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Francis of Assisi The Prayer Attributed to St. Francis What the St. Francis?! The Shocking Relevance of Francis Today Lord, make us instruments of your peace. St. Mark’s Parish Program 2017 - 2018 Where there is hatred, let us sow love; where there is injury, pardon; Dear Friends in Christ: where there is discord, union; where there is doubt, faith; I invite you to be inspired. where there is despair, hope; I invite you to be inspired by a holy man who dared to take Christ literally and by so doing became where there is darkness, light; a Christ-like inspiration for generations to come. where there is sadness, joy. Do you ever wish that Jesus was more real to you? Do you ever desire a greater grace, a more holy transformation where the joy of Jesus dances in your life? Do you ever want to be an instrument of God’s peace and have the wisdom to help solve the vexing challenges of the day? Grant that we may not so much seek to be consoled as to console; If any of this rings true, you could use a good dose of Francis of Assisi. Eight hundred years after to be understood as to understand; he lived, Francis is shockingly relevant. The Franciscan way is exactly what the world needs today. This is why the Pope took his name. to be loved as to love. I invite you, during the coming year, to immerse yourself in the life and teachings of St. Francis and to be inspired by Christ, just as Francis was. It could change your life and the world around you. For it is in giving that we receive; it is in pardoning that we are pardoned; On the following pages you will see a spread of spiritual possibility. The only thing needed is you. So come to St. Mark’s—pray, participate, ponder and catch the power that transforms and makes and it is in dying that we your heart smile. You will not regret it. are born to eternal life. Amen Maranatha, —Book of Common Prayer, page 833 The Reverend Peter F. Walsh Rector let us sow love brought love, pardon, union, faith, hope, light, and joy through Adult Forum consolation, understanding, and love – all in the Spirit of Christ. Is this Sundays at 9AM in Morrill Hall not what we need today? What The St. Francis?! Francis and the prayer have been mobilized again and again. The prayer rose to prominence when there was a need to bring peace and to end The Shocking Relevance of Francis Today WWI and WWII. In 1986 Pope Saint John Paul II called upon Francis to be the Come Sunday mornings at 9AM to plunge into the life and teachings of Patron Saint of a gathering where all the world’s religious leaders came to St. Francis and ponder how the prayer attributed to St. Francis can Assisi to pray for peace. Archbishop Tutu and Mother Teresa each used the transform your life. prayer when they received the Nobel Peace Prize. But most importantly, it is used by millions of people as a prayer to transform their daily lives. The Francis Film Festival Join fellow parishioners and learned guests as we explore how Francis and Beginning Sunday, September 10 this prayer transforms our world today. at 9AM in Morrill Hall Guest speakers and preachers will include: • The Reverend Jay Sidebothom will speak about spiritual renewal in Brother Sun, Sister Moon the Episcopal Church. The life of St. Francis of Assisi is one of the greatest stories ever told. We • Dr. Stephen Post, devout Episcopalian, international speaker, author, and will begin our study of Francis with one of the greatest tellings of that expert will speak on how living to give makes you happier, healthier, more story, in the movie Brother Sun, Sister Moon by Franco Zeffirelli. This classic hopeful, creative, resilient, and successful. movie has moved many to a deeper life in Christ, including the prominent • The Very Reverend Andrew McGowan, Dean of the Berkeley Divinity Christian writer Jim Wallis, who wrote of the film: “I was completely School at Yale, will cover Francis’ visit with the Sultan and his unprepared for my first meeting with the saint. I left the theatre stunned engagement with Islam. and speechless. On the way home in the dark car, I quietly began to weep. • The Reverend Nicholas Porter, founder of Jerusalem PeaceBuilders, will Never before had I encountered a life so consumed with the gospel…His speak of peacemaking efforts with youth in the Holy Land. utter obedience to Christ was radiant in exposing the places where my commitment was still so compromised.” Other topics will include how Francis might approach the war on terror; how Francis’ love for creation can be applied to our world; how Each session will begin with a brief review. Then we will watch a Nelson Mandela and Archbishop Tutu embodied Franciscan peacemaking portion of the movie together and reflect in small groups on what we in overcoming apartheid; how to practice Franciscan spirituality; how to have seen and how it applies to our lives. apply the prayer of St. Francis to political discord and the divisive role of media; and last but never least, listening to fellow parishioners sharing the The Francis Film Festival will be followed by a speaker series. inspiration that St. Francis is to them. Reflections on the Shocking Relevance of Francis Today Speaker Series where there is injury, Francis and the prayer attributed to him are shockingly relevant today because they inspire us to live to give for the love of the Lord. Next to the Lord’s Prayer and the 23rd Psalm, the Prayer attributed to St. Francis is likely the most influential prayer in Christianity