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November 2015
November 2015 8:00 PM ET/5:00 PM PT 4:45 PM ET/1:45 PM PT 3:30 PM ET/12:30 PM PT 7:00 PM CT/6:00 PM MT 3:45 PM CT/2:45 PM MT 2:30 PM CT/1:30 PM MT Tears of the Sun For Love of the Game Down Periscope 10:05 PM ET/7:05 PM PT 7:15 PM ET/4:15 PM PT 5:05 PM ET/2:05 PM PT SUNDAY, NOVEMBER 1 9:05 PM CT/8:05 PM MT 6:15 PM CT/5:15 PM MT 4:05 PM CT/3:05 PM MT 12:15 AM ET/9:15 PM PT Man On Fire Blue Crush Biloxi Blues 11:15 PM CT/10:15 PM MT 9:00 PM ET/6:00 PM PT 7:00 PM ET/4:00 PM PT Scream MONDAY, NOVEMBER 2 8:00 PM CT/7:00 PM MT 6:00 PM CT/5:00 PM MT 1:15 AM ET/11:15 PM PT 12:35 AM ET/9:35 PM PT Wimbledon Primary Colors 1:15 AM CT/12:15 AM MT 11:35 PM CT/10:35 PM MT 10:45 PM ET/7:45 PM PT 9:30 PM ET/6:30 PM PT The Sixth Sense Tears of the Sun 9:45 PM CT/8:45 PM MT 8:30 PM CT/7:30 PM MT 3:15 AM ET/1:15 AM PT 2:45 AM ET/11:45 PM PT Blue Crush The Birdcage 2:15 AM CT/1:15 AM MT 1:45 AM CT/12:45 AM MT 11:30 PM ET/8:30 PM PT Hollywood’s Best Directors - M. -
EDITORIAL Screenwriters James Schamus, Michael France and John Turman CA 90049 (310) 447-2080 Were Thinking Is Unclear
screenwritersmonthly.com | Screenwriter’s Monthly Give ‘em some credit! Johnny Depp's performance as Captain Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl is amazing. As film critic after film critic stumbled over Screenwriter’s Monthly can be found themselves to call his performance everything from "original" to at the following fine locations: "eccentric," they forgot one thing: the screenwriters, Ted Elliott and Terry Rossio, who did one heck of a job creating Sparrow on paper first. Sure, some critics mentioned the writers when they declared the film "cliché" and attacked it. Since the previous Walt Disney Los Angeles film based on one of its theme park attractions was the unbear- able The Country Bears, Pirates of the Caribbean is surprisingly Above The Fold 370 N. Fairfax Ave. Los Angeles, CA 90036 entertaining. But let’s face it. This wasn't intended to be serious (323) 935-8525 filmmaking. Not much is anymore in Hollywood. Recently the USA Today ran an article asking, basically, “What’s wrong with Hollywood?” Blockbusters are failing because Above The Fold 1257 3rd St. Promenade Santa Monica, CA attendance is down 3.3% from last year. It’s anyone’s guess why 90401 (310) 393-2690 this is happening, and frankly, it doesn’t matter, because next year the industry will be back in full force with the same schlep of Above The Fold 226 N. Larchmont Blvd. Los Angeles, CA 90004 sequels, comic book heroes and mindless action-adventure (323) 464-NEWS extravaganzas. But maybe if we turn our backs to Hollywood’s fast food service, they will serve us something different. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
Investigating Vocabulary in Academic Spoken English
INVESTIGATING VOCABULARY IN ACADEMIC SPOKEN ENGLISH: CORPORA, TEACHERS, AND LEARNERS BY THI NGOC YEN DANG A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Applied Linguistics Victoria University of Wellington 2017 Abstract Understanding academic spoken English is challenging for second language (L2) learners at English-medium universities. A lack of vocabulary is a major reason for this difficulty. To help these learners overcome this challenge, it is important to examine the nature of vocabulary in academic spoken English. This thesis presents three linked studies which were conducted to address this need. Study 1 examined the lexical coverage in nine spoken and nine written corpora of four well-known general high-frequency word lists: West’s (1953) General Service List (GSL), Nation’s (2006) BNC2000, Nation’s (2012) BNC/COCA2000, and Brezina and Gablasova’s (2015) New-GSL. Study 2 further compared the BNC/COCA2000 and the New-GSL, which had the highest coverage in Study 1. It involved 25 English first language (L1) teachers, 26 Vietnamese L1 teachers, 27 various L1 teachers, and 275 Vietnamese English as a Foreign Language learners. The teachers completed 10 surveys in which they rated the usefulness of 973 non-overlapping items between the BNC/COCA2000 and the New- GSL for their learners in a five-point Likert scale. The learners took the Vocabulary Levels Test (Nation, 1983, 1990; Schmitt, Schmitt, & Clapham, 2001), and 15 Yes/No tests which measured their knowledge of the 973 words. Study 3 involved compiling two academic spoken corpora, one academic written corpus, and one non-academic spoken corpus. -
