Solving the Campus Sexual Assault & Dating Violence Puzzle
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Fall Colors, 2001-02: Prime Time Diversity Report. INSTITUTION Children Now, Oakland, CA
DOCUMENT RESUME ED 464 750 PS 030 374 AUTHOR Parker, McCrae A.; Miller, Patti; Espejo, Eileen; Grossman-Swenson, Sarah TITLE Fall Colors, 2001-02: Prime Time Diversity Report. INSTITUTION Children Now, Oakland, CA. SPONS AGENCY Mott (C.S.) Foundation, Flint, MI. PUB DATE 2002-04-00 NOTE 49p.; For Fall Colors II, see ED 444 707. Also supported by The Atlantic Philanthropies. AVAILABLE FROM Children Now, 1212 Broadway, 5th Floor, Oakland, CA 94612. Tel: 510-763-2444; Fax: 510-763-1974; e-mail: [email protected]. For full text: http://www.childrennow.org/media/fc2002/fc-2002-report.pdf. PUB TYPE Information Analyses (070) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Comparative Analysis; Content Analysis; *Cultural Pluralism; *Diversity (Institutional); Ethnicity; Mass Media Effects; *Programming (Broadcast); Racial Distribution; Television Research IDENTIFIERS Diversity (Groups) ABSTRACT Television is an integral part of American culture, and has the ability to play a major role in shaping belief systems, particularly for the youngest and most impressionable viewers. This study is the third annual study of diversity of characters in prime time television programming. The study examined the first two episodes of each prime time entertainment series airing on the six broadcast networks. The findings indicate that despite ongoing emphasis, encouragement, and pressure on the part of media advocates, civil rights groups, government officials, and even some entertainment industry leaders, the networks have yet to produce a prime time -
KPBS Schedule At-A-Glance
January Programming Schedule Listings are as accurate as possible at press time but are subject to change due to updated programming. For complete up-to-date listings, including overnight programs, visit kpbs.org/tv, or call (619) 594-6983. KPBS Schedule At-A-Glance MONDAY - FRIDAY SATURDAY SUNDAY 5:00 AM CLASSICAL STRETCH 5:30 AM YOGA Visit Visit www.kpbs.org/tv www.kpbs.org/tv 6:00 AM READY JET GO! for schedule information for schedule information 6:30 AM ARTHUR 7:00 AM MOLLY OF DENALI MOLLY OF DENALI MOLLY OF DENALI 7:30 AM WILD KRATTS WILD KRATTS WILD KRATTS 8:00 AM HERO ELEMENTARY HERO ELEMENTARY HERO ELEMENTARY XAVIER RIDDLE AND THE XAVIER RIDDLE AND THE 8:30 AM XAVIER RIDDLE AND THE SECRET MUSEUM SECRET MUSEUM SECRET MUSEUM 9:00 AM CURIOUS GEORGE CURIOUS GEORGE CURIOUS GEORGE DANIEL TIGER’S DANIEL TIGER’S 9:30 AM DANIEL TIGER’S NEIGHBORHOOD NEIGHBORHOOD NEIGHBORHOOD 10:00 AM DANIEL TIGER’S NEIGHBORHOOD WASHINGTON WEEK Visit KPBS NEWS 10:30 AM ELINOR WONDERS WHY SPECIAL REPORT www.kpbs.org/tv 11:00 AM SESAME STREET for schedule information A GROWING PASSION GROWING A 11:30 AM PINKALICIOUS & PETTERIFIC GREENER WORLD 12:00 PM DINOSAUR TRAIN THIS OLD HOUSE 12:30 PM CLIFFORD THE BIG RED DOG ASK THIS OLD HOUSE FIELD TRIP 1:00 PM SESAME STREET WITH CURTIS STONE 1:30 PM ELINOR WONDERS WHY MILK STREET Visit www.kpbs.org/tv 2:00 PM AMERICA’S TEST KITCHEN for schedule information 2:30 PM COOK’S COUNTRY LIFESTYLE 3:00 PM PATI’S MEXICAN TABLE 3:30 PM CROSSING SOUTH KEN KRAMER’S 4:00 PM RICK STEVES EUROPE ABOUT SAN DIEGO PBS NEWSHOUR HISTORIC -
Targeting Families and Teens: Television Violence on the WB
UNLV Retrospective Theses & Dissertations 1-1-2000 Targeting families and teens: Television violence on the WB Rick Brian Marks University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Marks, Rick Brian, "Targeting families and teens: Television violence on the WB" (2000). UNLV Retrospective Theses & Dissertations. 1124. http://dx.doi.org/10.25669/73sd-28rx This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in fypewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
OBJ (Application/Pdf)
