Third Circular and Preliminary Program(1)
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Motorway A14, Exit Pesaro-Urbino • Porto Di Ancona: Croatia, Greece, Turkey, Israel, Ciprus • Railway Line: Milan, Bologna, Ancona, Lecce, Rome, Falconara M
CAMPIONATO D’EUROPA FITASC – FINALE COPPA EUROPA EUROPEAN CHAMPIONSHIP San Martino/ Rio Salso di Tavullia – Pesaro/Italia, 17/06/2013 – 24/06/2013 • Motorway A14, exit Pesaro-Urbino • Porto di Ancona: Croatia, Greece, Turkey, Israel, Ciprus • Railway Line: Milan, Bologna, Ancona, Lecce, Rome, Falconara M. • AIRPORT: connection with Milan, Rom, Pescara and the main European capitals: Falconara Ancona “Raffaello Sanzio” 80 KM da Pesaro Forlì L. Ridolfi 80 KM da Pesaro Rimini “Federico Fellini” 30 KM da Pesaro Bologna “Marconi” 156 KM da Pesaro CAMPIONATO D’EUROPA FITASC – FINALE COPPA EUROPA EUROPEAN CHAMPIONSHIP San Martino/ Rio Salso di Tavullia – Pesaro/Italia, 17/06/2013 – 24/06/2013 Rossini tour: Pesaro Pesaro was the birth place of the famous musician called “Il Cigno di Pesaro” A walk through the characteristic streets of the historic centre lead us to Via Rossini where the Rossini House Museum is situated. It is possible to visit his house, the Theatre and the Conservatory that conserve Rossini’s operas and memorabilia. Prices: Half Day tour: € 5.00 per person URBINO URBINO is the Renaissance of the new millennium. Its Ducal Palce built for the grand duke Federico da Montefeltro, with its stately rooms, towers and magnificent courtyard forms a perfect example of the architecture of the time. Today , the building still houses the Galleria Nazionale delle Marche with precious paintings by Piero della Francesca, Tiziano, Paolo Uccello and Raphael, whose house has been transformed into a museum. Not to be missed, are the fifteenth century frescoes of the oratory of San Giovanni and the “Presepio” or Nativity scene of the Oratory of San Giuseppe (entry of Ducal Palace, Oratories) Prices: Half Day tour: € 25.00 per person included: bus - guide – Palazzo Ducale ticket – Raffaello Sanzio’s birthplace ticket CAMPIONATO D’EUROPA FITASC – FINALE COPPA EUROPA EUROPEAN CHAMPIONSHIP San Martino/ Rio Salso di Tavullia – Pesaro/Italia, 17/06/2013 – 24/06/2013 REPUBLIC OF SAN MARINO This is one of the smallest and most interesting Republics in the world. -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE The Palazzo del Te: Art, Power, and Giulio Romano’s Gigantic, yet Subtle, Game in the Age of Charles V and Federico Gonzaga A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Interdisciplinary Studies with emphases in Art History and Political Science By Diana L. Michiulis December 2016 The thesis of Diana L. Michiulis is approved: ___________________________________ _____________________ Dr. Jean-Luc Bordeaux Date ___________________________________ _____________________ Dr. David Leitch Date ___________________________________ _____________________ Dr. Margaret Shiffrar, Chair Date California State University, Northridge ii ACKNOWLEDGEMENTS I would like to convey my deepest, sincere gratitude to my Thesis Committee Chair, Dr. Margaret Shiffrar, for all of her guidance, insights, patience, and encourage- ments. A massive "merci beaucoup" to Dr. Jean-Luc Bordeaux, without whom completion of my Master’s degree thesis would never have been fulfilled. It was through Dr. Bordeaux’s leadership, patience, as well as his tremendous knowledge of Renaissance art, Mannerist art, and museum art collections that I was able to achieve this ultimate goal in spite of numerous obstacles. My most heart-felt, gigantic appreciation to Dr. David Leitch, for his leadership, patience, innovative ideas, vast knowledge of political-theory, as well as political science at the intersection of aesthetic theory. Thank you also to Dr. Owen Doonan, for his amazing assistance with aesthetic theory and classical mythology. I am very grateful as well to Dr. Mario Ontiveros, for his advice, passion, and incredible knowledge of political art and art theory. And many thanks to Dr. Peri Klemm, for her counsel and spectacular help with the role of "spectacle" in art history. -
