The Way of St Francis: Via Di Francesco: from Florence to Assisi and Rome Pdf, Epub, Ebook
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Reconstruction of Vegetation History in Central Italy Through a Palynological Approach. a Case of Study from Lago Lungo (Rieti Basin)
UNIVERSITÀ DEGLI STUDI DELLA TUSCIA DI VITERBO Department of Agriculture, Forests, Nature and Energy (DAFNE) PhD Course Sciences and Technologies for Forest and Environmental Management - XXV Cycle Reconstruction of vegetation history in central Italy through a palynological approach. A case of study from Lago Lungo (Rieti basin) s.s.d. AGR/05 PhD candidate: Irene Tunno Signature ……………………. PhD Course Coordinator Tutors Prof.ssa Rosanna Bellarosa Prof. Gianluca Piovesan Signature …………………… Signature…………………… Prof. Scott A. Mensing Signature…………………… May 30, 2014 “…Dandomi ancora la gioia infinita di entrare in porti sconosciuti prima…” (F.Guccini) To Emanuele… Abstract Lake sediments record climatic and ecological changes taking place at the time of their deposition. These changes are recorded as stratigraphic variations of physical and chemical properties and changes in species composition of plant and animal remains. Palynological studies provide consistent information of changes that occurred in a particular area especially where many historical documents are available. High-resolution reconstruction of vegetation history can be used to investigate the nature of the past environmental changes, disentangling the effects of climate and human activity on the landscape. A palynological study was carried out in the Rieti basin (Lazio, central Italy). This region has been colonized for millennia, from the pre-Roman period, and strong modifications, both of natural and anthropogenic origin, have occurred through time. Three sediment cores collected from Lake Lungo (371 m. a.s.l.) have been analyzed for a total length of 15 m. Five zones, related to different phases in the evolution of the landscape, have been identified along the cores: an early period (zone 1; 2700-2040 yr BP; 680-30 BCE) characterized by woodlands, showing a natural system with a variety of natural tree species (e.g. -
A Portrait of Central Italy's Geology Through Giotto's
1 A PORTRAIT OF CENTRAL ITALY’S GEOLOGY THROUGH GIOTTO’S PAINTINGS 2 AND ITS POSSIBLE CULTURAL IMPLICATIONS 3 4 Ann C. Pizzorusso 5 6 Independent Geologist,511 Avenue of the Americas, New York, New York 10011 USA 7 8 Correspondence to: Ann C. Pizzorusso ([email protected]) 9 10 Abstract. Central Italy has some of the most complex geology in the world. In the midst 11 of this inscrutable territory, two people emerged--St. Francis and Giotto--they would 12 ultimately change the history of ecology, religion and art by extoling the landscapes and 13 geology of this region. 14 15 From Antiquity to the Middle Ages, man had a conflictual relationship with nature, seeing 16 it as representing either divine or satanic forces. On the vanguard of a change in 17 perspective toward the natural world was St. Francis of Assisi (c.1181-1226) who is now, 18 thanks to his pioneering work, patron of ecology. He set forth the revolutionary philosophy 19 that the Earth and all living creatures should be respected as creations of the Almighty. 20 21 St. Francis’ affinity for the environment influenced the artist Giotto (c.1270-1337) who 22 revolutionized art history by including natural elements in his religious works. By taking 23 sacred images away from Heaven and placing them in an earthly landscape, he 24 separated them definitively from their abstract, unapproachable representation in 25 Byzantine art. Giotto’s works are distinctive because they portray daily life as blessed, 26 thus demonstrating that the difference between the sacred and profane is minimal. -
History of the Franciscan Movement
HISTORY OF THE FRANCISCAN MOVEMENT Volume 2 FROM THE YEAR 1517 TO THE SECOND VATICAN COUNCIL On-line course in Franciscan History at Washington Theological Union Washington DC By Noel Muscat OFM Jerusalem 2008 History of the Franciscan Movement. Volume 2: From 1517 to the Second Vatican Council Chapter 10 NEW REFORMS AND NEW DIVISIONS: THE BIRTH OF THE CAPUCHINS AND REFORMS WITHIN THE OBSERVANCE The friars “of the Holy Gospel” The Order of Friars Minor of the Regular Observance, after the union of all the reformed families in 1517, became a powerful religious family dedicated mainly to apostolic missions. A minority of friars, however, continued to insist upon living a simpler Franciscan life in the hermitages. Besides the Amadeiti and Coletani, there were other congregations which preferred eremitical life, like the Clareni and the friars “of the Holy Gospel” or Capuciati. This last religious family was one which the Bulla Ite vos of Leo X (1517) had not managed to integrate within the Order of the Friars Minor of the Regular Observance. They were born, as we have already seen, with the initiative of Juan de la Puebla, who had made an experience of Franciscan life in the Umbrian hermitages of central Italy, and then had returned to Spain, founding a congregation of friars who lived the literal observance of the Rule in the hermitages. Among his followers there was Juan de Guadalupe, who in 1508 obtained the approval of the Province “of the Holy Gospel”.1 The negative reaction of the Spanish Observants, who persecuted the new religious family, compelled the brothers of the Custody of Estremadura to place themselves under the obedience of the Conventuals in 1515, and thus became to be known by the name of “Reformed Conventuals”.2 They wore a short tunic with a pyramidal hood, and hence also the name Capuciati. -
