FOR a SUSTAINABLE FUTURE! Lucerne Festival Is Continuing to Expand Its Commitment to Sustainability
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Media Release Wolfgang Rihm Is the LUCERNE
Media Release Wolfgang Rihm Is the LUCERNE FESTIVAL ACADEMY’s New Artistic Director Matthias Pintscher Named Principal Conductor Lucerne, 04 September 2015 . Starting in the summer of 2016, the German composer Wolfgang Rihm will assume overall artistic directorship of the LUCERNE FESTIVAL ACADEMY. The conductor and composer Matthias Pintscher will support him as Principal Conductor and will be responsible each summer for a central Academy program; he will additionally focus on developing the Academy Orchestra. Both contracts are for a period of five years. The founder of the LUCERNE FESTIVAL ACADEMY, Pierre Boulez, will continue to remain in close dialogue with Wolfgang Rihm, Matthias Pintscher, and the Festival team as Honorary President of the Academy. For twelve years the LUCERNE FESTIVAL ACADEMY has been regarded as a unique international educational campus in the field of contemporary classical music of the 20th and 21st centuries. It offers continuing training not only for some 120 instrumentalists between 18 and 32 years of age but also for young directors and composers. “I am extremely delighted that in the person of Wolfgang Rihm a leading figure of contemporary music will be taking over artistic leadership of the LUCERNE FESTIVAL ACADEMY,” remarks Michael Haefliger, LUCERNE FESTIVAL’s Executive and Artistic Director. “On the strength of his experience and his knowledge in connection with the Academy, Wolfgang Rihm will be in a position to establish new directions for linking creativity with effective ways of working together for young instrumentalists, conductors, and composers. This summer Matthias Pintscher has returned for a third time as a teacher and conductor to help shape the Academy’s work in marvelous ways, as seen for example in the recent “Day for Pierre Boulez”. -
The Chamber Music Society of Lincoln Center
Concerts from the Library of Congress 2013-2014 THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER Thursday, April 10, 2014 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions and performances of contemporary music. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Presented in association with: The Chamber Music Society’s touring program is made possible in part by the Lila Acheson and DeWitt Wallace Endowment Fund. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Thursday, April 10, 2014 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER • Gilles Vonsattel, piano Nicolas Dautricourt, violin Nicolas Altstaedt, cello Amphion String Quartet Katie Hyun, violin David Southorn, violin Wei-Yang Andy Lin, viola Mihai Marica, cello Tara Helen O'Connor, flute Romie de Guise-Langlois, clarinet Jörg Widmann, clarinet Ian David Rosenbaum, percussion 1 Program PIERRE JALBERT (B. -
Bio Honeck Englisch
KünstlerSekretariat am Gasteig Elisabeth Ehlers · Lothar Schacke · Verena Vetter Montgelasstraße 2 · 81679 München Tel +49 89 444 88 79-0 - Fax +49 89 448 95 22 www.ks-gasteig.de - [email protected] Manfred Honeck Conductor Manfred Honeck has served as music director of the Pittsburgh Symphony Orchestra since the 2008-2009 season. After two extensions, his contract will now run until the end of the 2019-2020 season. His successful work in Pittsburgh is captured on CD by the Japanese label Exton. So far, Mahler's Symphonies Nos. 1, 3, 4 and 5, Tchaikovsky's Symphony No. 5 and Richard Strauss' Ein Heldenleben have been released to critical acclaim. The recording of Mahler’s Symphony No. 4 won an ICMA 2012 Award. With great success, Honeck and his orchestra present themselves regularly to the European audience. Since 2010, annual tour performances have led them to numerous European music capitals and major music festivals, amongst them Rheingau Musik Festival, Schleswig-Holstein Musik Festival, Beethovenfest Bonn, Musikfest Berlin, Grafenegg Festival, Lucerne Festival and the BBC Proms. The 2012 tour focused on a week- long residency at the Vienna Musikverein. In August and September 2013, concerts took place in Grafenegg, Berlin, Bucharest, Paris, Düsseldorf, Frankfurt, Lucerne and Bonn. From 2007 to 2011, Honeck was music director of the Staatsoper Stuttgart where he conducted premieres including Berlioz's Les Troyens, Mozart's Idomeneo, Verdi's Aida, Richard Strauss's Rosenkavalier, Poulenc's Dialogues des Carmélites and Wagner's Lohengrin and Parsifal as well as numerous symphonic concerts. His operatic guest appearances include Semperoper Dresden, Komische Oper Berlin, Théâtre de la Monnaie in Brussels, Royal Opera of Copenhagen, the White Nights Festival in St. -
