labels Peacock, Arhoolie, Mercury, Pentagram, Backbeat, Vanguard, Ace Records (UK) Associated acts Muddy Waters Blues Band, Lightnin' Hopkins, John Lee Hooker Willie Mae "Big Mama" Thornton (December 11, 1926 – July 25, 1984) was an American rhythm and blues singer and songwriter. She was the first to record Leiber and Stoller's "Hound Dog" in 1952, which became her biggest hit. It spent seven weeks at number one on the Billboard R&B charts in 1953[1] and sold almost two million copies.[2] However, her success was overshadowed three years later, when Elvis Presley recorded his more popular rendition of "Hound Dog". Similarly, Thornton's "Ball 'n' Chain" had a bigger impact when performed and recorded by Janis Joplin in the late 1960s. Style Thornton’s performances were characterized by her deep, powerful voice and strong sense of self. Many collaborators described her with words such as monstrous, intimidating, formidable, and menacing. Her nickname, “Big Mama Thornton,” was dubbed by Frank Schiffman, manager of Harlem’s Apollo Theater, due to her big voice, size, and personality. Thornton specialized in playing drums and harmonica as well as singing, and she taught herself how to play these instruments simply by watching other musicians perform.
[Show full text]
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting.
[Show full text]
Jimmie Vaughan More Blues, Ballads and Favorites Bio
Jimmie Vaughan More Blues, Ballads and Favorites Bio For Jimmie Vaughan, too much of a good thing is a concept that simply doesn‟t exist. The legendary Texan guitar dynamo was so pleased with the response to his 2010 album Blues, Ballads and Favorites that he decided to follow it up with a brand new collection he‟s calling— what else?—More Blues, Ballads and Favorites! Packed with 16 covers of classic tunes that are close to his heart, the album—recorded, like the previous one, in his hometown of Austin, Texas—reunites Vaughan with the same cast of musicians that helped him out on the previous set. Also returning for round two, to assist with the vocals, is Lou Ann Barton, whose powerful pipes grace several tunes on the new release. “The first album was a success,” says Vaughan, “and what happened is I never really stopped. Even after I turned the first one in I was still recording. I‟ve decided that, as long as I feel like it, I‟m going to do that from now on.” Jimmie Vaughan—who first came to prominence as co-founder of the pioneering Texas blues- rock band the Fabulous Thunderbirds in the ‟70s— has certainly earned the right to do whatever he wants whenever he wants to do it. Since he was a kid, Vaughan has dedicated his life to mastering his axe and reminding folks what American music is all about—music, he says, that need not be categorized. “When I talk about country and blues, they‟re the same thing,” he says.
[Show full text]