Site-Specific Guide – Rome, Italy
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History of the Franciscan Movement
HISTORY OF THE FRANCISCAN MOVEMENT Volume 2 FROM THE YEAR 1517 TO THE SECOND VATICAN COUNCIL On-line course in Franciscan History at Washington Theological Union Washington DC By Noel Muscat OFM Jerusalem 2008 History of the Franciscan Movement. Volume 2: From 1517 to the Second Vatican Council Chapter 10 NEW REFORMS AND NEW DIVISIONS: THE BIRTH OF THE CAPUCHINS AND REFORMS WITHIN THE OBSERVANCE The friars “of the Holy Gospel” The Order of Friars Minor of the Regular Observance, after the union of all the reformed families in 1517, became a powerful religious family dedicated mainly to apostolic missions. A minority of friars, however, continued to insist upon living a simpler Franciscan life in the hermitages. Besides the Amadeiti and Coletani, there were other congregations which preferred eremitical life, like the Clareni and the friars “of the Holy Gospel” or Capuciati. This last religious family was one which the Bulla Ite vos of Leo X (1517) had not managed to integrate within the Order of the Friars Minor of the Regular Observance. They were born, as we have already seen, with the initiative of Juan de la Puebla, who had made an experience of Franciscan life in the Umbrian hermitages of central Italy, and then had returned to Spain, founding a congregation of friars who lived the literal observance of the Rule in the hermitages. Among his followers there was Juan de Guadalupe, who in 1508 obtained the approval of the Province “of the Holy Gospel”.1 The negative reaction of the Spanish Observants, who persecuted the new religious family, compelled the brothers of the Custody of Estremadura to place themselves under the obedience of the Conventuals in 1515, and thus became to be known by the name of “Reformed Conventuals”.2 They wore a short tunic with a pyramidal hood, and hence also the name Capuciati. -
Restaurants Near UNA Hotel
Restaurants Gran Caffè Strega - Piazza del Viminale, 27/31 Near Ph: 06.485670 UNA Hotel Da Robertos - Via Cavour, 49/51 Ph: 06. 4741978 Tudini 69 - Via Cavour 52 Ph: 06.4743905 L’angolo di Napoli - Via Agostino Depretis, 77a Ph: 06.4746866 La Gallina Bianca - Via Antonio Rosmini, 5 Ph: 06.4743777 Listed below some of the hotels situated close to the Istat building. Hotel Participants must be advised that Istat has no convention with them and that they are responsible for making their own hotel arrangements. Accommo- dation 1 Una Hotel Roma **** Via Giovanni Amendola, 57 Rome http: //www.unahotels.it Tel. +39 06 6493 71 Fax: +39 06 6493 7091 E-mail: [email protected] In the historic centre of Rome, close to the train station, the new UNA Hotel Roma is characterized by a strong architectural design throughout its 6 floors. It features 197 rooms, 5 meeting rooms, restaurant and bar. Private garage. The hotel is: a few steps from the Opera Theatre, Santa Maria Maggiore Church 15 min on foot, 5 min ( 2 stops) by metro, from the Coliseum / Fori imperiali 20 min on foot from Trevi Fountain, Quirinale, Altare della Patria. Ariston Hotel Roma **** Via Filippo Turati, 16 Rome http://www.hotelariston.it Tel. +39 06 4465399 Fax + 39 06 4465396 E-mail: [email protected] Ariston Hotel is located in the historical centre of Rome few meters from the ancient walls of Rome between Porta Pia and the Palazzo del Quirinale, near famous Via Veneto and Termini train station, where the main ministerial offices and foreign embassies are located. -
Bernini Breaking Barriers – Sensuality Sculpted in Stone
Bernini Breaking Barriers – Sensuality Sculpted in Stone Sandra Mifsud Bonnici [email protected] Abstract This paper will attempt to demonstrate that with his virtuosity, the Baroque sculptor, Gian Lorenzo Bernini managed to challenge the barriers which the medium he worked with, namely stone (marble) offered, to produce dynamic, lifelike and realistic works that also managed to express a previously unknown element in sculpture, that of sensuality. It will try to highlight how the spiritual and physical could come together in his works. The first masterpiece that will be focused upon will be the portrait bust of Bernini’s lover Costanza Piccolomini, a private work Bernini sculpted when he was thirty-nine years of age, chosen to represent the passion and worldly love that he felt for this woman. By way of contrast, the second masterpiece studied in this paper is the figure of the Blessed Ludovica Albertoni, one of his last works, chosen to represent Bernini’s concept of the culmination of spiritual love that also incorporated a sensual element. The third and final masterpiece is the ecstasy of St. Teresa of Avila found in the Cornaro Chapel in the Church of Santa Maria della Vittoria, considered by many as his greatest work, as an example of how mysticism also has a sensual element to it. Keywords: Baroque sculpture, Gian Lorenzo Bernini, sensuality, Costanza Piccolomini, Ludovica Albertoni, St Teresa d’Avila. No one can deny that Gian Lorenzo Bernini had the extraordinary technical skill and expertise to sculpt anything that he visualised or saw. The numerous works of art that he continued to create into his maturity and almost up to his death are evidence of this. -