The Holy Family with Saint Elizabeth
The Holy Family with Saint Elizabeth, the Child Saint John the Baptist and Two Angels, a copy of Raphael Technical report, restoration and new light on its history and attribution José de la Fuente Martínez José Luis Merino Gorospe Rocío Salas Almela Ana Sánchez-Lassa de los Santos This text is published under an international Attribution-NonCommercial-NoDerivs Creative Commons licence (BY-NC-ND), version 4.0. It may therefore be circulated, copied and reproduced (with no alteration to the contents), but for educational and research purposes only and always citing its author and provenance. It may not be used commercially. View the terms and conditions of this licence at http://creativecommons.org/licenses/by-ncnd/4.0/legalcode Using and copying images are prohibited unless expressly authorised by the owners of the photographs and/or copyright of the works. © of the texts: Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao Photography credits © Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao: figs. 1, 2 and 5-19 © Groeningemuseum, Brugge: fig. 21 © Institut Royal du Patrimoine Artistique, Bruxelles: fig. 20 © Museo Nacional del Prado, Madrid: fig. 55 © RMN / Gérard Blot-Jean Schormans: fig. 3 © RMN / René-Gabriel Ojéda: fig. 4 Text published in: B’06 : Buletina = Boletín = Bulletin. Bilbao : Bilboko Arte Eder Museoa = Museo de Bellas Artes de Bilbao = Bilbao Fine Arts Museum, no. 2, 2007, pp. 17-64. Sponsored by: 2 fter undergoing a painstaking restoration process, which included the production of a detailed tech- nical report, the Holy Family with Saint Elizabeth, the Child Saint John the Baptist and Two Angels1 A[fig. -
Events, Places and Experiences for Your Holiday 2019 2021 REGIONAL PARK
Events, places and experiences for your holiday 2019 2021 REGIONAL PARK INTER-REGIONAL NATURAL PARK NATIONAL NATURAL RESERVE ARCHAEOLOGY PARK places, experiences, events for your holiday in Marche Legend Adventure and Archaeology park Blue Flag entertainment park The most beautiful Spa Skiing facilities villages in Italy with wellness centres Orange Flag Spa Unesco World Heritage Sites Authentic Italian villages Wine cellars Tourist information centres Parks and Protected areas Bike Park Tourist information points Marina Aqua park MARCHE 2019 2021 Events, places and experiences for your holiday 3 Capital of the Italian Renaissance and birthplace of Raffaello Sanzio years 2019 2021 MARCHE AN OPEN-AIR STAGE Come to Marche! Between 2018 and 2021 the region becomes an open-air stage hosting exhibitions, events, and shows which celebrate its most famous sons: Rossini, Leopardi, and Raffaello. But the events and celebrations will be the driving force in promoting the excellence of the region, offering an extraordinary cultural heritage showcased in the names of Lorenzo Lotto, Frederick II Hohenstaufen, Leonardo, and Dante Alighieri. 48 year 2019 THE OPERA TRADITION OF Marche MARCHE 2019 2021 Events, places and experiences for your holiday 5 Theatre “dell'Aquila” Fermo In 2019 will continue the festivities commemorating 150 years since the death of Gioachino Rossini, the famous composer born in Pesaro in 1792, and deceased in Passy, Paris in 1868. For Pesaro, a UNESCO City of Music, 2018 has already marked the beginning of a rich program of celebrations honouring Rossini that complemented the ROF (Rossini Opera Festival), the annual theatre festival dedicated to the works of the artist from Pesaro. -
'…Con Uno Inbasamento Et Ornamento Alto': the Rhetoric of the Pedestal C. 1430-1550
