The Blues Scale
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Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
Red Lightnin Brochure
ESTABLISHED IN 1968 AS PURVEYORS OF CONTEMPORARY BLUES, OUR EDICT IS TO PUSH BLUES TO THE LIMIT! AS THE MOST INFLUENTIAL MUSICAL FORM RED LIGHTNIN’ OF THE 20TH CENTURY. THE ROLE OF THE BLUES CAN BE FOUND IN ALL FORMS OF The White House, MUSIC. THE BLUES MUST AND WILL ADAPT 42 The Street, TO THE FUTURE SOCIAL CLIMATE, AFTER North Lopham, ALL, THE PROBLEMS AND HENCE THE LYRICS THAT BLUES DERIVED FROM HAVE Diss, Norfolk, ’T L NOT ALTERED - ONLY THE TECHNOLOGY IP22 2LU, UK AN OS HAS! C E” TEL: 44 1379 687693 U WE HAVE OVER 1500 + MASTERS AVAILABLE FAX: 44 1379 687559 O AND CAN FILL ALL YOUR REQUIREMENTS FOR Mobile: 07710 230226 Y COMPILATIONS, LICENSING, ADVERTISING, S PREMIUM PRODUCTS, FILM, TV,, Email: [email protected] E PROMOTIONS, INTERNET, ETC. www.redlightnin.com U L B E KEEP THE TRAIN S E H T AROLLING, L © 2007 L A BUY BIGGER, H T I W “ BUY BETTER - BUY BLUES!! ARTIST’S INCLUDE: - ALBERT COLLINS• JOHN LEE HOOKER• BIG WALTER "SHAKEY" HORTON ( 2.5 discs worth)• EARL HOOKER• BILLY BOY ARNOLD• MUDDY WATERS• JOHNNY OTIS• JIMMY WITHERSPOON (with Duke Robbilard)• KING BISCUIT BOY ( 2 discs)• SCREAMING JAY HAWKINS• BUSTER BENTON & CAREY BELL• TROYCE KEY & JJ MALONE• BIG JOE WILLIAMS• LITTLE BROTHER MONTGOMERY• SMOKEY LOGG• THE MIGHTY HOUSEROCKERS• ROY GAINES & CRUSADERS• LUTHER ALLISON• TOMMY TUCKER• CHARLIE MUSSELWHITE• ISAAC SCOTT• OTIS RUSH• MARIA MULDAUR• LONG JOHN BALDRY• BRIAN KNIGHT• IKE TURNER• EDDIE CLEARWATER• JIMMY JOHNSON• MAGIC SLIM• BUDDY GUY & JUNIOR WELLS• MISSISSIPPI FRED McDOWELL• MEMPHIS SLIM• MATT 'GUITAR' MURPHY• SONNY BOY WILLIAMSON• PHIL GUY• LOUISIANA RED• PAUL deLAY BAND• UP WILSON• PAUL ORTA• CLARENCE EDWARDS• JIMMY REED• ROOSEVELT SYKES• PROFESSOR LONGHAIR• JO-EL SONNIER• AMOS GARRETT• DOUG SAHM• HANS THEESINK• PETER GREEN & MICK GREEN• BRIAN KNIGHT with MICKEY MOODY (WHITESNAKE)• LIGHTNIN' HOPKINS BREWERS DROOP with MARK KNOPFLER• THE ENEMY WITHIN FEATURING GYPIE MAYO• LOUISIANA BOB KIRKPATRICK• ETC,. -
Deb Cleveland
CLASSIC AND CONTEMPORARY BLUES Featuring DEB CLEVELAND For nearly 30 years The Vipers have been entertaining fans in the Pacific Northwest and Europe. These veteran musicians mix an intoxicating brew of Chicago and Delta blues, funky R&B, and New Orleans rhythms that will bring you out of your seat and onto the dance floor. The Vipers is comprised of Deb Cleveland (vocals) Jon Silvermoon (vocals, harmonica), Johnny “Guitar” Ward (guitar), Russ Whitlach (bass), and Pete “The Beat” Burger (drums). The band is a past winner of the Eugene Weekly Reader’s poll as Best Local Blues Band and Deb has won twice as Best Local Blues Personality and once as Female Vocalist. She has also won the Rainy Day Blues Society’s Rooster Award for Female Blues Vocalist. Deb Cleveland has been with the band since late 2002 and is featured on the CD Tickle My Toes. She toured Europe with the band in including an appearance at Sweden’s Linköping Blues and Jazz Festival. Currently the band is working on a new CD. Originally the band featured the incendiary guitar work of the late Canned Heat guitarist Henry Vestine from the band’s inception in 2002 until Vestine’s untimely death in 1997. From 1997 to 2002 the band featured veteran bluesman Eagle Park Slim, several of whose original songs are on the CD Good Times Live!. The Vipers have performed at numerous festivals including The Waterfront Blues Festival, the Eugene Celebration, the Salem Art Fair and Festival, the Willamette Valley Folk Festival, the Oregon Country Fair, and the Linköping Jazz and Blues Festival (Sweden). -
BOB CORRITORE a Blues Life Order Today Click Here! Four Print Issues Per Year