2013–2014 Season | Week 5
bernard haitink conductor emeritus seiji ozawa music director laureate 2013–2014 Season | Week 5 andris nelsons music director designate season sponsors Table of Contents | Week 5 7 bso news 15 on display in symphony hall 16 the boston symphony orchestra 19 a brief history of symphony hall 23 andris nelsons becomes bso music director designate 27 this week’s program Notes on the Program 28 The Program in Brief… 29 Richard Wagner 37 Wolfgang Amadè Mozart 43 Johannes Brahms 55 To Read and Hear More… Artists 63 Andris Nelsons 64 Paul Lewis 66 sponsors and donors 80 future programs 82 symphony hall exit plan 84 symphony hall information the friday preview talk on october 18 is given by bso assistant director of program publications robert kirzinger. program copyright ©2013 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of Andris Nelsons by Marco Borggreve BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director designate bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 133rd season, 2013–2014 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chair William F. Achtmeyer • David Altshuler • George D. Behrakis • Jan Brett • Paul Buttenwieser • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Stephen B. Kay • Joyce G. Linde • John M. Loder • Nancy K. -
Han Chen / Piano
HAN CHEN / PIANO Hailed by the New York Times as a pianist with "a graceful touch... rhythmic precision... hypnotic charm” and "sure, subtle touch," Han Chen is a distinctive artist whose credentials at a young age already include important prizes in competitions of traditional music as well as increasing respect in the avant- garde. Mr. Chen’s debut CD with Naxos Records, which consists of all-Liszt operatic transcriptions, was released in January 2016 as the first prize winner of the 6th China International Piano Competition. Gramophone complimented Mr. Chen’s “brilliant performance” in the CD as “impressively commanding and authoritative.” The website Classics Today also praised for his “assured, elegant and totally effortless technique” by scoring 10 out of 10 in both artistic quality and sound quality. International Piano magazine (UK) described Mr. Chen’s performance in the competition as “[Chen] displayed extraordinary strength, talent and flair.” His performances in the 15th Van Cliburn International Piano Competition, the 15th Arthur Rubinstein Piano Competition and the 2018 Honens International Piano Competition were also highly acclaimed. As a soloist, Mr. Chen has appeared with many orchestras, including the Hong Kong Philharmonic Orchestra (under Maestro Vladimir Ashkenazy), Calgary Philharmonic Orchestra, Fort Worth Symphony Orchestra, China Symphony Orchestra, Macao Orchestra, Juilliard Orchestra, National Taiwan Symphony Orchestra, Xiamen National Orchestra, Lexington Philharmonic Orchestra, Sendai Philharmonic Orchestra, Aspen Music Festival Brass Ensemble and Shanghai Conservatory Middle School Orchestra. Being an advocate for modern music, Mr. Chen actively performs music from the 20th and the 21st century. As a member of the New York-based contemporary music group Ensemble Échappé, he worked with composers such as Tonia Ko, Kevin Puts, Sean Shepherd and Nina Young. -
Gluck and Neoclassicism Och Neoklassicismen