Marketing-Strategy-Ferrel-Hartline.Pdf
Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. Marketing Strategy Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. This is an electronic version of the print textbook. Due to electronic rights restrictions, some third party content may be suppressed. Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. The publisher reserves the right to remove content from this title at any time if subsequent rights restrictions require it. For valuable information on pricing, previous editions, changes to current editions, and alternate formats, please visit www.cengage.com/highered to search by ISBN#, author, title, or keyword for materials in your areas of interest. Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). -
Dull, Dumb 3-D
I I Dull, dumb 3-D i) film disappoints ** I David DiCerto/CNS the OSS when his big sister, Carmen NEW YORK — "Spy.Kids 3-D: (Alexa Vega) is captured while on as £ Game Over" (Dimension) is, as ad signment to hack into and shut down o vertised, 3-D — those three D's be a dangerous video game which con o ing, dull, dumb and disappointing. trols the consciousness of any child Director Robert Rodriguez scored who plays it, the dastardly handi big in 2001 with the original "Spy work of the evil mastermind, Toy- DO Kids," then stutter-stepped in 2002 maker (Sylvester Stallone). < with the less-than-impressive se Ricardo Montalban is Juni's > : quel, "Spy Kids 2: The Island of Lost wheelchair-bound grandfather. Dimension Films/CNS Z : Dreams," and has fallen flat on its There are brief cameos by the adult Ryan Pinkston stars in the movie "Spy Kids 3D: Game Over." sprockets with the third installment. Cortez couple, Antonio Banderas The first cleverly married imagi and Carla Gugino, as well as by char by a preordained addictive video native special effects to a smart, en acters from the two previous films. game marketed at youngsters. o MovieReviews CxL tertaining story which did not insult Sadly, the 3-D environment is pop- One hopes "Spy Kids 3-D: Game young viewers' intelligence. The se ulatedby one-dimensional charac Over" will live up to its title and tru cret of its appeal was that it resisted ters. Stallone is the sole exception, ly signal the end of the line for this tality and preachy tone. -
130 No. 195. the Irrigation Divisions (Villages) Laws, 1938 and 1944
130 KYBENIA DISTRICT:— ■·■.·. Kormakiti, Liveras, Orga, Panagra, Ayia Irini, Vasilia, Larnaca tie Lapithou, Agricmaki Sisklipos, Paleosophos, Phterykha, Karmi, Kazaphani, Bellapais, Ayios Epiktitos, Klepini' Armenian Monastery, Kharcha, Ayios' Amvrosios, Kalogrea, Traoeza. ' PAPHOS DISTRICT :— Pano and Kato Akonrdhalia, Amargoti, Androlikou, Akoursos, Argaka, Pano and Kato Arkhimandrita, Pano and Kato Arodhes, Asproyia, Axylou, Ayia Marina (Khrysokhou), Ayio3 Ioannis, Ayios Merkourios, Ayios Nikolaos, Dhrousha, Eledhiou, Inia, Istinjo, Kallepia, Kanna- viou, Kathikas, Kili, Kilinia, Kinousa, Kouklia, Kritou Marottou, Kritou Terra, Livadhi, Lyso, Malounda, Magounda, Mamonia, Marona, Meladhia, Mousere, Nata, Neokhorio, Nikoklia, Pali- ambela, Panayia, Pelathousa, Poyia, Phasli, Phasoula, Phiti, Pomos, Prastio, Sarama, Souskiou, Tala, Terra, Theletra, Trakhypedhoula, Trimithousa, Tsadha, Vrecha, Yialia, Zakharia, Pi- targou. Pv. NT. HENRY, Controller of Supplies, Competent Authority. No. 194. THE DEFENCE (CONTROL OF OILBURNERS) ORDER, 1944. NOTICE No. 3 UNDER CLAUSE 2. I hereby specify the following to bo a " Controlled Oilburner " for the purposes of the above Order :— DESCRIPTION. (a) The typo of Oilburner called and known as the " Utility " Oilburner. (6) Tho " Utility " Oilburner comprises an atomizing burner for all classos of oil fuel, the atomizing agent being steam or compressed air. (c) Tho " Utility " Oilburner consists of the following parts, viz : PART 1.—A thimble shaped hollow brass nozzle, threaded at one end and screwed to tho oil feed pipe ; the other end of the nozzle is tapered down in the form of a spindle extension on the end of which a fan shaped revolving impeller is mounted. The circumference of the nozzle is perforated in a number of circular orifices through which the oil is drawn. -