ABTRACT AFRICANA WOMEN'S STUDIES WILBURN, SHENETHA L. B.A. HAMPTON UNIVERSITY, 1997 DECONSTRUCTION OF STEREOTYPES AND MEDIATED MESSAGES IN AFRICAN-AMERICAN SITCOMS Advisor: Dr. Josephine Bradley Thesis dated May, 2002 This study examines the images of African Americans in black-themed sitcoms and mediated messages presented here. The study was based on the premise that the images of African Americans on television sitcoms are one dimensional and comedic. A content analysis approach was used to analyze various television sitcoms. Definitions were used to determine what type of image existed using the foundation provided by Donald Bogle and Stewart Hall. The researcher found that although many of the African-American-themed sitcoms investigated represented traditional stereotypical images, there were mediated messages in these sitcoms, which offered a new and different perspective on African Americans. This suggests that African-American images on black-themed sitcoms are moving forward. Additionally, the researcher found that sitcoms depicting African-American life from a comedic point-of-view seem to be more acceptable in popular culture than those which depict life from a dramatic and/or realistic point-of-view. DECONSTRUCTION OF STEREOTYPICAL IMAGES AND MEDIATED MESSAGES IN AFRICAN-AMERICAN SITCOMS A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERISTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY SHENETHA L. WILBURN DEPARTMENT OF AFRICANA WOMEN'S STUDIES ATLANTA, GEORGIA MAY 2002 "■V. ©2002 SHENETHA L. WILBURN All Rights Reserved ACKNOWLEDGEMENTS I would like to thank and acknowledge the following people for their dedication and commitment to my research: Dr. -
Downloaded More Than 212,000 Times Since the Ipad's April 3Rd Launch,” the Futon Critic, 14 Apr
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature _____________________________ ______________ Nicholas Bestor Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor Master of Arts Film Studies Michele Schreiber, Ph.D. Advisor Eddy Von Mueller, Ph.D. Committee Member Karla Oeler, Ph.D. Committee Member Accepted: Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor B.A., Middlebury College, 2005 Advisor: Michele Schreiber, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2012 Abstract TV to Talk About: The CW and Post-Network Television By Nicholas Bestor The CW is the smallest of the American broadcast networks, but it has made the most of its marginal position by committing itself wholly to servicing a niche demographic. -
Cedric "The Entertainerii
BIO - CEDRIC "THE ENTERTAINERII Charismatic actor and comedian, Cedric "The Entertainer" is best known for his crowd-pleasing performances in hit films & television shows such as "Barbershop" (franchise); "Be Cool" with John Travolta; "Intolerable Cruelty" with George Clooney; the top-ranking "Madagascar" animated franchise; "Johnson Family Vacation", the 2004 box-office hit in which he was both star & producer; and "The Original Kings of Comedy," MTV'S mega-successful concert feature directed by Spike Lee which captured the phenomenon of the record-breaking "Kings of Comedy Tour"; the long-running top-ranked WB sitcom "The Steve Harvey Show"; more recently, for five seasons in his own hit comedy series "The Soul Man" on TV Land; and, now, starring opposite Tracy Morgan & Tiffany Haddish in the acclaimed TBS original dramedy, "The Last OG". Simultaneously, in May 2018, "The Neighborhood" was picked up as Cedric's new sitcom on CBS Television in which he will star and also executive produce. Cedric's universal appeal, versatility, and tremendous career success spanning film, live performances, and television have solidified his standing as one of the premier entertainers in the world. On the big screen, the multi-talented funnyman has consistently co-starred alongside some of the most renowned film actors. He was most recently seen in the comedy feature "Why Him?" co-starring opposite Oscar nominated actors Bryan Cranston and James Franco. (Dec. 23, 2016). Cedric has also been seen co-starring with Ice Cube in the #l-ranked box office comedy -
Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry
Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Fall 2019 A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry Anthony Blacksher Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the African American Studies Commons, Africana Studies Commons, American Literature Commons, American Popular Culture Commons, Critical and Cultural Studies Commons, Ethnic Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Poetry Commons, Race and Ethnicity Commons, Social History Commons, Sociology of Culture Commons, Television Commons, and the United States History Commons Recommended Citation Blacksher, Anthony. (2019). A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry. CGU Theses & Dissertations, 148. https://scholarship.claremont.edu/cgu_etd/148. doi: 10.5642/cguetd/148 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry By Anthony Blacksher Claremont Graduate University 2019 i Copyright Anthony Blacksher, 2019 All rights reserved ii Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Anthony Blacksher as fulfilling the scope and quality requirements for meriting the degree of doctorate of philosophy in Cultural Studies with a certificate in Africana Studies. -
