Gome Electrical Appliances Holding Limited 國美電器控股有限公司* (於百慕達註冊成立之有限公司) (股份代號:493)
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Movie Catalog Movie
On-Board March/April 2020 | 2020 March/April MOVIE CATALOG © 2020 Disney Enterprises Inc. © & T.M. 2020 Lucasfilm Ltd © 2020 Lions Gate Films Inc., and MRC II Distribution Company LP. All Rights Reserved. 1.877.660.7245 | swank.com/on-board-movies 1.877.660.7245 © 2020 Paramount Pictures © 2020 Paramount Pictures © 2020 CTMG, Inc. All Rights Reserved. © 2020 CTMG, Inc. All Rights Reserved. © 2020 Warner Bros. Ent. All rights reserved. © 2020 LUCITE DESK LLC AND LIONS GATE FILMS INC. ALL RIGHTS RESERVED. WINNERS GLOBE GOLDEN WINNERS OSCAR © 2020 Universal City Studios Productions LLLP. All Rights Reserved. © 2020 Warner Bros. Ent. All rights reserved. © 2020 STORYTELLER DISTRIBUTION CO., LLC. All Rights Reserved. 2020 WINNERS © 2020 Universal Studios and Storyteller Distribution Co., LLC. All Rights Reserved. © 2020 Lions Gate Entertainment Inc. All Rights Reserved. Best Cinematography Best Sound Mixing Best Actress Best Visual Effects © 2020 NEON Rated, LLC. All Rights Reserved Best Picture Best Director © 2020 WBEI TM & DC Comics © 2020 CTMG, Inc. All Rights Reserved. Best Original Screenplay Best International Film Best Actor Best Supporting Actor Best Original Score Best Production Design © 2020 Disney/Pixar © 2020 CTMG, Inc. All Rights Reserved. © 2020 Paramount Pictures © 2020 LUCITE DESK LLC AND LIONS GATE FILMS INC. ALL RIGHTS RESERVED. © 2020 LUCITE DESK LLC AND LIONS GATE © 2020 Columbia Pictures Industries, Inc. Best Animated Best Costume Best Original Best Makeup & Best Animated Feature Design Song Hairstyling Short All trademarks belong to their respective owners.” Movie Availability Guide APRIL MARCH AVAILABLE NOW © 2020 STORYTELLER DISTRIBUTION CO., LLC. All Rights Reserved. © 2020 Warner Bros. Ent. All rights reserved. -
Day 1 001 Ad Cover.Indd
MONDAY, MARCH 24 2014 DAY 1 AT FILMART www.ScreenDaily.com Editorial +852 2582 8959 Advertising +852 2582 8958 fatal_encounter-ad_245x266_fin_전달용 1 2014.3.14 5:41:12 PM MONDAY, MARCH 24 2014 TODAY DAY 1 AT FILMART Hot titles: Korea, page 16 www.ScreenDaily.com Editorial +852 2582 8959 Advertising +852 2582 8958 NEWS Pan-Asia Academy expands Hong Kong, Busan and Toyko outline Academy plans » Page 4 Desen teams with Weta REVIEWS The Midnight After Fruit Chan’s opening night film proves a quirky apocalyptic horror on 3D epic Zhong Kui » Page 10 Jamie Marks Is Dead BY LIZ SHACKLETON Weta Workshop is providing FEATURE China’s Desen International Media character and scenery design for Hot titles Celluloid Dreams has brought on board top VFX the fi lm, while its sister company Screen profiles Korean cinema houses including Peter Jackson’s Park Road Post works on compos- highlights acquires Jamie Weta Workshop for $27m 3D fan- iting. The film is one of the first » Page 16 tasy adventure Zhong Kui: Snow Chinese films to use full perfor- Marks Is Dead Girl And The Dark Crystal. mance capture, which will be han- SCREENINGS Acclaimed Hong Kong DoP dled by leading Korean VFX house » Page 19 BY JEAN NOH Peter Pau is serving as producer, Li Bingbing Macrograph (Journey To The West: France’s Celluloid Dreams has DoP and VFX director on the fi lm, Conquering The Demons). picked up international rights on which is currently shooting in stereographer Vincent E Toto Other behind-the-scenes talent Sundance competitor Jamie Marks China with Chen Kun, Li Bingbing, (Dredd). -
Copyright by Shaohua Guo 2012