The Aqua Traiana / Aqua Paola and Their Effects on The
THE AQUA TRAIANA / AQUA PAOLA AND THEIR EFFECTS ON THE URBAN FABRIC OF ROME Carolyn A. Mess A Thesis Presented to the Faculty of the Department of Architectural History In Partial Fulfillment of the Requirements for the Degree Master of Architectural History May 2014 Cammy Brothers __________________ Sheila Crane __________________ John Dobbins __________________ ii ABSTRACT Infrastructure has always played an important role in urban planning, though the focus of urban form is often the road system and the water system is only secondary. This is a misconception as often times the hydraulic infrastructure determined where roads were placed. Architectural structures were built where easily accessible potable water was found. People established towns and cities around water, like coasts, riverbanks, and natural springs. This study isolates two aqueducts, the Aqua Traiana and its Renaissance counterpart, the Aqua Paola. Both of these aqueducts were exceptional feats of engineering in their planning, building techniques, and functionality; however, by the end of their construction, they symbolized more than their outward utilitarian architecture. Within their given time periods, these aqueducts impacted an entire region of Rome that had twice been cut off from the rest of the city because of its lack of a water supply and its remote location across the Tiber. The Aqua Traiana and Aqua Paola completely transformed this area by improving residents’ hygiene, building up an industrial district, and beautifying the area of Trastevere. This study -
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FREE MAP 7 9 8 VISITOR CENTER 7 1 6 ARTE RELIGIOSA CAPRIOTTI SIGHTSEEING CENTER VIA G. AMENDOLA 32 2 5 PanamicOPEN TOUR Hop-on Hop-off TERMINI SANTA MARIA MAGGIORE COLOSSEO 3 BOCCA DELLA VERITÀ/CIRCO MASSIMO PIAZZA VENEZIA/CAMPIDOGLIO VATICANO/MUSEI VATICANI PIAZZA NAVONA/PANTHEON/CASTEL SANT'ANGELO FONTANA DI TREVI/PIAZZA DI SPAGNA VILLA BORGHESE/VIA VENETO PIAZZA BARBERINI 4 bus evy 10 minutes Since 1978 more than 28.000.000 satisfied customers Bk yr tr he! TOUR 9 TOUR 6 Ancient Castelli Ostia Romani AFTERNOON r FRASCATI, CASTELGANDOLFO, GROTTAFERRATA AND t BEAUTY MEDIEVAL VILLAGES OUTSIDE ROME THE PORT OF ANCIENT ROME. PORTA ROMANA, TERME DI NETTUNO, THERMOPOLIUM. ded € 52,00 p.p. Gui € 60,00 p.p. TOUR 1 Excsis Classical Excsis TOUR 7 TOUR 13 TOUR 17 Rome Tivoli Assisi Florence Orvieto MORNING TREVI FOUNTAIN, PANTHEON, PIAZZA NAVONA, CASTEL SANT'ANGELO (no visit), ST. PETER’S BASILICA (WITH PAPAL BLESSING ON SUNDAYS) ST FRANCIS’ BASILICA, SANTA MARIA DEGLI ANGELI, THE CRADLE OF THE RENAISSANCE PERIOD. DAVID BY MICHELANGELO, VILLA ADRIANA, VILLA D’ESTE AND ITS FOUNTAINS € 41,00 p.p. CHAPEL OF PORZIUNCOLA CATHEDRAL OF SANTA MARIA DEL FIORE, GIOTTO’S BELL TOWER AND € 106,00 p.p. PIAZZA DELLA SIGNORIA € 66,00 p.p. CityCity TrTr € 156,00 p.p. TOUR 3 TOUR 10 TOUR 2 Vatican TOUR 15 Illuminated TOUR 12 TOUR 14 Imperial Museums Naples Rome Rome Rome by Capri Pompeii SKIP THE LINE night Blue Grotto* SKIP THE LINE MORNING/ with dinner AFTERNOON AFTERNOON VATICAN MUSEUMS, SISTINE CHAPEL, ST. PETER’S BASILICA COLOSSEUM, ST. -
Rome Explorer
Rome Explorer Your itinerary Start Location Visited Location Plane End Location Cruise Train Over night Ferry Day 1 Included Meals - Buffet Breakfast Arrive Rome (7 Nights) Day 5 Delve into the enthralling culture and ancient heritage of the Eternal City of Rome, Rome – Vatican Experience exploring the city at leisure before meeting your Travel Director and fellow travellers for a Welcome Reception at a traditional Pizzeria this evening. The morning is yours to continue your leisurely exploration of the glories of Rome, before venturing to St. Peter's Basilica in the Vatican City. This afternoon, Hotel - Cicerone 'Dive Into Culture' as you gain priority access to the Vatican Museums where a Local Specialist will take you on a guided tour. Admire Michelangelo's magnificent Included Meals - Welcome Reception frescoed ceiling in the Sistine Chapel when it is less crowded and discover the array of