Favorite Places in Rome Provided by Marie Lorenz, December 2017
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Franciscan Saints, Blesseds, and Feasts (To Navigate to a Page, Press Ctrl+Shift+N and Then Type Page Number)
Franciscan Saints, Blesseds, and Feasts (to navigate to a page, press Ctrl+Shift+N and then type page number) Saints St. Francis de Sales, January 29 ................................................ 3 St. Agnes of Assisi, November 19 ..........................................29 St. Francis Mary of Camporosso, September 20 ................24 St. Agnes of Prague, March 2 ...................................................6 St. Francis of Paola, April 2 ........................................................9 St. Albert Chmielowski, June 17 ............................................. 16 St. Francisco Solano, July 14 .....................................................19 St. Alphonsa of the Immaculate Conception, July 28........20 St. Giles Mary of St. Joseph, February 7 ................................4 St. Amato Ronconi, May 8 .......................................................12 St. Giovanni of Triora, February 7 ............................................4 St. Angela Merici, January 27 ................................................... 3 St. Gregory Grassi, July 8 ........................................................ 18 St. Angela of Foligno, January 7 ................................................1 St. Hermine Grivot, July 8 ....................................................... 18 St. Angelo of Acri, October 30 .............................................. 27 St. Humilis of Bisignano, November 25 .................................30 St. Anthony of Padua, June 13 ................................................ 16 St. -
History of the Franciscan Movement
HISTORY OF THE FRANCISCAN MOVEMENT Volume 2 FROM THE YEAR 1517 TO THE SECOND VATICAN COUNCIL On-line course in Franciscan History at Washington Theological Union Washington DC By Noel Muscat OFM Jerusalem 2008 History of the Franciscan Movement. Volume 2: From 1517 to the Second Vatican Council Chapter 10 NEW REFORMS AND NEW DIVISIONS: THE BIRTH OF THE CAPUCHINS AND REFORMS WITHIN THE OBSERVANCE The friars “of the Holy Gospel” The Order of Friars Minor of the Regular Observance, after the union of all the reformed families in 1517, became a powerful religious family dedicated mainly to apostolic missions. A minority of friars, however, continued to insist upon living a simpler Franciscan life in the hermitages. Besides the Amadeiti and Coletani, there were other congregations which preferred eremitical life, like the Clareni and the friars “of the Holy Gospel” or Capuciati. This last religious family was one which the Bulla Ite vos of Leo X (1517) had not managed to integrate within the Order of the Friars Minor of the Regular Observance. They were born, as we have already seen, with the initiative of Juan de la Puebla, who had made an experience of Franciscan life in the Umbrian hermitages of central Italy, and then had returned to Spain, founding a congregation of friars who lived the literal observance of the Rule in the hermitages. Among his followers there was Juan de Guadalupe, who in 1508 obtained the approval of the Province “of the Holy Gospel”.1 The negative reaction of the Spanish Observants, who persecuted the new religious family, compelled the brothers of the Custody of Estremadura to place themselves under the obedience of the Conventuals in 1515, and thus became to be known by the name of “Reformed Conventuals”.2 They wore a short tunic with a pyramidal hood, and hence also the name Capuciati. -
Best Tours in Rome"
