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Die Rolle Der Frau in Den Jugendkulturen Punk Und Hardcore an Beispielen Der Mitteldeutschen Szene

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Die Rolle Der Frau in Den Jugendkulturen Punk Und Hardcore an Beispielen Der Mitteldeutschen Szene Hochschule Merseburg Fachbereich Soziale Arbeit. Medien. Kultur Studiengang Angewandte Medien- und Kulturwissenschaften Masterarbeit zur Erlangung des Grades eines M.A. Angewandte Kultur- und Medienwissenschaft Thomas Lichtenberger Die Rolle der Frau in den Jugendkulturen Punk und Hardcore An Beispielen der mitteldeutschen Szene Erstgutachter: Prof. Dr. phil. Alfred Georg Frei Zweitgutachter: Prof. Dr. paed. Matthias Ehrsam Matrikelnummer: 18896 Anschrift: Meckelstraße 7, 06112 Halle/ Saale Abgabetermin: 07.02.2014 Inhaltsverzeichnis Einleitung ................................................................................................................ 3 1 Begriffe der Soziologie ................................................................................... 4 1.1 Subkultur ................................................................................................ 4 1.2 Jugendkultur .......................................................................................... 7 1.2.1 Die Jugend ........................................................................................ 7 1.2.2 Was ist eine Jugendkultur ................................................................ 10 1.2.3 Die Rolle der Frau in Jugendkulturen ............................................... 14 1.3 Szene ................................................................................................... 18 1.4 Zusammenfassung ............................................................................... 20 2 Geschichte des Punks .................................................................................. 22 2.1 Anfang und Einflüsse ........................................................................... 23 2.1.1 Amerikanische Einflüsse .................................................................. 23 2.1.2 Britische Einflüsse ........................................................................... 27 2.2 Die erste Punk Generation - Inhalte und Motive ................................... 32 2.2.1 New Yorker Szene ........................................................................... 32 2.2.2 Londoner Initialzündung .................................................................. 35 2.3 Entwicklung – Aufgliederung in Subgenres .......................................... 43 2.4 Punk in Deutschland ............................................................................ 49 2.5 Hardcore .............................................................................................. 54 2.6 Zusammenfassung ............................................................................... 58 3 Variationen des Frauenbildes im Punk/Hardcore ....................................... 60 3.1 Riot Grrrl .............................................................................................. 60 3.2 Rückeroberung und Ladyfeste ............................................................. 62 3.3 Aktuelle Frauenbilder im Hardcore ....................................................... 64 3.4 Zusammenfassung ............................................................................... 66 4 Methode und Untersuchungsdesign ............................................................ 67 4.1 Der Forschungsgegenstand ................................................................. 67 4.2 Qualitative Sozialforschung .................................................................. 67 4.3 Methode der Datenerhebung................................................................ 68 4.3.1 Qualitativ orientierte Interviewformen ............................................... 68 4.3.2 Leitfadeninterview ............................................................................ 69 4.3.3 Interpretativ-reduktive Analyse als Methode der Datenauswertung .. 71 4.4 Die Stichprobe der empirischen Untersuchung..................................... 72 4.5 Datenerhebung .................................................................................... 73 4.6 Hypothesen .......................................................................................... 74 5 Untersuchungsergebnisse ........................................................................... 75 5.1 Auswertung des Datenmaterials ........................................................... 75 5.1.1 Positionierung und Verständnis der Szene ...................................... 75 5.1.1.1 Kontakt mit der Szene .............................................................. 75 5.1.1.2 Definition der Szene ................................................................. 77 5.1.2 Rolle des Geschlechts in der Szene ................................................ 83 5.1.2.1 Eigene geschlechtspezifische Wahrnehmung........................... 83 5.1.2.2 Sexismus in der Szene ............................................................. 86 5.1.2.3 Feminismus in der Szene ......................................................... 88 5.1.2.4 Verhaltensweisen ..................................................................... 90 5.1.2.5 Rollenbilder .............................................................................. 94 5.2 Hypothesenprüfung .............................................................................. 97 6 Fazit ................................................................................................................ 98 1 Literaturverzeichnis .......................................................................................... 101 Anhang ....................................................................................................................... I 1. Bandinformationen .......................................................................................... I 2. Interviews....................................................................................................... VII 2.1 Mary Scholz ...................................................................................................... VII 2.1.2 Interview Mary ............................................................................................ VII 2.1.2 Einzelanalyse Mary .................................................................................... XII 2.2 Nicole Löw ....................................................................................................... XIII 2.2.1 Interview Nicole ......................................................................................... XIII 2.2.2 Einzelanalyse Nicole ................................................................................. XX 2.3 Steffi Bauer ..................................................................................................... XXI 2.3.1 Interview Steffi .......................................................................................... XXI 2.3.2 Einzelanalyse Steffi ............................................................................... XXVII 2.4 Grit Tirian ...................................................................................................... XXIX 2.4.1 Interview Grit .......................................................................................... XXIX 2.4.2 Einzelanalyse Grit ................................................................................ XXXIII 2.5 Katta ...........................................................................................................XXXIV 2.5.1 Interview Katta .....................................................................................XXXIV 2.5.2 Einzelanalyse Katta ................................................................................. XLV 2.6 Maria Spring ................................................................................................. XLVII 2.6.1 Interview Maria ...................................................................................... XLVII 2.6.2 Einzelanalyse Maria ................................................................................... LII 2.7 Jenny Rebel ..................................................................................................... LIV 2.7.1 Interview Jenny ......................................................................................... LIV 2.7.2 Einzelanalyse Jenny ................................................................................. LXII 2.8 Susanne Röhr ............................................................................................... LXIV 2.8.1 Interview Susanne .................................................................................. LXIV 2.8.2 Einzelanalyse Susanne .......................................................................... LXXI 2.9 Nadine Reich .............................................................................................. LXXIII 2.9.1 Interview Nadine................................................................................... LXXIII 2.9.2 Einzelanalyse Nadine ......................................................................... LXXVIII 2.10 Andrea Kügler ........................................................................................... LXXIX 2.10.1 Interview Andrea ................................................................................ LXXIX 2.10.2 Einzelanalyse Andrea ........................................................................ LXXXII 3. Leitfaden ................................................................................................ LXXXIII 2 Einleitung Diese Arbeit betrachtet die Rolle der Frau in den Jugendkulturen Punk und Hardcore in der mitteldeutschen Szene. In dem
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