Marketing Violent Entertainment to Children: a Review of Self-Regulation and Industry Practices in the Motion Picture, Music Recording & Electronic Game Industries
Marketing Violent Entertainment to Children: A Fourth Follow-up Review of Industry Practices in the Motion Picture, Music Recording & Electronic Game Industries A Report to Congress Federal Trade Commission July 2004 FEDERAL TRADE COMMISSION Timothy J. Muris, Chairman Mozelle W. Thompson, Commissioner Orson Swindle, Commissioner Thomas B. Leary, Commissioner Pamela Jones Harbour, Commissioner Report Contributors Richard F. Kelly, Bureau of Consumer Protection, Division of Advertising Practices Elizabeth Delaney, Bureau of Consumer Protection, Division of Advertising Practices Kial Young, Bureau of Consumer Protection, Division of Advertising Practices Mark Eichorn, Bureau of Consumer Protection, Division of Advertising Practices Lesley A. Fair, Bureau of Consumer Protection, Division of Advertising Practices Mary K. Engle, Associate Director, Bureau of Consumer Protection, Division of Advertising Practices. Assistants Sallie Schools, Bureau of Consumer Protection, Division of Advertising Practices Katherine Zownir, Bureau of Consumer Protection, Division of Advertising Practices Kerry Constabile, Bureau of Consumer Protection Stefano Sciolli, Bureau of Economics Interns Chadwick Crutchfield, Bureau of Consumer Protection, Division of Advertising Practices Jamie Gentry, Bureau of Consumer Protection, Division of Advertising Practices Nicholas A. James, Bureau of Consumer Protection, Division of Advertising Practices Jonathan Longobardi, Bureau of Consumer Protection, Division of Advertising Practices Marketing Violent Entertainment to Children: -
( 773) 821-4976 C: (312) 402-1866 [email protected] Chicago
FOR IMMEDIATE RELEASE For media confirmations contact: Sabrina Land O :( 773) 821-4976 C: (312) 402-1866 [email protected] Chicago State University Hosts and Sponsors The Steve Harvey Mentoring Weekend Institution Supports Its Mission to Motivate, Encourage and Inspire Young African American Men In The Chicagoland Community CHICAGO (November 17, 2012)— Chicago State University, CSU, joins forces with celebrity motivator, comedian and mogul Steve Harvey, for an inspirational weekend coined to set a new standard for African American young men throughout the city of Chicago. Steve Harvey, who is best known for being an international comedic sensation, the host of the Steve Harvey Show and Family Feud, and his elaborate community service efforts. This 3-day event will launch the Steve Harvey Mentoring Campaign, which will introduce a new initiative that will drive the need for mentoring around the country. The Steve Harvey Mentoring Weekend will take place Friday, November 16th to Sunday, November 19th, 2012 at Chicago State University located at 9501 S. King Drive, Chicago, IL. ** Schedule of weekend below** The Steve Harvey Mentoring Program Weekend at CSU will consist of a weekend packed with events and activities to empower and mentor the 100 young men and teens in attendance. On Saturday, November 18th, 2012 from 2 pm to 6pm, the program will host a ”Turkey Give-A-Way” at CSU’s stadium. During the ‘Turkey Give- A-Way”, Steve Harvey and volunteers will distribute 1,000 turkeys to people in need. Of those 1,000 turkeys, the organization will donate 100 of those, 50 each, to Austin People Action Center (APAC) and Chesterfield Community Organization. -
With Sam-Collier (Completed 07/17/20) Page 1 of 29 Transcript by Rev.Com This Transcript Was Exported on Jul 31, 2020 - View Latest Version Here