"Best Tours in Rome" Created by: Cityseeker 9 Locations Bookmarked Colosseum "Symbol of Rome" The magnanimous proportions of the Colosseum have long been a source of wonder. Originally envisioned in 70 CE, the construction of this grand structure was completed in 80 CE. At that time, it is believed that this vast amphitheater could seat upwards of 50,000 spectators at once. The Colosseum also features on the Italian version of the five-cent Euro. by TreptowerAlex Deemed as one of the Seven Wonders of the World, the Colosseum was designed to be a horse racing circuit and arena for animal fighting and gladiatorial battles, although it has also hosted significant religious ceremonies in its early days. It is a symmetrical wonder set in the historic landscape of Rome's heart. The enormous ruin is a UNESCO World Heritage Site and is considered by many to be an iconic symbol of Italy. +39 06 699841 parcocolosseo.it/area/colosseo/ Piazza del Colosseo 1, Rome Basilica di San Clemente al Laterano "Basilica on Three Levels" A visit to Basilica di San Clemente al Laterano is a fascinating journey through time. From the upper basilica, which dates from the beginning of the 12th Century and whose apse boasts the mosaic The Triumph of the Cross, one passes into the 4th-century lower basilica, and, via a stairway, by Nicholas Hartmann down to the Roman constructions and the mitreo, a 3rd-century temple dedicated to the God Mithra. Of particular interest are the frescoes in the chapel of St Catherine, painted between 1428 and 1431 by Masolino da Panicale, possibly with the collaboration of Masaccio. -
NORTHWESTERN UNIVERSITY the Roman Inquisition and the Crypto
NORTHWESTERN UNIVERSITY The Roman Inquisition and the Crypto-Jews of Spanish Naples, 1569-1582 A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of History By Peter Akawie Mazur EVANSTON, ILLINOIS June 2008 2 ABSTRACT The Roman Inquisition and the Crypto-Jews of Spanish Naples, 1569-1582 Peter Akawie Mazur Between 1569 and 1582, the inquisitorial court of the Cardinal Archbishop of Naples undertook a series of trials against a powerful and wealthy group of Spanish immigrants in Naples for judaizing, the practice of Jewish rituals. The immense scale of this campaign and the many complications that resulted render it an exception in comparison to the rest of the judicial activity of the Roman Inquisition during this period. In Naples, judges employed some of the most violent and arbitrary procedures during the very years in which the Roman Inquisition was being remodeled into a more precise judicial system and exchanging the heavy handed methods used to eradicate Protestantism from Italy for more subtle techniques of control. The history of the Neapolitan campaign sheds new light on the history of the Roman Inquisition during the period of its greatest influence over Italian life. Though the tribunal took a place among the premier judicial institutions operating in sixteenth century Europe for its ability to dispense disinterested and objective justice, the chaotic Neapolitan campaign shows that not even a tribunal bearing all of the hallmarks of a modern judicial system-- a professionalized corps of officials, a standardized code of practice, a centralized structure of command, and attention to the rights of defendants-- could remain immune to the strong privatizing tendencies that undermined its ideals. -
Bernini Breaking Barriers – Sensuality Sculpted in Stone
Bernini Breaking Barriers – Sensuality Sculpted in Stone Sandra Mifsud Bonnici [email protected] Abstract This paper will attempt to demonstrate that with his virtuosity, the Baroque sculptor, Gian Lorenzo Bernini managed to challenge the barriers which the medium he worked with, namely stone (marble) offered, to produce dynamic, lifelike and realistic works that also managed to express a previously unknown element in sculpture, that of sensuality. It will try to highlight how the spiritual and physical could come together in his works. The first masterpiece that will be focused upon will be the portrait bust of Bernini’s lover Costanza Piccolomini, a private work Bernini sculpted when he was thirty-nine years of age, chosen to represent the passion and worldly love that he felt for this woman. By way of contrast, the second masterpiece studied in this paper is the figure of the Blessed Ludovica Albertoni, one of his last works, chosen to represent Bernini’s concept of the culmination of spiritual love that also incorporated a sensual element. The third and final masterpiece is the ecstasy of St. Teresa of Avila found in the Cornaro Chapel in the Church of Santa Maria della Vittoria, considered by many as his greatest work, as an example of how mysticism also has a sensual element to it. Keywords: Baroque sculpture, Gian Lorenzo Bernini, sensuality, Costanza Piccolomini, Ludovica Albertoni, St Teresa d’Avila. No one can deny that Gian Lorenzo Bernini had the extraordinary technical skill and expertise to sculpt anything that he visualised or saw. The numerous works of art that he continued to create into his maturity and almost up to his death are evidence of this. -