Copyright by Shaohua Guo 2012 The Dissertation Committee for Shaohua Guo Certifies that this is the approved version of the following dissertation: THE EYES OF THE INTERNET: EMERGING TRENDS IN CONTEMPORARY CHINESE CULTURE Committee: Sung-Sheng Yvonne Chang, Supervisor Janet Staiger Madhavi Mallapragada Huaiyin Li Kirsten Cather THE EYES OF THE INTERNET: EMERGING TRENDS IN CONTEMPORARY CHINESE CULTURE by Shaohua Guo, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2012 Dedication To my grandparents, Guo Yimin and Zhang Huijun with love Acknowledgements During the outbreak of Severe Acute Respiratory Syndrome (SARS) in China in 2003, I, like many students in Beijing, was completely segregated from the outside world and confined on college campus for a couple of months. All activities on university campuses were called off. Students were assigned to designated dining halls, and were required to go to these places at scheduled times, to avoid all possible contagion of the disease. Surfing the Web, for the first time, became a legitimate “full-time job” for students. As was later acknowledged in the Chinese media, SARS cultivated a special emotional attachment to the Internet for a large number of the Chinese people, and I was one of them. Nine years later, my emotional ties to the Chinese Internet were fully developed into a dissertation, for which I am deeply indebted to my advisor Dr. Sung- Sheng Yvonne Chang. -
Urban Space in the Films of Johnnie To*
Concentric: Literary and Cultural Studies 46.1 March 2020: 59-81 DOI: 10.6240/concentric.lit.202003_46(1).0004 The Unexpected Encounter of Two Parallel Lines: Urban Space in the Films of Johnnie To* William Carroll Department of East Asian Languages and Cultures Indiana University Bloomington, USA Abstract In this paper the author compares Hong Kong filmmaker Johnnie To’s (杜琪 峯) formal articulation of urban space in his internationally celebrated crime films with that in his locally popular romantic comedies. Drawing from recent scholarship on urban space in Hong Kong, Chinese, and broader East Asian cinema, he establishes that To’s films in both genres hinge on spatial relationships that are specific to rapidly forming metropolises. However, through close analyses of the crime films Expect the Unexpected (非常突然 Feichang turan, 1998) and Breaking News (大事件 Da shijian, 2004) and the romantic comedies Turn Left, Turn Right (向左走‧向右走 Xiangzuo zou, xiangyou zou, 2003) and Don't Go Breaking My Heart (單身男女 Danshen nannu, 2011), he contends that To’s crime films depict these spatial relationships within a framework of spatial continuity, while his romantic comedies do so within a framework of spatial fragmentation. These two frameworks play into the two genres’ separate dramatic needs: fatalistic confrontation for the crime films vs. delayed reconciliation in the romantic comedies. However, To uses these spatial frameworks within the two genres to explore the ways that urban design can either thwart or facilitate encounters between the inhabitants of a global city. Keywords urban space, industrial genres, film genre, romantic comedies, crime films, spatial continuity, spatial fragmentation, fate, global cities * The author wishes to thank Matt Hubbell, Yueling Ji, Gary Kafer, Katerina Korola, Mikki Kressbach, David Krolokoski, Cooper Long, Nicole Morse, Jordan Schonig, H.S. -
Conference on Chinese Linguistics (NACCL-20) 2008 Volume 1, (Pp
Proceedings of International Symposium on English Language, Literature and Big Data December 6-8, 2019, Hangzhou, China The American Scholars Press Editors: Lisa Hale Cox, Jin Zhang and Yi Shan Cover Designer: Yuanyuan Li Published by The American Scholars Press, Inc. The Proceedings of International Symposium on English Language, Literature and Big Data is published by the American Scholars Press, Inc., Marietta, Georgia, USA. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the publisher. Copyright © 2019 by the American Scholars Press All rights reserved. ISBN: 978-1-7337122-4-8 Printed in the United States of America 2 Preface The International Symposium on English Language, Literature and Big Data was held in Zhejiang International Studies University on December 6th-8th, 2019. This Symposium was hosted by the School of English Studies of Zhejiang International Studies University and co-organized by the American Scholars Press. About 100 scholars and Ph.D. students from Australia, Britain, Ireland, Taiwan, and Mainland China participated in the event. They exchanged ideas and discussed the following topics: 1. Foreign literature research and the application of big linguistic data; 2. Linguistic research and the application of big linguistic data; 3. Translation studies and the application of big linguistic data; 4. Intercultural communication research and the application of big linguistic data; 5. English -