Gluck and neoclassicism och neoklassicismen 2014 CONTENTS | INNEHÅLL Welcome from the Artistic Director | Välkomstord 5 Sponsors | Sponsorer 8 Ulriksdals Palace Theatre Confidencen | Ulriksdals Slottsteater Confidencen 10 Swedish Academy for Realist Art | Realistisk Konstskola 14 Other venues | Övriga scener 18 PROGRAMMES | PROGRAM Neo-Orpheus meets Prince | Neo-Orfeus möter Prince 22 Celestial Harmonies | Himmelska klanger 28 3 Neoclassical Musketeers | 3 Neoklassiska Musketörer 29 A Noble Simplicity | Ädel enkelhet 32 Nordic Mass | Nordisk mässa 38 The Parthenon Frieze: A Symphony in Stone | Parthenonfrisen: en symfoni i sten 44 To the Mount of the Muses | Till musernas berg 46 An Etruscan Acrobat | En etruskisk akrobat 60 A Neoclassical Surprise | En neoklassisk överraskning 62 Gluck and 3 Neos | Gluck och 3 neos 64 Dance of the Blessed Spirits | Dans på de saligas ängder 70 A Neoclassical Mandolin | En neoklassisk mandolin 74 A Neoclassical Jazz | En neoklassisk jazz 78 ARTISTS | ARTISTER Soloists | Solister 86 Singers and Ensembles | Sångare och ensembler 96 Conductors and Composers | Dirigenter och tonsättare 100 Lecturers, Readers, Writers and Editors | Föreläsare, uppläsare, författare och redaktörer 104 Visual Artists and Designers | Konstnärer och designers 108 WELCOME from the ARTISTIC DIRECTOR It has been an eventful year for O/MODERNT. We have had our first O/MODERNT-inspired con - certs at the Muziekgebouw aan’t IJ in Amsterdam and have embarked on exciting collaborations with the Bath, St Magnus and SONORO festivals. The O/MODERNT Kammarorkester will also have its inaugural season at Musikaliska, with a series of concerts throughout the year. The orchestra has been invited to perform at Young Euro Classic 2014 in Berlin and at King’s Place in London in 2015. -
Soundzz.Z.Zzz...Z – Call for Artists Competition for an Artwork at the Intersection of Music and the Visual Arts
Soundzz.z.zzz...z – Call for Artists Competition for an Artwork at the Intersection of Music and the Visual Arts 1. Competition For years LUCERNE FESTIVAL and Kunstmuseum Luzern have pursued various formats of partnering to- gether. Both institutions are interested in the connections and varied relationships that exist between the visual arts and music, between visual expression and sound. In 2015, LUCERNE FESTIVAL and Kunstmuse- um Luzern will inaugurate for the third time a project promoting the intersection and interface between both cultural areas, specifically by means of a competition. During the Summer Festival the potential of interdisciplinary projects will be displayed at Kunstmuseum Luzern to musical and visual arts audiences alike. Both institutions are very eager to explore new, unconventional projects that are full of promise and that are equally at home in the domain of the visual arts and of music and that moreover stand out in terms of quality. The competition is directed to young emerging artists (single artists, teams of two or three artists) to develop a project exploring the theme of «Humor» at the intersection of music and the visual arts. The project in question should be ephemeral, performative, actionistic. The project that is selected by a jury will be executed during the course of LUCERNE FESTIVAL in Summer (14 August – 13 September 2015) on the premises of Kunstmuseum Luzern. The project we are looking for should be neither an exhibition nor a concert. The form this project will take is open-ended: it can involve an intervention, an action, a perfor- mance, an event or happening in the sense of a performance, a concept to be developed during the course of the Festival, a series of performances, or another type of event. -
Performance, Subjectivity and Experimentation in Artistic Research an Interdisciplinary Seminar
Performance, Subjectivity and Experimentation in Artistic Research An Interdisciplinary Seminar ORCiM Seminar 2016 February 24-25, 2016 Orpheus Institute, Ghent (Belgium) Introduction The arts of the twentieth and twenty-first centuries have pushed us relentlessly to question inherited notions of the self, expression and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Increasing globalisation and the development of recording and photographic technologies, running alongside psychoanalytical critiques of selfhood and the impact of scientific principles of uncertainty, are often theorized as having prompted a crisis of identity, representation and authenticity. The discourse of post-humanism has demanded a reconsideration of the distinctions between human and non-human agency. At the same time, the throwaway playfulness of pop culture and digital manipulation offer endless possibilities