today. Francis did not write the prayer, but it became associated with him because it summed up his understanding of the way of Jesus. In a world plagued by pardon hatred, injury, discord, doubt, despair, darkness, and sadness, Francis Liturgy and Music Church School The Prayers of the People The children of the church school will learn about St. Francis during During the coming year we will add the Prayer attributed to St. Francis to a series of Special Event Sundays. We will talk about how St. Francis the Prayers of the People at the 10AM liturgy and periodically include some preached to the birds and animals of the forest, how he tamed a wolf that of Francis’ other prayers. was terrorizing a village, and how fish would linger near his boat to hear him speak. We will discover that he was so moved by the Spirit that he October 4 would often dance and play the zither as he preached, and that he has a St. Michael’s Lutheran Church & St. Mark’s Episcopal Church surprising connection to our own Christmas Pageant. In the Franciscan spirit of reconciliation and in celebration of the 500th Anniversary of the Reformation (the 95 Theses were posted on October With a very special blessing of the animals in the fall, music and dance 31, 1517) and to live out the Episcopal-Lutheran Concordat (an agreement offerings throughout the year, a springtime Earth Day celebration, and a to share mutual ministry), St. Michael’s will host a Reformation movie night possible visit from St. Francis himself, we will get to know the story of this and potluck at 6:30PM in their Parish Hall. Later in the year we will share a remarkable saint who lived his life in praise of the Creator. Sunday Holy Eucharist here at St. Mark’s with our brothers and sisters in Christ from St. Michael’s. Episcopal Youth Community October 8 Celebration of St. Francis Day and the Blessing of the Animals Using the Prayer attributed to St. Francis, the Episcopal Youth Community We will celebrate St. Francis Day at the 10AM service, honoring Francis’ will devote various Sundays to discussing some stanzas of the prayer in preaching to the birds with a dramatic blessing of birds with the children relation to our everyday lives. of the parish. Then at 5PM, we will celebrate the traditional blessing of the • We will begin the year (Sept. 24) with a discussion on the life and history animals. of St. Francis and the prayer attributed to him. • The subject of what it is to be an instrument of God’s peace will be December 17 explored on St. Francis’ Day (October 15). Children’s Homily and Teaching on the Christmas Pageant • On All Saints’ Sunday (November 5), Maggie Converse, eating disorder St. Francis put together the first live nativity scene in Greccio, Italy. This recovery coach and yogi, will take on “where there is hatred, let us sow nativity scene, with live animals, was the predecessor of our Christmas love” with a poignant talk on teen self-image. Pageant, an extravaganza which would have delighted Francis. On the • Parishioner Lance Minor will speak on “…not so much seek to be 17th the Church School will receive a rousing telling of the first Christmas consoled as to console” with an important talk on grief and loss (date tbd) pageant by Father Peter as a lead up to our own pageant on December 24. • Liam Miranda of Athlete Ally will take on the line “…to be understood as to understand” talking about LGBTQ and transgender issues (date tbd) April 22 • During Lent we will address “for it is in giving that we receive” by donating Earth Day • The Spirit of St. Francis and Care for Creation a portion of our possessions.
Recommended publications
  • History of the Franciscan Movement
    HISTORY OF THE FRANCISCAN MOVEMENT Volume 2 FROM THE YEAR 1517 TO THE SECOND VATICAN COUNCIL On-line course in Franciscan History at Washington Theological Union Washington DC By Noel Muscat OFM Jerusalem 2008 History of the Franciscan Movement. Volume 2: From 1517 to the Second Vatican Council Chapter 10 NEW REFORMS AND NEW DIVISIONS: THE BIRTH OF THE CAPUCHINS AND REFORMS WITHIN THE OBSERVANCE The friars “of the Holy Gospel” The Order of Friars Minor of the Regular Observance, after the union of all the reformed families in 1517, became a powerful religious family dedicated mainly to apostolic missions. A minority of friars, however, continued to insist upon living a simpler Franciscan life in the hermitages. Besides the Amadeiti and Coletani, there were other congregations which preferred eremitical life, like the Clareni and the friars “of the Holy Gospel” or Capuciati. This last religious family was one which the Bulla Ite vos of Leo X (1517) had not managed to integrate within the Order of the Friars Minor of the Regular Observance. They were born, as we have already seen, with the initiative of Juan de la Puebla, who had made an experience of Franciscan life in the Umbrian hermitages of central Italy, and then had returned to Spain, founding a congregation of friars who lived the literal observance of the Rule in the hermitages. Among his followers there was Juan de Guadalupe, who in 1508 obtained the approval of the Province “of the Holy Gospel”.1 The negative reaction of the Spanish Observants, who persecuted the new religious family, compelled the brothers of the Custody of Estremadura to place themselves under the obedience of the Conventuals in 1515, and thus became to be known by the name of “Reformed Conventuals”.2 They wore a short tunic with a pyramidal hood, and hence also the name Capuciati.