BOB CORRITORE A Blues Life Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today Click Here! 20-0913-Blues Music Magazine Full Page 4C bleed.indd 1 17/11/2020 09:17 BLUES MUSIC ONLINE December 01, 2020 - Issue 23 Table Of Contents 06 - BOB CORRITORE A Blues Life By Art Tipaldi 16 - SEVEN NEW CD REVIEWS By Various Writers 31 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 Illustration by Tom Walbank COVER PHOTOGRAPHY © DAVE BLAKE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! FEATURING: - Music News - Breaking News - CD Reviews - Music Store Specials - Video Releases - Festivals - Artists Interviews - Blues History - New Music Coming - Artist Profiles - Merchandise - Music Business Updates BOB CORRITORE A Blues Life By Art Tipaldi PHOTOGRAPHY © JEFF FASANO lues Music Magazine: Primer/Bob Corritore collaborative The feature will include all release and I think this one is our aspects of your musical best so far. I’ve known John since Bcareer to include but not limited to: the mid-1970s from going to see musician, club owner, producer, Junior Wells at Theresa’s Lounge record label, newsletter writer, on the South Side. I’ve watched and founder of the Southwest John’s progression to the Muddy Musical Arts Foundation. Did I Waters band to Magic Slim & The miss anything? Teardrops to launching his own brilliant solo career. -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Giving America Back the Blues
GIVING AMERICA BACK THE BLUES OVERVIEW ESSENTIAL QUESTION How did the early Rolling Stones help popularize the Blues? OVERVIEW The Rolling Stones ultimately made their mark as the nonconformist outlaws of Rock and Roll. But before they were bad boys, the Stones were missionaries of the Blues. The young Rolling Stones — Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Bill Wyman — were white kids who hailed from working- and middle-class Britain and set out to play American music, primarily that of African Americans with roots in the South. In so doing, they helped bring this music to a new, largely white audience, both in Britain and the United States. The young men who formed the Rolling Stones emerged from the club scene fostered by British Blues pioneers Cyril Davies and Alexis Korner. These two men and their band, Blues Incorporated, helped popularize the American Blues, whose raw intensity resonated with a generation of Britons who had grown up in the shadow of war, death, the Blitz, postwar rationing, and the hardening of the Cold War standoff. Much of the Stones’ early work consisted of faithful covers of American Blues artists that Davies, Korner, and the Stones venerated: Muddy Waters, Howlin’ Wolf, Slim Harpo, Jimmy Reed. The early Stones in particular helped make the Blues wildly popular among young Britons. As the Stones’ fame grew and they became part of the mid-1960s British “invasion” of America, they also reintroduced the Blues to American listeners, most notably young, white audiences with limited exposure to the music. But almost from day one, the Stones were more than a Blues cover band. -
Blueink Newsletter April 2016
B L U E I N K APRIL 2016 Gator By the Bay Brings Musicians Together in Exciting Pairings Now in its 15th year, Gator By the Bay, May 5-8, 2016, has become a wildly popular San Diego festival tradition known for presenting an eclectic mix of musical styles and a fun- filled atmosphere. Wander among the festival’s seven stages and you can listen to everything from authentic Louisiana Cajun and Zydeco music to Chicago and West Coast Blues, from Latin to Rockabilly and Swing. In recent years, Gator By the Bay has also earned a stand-out reputation for bringing together stellar combinations of musicians in innovative mash-up performances, presenting musical groupings you won’t hear anywhere else. This year is no exception. On Saturday, May 7, San Diego’s own multiple