Confronting Anti-Semitism in Catholic Theology After the Holocaust Carolyn Wesnousky Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College History Honors Papers History Department 2012 “Under the Very Windows of the Pope”: Confronting Anti-Semitism in Catholic Theology after the Holocaust Carolyn Wesnousky Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/histhp Part of the European History Commons, History of Religion Commons, and the Jewish Studies Commons Recommended Citation Wesnousky, Carolyn, "“Under the Very Windows of the Pope”: Confronting Anti-Semitism in Catholic Theology after the Holocaust" (2012). History Honors Papers. 15. http://digitalcommons.conncoll.edu/histhp/15 This Honors Paper is brought to you for free and open access by the History Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in History Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. “Under the Very Windows of the Pope”: Confronting Anti-Semitism in Catholic Theology after the Holocaust An Honors Thesis Presented by Carolyn Wesnousky To The Department of History In partial fulfillment of the requirements for Honors in the Major Field Connecticut College New London, Connecticut April 26, 2012 1 Table of Contents Introduction……………………………………………………...…………..4 Chapter 1: Living in a Christian World......…………………….….……….15 Chapter 2: The Holocaust Comes to Rome…………………...…………….49 Chapter 3: Preparing the Ground for Change………………….…………...68 Chapter 4: Nostra Aetate before the Second Vatican Council……………..95 Conclusion…………………………………………………………………110 Appendix……………………………………………..……………………114 Bibliography………………………………………………………………..117 2 Acknowledgements As much as I would like to claim sole credit for the effort that went into creating this paper, I need to take a moment and thank the people without whom I never would have seen its creation. -
The Mortara Affair and the Question of Thomas Aquinas's Teaching
SCJR 14, no. 1 (2019): 1-18 The Mortara Affair and the Question of Thomas Aquinas’s Teaching Against Forced Baptism MATTHEW TAPIE [email protected] Saint Leo University, Saint Leo, FL 33574 Introduction In January 2018, controversy over the Mortara affair remerged in the United States with the publication of Dominican theologian Romanus Cessario’s essay de- fending Pius IX’s decision to remove Edgardo Mortara, from his home, in Bologna.1 In order to forestall anti-Catholic sentiment in reaction to an upcoming film, Cessario argued that the separation of Edgardo from his Jewish parents is what the current Code of Canon Law, and Thomas Aquinas’s theology of baptism, required.2 For some, the essay damaged Catholic-Jewish relations. Writing in the Jewish Review of Books, the Archbishop of Philadelphia, Charles Chaput, lamented that Cessario’s defense of Pius revived a controversy that has “left a stain on Catholic- Jewish relations for 150 years.” “The Church,” wrote Chaput, “has worked hard for more than 60 years to heal such wounds and repent of past intolerance toward the Jewish community. This did damage to an already difficult effort.”3 In the 1 On June 23rd, 1858, Pope Pius IX ordered police of the Papal States to remove a six-year-old Jewish boy, Edgardo Mortara, from his home, in Bologna, because he had been secretly baptized by his Chris- tian housekeeper after allegedly falling ill. Since the law of the Papal States stipulated that a person baptized must be raised Catholic, Inquisition authorities forcibly removed Edgardo from his parents’ home, and transported him to Rome. -
Socio-Spatial Inequalities and Urban Transformation. the Case of Rome