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  • Favorite Places in Rome Provided by Marie Lorenz, December 2017
    Favorite Places in Rome provided by Marie Lorenz, December 2017 Marie lived in Rome during her third year at the Rhode Island School of Design. She returned for a second year as a Fellow at the American Academy in Rome. http://www.aarome.org/ She mapped out each of the spots listed below here. 1) THE TRASTEVERE CHURCHES These churches are only a 15 minute walk from Campo de Fiori and a bit off the tourist path, so they present a rare opportunity to sit quietly with some of the most beautiful artwork in Rome, for free! San Francesco a Ripa Piazza di S. Francesco d'Assisi, 88, 00153 Roma This early Franciscan convent holds Bernini’s masterpiece, Beata Ludovica Albertoni. "The sculpture and surrounding chapel honors a Roman noble woman who entered the Order of St. Francis following the death of her husband. The day before her own death from fever, Ludovica received the eucharist and then ordered everyone out of her room. When her servants were finally recalled, “they found her face aflame, but so cheerful that she seemed to have returned from Paradise.” (paraphrased from wikipedia) By representing this decisive moment, and like many of his other sculptures, Bernini seems to mingle the idea of physical ecstasy and religious martyrdom. In its day, this sculpture would have scandalized the recently reformed protestant church which considered any representation of a divine figure blasphemous. Bernini finished the sculpture in 1674 when he was seventy one years old. Santa Cecilia in Trastevere Piazza di Santa Cecilia, 22, 00153 Roma 5th-century church devoted to the Roman martyr Saint Cecilia.
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  • PAVM Newsletter – November 2019
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  • Franciscan Proper Saints
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  • Ecstasy of Saint Theresa P/S: Southern Baroque Art A: Gianlorenzo Bernini Pa: Cornaro Family L: Santa Maria Della Vittoria, Rome
    Ecstasy of Saint Theresa DT: Sexual exhaustion, skin in c. 1645-1652 C.E. high gloss, feathers=rougher; drapery=fluid, clouds=roughly P/S: Southern Baroque Art cut, tactile textures A: Gianlorenzo Bernini Ideas: Stage like setting; from Pa: Cornaro Family Saint There’s diary w/ L: Santa Maria della Vittoria, descriptions of this scene Rome M/T: Marble/ High-relief sculpting F: Sculptural interpretation depicting S.T.’s vision of God and an angel plunging an arrow into her C: Natural light; figures float in space, God’s light illuminate scene Fountain of the Four Rivers c. 1648-1651 C.E. P/S: Southern Baroque Art A: Gianlorenzo Bernini Pa: Pope Innocent X L: In Piazza Novona M/T: Travertine; Marble/ H-R sculpting F: Political Allegory; lots of movement it’s an allegory C: Occupies center of fountain DT: Masterpiece of spectacle Ideas: Rock-form at bottom depicts a horse, palm tree and lion; caved in situ; also each person depicted in this work has a separate meaning to themselves representing Asia and Mexico Apollo and Daphane c. 1622-1625 C.E. P/S: Southern Baroque Art A: Gianlorenzo Bernini Pa: Unspecified L: Galleria Borghese in Rome M/T: Marble/ H-R sculpting F: Depiction of a story of Love and deception; Apollo pleads Daphne to fulfill his desires; pursuing love in vain C: Life-size sculpture; inspired by one of Ovid’s paintings DT: Intense emotion and drama; fidelity Ideas: Interlocking components, chiaroscuro Baldacchino patrons; Symbol of counter- c. 1624-1633 C.E. reformation spirit; feat of bronze casting P/S: Southern Baroque Art A: Gianlorenzo Bernini Pa: Barberini Family L: Saint Peter’s, Rome M/T: Bronze casting technique F: Place over the main altar, 4 corkscrew columns that spiral upward C: Directs viewers vision down the nave DT: Shrine canopy over the grave Ideas: Bees and suns appear on top corners=symbols of the Cathedra Petri c.