25Th INTERNATIONAL FEDERATION of HOSPITAL ENGINEERING CONGRESS
25th INTERNATIONAL FEDERATION OF HOSPITAL ENGINEERING CONGRESS IFHE MAY 27-31 2018 RIETI INVITATION Bologna June 10 2018 Dear International Federation of Hospital Engineering, The SIAIS (Italian Society for Architecture and Engineer for Healthcare) would be honoured to host in 2018, the IFHE 25th Congress, in Italy . The SIAIS believes that the opportunity to have in Italy the 25th edition of the IFHE Congress should not be missed for the following reasons: first of all, Italy is absent from the international scene for a long time, second is that the recurrence of twenty-five years cannot fail to see Italy, which in 1970 hosted the 1st IFHE Congress, as the organizer of this important moment in science. The proposed conference location is Rieti the centre of Italy. The proposed dates in 2018, are : from Sunday, May 27 to Thursday, May 31. The official languages of the congress will be English and Italian, therefore simultaneous translation from Italian to English and vice versa will be guaranteed. Should a large group of delegates of a particular language be present it will be possible to arrange a specific simultaneous translation. May is a very pleasant month in Rieti with nice weather, still long sunny days and warm temperatures. Rieti is an Italian town of 47 927 inhabitants of Latium, capital of the Province of Rieti. Traditionally considered to be the geographical center of Italy, and this referred to as "Umbilicus Italiae", is situated in a fertile plain down the slopes of Mount Terminillo, on the banks of the river Velino. Founded at the beginning of the Iron Age, became the most important city of the Sabine people. -
The Saint Francis'
Gubbio - Biscina Valfabbrica - Ripa Assisi - Foligno Spoleto - Ceselli The Reatine Valley (Lazio) LA VERNA Planning a Distance: 22,8 km Distance: 10,5 km Distance: 21,8 km Distance: 15,9 km The Sacred Valley of Rieti is full of testimony PIEVE S. STEFANO Height difference: + 520 / - 500 m Height difference: + 90 / - 50 m Height difference: + 690 / - 885 m Height difference: + 490 / - 680 m to St. Francis. The Greccio Hermitage, the Difficulty: challenging Difficulty: easy Difficulty: Challenging Difficulty: Challenging Sanctuaries of Fontecolombo and La Foresta, your CERBAIOLO VIA DI FRANCESCO the temple of Terminillo and the Beech Tree b SAINT FRANCIS - AND THE WOLF OF Val fabbrica (Pg) SAINT FRANCIS - IN FOLIGNO SAINT FRANCIS - IN SPOLETO of St. Francis are just some of the best-known GUBBIO Francis therefore leapt to his feet, made the Nil iucundius vidi valle mea spoletana landmarks. If you would like to see these Trip The sermon being ended, Saint Francis added Franciscan itinerary: sign of the cross, prepared a horse, got into the I have never seen anything more joyful than places, a visit to the website of the these words: Church of Coccorano saddle, and taking scarlet cloth with him set off my Spoleto valley - Saint Francis’ Rieti tourist board is highly recommended, “Listen my brethren: the wolf who is here before 13 Church of Santa Maria Assunta at speed for Foligno. There, as was his custom, at www.camminodifrancesco.it. c you has promised and pledged his faith that he sold all his goods and with a stroke of luck he consents to make peace with you all, and sold his horse as well. -
Bernini Breaking Barriers – Sensuality Sculpted in Stone
Bernini Breaking Barriers – Sensuality Sculpted in Stone Sandra Mifsud Bonnici [email protected] Abstract This paper will attempt to demonstrate that with his virtuosity, the Baroque sculptor, Gian Lorenzo Bernini managed to challenge the barriers which the medium he worked with, namely stone (marble) offered, to produce dynamic, lifelike and realistic works that also managed to express a previously unknown element in sculpture, that of sensuality. It will try to highlight how the spiritual and physical could come together in his works. The first masterpiece that will be focused upon will be the portrait bust of Bernini’s lover Costanza Piccolomini, a private work Bernini sculpted when he was thirty-nine years of age, chosen to represent the passion and worldly love that he felt for this woman. By way of contrast, the second masterpiece studied in this paper is the figure of the Blessed Ludovica Albertoni, one of his last works, chosen to represent Bernini’s concept of the culmination of spiritual love that also incorporated a sensual element. The third and final masterpiece is the ecstasy of St. Teresa of Avila found in the Cornaro Chapel in the Church of Santa Maria della Vittoria, considered by many as his greatest work, as an example of how mysticism also has a sensual element to it. Keywords: Baroque sculpture, Gian Lorenzo Bernini, sensuality, Costanza Piccolomini, Ludovica Albertoni, St Teresa d’Avila. No one can deny that Gian Lorenzo Bernini had the extraordinary technical skill and expertise to sculpt anything that he visualised or saw. The numerous works of art that he continued to create into his maturity and almost up to his death are evidence of this. -