gold guitarist Johnny Vernazza will share the Mardi Gras Stage with blues greats Roy Rogers and John Németh. Often lauded as the “Master of the Slide Guitar”, Roy Rogers’ distinctive style is instantly recognizable. He’s shared duets with such greats as John Lee Hooker and Allen Toussaint, and teamed up with the likes of Norton Buffalo and Ray Manzarek. Harmonica virtuoso, vocalist and songwriter John Németh has multiple Blues Music Awards nominations to his name, and his album, ‘Memphis Grease’, won Best Soul Blues Album at the 2015 Blues Music Awards. He has been nominated for the Blues Music Awards 2016 B.B. King Entertainer of the Year Award, to be given out on May 5. Other notable combined artists’ performances include Sugaray Rayford, Alabama Mike & the Drop Ins with harmonica master Rick Estrin and harmonica and guitar whiz-kid Jon Atkinson on Friday evening, May 6, and Jon Atkinson with Rick Estrin and Fabulous Thunderbird alumna Kim Wilson on Saturday, May 7. -
Guitar Blues Book
Guitar Blues Book Ur-Vogel Jeholopterus spielt den Ur-Blues 13. November 2019 Vorwort Dies ist das persönliche Guitar Blues Buch von Hans Ulrich Stalder, CH 5425 Schneisingen. Die zur Webseite www.quantophon.com verlinkten Videos und Musikdateien sind persönliche Arbeitskopien. Ausser wenn speziell erwähnt sind alles MP3- oder MP4-Files. Hier vorkommende Blues-Musiker sind: Big Bill Broonzy geboren als Lee Conley Bradley am 26. Juni 1903 in Jefferson County (Arkansas), †15. August 1958 in Chicago, Illinois, war ein US-amerikanischer Blues-Musiker und Blues-Komponist. Lightnin’ Hopkins geboren als Sam Hopkinsan am 15. März 1912 in Centerville, Texas, † 30. Januar 1982 in Houston, Texas, war ein US- amerikanischer Blues-Sänger und Blues-Gitarrist. Er gilt als einflussreicher Vertreter des Texas Blues. Hans Ulrich Stalder © Seite 2 / 67 Champion Jack Dupree William Thomas "Champion Jack" Dupree, geboren am 23. Oktober 1909 in New Orleans, † 21. Januar 1992 in Hannover, war ein amerikanischer Blues-Sänger und Blues-Pianist. Sam Chatmon geboren am 10. Januar 1897 in Bolton, Mississippi, † 2. Februar 1983 in Hollandale, Mississippi, war ein US-amerikanischer Blues- Musiker. Er stammte aus der musikalischen Chatmon-Familie und begann – wie auch seine Brüder Bo und Lonnie – bereits als Kind, Musik zu machen. Leroy Carr geboren am 27. März 1905 in Nashville, Tennessee, † 29. April 1935 in Indianapolis, war ein US-amerikanischer Blues-Pianist und Sänger. Bekannt war er vor allem zusammen mit seinem langjährigen Partner, dem Gitarristen Francis "Scrapper" Blackwell, mit dem er als Duo auftrat und Aufnahmen machte. Elmore James geboren am 27. Januar 1918 in Mississippi, † 24. Mai 1963 in Chicago, Illinois, war ein US-amerikanischer Bluesmusiker. -
“Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr
GREENE, KEVIN D., Ph.D. “Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr. Benjamin Filene. 332 pgs This dissertation investigates the development of African American identity and blues culture in the United States and Europe from the 1920s to the 1950s through an examination of the life of one of the blues’ greatest artists. Across his career, Big Bill Broonzy negotiated identities and formed communities through exchanges with and among his African American, white American, and European audiences. Each respective group held its own ideas about what the blues, its performers, and the communities they built meant to American and European culture. This study argues that Broonzy negotiated a successful and lengthy career by navigating each groups’ cultural expectations through a process that continually transformed his musical and professional identity. Chapter 1 traces Broonzy’s negotiation of black Chicago. It explores how he created his new identity and contributed to the flowering of