for self- reinvention. In many fields of artistic practice and in related theoretical domains there persists an ongoing engagement with questions of subjectivity, but a subjectivity acknowledged as distributed, contingent, embodied and always in flux; often manifested as partial, unstable, provisional even, rather than identified as a singular self. Simultaneously, subjectivity, as an individuated ‘I’, continues to function, not least in musical practice and especially in performance training: here, notions of the authenticity and singularity of the performer’s ‘voice’ -- the uniqueness and distinctiveness of personal expression -- continue to be highly valued, despite the everyday experiencing of the fluidities, uncertainties, and fundamentally performative nature of selfhood. Within arts practice, a ‘performance turn’ has allowed for a stronger focus on the production and experiencing of subjectivity in the context of live events: as ephemeral, dynamic and contingent, resisting conceptualisation into a stabilised notion of an artwork. -
2016-Program-Book-Corrected.Pdf
A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL is a wide-ranging exploration of today’s music that brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and with partners in venues throughout the city. The second NY PHIL BIENNIAL, taking place May 23–June 11, 2016, features diverse programs — ranging from solo works and a chamber opera to large scale symphonies — by more than 100 composers, more than half of whom are American; presents some of the country’s top music schools and youth choruses; and expands to more New York City neighborhoods. A range of events and activities has been created to engender an ongoing dialogue among artists, composers, and audience members. Partners in the 2016 NY PHIL BIENNIAL include National Sawdust; 92nd Street Y; Aspen Music Festival and School; Interlochen Center for the Arts; League of Composers/ISCM; Lincoln Center for the Performing Arts; LUCERNE FESTIVAL; MetLiveArts; New York City Electroacoustic Music Festival; Whitney Museum of American Art; WQXR’s Q2 Music; and Yale School of Music. Major support for the NY PHIL BIENNIAL is provided by The Andrew W. Mellon Foundation, The Fan Fox and Leslie R. Samuels Foundation, and The Francis Goelet Fund. Additional funding is provided by the Howard Gilman Foundation and Honey M. Kurtz. NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ JUNE 5-7, 2016 JUNE 13-19, 2016 __ www.nycemf.org CONTENTS ACKNOWLEDGEMENTS 4 DIRECTOR’S WELCOME 5 LOCATIONS 5 FESTIVAL SCHEDULE 7 COMMITTEE & STAFF 10 PROGRAMS AND NOTES 11 INSTALLATIONS 88 PRESENTATIONS 90 COMPOSERS 92 PERFORMERS 141 ACKNOWLEDGEMENTS THE NEW YORK PHILHARMONIC ORCHESTRA THE AMPHION FOUNDATION DIRECTOR’S LOCATIONS WELCOME NATIONAL SAWDUST 80 North Sixth Street Brooklyn, NY 11249 Welcome to NYCEMF 2016! Corner of Sixth Street and Wythe Avenue. -
Musikfest Berlin 2021 Programm
#MusikfestBerlin 28.8.– 20.9. 2021 2., aktualisierte Auflage In Zusammenarbeit mit 28.8.– 20.9. 2021 MUSIKFEST BERLIN 2021 Von der Freude an der musikalischen Kreation Das Spätwerk Igor Strawinskys beim Musikfest Berlin 2021 mit Musik von Carlo Gesualdo bis zu Heiner Goebbels und Olga Neuwirth Vom 28. August bis 20. September 2021 startet das Berliner Konzertleben mit dem Musikfest Berlin in die neue Spiel zeit, veranstaltet von den Berliner Festspielen, in Kooperation mit der Stiftung Berliner Philharmoniker. In 34 Veranstaltun gen wird im Großen Saal der Philharmonie und deren Kam mermusiksaal, im Konzerthaus am Gendarmenmarkt und im Großen Sendesaal des rbb Musik aus fünf Jahrhunderten präsentiert: über 100 Werke von 52 Komponist*innen, aufge führt von 29 Instrumental und Vokalensembles und 35 Solist*innen des internationalen und Berliner Musiklebens. Man hat ihn den Picasso unter den Komponist*in- nen genannt. Als Igor Strawinsky vor 50 Jahren 88-jährig verstarb, war ein Lebenswerk entstanden, das dem des Malers zu gleichen scheint: voll der überraschenden Wandlungen, Aneignungen und Umformungen, souverän der Zeit eine unver- kennbare Gestalt gebend, die Provokation und Extravaganz nicht scheuend, bewundert und gefeiert, getragen von der unverbrüchlichen Freude an der musikalischen Kreation (plaisir de la création), wie er in seiner „Musikalischen Poetik“ schrieb. „Strawinsky bleibt“ (Stravinsky demeure) prognostizierte der junge Pierre Boulez 1951. Da war Strawinsky gerade im Begriff, sich künstlerisch nochmals neu zu erfinden. Sein entdeckerischer Sinn wandte sich der historisch fernen Musik der Renaissance, des Frühbarocks und Mittelalters zu. Insbesondere fesselten ihn die Madrigale des 2 ital ienischen Fürsten Don Carlo Gesualdo da Venosa. Das war die eine Blickrichtung. -