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery Wright, A; (2011) '... con uno inbasamento et ornamento alto': The rhetoric of the pedestal c. 1430- 1550. Art History, 34 (1) pp. 8-53. 10.1111/j.1467-8365.2010.00798.x. Downloaded from UCL Discovery: http://discovery.ucl.ac.uk/1399808/. ARTICLE ‘…con uno inbasamento et ornamento alto’: the rhetoric of the pedestal c. 1430-1550. Alison Wright School of Arts and Social Sciences, University College London When, in 1504, the Florentine painter Cosimo Rosselli gave his opinion on the best situation for Michelangelo’s colossal David, he suggested it be placed by the cathedral and raised up on a high pedestal (‘uno inbasamento et ornamento alto’).1 Rosselli imagined the marble statue dominating the corner of the entrance steps, just to the right of the façade. Sandro Botticelli lent his backing to Rosselli’s view with the argument that the sculpture would here be best visible to passers-by. Against both these painters, a goldsmith, Andrea Riccio - almost certainly a local Florentine and not the Paduan bronze sculptor - proposed a position in the courtyard of the town hall, the Palazzo della Signoria.2 Here, he claims, the sculpture would be better protected and passers-by would go to see it rather than, as he vividly puts it, ‘the figure should come and see us.’3 Differences of opinion expressed in this unusually well documented debate centred above all around questions of visibility, concern for the statue’s material preservation as well as the representational and ritual needs of the Florentine government.4 Tangentially, the debate also highlighted the crucial role of the pedestal and its physical and ritual situation in mediating the encounter with sculpture. -
L'antica Porta Di San Florido a Città Di Castello E I Motivi Della Sua
L’Eco del TevereL’Eco è un periodico edito dall’agenzia Saturno Comunicazione sas – Iscrizione al Registro Stampa n.6/07 – Autorizzazione Tribunale di Arezzo 2 marzo 2007 Periodico di informazione - Edizione n° 111 - Anno XIII - n° 9 - NOVEMBRE 2019 L’antica porta di San Florido a Città di Castello e i motivi della sua demolizione Un 2019 in linea con i programmi per la Banca di Anghiari e Stia Credito Cooperativo Sansepolcro Anghiari Personaggi “Profumo di Natale”: a Saggi archeologici nella zona di Aldo Martini, l’immagine rassicurante La sommossa delle donne di San Sansepolcro un evento inedito nei Sterpeto: un antico impianto termale del macellaio nato al Trebbio nella Giustino nel 1917 per l’aumento del fine settimana di dicembre nel sottosuolo? casa di Raffaellino del Colle prezzo del grano 1 2 iversi i capitoli di storia che caratterizzano questo nu- mero del nostro periodico e che in parte si mescolano con l’aspetto dell’inchiesta: alludiamo in particolare SOMMARIO ai saggi archeologici effettuati nella zona di Sterpeto Dad Anghiari, laddove passano anche le condutture di adduzio- L’opinionista 4 “Profumo di Natale” a Sansepolcro ne dell’acqua dalla diga di Montedoglio alla Valdichiana, che potrebbero riportare alla luce i resti di un edificio e di un im- 6 Istituzioni pianto termale risalenti a duemila e più anni fa. La demolizione Il Comune di Sansepolcro informa della Porta di San Florido a Città di Castello (siamo nel rione Istituzioni Prato) e la sommossa delle donne di San Giustino nell’anno 8 Il Comune di Monterchi informa 1917, quando si ritrovarono – come le donne di tutta Italia – a dover fronteggiare l’aumento del prezzo del grano dopo che 10 Economia già avevano i mariti impegnati in guerra, costituiscono i capitoli Anastasis: borse, shopper bag e zainetti di storia locale che abbiamo estrapolato per l’occasione, non Storia dimenticando il collega Claudio Cherubini, che ha ripreso la 12 L’abbattimento di Porta San Florido a sua “parabola della pianta del fumo” con i paragrafi della quinta Città di Castello puntata. -
The Streets of Rome Walking Through the Streets of the Capital
Comune di Roma Tourism The streets of Rome Walking through the streets of the capital via dei coronari via giulia via condotti via sistina via del babuino via del portico d’ottavia via dei giubbonari via di campo marzio via dei cestari via dei falegnami/via dei delfini via di monserrato via del governo vecchio via margutta VIA DEI CORONARI as the first thoroughfare to be opened The road, whose fifteenth century charac- W in the medieval city by Pope Sixtus IV teristics have more or less been preserved, as part of preparations for the Great Jubi- passed through two areas adjoining the neigh- lee of 1475, built in order to ensure there bourhood: the “Scortecchiara”, where