2017 Annual Report 04 at a Glance
02 OUR VISION WildAid’s mission is to end the illegal wildlife trade in our lifetimes. While most wildlife conservation groups focus on scientific studies and anti-poaching efforts, we work to reduce global consumption of wildlife products and to increase local support for conservation efforts. In collaboration with celebrity ambassadors and using the same techniques as high-end advertisers, WildAid creates aspirational and exciting conservation campaigns that are seen by hundreds of millions of people every year. We also work with partners in government, non-governmental organizations and the private sector to secure marine protected areas, including the Galapagos Islands in Ecuador and Palau’s Northern Reefs, from threats such as illegal fishing. With a comprehensive management approach and the use of innovative technologies, we deliver cost-effective enforcement to key marine reserves around the world. At the invitation of China’s government, we also use our communications model to encourage lower carbon transport and food choices that help reduce climate impacts. TO LEARN MORE, VISIT WILDAID.ORG Cover: Black rhinoceros (©Johan Swanepoel) Inside cover: Manta ray (©Shawn Heinrichs) 03 LETTER FROM THE CEO 2017 was truly an epic year for WildAid. Most significant was the historic closure of China’s ivory market. It is now illegal to buy or sell products made from elephant tusks anywhere in mainland China. WildAid Ambassador Yao Ming, who fought diligently for the ivory ban, is now helping us educate the public about it. With many other locations moving toward their own domestic ivory bans, including Hong Kong, Taiwan, Thailand and more, we have reached a critical tipping point. -
The Musics of Stalactites and Spheres by Jim Quilty
ARTS & CULTURE saturday, march 19, 2016 AGENDA REVIEW LEBANON MUSIC The musics of stalactites and spheres ‘Only Beethoven’ Emile Bustani Auditorium, Beirut The performanaces of March 19, 8:30 p.m. SAF’s 2016 March Pianist Gloria Campaner is Meetings: challenging, accompanied by the State Youth Orchestra of Armenia informative, cool under the baton of Gianluca Marciano in performing By Jim Quilty “Coriolan Overture,” The Daily Star “Emperor” and “Symphony No. 5” by the legendary Ger- HARJAH, United Arab Emi- man composer. The event is rates: In November 1969, Lebanon’s Jeita Grotto was part of the ongoing 2016 Al host to a historic sound event. Bustan Festival. S German composer Karlheinz Stockhausen and a troupe of musi- ‘Grand Finale’ cians descended on the cave com- Emile Bustani Auditorium, plex – renowned for its sheer size and the beauty of its stalactites – to Beirut stage a four-day contemporary March 20, 8:30 p.m. music festival. The final event of the 2016 Feted as one of the most impor- Al Bustan Festival will fea- tant composers of the 20th and ear- ture soprano Anna Kasyan ly-21st centuries, Stockhausen’s sev- and the State Youth Orches- eral interests included spatialization, how music travels in space. He was tra of Armenia under the intrigued by the sonic possibilities of baton of Gianluca Marciano Jeita’s eight-second-long echoes in performing the works of changing the fabric of his music. Tchaikovsky, Bellini, Goun- Stockhausen’s triste with Jeita od and Verdi. was the subject of “Time Tuning,” Raed Yassin’s lecture performance in Sharjah earlier this week. -
Unabridged Cannes Product Guide + Stills