This transcript was exported on Jul 31, 2020 - view latest version here. Announcer: Welcome to The Carey Nieuwhof Leadership Podcast. A podcast all about leadership, change and personal growth. The goal? To help you lead like never before in your church or in your business. And now, your host, Carey Nieuwhof Carey Nieuwhof: Well, hey everybody, and welcome to episode 358 of the podcast. My name is Carey Nieuwhof, and I hope our time together today helps you lead like never before. Man, I am so excited to bring you today's episode. My guest is Sam Collier, he's been on the show before, will be there again. And we talk about what's happening when it comes to race relations in America. I have been learning a lot over the last few months as a lot of Caucasian leaders have been, always had this close to my heart, but really this is a very, I think, important season and I'm hoping and praying things are different moving forward. And Sam and I have a very honest discourse about growing up black in America, what it takes to make it in a white world, and how white people can use their influence to help bring about racial reconciliation. I think you're going to love it. Carey Nieuwhof: This episode is brought to you by The Global Leadership Summit. You can get $20 off the individual ticket rate to the GLS now through August 6, when you use the code CAREYPODCAST at GlobalLeadership.org and by Remodel Health. -
Tv Land's First Original Sitcom “Hot in Cleveland
TV LAND’S “THE SOUL MAN” IS A HIT: SECOND HIGHEST RATED SERIES DEBUT IN NETWORK’S HISTORY “The Exes” Scores Double Digit Gains Versus Season 1 New York, NY – June 21, 2012 – Marking another milestone in TV Land’s history, the network’s newest original sitcom, “The Soul Man,” was the channel’s second highest rated series premiere among its target audience of Adults 25-54 and Women 25-54, second only to the series launch of “Hot in Cleveland” in June 2010. “The Soul Man” premiered last night at 10 p.m. and stars Cedric “The Entertainer” and Niecy Nash. The premiere telecast of “The Soul Man” (June 20, 2012 at 10 p.m. ET/PT) posted a 1.0 rating and one million viewers among Adults 25-54, and averaged over 1.9 million total viewers. The season two premiere of “The Exes” (June 20, 2012 at 10:30 p.m. ET/PT) scored a .70/707,000 among A25-54, a +25% increase in rating and delivery over the first season premiere. The second season premiere averaged over 1.2 million total viewers. Among Women 25-54, “The Soul Man” earned a 1.29 rating and “The Exes” posted a .92 rating. Additionally, TV Land aired two encores of “The Soul Man” (11 p.m. and 1 a.m.) and “The Exes” (11:30 p.m. and 1:30 a.m.), which, combined with the premiere telecast, attracted over 3.5 million total viewers for “The Soul Man” and 2.6 million total viewers for “The Exes.” (Source: Nielsen, 6/20/12). -
Call for Chapters: Representations of African American Professionals on TV Series Since the 1990S
H-Afro-Am Call for Chapters: Representations of African American Professionals on TV Series Since the 1990s Discussion published by LaToya Brackett on Monday, September 3, 2018 Type: Call for Papers Date: August 26, 2018 Location: Washington, United States Subject Fields: African American History / Studies, Black History / Studies, Communication, Ethnic History / Studies, Popular Culture Studies Keywords: Television, African Americans, Professionals, Stereotypes, Representation Editor: LaToya T. Brackett, University of Puget Sound I am looking for chapters for an edited volume under contract with McFarland Press, focusing on how African Americans professionals have been portrayed in scripted television since the 1990s. There have been several assigned chapters already, and this call is especially looking for contributions under the law and order section and medical professional section. Television is and has been a space of entertainment, knowledge producing, and representation. While television creates a space in which stories can be heard by those we may not hear from in our day to day lives, the potential effects of issues of representation in television hold serious implications for the ways in which fictional spaces in television get translated into the real world. Of those who are most affected by representations in television are those who are members of marginalized groups. This collection of essays specifically focuses on African Americans within television and their representations as professionals across various shows. The fairly narrow representation of African Americans on television is primarily comprised of short-storied characters who act in ways that enforcing stereotypes surrounding African American communities and cultures. As a break from these constant messages, this book aims to give space for analyses and understanding of depictions of African American professionals within television as a way for acknowledging, interrogating and potentially embracing regressive and progressive representations in television.