artefacts displayed at the Museo Gregoriano Profano, which was founded Day 2 in the Lateran Apostolic Palace at the behest of Gregory XVI Cappellari in 1844. Rome Market Visit – Cooking Experience You'll also enjoy an exclusive after-hours al fresco dinner against the spectacular and Ancient Rome Sightseeing backdrop of St. Peter's. Should there be adverse weather, a contingency is provided in a newly created dining space within the Cortile della Pigna. Jostle with the locals to get your pick of the best fruits and vegetables at a local food market this morning. Here you'll 'Dive Into Culture' and into Rome's vibrant Included Meals - Buffet Breakfast, Regional Meal gourmet scene. Stroll through the Jewish Quarter and sample delicious specialities Day 6 in its neighbourhood bakeries, before taking part in a cooking course with a professional chef. -
Italy Art Experience
Italy Art Tour_1 15-02-02 11:48 AM Page 1 ItalyOctober 4-12, 2015 •Art9 days, 8 nights Experience• Maximum 20 guests Discover Rome, the Amalfi Coast & Naples with oin us as we uncover Italy’s most enduring masterpieces and emerging treasures. This graciously escorted adventure begins J in Rome with its iconic art and architecture, not to mention its lesser-known areas and private studios. Then we’re off to Italy’s stunning Amalfi Coast, visiting gorgeous towns and discovering their art treasures along the way. Visits to Pompeii and the Herculaneum and Naples round out this experience of a lifetime. Historical sites, private art tours, fabulous meals, walking tours, and plenty of free time. INCLUDES: The Lute Player l Amalfi Coast – Caravaggio 4 nights deluxe hotel accommodation in Rome l 2 nights deluxe hotel accommodation in Ravello, Amalfi l 2 nights deluxe hotel accommodation in Naples Meet l Airport transfers & ground transportation Caroline Sodenkamp l Breakfasts daily After hosting sellout Art Gallery of l Three dinners with wine Nova Scotia tours of New York City and l Visits to: the Colosseum, Roman Forum, Chicago, guests are still raving about Palatine Hill, Galleria Borghese, Vatican Caroline. The founder of Artigo Tours Museums, Piazza Navona, Pantheon, San Luigi knows the international art world del Francesi, Pompeii/Herculeneum, Catacomba inside out. Her enthusiasm and love de San Gennero, and more for the arts are contagious. She is l Behind-the-scenes Private Studio Visits & looking forward to walking tours making new friends, reconnecting with $4299 past guests, and providing you with per person double occupancy. -
Powers of Divergence Emphasises Its Potential for the Emergence of the New and for the Problematisation of the Limits of Musical Semiotics
ORPHEUS What does it mean to produce resemblance in the performance of written ORPHEUS music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions, and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts, and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. This approach is based on divergence, on the difference produced by intensifying Powers of the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction, and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics. Divergence Lucia D’Errico is a musician and artistic researcher. A research fellow at the Orpheus Institute (Ghent, Belgium), she has been part of the research project MusicExperiment21, exploring notions of experimentation in the performance of Western notated art music. An Experimental Approach She holds a PhD from KU Leuven (docARTES programme) and a master’s degree in English literature, and is also active as a guitarist, graphic artist, and video performer. to Music Performance P “‘Woe to those who do not have a problem,’ Gilles Deleuze exhorts his audience owers of Divergence during one of his seminars. And a ‘problem’ in this philosophical sense is not something to dispense with, a difficulty to resolve, an obstacle to eliminate; nor is it something one inherits ready-made. -
The Streets of Rome Walking Through the Streets of the Capital