Chicago’s blues community by navigating the emerging racial, social, and economic terrain of the city. Chapter 2 considers Broonzy’s music career from the early twentieth century to the early 1950s and argues that his evolution as a musician—his lifelong transition from country fiddler to solo male blues artist to black pop artist to American folk revivalist and European jazz hero—provides a fascinating lens through which to view how twentieth century African American artists faced opportunities—and pressures—to reshape their identities. Chapter 3 extends this examination of Broonzy’s career from 1951 until his death in 1957, a period in which he achieved newfound fame among folklorists in the United States and jazz and blues aficionados in Europe. -
Beyond 12 Bar Blues Bluesharmonica.Com Support Material Written by David Barrett
Music Theory Study 6 Beyond 12 Bar Blues BluesHarmonica.com Support Material Written by David Barrett Section 1 – Standard 12 Bar Blues Chord Root Notes relative to Home Scale Ex. 1.1 – Standard (Long Changes) I7 IV7 I7 V7 IV7 I7 V7 Example: “Temperature” Tongue Block Study 2 Ex. 1.2 – Quick Change I7 IV7 I7 IV7 I7 V7 IV7 I7 V7 Example: “The Split” Tongue Block Study 4 Section 2 – 12 Bar Blues Variations Ex. 2.1 – 8 Bars of I7 7 i V7 IV7 i7 Example: “Same Thing” by Muddy Waters 1 Ex. 2.2 – Starting on the IV7 IV7 I7 IV7 I7 V7 IV7 I7 Example: “Mystery Train” by Junior Parker (The Paul Butterfield Blues Band 1965 version is a little easier to hear the form than the Junior Parker original) Ex. 2.3 – Stormy Monday Changes (we’ll study this later in the lesson) 7 7 7 I IV I7 ♭II7 I 7 7 IV I ii iii ♭iii 7 7 7 7 7 V ♭VI7 V7 I IV I V Example: “Stormy Monday” Bobby Bland Version Ex. 2.4 – Bar 9 Option (Long V) V7 I7 V7 Example: “Johnny B. Goode” by Chuck Berry, Verses (not in the opening chorus if you’re listening to the original track) Ex. 2.5 – Bar 9 Option ii7 V7 I7 Example: “Tell Me What’s the Reason” by T-Bone Walker and “Gary’s Blues” Tongue Block Study 3 (note that the transcription shows it as a V-IV-I, I didn’t want to confuse students at that skill level) Ex. -
LES INCONTOURNABLES DU BLUES (Youtube Et Autres)
LES INCONTOURNABLES DU BLUES (YouTube et autres) LES DÉBUTS ROBERT JOHNSON CHARLIE PATTON SON HOUSE MA RAINEY BESSIE SMITH BLIND WILLIE JOHNSON BLIND WILLIE McTELL BLIND LEMON JEFFERSON BIG BILL BROONZY TOMMY JOHNSON SKIP JAMES TAMPA RED LE BLUES ÉLECTRIQUE MUDDY WATERS HOWLING WOLF SONNY BOY WILLIAMSON I ET II WILLIE DIXON LITTLE WALTER OTIS SPANN BUDDY GUY et JUNIOR WELLS JIMMY REED ELMORE JAMES JOHNNY SHINES et BIG WALTER HORTON ALBERT KING FREDDIE KING LES GRANDES VOIX DU BLUES BIG MAMA THORNTON B.B.KING SISTER ROSETTA THARPE ETTA JAMES RAY CHARLES KATIE WEBSTER KOKO TAYLOR MAVIS STAPLES MEMPHIS MINNIE BILLIE HOLIDAY JOHN LEE HOOKER MAGIC SAM BIG JOE TURNER GUITARISTES ROBERT JOHNSON LONNIE JOHNSON ALBERT KING FREDDIE KING JIMI HENDRIX B.B. KING STEVIE RAY VAUGHAN ALBERT COLLINS GARY MOORE TROMBONISTES JACK TEAGARDEN JAY JAY JOHNSON FRANK ROSOLINO CURTIS FULLER FRED WESLEY TOM MALONE TROMBONE SHORTY TROMPETTISTES : MILES DAVIS WYNTON MARSALIS LOUIS ARMSTRONG CLIFFORD BROWN BLUE MITCHELL SAXOPHONISTES EDDIE LOCKJAW DAVIS KING CURTIS HANK CRAWFORD MACEO PARKER CANNONBALL ADDERLEY LESTER YOUNG SIDNEY BECHET PIANISTES PINETOP PERKINS OTIS SPANN LAFAYETTE LEAKE LITTLE BROTHER MONTGOMERY RAY CHARLES ALBERT AMMONS JOHNNIE JOHNSON MEMPHIS SLIM HARMONICISTES JIMMY REED HOWLING WOLF SONNY TERRY LITTLE WALTER JAMES COTTON PAUL BUTTERFIELD ALAN WILSON BASSISTES WILLIE DIXON JAMIE JAMERSON ERNEST CRAWFORD RANSOM KNOWLING JACK MYERS LARRY TAYLOR DUCK DUNN BATTEURS SAM LAY FRED BELOW JABO STARKS AL JACKSON SP LEARY …et tous les autres que vous découvrirez par la suite. Yeah ! Vincent Beaulne, directeur artistique du camp de Blues du FIJM .