the was a direct link between the “Ponte” dis- tanners’ premises were to be found, and the trict and the Vatican. The building of the Imago pontis, so called as it included a well- road fell in with Sixtus’ broader plans to known sacred building. The area’s layout, transform the city so as to improve the completed between the fifteenth and six- streets linking the centre concentrated on teenth centuries, and its by now well-es- the Tiber’s left bank, meaning the old Camp tablished link to the city centre as home for Marzio (Campus Martius), with the northern some of its more prominent residents, many regions which had risen up on the other bank, of whose buildings with their painted and es- starting with St. Peter’s Basilica, the idea pecially designed facades look onto the road. being to channel the massive flow of pilgrims The path snaking between the charming and towards Ponte Sant’Angelo, the only ap- shady buildings of via dei Coronari, where proach to the Vatican at that time. -
MASTER DRAWINGS Index to Volumes 1–55 1963–2017 Compiled by Maria Oldal [email protected]
MASTER DRAWINGS Index to Volumes 1–55 1963–2017 Compiled by Maria Oldal [email protected] The subject of articles or notes is printed in CAPITAL letters; book and exhibition catalogue titles are given in italics; volume numbers are in Roman numerals and in bold face. Included in individual artist entries are authentic works, studio works, copies, attributions, etc., arranged in sequential order within the citations for each volume. When an author has written reviews, that designation appears at the end of the review citations. Names of collectors are in italics. Abbreviated names of Italian churches are alphabetized as if fully spelled out: "Rome, S. <San> Pietro in Montorio" precedes "S. <Santa> Maria del Popolo." Concordance of Master Drawings volumes and year of publication: I 1963 XII 1974 XXIII–XXIV 1985–86 XXXV 1997 XLVI 2008 II 1964 XIII 1975 XXV 1987 XXXVI 1998 XLVII 2009 III 1965 XIV 1976 XXVI 1988 XXXVII 1999 XLVIII 2010 IV 1966 XV 1977 XXVII 1989 XXXVIII 2000 XLIX 2011 V 1967 XVI 1978 XXVIII 1990 XXXIX 2001 L 2012 VI 1968 XVII 1979 XXIX 1991 XL 2002 LI 2013 VII 1969 XVIII 1980 XXX 1992 XLI 2003 LII 2014 VIII 1970 XIX 1981 XXXI 1993 XLII 2004 LIII 2015 IX 1971 XX 1982 XXXII 1994 XLIII 2005 LIV 2016 X 1972 XXI 1983 XXXIII 1995 XLIV 2006 LV 2017 XI 1973 XXII 1984 XXXIV 1996 XLV 2007 À l’ombre des frondaisons d’Arcueil: Dessiner un jardin du XVIIe siècle, exh. cat. by Xavier Salmon et al. Review. LIV: 397–404 A. S. -
The Original Documents Are Located in Box 16, Folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 16, folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 16 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library 792 F TO C TATE WA HOC 1233 1 °"'I:::: N ,, I 0 II N ' I . ... ROME 7 480 PA S Ml TE HOUSE l'O, MS • · !? ENFELD E. • lt6~2: AO • E ~4SSIFY 11111~ TA, : ~ IP CFO D, GERALD R~) SJ 1 C I P E 10 NTIA~ VISIT REF& BRU SE 4532 UI INAl.E PAL.ACE U I A PA' ACE, TME FFtCIA~ RESIDENCE OF THE PR!S%D~NT !TA y, T ND 0 1 TH HIGHEST OF THE SEVEN HtL.~S OF ~OME, A CTENT OMA TtM , TH TEMPLES OF QUIRl US AND TME s E E ~oc T 0 ON THIS SITE. I THE CE TER OF THE PR!SENT QU?RINA~ IAZZA OR QUARE A~E ROMAN STATUES OF C~STOR .... -
The Prestige of an American University in the Heart Of
brochure_DS2013:Layout 1 24-06-2013 10:31 Pagina 1 d'Arte Moderna PINCIANO VILLA PAGANINI Galleria Borghese NOMENTANO Museo Etrusco VILLA SALARIO TORLONIA VILLA BORGHESE Porta Pia PRATI THE PRESTIGE Trinità dei Monti ROME Augusteo Terme Diocleziano Fontana di Trevi S. Lorenzo fuori le mura OF AN AMERICAN ERE John Cabot University Castel S. AnTgEVelo TERMINI San Pietro Via della Lungara, 233 Piazza Navona Quirinale 00165 Rome, Italy CASAL Pantheon S. LORENZO BERTONE UNIVERSITY Central Line: (+39) 06 681 9121 S. Maria Maggiore TIBURTINO Vittoriano E-mail: [email protected] ESQUILINO AURELIO Campidoglio IN THE HEART GIANICOLO www.johncabot.edu Isola Tiberina Colosseo Bocca della Verità S. Maria in Trastevere OF ROME Gianicolo TRASTEVERE VILLA Circo Massimo S. GIOVANNI