Socio-Economic Planning Sciences xxx (xxxx) xxx–xxx Contents lists available at ScienceDirect Socio-Economic Planning Sciences journal homepage: www.elsevier.com/locate/seps Socio-spatial inequalities and urban transformation. The case of Rome districts ∗ Keti Leloa, Salvatore Monnib, , Federico Tomassic a Department of Business Studies, Roma Tre University, Via Silvio D'amico 77, Rome, 00145, Italy b Department of Economics, Roma Tre University; Via Silvio D'amico 77, Rome, 00145, Italy c Italian Agency for Territorial Cohesion, Rome, Via Sicilia 162, Rome, 00187, Italy ARTICLE INFO ABSTRACT Keywords: Over the past thirty years, public policy in Rome has failed to effectively address a rising level of socio-economic Socio-spatial inequalities inequality. Indicators such as level of education or number of household members appear to be geographically Mapping concentrated and sensitive to the distance from the city centre. The hypothesis that socio-spatial inequalities Periphery strongly influence economic performance and foster political instability has been subject to numerous empirical Rome investigations. Nevertheless, studies of specific urban contexts are not common. The absence of empirical ap- plications at this scale is probably due to the fact that variables used for analysing the economic and social performance of regions are difficult to quantify or inapplicable at the micro level. The purpose of this paperisto examine the spatial distribution of socioeconomic inequalities in the municipal territory of Rome and to explore the conditions that account for them. We will analyse the spatial distribution of urban quality indicators and socio-economic profiles with data from different sources, aggregated at the neighbourhood level. 1. -
The Aqua Traiana / Aqua Paola and Their Effects on The
THE AQUA TRAIANA / AQUA PAOLA AND THEIR EFFECTS ON THE URBAN FABRIC OF ROME Carolyn A. Mess A Thesis Presented to the Faculty of the Department of Architectural History In Partial Fulfillment of the Requirements for the Degree Master of Architectural History May 2014 Cammy Brothers __________________ Sheila Crane __________________ John Dobbins __________________ ii ABSTRACT Infrastructure has always played an important role in urban planning, though the focus of urban form is often the road system and the water system is only secondary. This is a misconception as often times the hydraulic infrastructure determined where roads were placed. Architectural structures were built where easily accessible potable water was found. People established towns and cities around water, like coasts, riverbanks, and natural springs. This study isolates two aqueducts, the Aqua Traiana and its Renaissance counterpart, the Aqua Paola. Both of these aqueducts were exceptional feats of engineering in their planning, building techniques, and functionality; however, by the end of their construction, they symbolized more than their outward utilitarian architecture. Within their given time periods, these aqueducts impacted an entire region of Rome that had twice been cut off from the rest of the city because of its lack of a water supply and its remote location across the Tiber. The Aqua Traiana and Aqua Paola completely transformed this area by improving residents’ hygiene, building up an industrial district, and beautifying the area of Trastevere. This study -
064-Sant'andrea Delle Fratte
(064/36) Sant'Andrea delle Fratte Sant'Andrea delle Fratte is a minor basilica, as well as an early 17th century parish, titular and convent church in the rione Colonna, just to the south of the Piazza di Spagna, dedicated to St Andrew the Apostle. History The first church here was built in the 1192, called infra hortes (later translated into "delle Fratte" or "shrubs") for it was located in a countryside area. The first time that the name Fratte is used is in the 15th century. It means literally "woods" or "overgrown vegetation", and seems to commemorate an overgrown area which might have been an abandoned piece of land, some shrubby garden or the facing slope of the Pincian hill when it was still wild. (1) (11) The church was probably rebuilt (or newly built on this site) in the 15th century, when there is a hint in the records that an Augustinian nunnery was established here. Then it was for some time the national church of Scotland as an independent kingdom (St Andrew is Scotland's patron). After the Scottish Reformation in 1560 the Scots completely lost interest in it, and for a while it was taken over by a pious confraternity dedicated to the Blessed Sacrament. However it was given to the Order of Minim of St. Francis of Paola Friars in 1585, and they still serve the parish which was simultaneously created. (1) (11) In 1604 the construction of the new church was begun, under the design of Gaspare Guerra. The project halted in 1612 due to lack of funds. -