CANNES PRODUCTPRODUCT GUIDEGUIDE Sarah Wharton comments from them about the Tennis 10 REGOLE PER FARE 7 & 7 PRODUCERS’ Delivery Status: Screening world of today. Featured in this INNAMORARE Over the course of one night, an programme are such stars as : FRED AKA: 10 RULES FOR FALLING IN SALES SERVICE underachieving twenty-something must PERRY, ROD LAVER, PANCHO 7 & 7 Producers’ Sales Service, 122 LOVE re-examine his listless life and battle his GONZALES, KEN ROSEWELL, ILIE Teen Romantic Comedy (93 min.) Walton Street, London, SW3 2JJ UK, pot-dealing roommate to win over the NASTASE, ROY EMERSON, FRED Language: Italian Tel: +44(0)7814.681335 girl of his dreams. STOLLY, JOHN MACENROE, IVAN Director: Cristiano Bortone www.producerssalesservice.com, TORTOISE IN LOVE LENDL, ANDRE AGASSI. Writer: Cristiano Bortone, Fausto Brizzi [email protected] Romantic Comedy (81 min) Producer: Orisa Produzioni - Orkestra At Cannes: Maura Ford (Managing AFRICAN ODYSSEY Language: English 2012Wildlife Documentary (13x30 min OR Entertainment Director - Sales), Antony Ford (Company Director: Guy Browning 1x52 min) Key Cast: Guglielmo Scilla, Vincenzo Director - Acquisitions) Writer: Guy Browning Language: English Salemme, Enrica Pintore Office: Lerins R1, Tel: Co-Production Partners: Immense Director: Joanne Goldring Cohen Delivery Status: Completed +33(0)6.11.78.28.59 CARELESS LOVE Productions LLP. Writer: Joanne Goldring Cohen Year of Production: 2012 Country of Drama (105 min) Producer: Steffan Aquarone Executive Producer: Eliot Cohen Origin: Italy Language: -
Nigeria Frees 80 Chinese Held in Raids on Markets
Showers 18/23°C Reporting China and the World Since 1999 Price 2 Yuan Vol.013 No.3987 www.shanghaidaily.com Friday 25 May 2012 METRO Cat Killer Flees A Shanghai woman accused of abusing and killing adopted Nigeria frees 80 Chinese cats packs up and leaves her rented apartment after angry cat owners surround it. The 38-year-old had to seek police protection after her activities held in raids on markets were revealed. A5 NATIONAL 100 arrested in immigration crackdown TOP NEWS/A3 Size Matters A kindergarten that requires non-local parents to have an apartment of at least 80 square meters before their children are eligible to enroll has stirred controversy in a Guangdong Province city. A8 WORLD Sunny Side Up An experimental solar-powered airplane takes off from Switzer- land on its first transcontinental flight, aiming to reach North Africa next week. Fog causes a delay, though, demonstrating how susceptible the prototype single-seater aircraft is to ad- verse weather. A10 BUSINESS Still Contracting Private companies in China may see a deterioration in their manufacturing activities in May as a preliminary read- ing for the HSBC Purchasing Managers’ Index suggests a seventh straight month of contraction. A11 SPORTS Police escort for telecom scam suspects TOP NEWS/A2 Volte-face Shanghai Shenhua’s French One of the suspects in a transnational telecom scam involving nearly 500 people is escorted by police at Shuofang airport in Wuxi, Jiangsu Province. Officers brought 126 of 177 Chinese mainland suspects to Beijing yesterday for further questioning. player-coach Nicolas Anelka Nearly 290 of the suspects hail from Taiwan and the remaining 19 are from Thailand and Myanmar. -
Chinese Movies in the 2005 Cannes Film Festival
Intercultural Communication Studies XVI: 3 2007 Yeh Chinese Movies in the 2005 Cannes Film Festival Szu-Yin Yeh University of Shih Hsin Taipei, Taiwan Three Chinese movies, from Hong Kong, Mainland China, and Taiwan, were invited to attend the Cannes Film Festival Competition in 2005. The movies, which included Election, Shanghai Dream, and Three Times, represented different film cultures from the three different political-economic regions. During the Cannes Film Festival, the three regions made their best efforts to attract the international media to report on their movies. Each film also had a formal press conference in the Palais des Festival. In addition, different events, such as Hong Kong Night, China Movies 100th Anniversary, and Taiwan Night parties, were held on the Cannes beach for the access of international media. Based on the author’s observation of the festival, this paper analyzes the events from the perspectives of the festival itself, movie participants, and the role media and reporters play in the competition process. The interaction or mutual effects of these perspectives on each other is also discussed. The Cannes Film Festival is one of the three most important film festivals in the world. Participants at the 58th annual Cannes Film Festival in 2005 represented countries from around the globe including the U.S.A., the U.K., China, Taiwan, Iran, and Israel. In recent years, Chinese movies have excelled and won many awards at the festival. In 2005, three Chinese movies from China, Taiwan, and Hong Kong participated in the Cannes Film Festival competition simultaneously. To stand out from the Hollywood movies, the Cannes Film Festival strongly indicates that it is alternative. -