Eddie Murphy in the Cut: Race, Class, Culture, and 1980S Film Comedy
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-10-2019 Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy Gail A. McFarland Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation McFarland, Gail A., "Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy." Thesis, Georgia State University, 2019. https://scholarworks.gsu.edu/aas_theses/59 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EDDIE MURPHY IN THE CUT: RACE, CLASS, CULTURE, AND 1980S FILM COMEDY by GAIL A. MCFARLAND Under the Direction of Lia T. Bascomb, PhD ABSTRACT Race, class, and politics in film comedy have been debated in the field of African American culture and aesthetics, with scholars and filmmakers arguing the merits of narrative space without adequately addressing the issue of subversive agency of aesthetic expression by black film comedians. With special attention to the 1980-1989 work of comedian Eddie Murphy, this study will look at the film and television work found in this moment as an incisive cut in traditional Hollywood industry and narrative practices in order to show black comedic agency through aesthetic and cinematic narrative subversion. Through close examination of the film, Beverly Hills Cop (Brest, 1984), this project works to shed new light on the cinematic and standup trickster influences of comedy, and the little recognized existence of the 1980s as a decade that defines a base period for chronicling and inspecting the black aesthetic narrative subversion of American film comedy. -
Kayak to Klemtu
Presents KAYAK TO KLEMTU A film by Zoe Hopkins Running time: 90 minutes, Canada, 2018 Languages: English, some Hailhzaqvla Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Twitter: @starpr2 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia Kayak to Klemtu Logline 14-year-old Ella is determined to kayak the length of the inside passage to protest an oil pipeline and honour her late uncle’s legacy. Kayak to Klemtu Short Synopsis 14-year-old Ella is determined to travel the length of the Inside Passage by kayak in order to protect her home. She plans to protest a proposed pipeline that would have oil tanker traffic spoil her beloved homeland’s waters. Ella is prepared to handle all of the challenges put in front of by her this adventure, but most of all the challenge of her whacky family. Her neurotic aunt, her cranky uncle, her wayward cousin, and the memory of her late uncle all tag along for the ride, throwing Ella for a loop. From Tla'Amin to Klemtu, British Colombia, this family navigates their blend of cultures and ideals, while their spirits honour the coast as a place for not just Ella, but everyone, to call home. Kayak to Klemtu One Page Synopsis 14-year-old Ella’s Uncle Bear has passed away. It was his dying wish to have Ella testify against the proposed oil pipeline that is going to ruin their home waters. -
CYPRUS OPEN STUDIOS Brochure Page 1 FRONT COVER 210716
CATALOGUE / ΚΑTAΛΟΓΟΣ Visit studios and work spaces all over Cyprus FRONT COVER TO BE CONFIRMED Επισκεφτείτε στούντιο και χώρους δημιουργίας σε όλη την Κύπρο 2016 www.cyprusopenstudios.com WELCOME to CYPRUS OPEN STUDIOS 2016 ΚΑΛΩΣΟΡΙΣΑΤΕ στα CYPRUS OPEN STUDIOS 2016 This annual event aords the visitor the opportunity to interact with individual artists and artisans, who live and work in Cyprus, in their own studios. Visitors are encouraged to access our website featuring detailed information as well as a MAP to assist in locating each studio or workspace. Η ετήσια αυτή διοργάνωση προσφέρει στον επισκέπτη την δυνατότητα να γνωρίσει μεμονωμενους καλλιτέχνες και τεχνίτες, οι οποίοι ζουν και εργάζονται στην Κύπρο στα δικά τους στούντιο, στο δικό τους χώρο δημιουργίας. Οι επισκέπτες παρακαλούνται να επισκεφθούν την ιστοσελίδα μας, που διαθέτει λεπτομερείς πληροφορίες, καθώς και ένα χάρτη που θα βοηθήσει στον εντοπισμό του κάθε στούντιο. www.cyprusopenstudios.com Studios are open during the first 4 weekends of October between 11.00hrs and 17.00hrs on Saturdays and Sundays. Individual participants elected certain weekends to be open to the public – please look at the schedule to avoid disappointment. Entrance is free and visitors are under no obligation to buy, but we live in hope! And don’t forget to enter the competition: see the inside back cover for the entry form. Many of the participants undertake commissions – please consult with them direct. Banners bearing the distinctive orange splash will be displayed near the entrance to each open studio. Should you require specific information, please contact the studio or artist direct – you will be assisted. -