Italian Jewish Subjectivities and the Jewish Museum of Rome
What is an Italian Jew? Italian Jewish Subjectivities and the Jewish Museum of Rome 1. Introduction The Roman Jewish ghetto is no more. Standing in its place is the Tempio Maggiore, or Great Synagogue, a monumental testament to the emancipation of Roman and Italian Jewry in the late nineteenth century. During that era, the Roman Jewish community, along with city planners, raised most of the old ghetto environs to make way for a less crowded, more hygienic, and overtly modern Jewish quarter.1 Today only one piece of the ghetto wall remains, and the Comunità Ebraica di Roma has dwindled to approximately 15,000 Jews. The ghetto area is home to shops and restaurants that serve a diverse tourist clientele. The Museo Ebraico di Roma, housed, along with the Spanish synagogue, in the basement floor of the Great Synagogue, showcases, with artifacts and art, the long history of Roman Jewry. While visiting, one also notices the video cameras, heavier police presence, and use of security protocol at sites, all of which suggest very real threats to the community and its public spaces. This essay explores how Rome's Jewish Museum and synagogues complex represent Italian Jewish identity. It uses the complex and its guidebook to investigate how the museum displays multiple, complex, and even contradictory subject-effects. These effects are complicated by the non- homogeneity of the audience the museum seeks to address, an audience that includes both Jews and non-Jews. What can this space and its history tell us about how this particular “contact zone” seeks to actualize subjects? How can attention to these matters stimulate a richer, more complex understanding of Italian Jewish subjectivities and their histories? We will ultimately suggest that, as a result of history, the museum is on some level “caught” between a series of contradictions, wanting on the one hand to demonstrate the Comunità Ebraica di Roma’s twentieth-century commitment to Zionism and on the other to be true to the historical legacy of its millennial-long diasporic origins. -
Jacqueline Treloar
Jacqueline Treloar [email protected] • www.jacquelinetreloar.com EDUCATION National Diploma in Art and Design, Central School of Art and Design (London, U.K.)1969 B.F.A., Council for National Academic Awards (London, U.K.) 1969 SELECTED SOLO EXHIBITIONS and PUBLIC ART PROJECTS The Toronto Homeless Memorial List, Magna Pallium, the Church of the Holy Trinity, 2019(catalogue) War Regalia for the three great archangels Michael Raphael and Gabriel- in progress M8V 1 E 7-M8Y3K1V- Lakeshore West from Mimico to Humber- in progress Pantokrator, Kingston Road United Church, Spring/Summer 2018 Coronas Magnas Reginae Caeli, The Church of the Holy Trinity, Toronto, summer 2014 (catalogue- essay Gary Michael Dault) Coronas Reginae Caeli, the Gladstone Hotel Artbar, Toronto, 2013 Kingston Road United Church Installation Kingston Road United Church (Toronto) Spring 2013 The Great Coat and the White Cat, Artscape Triangle Gallery (Toronto, Canada) 2011 (catalogue) A n Interpretation of the Westminster Abbey Great Pavement The Church of the Holy Trinity (Toronto, Canada) 2011 (catalogue) Manuscripts, Monuments and Memories, Yorkminster Park Gallery (Toronto, Canada) 2009 Part II Following the Phoenix: On the Trail of the Canadian Campaign in Sicily, July 1943 The Propeller Centre for the Visual Arts (Toronto, Canada) 2008 (catalogue) Part I Search and Discover: On the Trail of the Canadian Campaign in Sicily, July 1943 Cell Gallery, Gallery 1313 (Toronto, Canada) 2008 The Secret Room of Giuseppa Filangeri di San Marco Propeller Centre for the Visual Arts, Gallery 1313 (Toronto, Canada) 2007 (catalogue) Sites Toronto Cell Gallery, Gallery 1313 (Toronto, Canada) 2006 The Great Pavement Library and Gallery (Cambridge, Canada) 2000 Romanesque Panels Italian Consulate (Toronto, Canada) 1999 Palermo, La Conca d’Oro Italian Consulate, Sicilian Cultural Society at the Columbus Centre (Toronto, Canada) 1999 Lepidoptera in the Treasury of Frederick II Yorkville Public Library (Toronto, Canada) 1999 S.S.