The Aqua Traiana / Aqua Paola and Their Effects on The
THE AQUA TRAIANA / AQUA PAOLA AND THEIR EFFECTS ON THE URBAN FABRIC OF ROME Carolyn A. Mess A Thesis Presented to the Faculty of the Department of Architectural History In Partial Fulfillment of the Requirements for the Degree Master of Architectural History May 2014 Cammy Brothers __________________ Sheila Crane __________________ John Dobbins __________________ ii ABSTRACT Infrastructure has always played an important role in urban planning, though the focus of urban form is often the road system and the water system is only secondary. This is a misconception as often times the hydraulic infrastructure determined where roads were placed. Architectural structures were built where easily accessible potable water was found. People established towns and cities around water, like coasts, riverbanks, and natural springs. This study isolates two aqueducts, the Aqua Traiana and its Renaissance counterpart, the Aqua Paola. Both of these aqueducts were exceptional feats of engineering in their planning, building techniques, and functionality; however, by the end of their construction, they symbolized more than their outward utilitarian architecture. Within their given time periods, these aqueducts impacted an entire region of Rome that had twice been cut off from the rest of the city because of its lack of a water supply and its remote location across the Tiber. The Aqua Traiana and Aqua Paola completely transformed this area by improving residents’ hygiene, building up an industrial district, and beautifying the area of Trastevere. This study -
Powers of Divergence Emphasises Its Potential for the Emergence of the New and for the Problematisation of the Limits of Musical Semiotics
ORPHEUS What does it mean to produce resemblance in the performance of written ORPHEUS music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions, and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts, and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. This approach is based on divergence, on the difference produced by intensifying Powers of the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction, and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics. Divergence Lucia D’Errico is a musician and artistic researcher. A research fellow at the Orpheus Institute (Ghent, Belgium), she has been part of the research project MusicExperiment21, exploring notions of experimentation in the performance of Western notated art music. An Experimental Approach She holds a PhD from KU Leuven (docARTES programme) and a master’s degree in English literature, and is also active as a guitarist, graphic artist, and video performer. to Music Performance P “‘Woe to those who do not have a problem,’ Gilles Deleuze exhorts his audience owers of Divergence during one of his seminars. And a ‘problem’ in this philosophical sense is not something to dispense with, a difficulty to resolve, an obstacle to eliminate; nor is it something one inherits ready-made. -
A Portrait of Central Italy's Geology Through Giotto's
1 A PORTRAIT OF CENTRAL ITALY’S GEOLOGY THROUGH GIOTTO’S PAINTINGS 2 AND ITS POSSIBLE CULTURAL IMPLICATIONS 3 4 Ann C. Pizzorusso 5 6 Independent Geologist, 511 Avenue of the Americas, New York, New York 10011 USA 7 8 Correspondence to: Ann C. Pizzorusso ([email protected]) 9 10 Abstract. Central Italy has some of the most complex geology in the world. In the midst 11 of this inscrutable territory, two people emerged--St. Francis and Giotto--they would 12 ultimately change the history of ecology, religion and art by extoling the landscapes and 13 geology of this region. 14 15 From Antiquity to the Middle Ages, man had a conflictual relationship with nature, seeing 16 it as representing either divine or satanic forces. On the vanguard of a change in 17 perspective toward the natural world was St. Francis of Assisi (c.1181-1226) who is now, 18 thanks to his pioneering work, patron of ecology. He set forth the revolutionary philosophy 19 that the Earth and all living creatures should be respected as creations of the Almighty. 20 21 St. Francis’ affinity for the environment influenced the artist Giotto (c.1270-1337) who 22 revolutionized art history by including natural elements in his religious works. By taking 23 sacred images away from Heaven and placing them in an earthly landscape, he 24 separated them definitively from their abstract, unapproachable representation in 25 Byzantine art. Giotto’s works are distinctive because they portray daily life as blessed, 26 thus demonstrating that the difference between the sacred and profane is minimal. -