200 Land Opportunities Below €50.000 with Significant Discounts from Market Value About Us
200 Land Opportunities below €50.000 with significant discounts from Market Value About us Delfi Properties holds a wide range of properties available for sale and for rent across Greece and Cyprus in most asset classes. Our dedicated transaction professionals are available to provide additional information on all of the properties being marketed and ready to support you throughout the process from your first inquiry through to sale completion. Nicosia Office Paphos OfficePaphos Office 1st & 2nd Floor Office 9, Office 9, 20 Katsoni Str. & AchepansAchepans 2 , 2 , Kyriakou Matsi Ave., AnavargosAn 8026avargos Paphos, 8026 Paphos, 1082 Nicosia, Cyprus Cyprus Cyprus +357 22 000093 +357 26 010574+357 26 010574 www.delfiproperties.com.cy www.delfiproperties.com.cywww.delfiproperties.com.cy [email protected] [email protected]@delfipropertie Information contained in our published works have been obtained from sources believed to be reliable at the time of publication. However, we do not guarantee the accuracy or completeness of any information published herein and shall not be held responsible for any changes, errors, omissions, or claims for damages arising out of use, inability to use, or with regard to the accuracy or sufficiency of the information contained in this publication. 2 Contents Paphos p. 44 Limassol p. 28 Larnaca p. 69 Famagusta p. 75 Nicosia p. 04 3 Nicosia is a true European capital, where the old town and modern city, the traditional and contemporary fuse together to give residents a unique experience unlike any other in Cyprus. With a number of landmarks, museums, theatres, musical events and galleries, life in Nicosia is exciting, while its convenient location between sea and mountains enables you to explore Cyprus and enjoy everything it has to offer within just a short drive. -
Covering Recovery: 10 Years After Katrina
$5.00 September 2014 SEJ Grants Fill a Gap Funding Helps Complete Projects Covering and Ventures Page 16 Recovery Making a Environmental Journalists Federal Case Journalists Unite to Prepare for Katrina’s Free up EPA Info Flow 10th Anniversary Page 22 Page 6 Putting Safety Before Duty Ways Reporters Weather Disaster Coverage Page 23 Hurricane Hardships Bryan Norcross Writes up a Few Storms Page 38 FROM THE EDITOR Staying Safe, Staying Strong As the Society of Environmental Journalists gathers in New Orleans for its 2014 conference themed “Risk and Resilience,” attendees — occasional Bourbon Street reveling aside — will be hard-pressed not to constantly think about the ravages wrought on the region over the past CONTENTS decade by Hurricane Katrina and the Deepwater Horizon oil spill. A DECADE DOWN THE ROAD .............. 6 As the 10th anniversary of Katrina approaches in the summer of 2015, reporters and editors A Guide to Covering Katrina’s will be looking for ways to tell compelling stories in remembrance of the catastrophe. Intended 10th Anniversary as a tool to help generate those story ideas, our cover piece explores the recommendations of NEW ORLEANS ACCENT ................... 12 the experts who dealt with the storm’s aftermath, and yields an assortment of tactics that can SEJ Gathers in a City of Risk and Resilience be taken to create thoughtful, pertinent coverage. Disaster reporting in itself is fraught with risk, and personal safety is ever central to the way MAKING ENDS MEET ........................ 16 reporters do their jobs. Whether it be hurricane, earthquake, wild re, ood, tornado or toxic Fund for Environmental Journalism Fills a Need chemical spill, it’s up to each individual to ensure they are prepared for the hazards they might encounter, as our story on page 23 concludes.