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  • The Bel Composto in Gian Lorenzo Bernini's Cornaro Chapel Samantha Landre University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2015 The Bel Composto in Gian Lorenzo Bernini's Cornaro Chapel Samantha Landre University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Landre, Samantha, "The Bel Composto in Gian Lorenzo Bernini's Cornaro Chapel" (2015). Theses and Dissertations. 1008. https://dc.uwm.edu/etd/1008 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE BEL COMPOSTO IN GIAN LORENZO BERNINI’S CORNARO CHAPEL by Samantha Landre A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History at The University of Wisconsin-Milwaukee August 2015 ABSTRACT THE BEL COMPOSTO IN GIAN LORENZO BERNINI’S CORNARO CHAPEL by Samantha Landre The University of Wisconsin-Milwaukee, 2015 Under the Supervision of Dr. Tanya Tiffany Gian Lorenzo Bernini’s sculptural altarpiece, The Ecstasy of Saint Teresa, in the Cornaro Chapel of the Roman Church of Santa Maria della Vittoria (1652), is regarded as the pinnacle of Baroque “theatricality” in Bernini’s use of the bel composto, or unification of the arts. In this thesis, I argue Bernini’s representation of the mystical event referred to the Counter- Reformation’s canonization process due to the artist’s profound engagement with Teresa’s controversial autobiography, El Libro de la Vida (1562-5).
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  • MASTERS of ART by Courtesy of the National Galleries 1680
    Here, his most famous works are housed. Capra 11 Palazzo Montecitorio 14 Ponte Sant’Angelo 1 Chiesa di Santa Bibiana 4 Galleria Nazionale d’Arte Amaltea (1615) is one of Bernini first sculptures, 16 Monumento a Beata Ludovica followed by Aeneas, Anchises and Ascanius Piazza di Monte Citorio Lungotevere Vaticano Via Giovanni Giolitti, 154 Antica - Palazzo Barberini (1618-19), the Rape of Proserpina (1622), Apollo Albertoni Now the seat of the Chamber of Deputies, Palazzo Saint Angel bridge less famous second name is On the occasion of the jubilee in 1625 and just Via delle Quattro Fontane, 13 and Daphne (1622-25) and David (1623). They all Chiesa di San Francesco a Ripa Montecitorio (1653) was commissioned by pope Pons Hadriani, from the name of the emperor after Santa Bibiana’s remains were miraculously represent the best of Bernini’s virtuous skills to Piazza di San Francesco d’Assisi, 88 It was built in 1625. It was conceived as a real Innocent X Pamphilj as wedding present for his Hadrian that commissioned it. It is adorned found, Bernini was called to restore the facade express the pathos of human soul by twisting villa in the city centre to host the pope’s family. nephew Camillo Ludovisi. Bernini designed a by splendid statues of angels made by Bernini On the occasion of the beatification ceremony of Santa Bibiana’s church. It is considered his the bodies and giving an intense expressiveness It is the result of the cooperation between building with a convex polygonal front in order together with his students, who were believed of the nun Ludovica Albertoni, member of the first architecture work as well asSanta Bibiana’s to the faces.
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  • © Copyright 2020 Karen Marie Lark
    © Copyright 2020 Karen Marie Lark Bernini’s Blessed Ludovica Albertoni: Drapery and the Permeability of the Body Karen Marie Lark A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2020 Committee: Estelle Lingo Stuart Lingo Program Authorized to Offer Degree: Art History University of Washington Abstract Bernini’s Blessed Ludovica Albertoni: Drapery and the Permeability of the Body Karen Marie Lark Chair of the Supervisory Committee: Estelle Lingo Department of Art History Gianlorenzo Bernini’s Blessed Ludovica Albertoni has remained a footnote at the end of the artist’s long life, with scholarly treatment conveying a deep-seated discomfort with the sculpture and its possible meanings. Scholars’ inability to adequately identify the narrative moment has been compounded by a lack of direct engagement with the Ludovica’s turbulent drapery, particularly in areas which raise questions of sensuality and the body. The present examination returns to the sculptural work itself, seeking to interpret the Ludovica’s drapery with the same intensity offered to treatments of the body, and to demonstrate the centrality of permeability to Bernini’s representation of the Ludovica. Through a series of folds in the center of the sculpture which create a “cavernous opening” between the beata’s legs, Bernini engages with concerns of interior and exterior, death, dissection, wounding, and gender. Connected to the side wound of Christ and vaginal imagery, the “cavernous opening” becomes a site of Eucharistic significance through Bernini’s deeply drilled and intentionally executed drapery folds. Rather than simply providing an acknowledgement of the Eucharistic rite taking place before it, Bernini’s altarpiece can be recognized as a visual enactment of permeability, suggesting the penetration of Christ’s body and the resulting outpouring of salvation.
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