Comune di Roma Tourism The streets of Rome Walking through the streets of the capital via dei coronari via giulia via condotti via sistina via del babuino via del portico d’ottavia via dei giubbonari via di campo marzio via dei cestari via dei falegnami/via dei delfini via di monserrato via del governo vecchio via margutta VIA DEI CORONARI as the first thoroughfare to be opened The road, whose fifteenth century charac- W in the medieval city by Pope Sixtus IV teristics have more or less been preserved, as part of preparations for the Great Jubi- passed through two areas adjoining the neigh- lee of 1475, built in order to ensure there bourhood: the “Scortecchiara”, where the was a direct link between the “Ponte” dis- tanners’ premises were to be found, and the trict and the Vatican. The building of the Imago pontis, so called as it included a well- road fell in with Sixtus’ broader plans to known sacred building. The area’s layout, transform the city so as to improve the completed between the fifteenth and six- streets linking the centre concentrated on teenth centuries, and its by now well-es- the Tiber’s left bank, meaning the old Camp tablished link to the city centre as home for Marzio (Campus Martius), with the northern some of its more prominent residents, many regions which had risen up on the other bank, of whose buildings with their painted and es- starting with St. Peter’s Basilica, the idea pecially designed facades look onto the road. being to channel the massive flow of pilgrims The path snaking between the charming and towards Ponte Sant’Angelo, the only ap- shady buildings of via dei Coronari, where proach to the Vatican at that time. -
Favorite Places in Rome Provided by Marie Lorenz, December 2017
Favorite Places in Rome provided by Marie Lorenz, December 2017 Marie lived in Rome during her third year at the Rhode Island School of Design. She returned for a second year as a Fellow at the American Academy in Rome. http://www.aarome.org/ She mapped out each of the spots listed below here. 1) THE TRASTEVERE CHURCHES These churches are only a 15 minute walk from Campo de Fiori and a bit off the tourist path, so they present a rare opportunity to sit quietly with some of the most beautiful artwork in Rome, for free! San Francesco a Ripa Piazza di S. Francesco d'Assisi, 88, 00153 Roma This early Franciscan convent holds Bernini’s masterpiece, Beata Ludovica Albertoni. "The sculpture and surrounding chapel honors a Roman noble woman who entered the Order of St. Francis following the death of her husband. The day before her own death from fever, Ludovica received the eucharist and then ordered everyone out of her room. When her servants were finally recalled, “they found her face aflame, but so cheerful that she seemed to have returned from Paradise.” (paraphrased from wikipedia) By representing this decisive moment, and like many of his other sculptures, Bernini seems to mingle the idea of physical ecstasy and religious martyrdom. In its day, this sculpture would have scandalized the recently reformed protestant church which considered any representation of a divine figure blasphemous. Bernini finished the sculpture in 1674 when he was seventy one years old. Santa Cecilia in Trastevere Piazza di Santa Cecilia, 22, 00153 Roma 5th-century church devoted to the Roman martyr Saint Cecilia. -
The Original Documents Are Located in Box 16, Folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 16, folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 16 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library 792 F TO C TATE WA HOC 1233 1 °"'I:::: N ,, I 0 II N ' I . ... ROME 7 480 PA S Ml TE HOUSE l'O, MS • · !? ENFELD E. • lt6~2: AO • E ~4SSIFY 11111~ TA, : ~ IP CFO D, GERALD R~) SJ 1 C I P E 10 NTIA~ VISIT REF& BRU SE 4532 UI INAl.E PAL.ACE U I A PA' ACE, TME FFtCIA~ RESIDENCE OF THE PR!S%D~NT !TA y, T ND 0 1 TH HIGHEST OF THE SEVEN HtL.~S OF ~OME, A CTENT OMA TtM , TH TEMPLES OF QUIRl US AND TME s E E ~oc T 0 ON THIS SITE. I THE CE TER OF THE PR!SENT QU?RINA~ IAZZA OR QUARE A~E ROMAN STATUES OF C~STOR .... -
PAVM Newsletter – November 2019
N O V E M B E R 2 0 1 9 1 TEXAS CHAPTER REPORT Patrons of the Arts in the Vatican Museums T e x a s B o a r d m e m b e r s a n d P a t r o n s e x p e r i e n c e a p e r s o n a l i z e d t o u r o f R o m e . I N T H I S I S S U E Texas Chapter Visits Rome TEXAS CHAPTER VISITS ROME On October 1, a diverse group of people from the western United 1 States embarked on a week-long pilgrimage to Rome hosted by the Texas Chapter of the Patrons of the Arts in the Vatican Museums. It ANNUAL CHAPTER was a wonderful week filled with awe for history and art. The patrons viewed some of the oldest artworks in Europe and were granted LEADERS MEETING access to little known spots in the Vatican, including behind-the scenes looks at the work done in its renowned restoration labs. NOLI ME TANGERE Among the participants were Texas Chapter Leader Lori Wrinkle, TAPESTRY 3 along with board members Carol Ikard, Gary Tigges and Joe Popolo. Jill Alexy of Martyrian Journeys guided the patrons through Rome. MEET THE INTERNS The group enjoyed the hospitality of Hotel Horti 14, a new boutique 4 hotel in Trastevere. The pilgrimage officially began with the celebration of Mass in the Basilica of San Francesco a Ripa, after which the patrons were given the opportunity to pray in the cell of St.