Page 1/2 Media Release LUCERNE FESTIVAL
Media Release LUCERNE FESTIVAL – Preview of the 2016 Festival Year Easter Festival (12 to 20 March) : Jordi Savall is artist-in-residence; Mariss Jansons conducts the Bavarian Radio Symphony Orchestra in two concerts during their residency Summer Festival (12 August to 11 September) : The theme “PrimaDonna” to focus on women as artists; Riccardo Chailly gives his first performances as the new Music Director of the LUCERNE FESTIVAL ORCHESTRA; Wolfgang Rihm leads the LUCERNE FESTIVAL ACADEMY for the first time as new Artistic Director Piano Festival (19 to 27 November) : Outstanding keyboard artists are the hallmark of the Piano Festival: Rudolf Buchbinder, Igor Levit, Murray Perahia, Maria João Pires, and Grigory Sokolov Lucerne, 26 October 2015. The Easter Festival from 12 to 20 March 2016 will feature its first-ever artist-in-residence when Jordi Savall comes to Lucerne to give a total of three concerts. The gamba player and conductor, who celebrates his 75th birthday in 2016, will be heard both as soloist and with his ensembles Le Concert des Nations and La Capella Reial de Catalunya in great Baroque choral works; in addition he will initiate a “Dialogue of Souls” with Hespèrion XXI, juxtaposing traditional melodies from Jewish, Islamic, and Christian sacred music. The Bavarian Radio Symphony Orchestra and Choir will be conducted by Mariss Jansons in two major concerts during their annual residency in Lucerne. William Christie and Sir John Eliot Gardiner will preside over additional highlights, Bernard Haitink again leads his master class in conducting. LUCERNE FESTIVAL YOUNG presents the dance theater production The Little Prince . The Summer Festival from 12 August to 11 September 2016 focuses the programming spotlight on women with the Festival theme “PrimaDonna.” All of the female artists who perform during the Summer Festival will receive the distinction of “artistes étoiles”: including no fewer than eleven female conductors. -
LAKESIDE SYMPHONY, in the STREETS, 40MIN SERIES 2021 Summer Festival
Free Offerings LAKESIDE SYMPHONY, IN THE STREETS, 40MIN SERIES 2021 Summer Festival Lucerne Festival will continue to offer various concerts and events free of charge in the summer of 2021. Under the title “Lakeside Symphony,” the Opening Concert with the Lucerne Festival Orchestra and Riccardo Chailly will be broadcast live at Lucerne’s Inseli Park next to the KKL Luzern. Subject to security precautions, it will be possible to experience this opening together on the big screen on 13 August 2021. “Lakeside Symphony” | Opening Concert live on the giant screen | Inseli Park 13 August | 18.30 | Lucerne Festival Orchestra | Riccardo Chailly “In the Streets,” the popular world music festival, is also part of Lucerne Festival, presenting Slavic and African vocal artistry as well as new and original music from a wide variety of cultures. Six groups perform over the six-day festival at different locations in Lucerne. In the Streets | The Groups: Hudaki Village Band Ukraine | Maestrale Italy | Claudia Masika Kenya/Senegal/Guyana/Switzerland | Old Salt USA/Belgium | SaffrAn! Spain/Austria/Italy/France | Vołosi Poland 24 August | 17.30 | Opening Concert Featuring All of the Groups | Europaplatz afterward until 22.00: appearances by all of the groups in Lucerne’s Old City 25 to 28 August | always 18.00 to 22.00, Saturday 10.00 to 12.00 as well | Performances by All of the Groups | Lucerne’s Old City 29 August | 16.00 | Closing Concert Featuring All of the Groups | Europaplatz preceded by appearances by the groups from 12.00 to 15.00 on the Europaplatz The events in the 40min series, which are free of charge, begin either with short introductions or are moderated.