Theatrical Press Release
CITY OF LIFE AND DEATH 2009, China, B&W, 133 minutes, 2.35:1, Mandarin-Japanese-English-Shanghainese w/subtitles Publicity Contact: Rodrigo Brandão 333 West 39th Street Suite 503 New York, NY 10013 Phone : 212.629.6880 Email : [email protected] High-res Images: www.kinolorber.com/press KINO LORBER • SUITE 503 • 333 W. 39 ST • NYC • 10018 • TEL (212) 629-6880 • [email protected] CITY OF LIFE AND DEATH CAST Liu Ye – Lu Jianxiong Gao Yuanyuan – Miss Jiang Hideo Nakaizumi – Kadokawa Fan Wei – Mr. Tang Jiang Yiyan – Xiao Jiang Ryu Kohata – Ida Liu Bin – Xiaodouzi John Paisley – John Rabe Beverly Peckous – Minnie Vautrin Qin Lan – Mrs. Tang Sam Voutas – Durdin Yao Di – Tang Xiaomei Zhao Yisui – Shunzi CREW Written and directed by Lu Chuan Director of Photography – Cao Yu Production Designers – Hao Yi, Lin Chaoxiang Original Music – Liu Tong Sound Designer – Lai Qizhen Executive Producer – Lu Chuan Producers – Han Sanping, Qin Hong, Zhou Li, John Chong and Andy Zhang Production Executives – Zeng Qinghuai, Shi Dongming, Yue Xiaomei, Shirley Lau, Han Xiaoli, Yang Xinli, Jiang Tao and Liang Yong. – SHORT SYNOPSIS – Nanjing, China December 1937: The Japanese Imperial Army attacks the city wall of the fledging Republic of China’s ancient capital, and in a matter of days, Nanjing falls. Over the course of the fol - lowing weeks, Japanese soldiers systematically exterminate Chinese prisoners while brutalizing, murdering, and raping civilians. As the death toll mounts exponentially, a group of Chinese and European refugees attempt to stave off the atrocities within a Safety Zone established inside the city. In the process, everyone – Chinese, Japanese, civilian and soldier – has their loyalty and humanity tested by the unspeakable crimes and extraordinary sacrifices that are to follow. -
Copyright by Yi Lu 2016
Copyright By Yi Lu 2016 The Dissertation Committee for Yi Lu certifies that this is the approved version of the following dissertation: Commercial Renaissance of Chinese Cinema: Movie Industry Reforms, Chinese Blockbusters, and Film Consumption in a Global Age Committee: ___________________________ Thomas Schatz, Supervisor ___________________________ Sung-sheng Chang, Co-Supervisor ___________________________ Shanti Kumar ___________________________ Lalitha Gopalan ___________________________ Michael Curtin Commercial Renaissance of Chinese Cinema: Movie Industry Reforms, Chinese Blockbusters, and Film Consumption in a Global Age By Yi Lu, B.A; M.A; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree(s) of Doctor of Philosophy The University of Texas at Austin August 2016 Dedication For my parents Acknowledgement This project would not have started without the inspiration of my supervisor Prof. Thomas Schatz. I wish to express my deepest gratitude to Prof. Schatz for his years of thoughtful, patient guidance, and support. He not only helped me grow intellectually through many hours of discussion, but also have set the standard of excellence as a scholar, mentor, instructor, and role model. Prof. Schatz has gracefully devoted time and energy to edit many drafts of the project, offer numerous insightful suggestions, and guide me through every stage of the writing process. I also wish to thank my co-supervisor, Prof. Sung-sheng Yvonne Chang, for her guidance, patience, and unfaltering support during the dissertation writing process and my graduate study. I have benefited greatly from her seminars and scholarships, and every formal and informal discussion with her.