FIORELLI CELIMONTANA VILLA VILLA 1 - SCIARRA AVENTINO S. Giovanni in Laterano 3 1 TUSCOLANO 0 2 6 E 0 R E 4 V E T Terme di Caracalla 2 TESTACCIO VILLA LAIS Piramide Cestia APPIO LATINO V brochure_DS2013:Layout 1 24-06-2013 10:31 Pagina 2 ACADEMICS • US Bachelor of Arts and Associate • Calendar: two semesters • Career Services Center for internships of Arts degrees and two summer sesssions and career opportunities • Classes taught in English • Faculty of international distinction • Accredited by the Middle States Commission on Higher Education • Average class size of 15 • Graduates accepted at top universities (www.msche.org) in the US, UK, and other European BACHELOR OF ARTS • Multicultural student body of 1000 countries • Academic mentor from first year DEGREES BUSINESS -
Papal Policy: the Planning of Rome During
Originalveröffentlichung in: Rotberg, Robert I. ; Rabb, Theodore K. (Hrsgg.): Art and history : images and their meaning, Cambridge 1988, S. 39-65 Christoph L. Frommel Papal Policy: The Planning of Rome during the Renaissance The investigation of patronage and town plan ning has become increasingly important for our understanding of the history of architecture and in particular for the history of Roman Renaissance architecture. The projects of individual popes have been thoroughly analyzed, but no attempt has been made to look at papal building policy during the Renaissance as a whole, to find out its principal motives, or to distinguish between con tinuous and discontinuous forces. This article suggests that much of the unique beauty of Renaissance Rome is the result of the particular character of papal government.1 The center of the old city of Rome differs from that of other Italian towns in that it has two centers of gravity: the Vatican and the Capitol. Until too years ago both were situated on the pe riphery of the city. The Capitol, which since the Middle Ages had been the seat of the communal administration, only attained its present representative character during the sixteenth and sev enteenth centuries and earlier was anything but impressive. Even before its recent isolation from the rest of the city was achieved by archaeologists and patriots seeking to preserve its character, it did not play a role comparable to that of the urban centers of Venice, Florence, Siena, or other smaller towns. The Vatican, at Christoph L. Frommel is Director of the Bibliotheca Hertziana in Rome. -
Welcome to the N.U.In Program
Welcome to The N.U.in Program The N.U.in Program is a unique and innovative first-year international program that reflects the mission of Northeastern University: encouraging our students to grow as individuals, develop an affinity for Northeastern, and actively engage in a supportive community that emphasizes global citizenship and a holistic academic experience. The N.U.in Program is a good fit for students who wish to engage in a personally challenging and academically integrated experience with an international edge. The N.U.in Program provides a truly transformative experience to students who are ready for the challenge. Our students are well-prepared to translate their knowledge into marketable assets throughout college and in the future. N.U.in alumni are adventurous, ambitious, intellectually curious, reflective, and independent individuals who engage in their own learning. They share a passion for the world and thrive in their community. CONTENTS Introduction & Program Overview ............................................................2 Quick References & Information • Northeastern Campus Map .......................................................................3 • Useful Contacts ..........................................................................................4 • The N.U.in Program Staff...........................................................................5 Preparing for Departure • Student Visas ..............................................................................................6 • Packing List ...........................................................................................