On the Road with St. Francis of Assisi
INSIDE: An Outsider Learns An Insider’s Cheat Sheet to Milan 2 to Love MILAN Rome Film Festival 6 and Become a New Capri Hotel 6 CITY INSIDER Ceretto Opens Alba Restaurant 7 ften considered the ugly step- sister of Italy, Milan does have Courtesy of Harvey Loomis Poggio Bustone Oits merits. The locomotive of the peninsula, she hums with finance, fashion, publishing and manufacturing industries. That buzz dream of can make it a great place to visit, or even live. Really. I came to Milan from the U.S. near- ly 10 years ago, to intern at an Italian television station. After four years of kicking around Florence, I welcomed “the big city” ITALYVolume 5, Issue 1 www.dreamofitaly.com February 2006 but found my affection was not returned. Perhaps because I was liv- ing in a dormitory run by nuns with an 8 p.m. curfew, somewhat at odds On the Road with with the Milano da bere, the “drinking Milan,” a nickname coined in the St. Francis of Assisi high-flying 1980s. I stuck it out, left the convent and eventually weaned early five million visitors, On behalf of Dream of Italy, travel writer myself off vending machine caffè mac- including many clergy and Barrie Kerper recently caught up with chiato that had been a main form of N pilgrims, come to Assisi award-winning journalist Linda Bird sustenance when I didn’t have a (Umbria) each year to pray in Francke, author of the newly kitchen. And learned to like it. the birthplace of Francis or released On the Road with Francesco — Italy’s patron Francis of Assisi: A Timeless For starters, 1.3 million people live saint and the founder of three Journey Through Umbria and here and there aren’t any Milanese. -
Favorite Places in Rome Provided by Marie Lorenz, December 2017
Favorite Places in Rome provided by Marie Lorenz, December 2017 Marie lived in Rome during her third year at the Rhode Island School of Design. She returned for a second year as a Fellow at the American Academy in Rome. http://www.aarome.org/ She mapped out each of the spots listed below here. 1) THE TRASTEVERE CHURCHES These churches are only a 15 minute walk from Campo de Fiori and a bit off the tourist path, so they present a rare opportunity to sit quietly with some of the most beautiful artwork in Rome, for free! San Francesco a Ripa Piazza di S. Francesco d'Assisi, 88, 00153 Roma This early Franciscan convent holds Bernini’s masterpiece, Beata Ludovica Albertoni. "The sculpture and surrounding chapel honors a Roman noble woman who entered the Order of St. Francis following the death of her husband. The day before her own death from fever, Ludovica received the eucharist and then ordered everyone out of her room. When her servants were finally recalled, “they found her face aflame, but so cheerful that she seemed to have returned from Paradise.” (paraphrased from wikipedia) By representing this decisive moment, and like many of his other sculptures, Bernini seems to mingle the idea of physical ecstasy and religious martyrdom. In its day, this sculpture would have scandalized the recently reformed protestant church which considered any representation of a divine figure blasphemous. Bernini finished the sculpture in 1674 when he was seventy one years old. Santa Cecilia in Trastevere Piazza di Santa Cecilia, 22, 00153 Roma 5th-century church devoted to the Roman martyr Saint Cecilia. -
PAVM Newsletter – November 2019
N O V E M B E R 2 0 1 9 1 TEXAS CHAPTER REPORT Patrons of the Arts in the Vatican Museums T e x a s B o a r d m e m b e r s a n d P a t r o n s e x p e r i e n c e a p e r s o n a l i z e d t o u r o f R o m e . I N T H I S I S S U E Texas Chapter Visits Rome TEXAS CHAPTER VISITS ROME On October 1, a diverse group of people from the western United 1 States embarked on a week-long pilgrimage to Rome hosted by the Texas Chapter of the Patrons of the Arts in the Vatican Museums. It ANNUAL CHAPTER was a wonderful week filled with awe for history and art. The patrons viewed some of the oldest artworks in Europe and were granted LEADERS MEETING access to little known spots in the Vatican, including behind-the scenes looks at the work done in its renowned restoration labs. NOLI ME TANGERE Among the participants were Texas Chapter Leader Lori Wrinkle, TAPESTRY 3 along with board members Carol Ikard, Gary Tigges and Joe Popolo. Jill Alexy of Martyrian Journeys guided the patrons through Rome. MEET THE INTERNS The group enjoyed the hospitality of Hotel Horti 14, a new boutique 4 hotel in Trastevere. The pilgrimage officially began with the celebration of Mass in the Basilica of San Francesco a Ripa, after which the patrons were given the opportunity to pray in the cell of St.