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A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
Course Listings for Arts, Sciences and Engineering 2015-2017 Arts Sciences and Engineering Abbreviations and Prefixes 1
University of Rochester Course Listings for Arts, Sciences and Engineering 2015-2017 Arts Sciences and Engineering Abbreviations and Prefixes 1 AAS African and African-American Studies EPD Epidemiology ACC Accounting FEC Financial Economics AH Art History FIN Finance AME Audio and Music Engineering FR French AMS American Studies FMS Film and Media Studies ANT Anthropology GBA General Business Administration ARA Arabic GER German ASL American Sign Language HBS Health, Behavior, and Society AST Astronomy HEB Hebrew ATH Archeology, Technology, and Historical Structures HIS History BCD Biological Sciences: Cell and Developmental Biology HLP Health Policy BCH Biological Sciences: Biochemistry HLS Health and Society BCS Brain and Cognitive Sciences IPA Interdepartmental, Arts and Sciences BEB Biological Sciences: Ecology and Evolutionary Biology IR International Relations BET Bioethics IT Italian BIO Biology JPN Japanese BMB Biological Sciences: Microbiology JST Judaic Studies BME Biomedical Engineering KOR Korean BMG Biological Sciences: Molecular Genetics LAT Latin BSB Business LAW Business Law CAS Arts and Sciences, the College LIN Linguistics CGR Classic Greek LTS Literary Translation Studies CHE Chemical Engineering MBI Microbiology & Immunology CHI Chinese ME Mechanical Engineering CHM Chemistry MKT Marketing CIS Computers and Information Systems MSC Materials Science CLA Classical Studies MTH Mathematics CLT Comparative Literature MUR Music CSC Computer Science NAV Naval Science CSP Clinical and Social Sciences in Psychology NSC Neuroscience -
The “Objectivists”: a Website Dedicated to the “Objectivist” Poets by Steel Wagstaff a Dissertation Submitted in Partial
The “Objectivists”: A Website Dedicated to the “Objectivist” Poets By Steel Wagstaff A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English) at the UNIVERSITY OF WISCONSIN‐MADISON 2018 Date of final oral examination: 5/4/2018 The dissertation is approved by the following members of the Final Oral Committee: Lynn Keller, Professor, English Tim Yu, Associate Professor, English Mark Vareschi, Assistant Professor, English David Pavelich, Director of Special Collections, UW-Madison Libraries © Copyright by Steel Wagstaff 2018 Original portions of this project licensed under a CC BY-SA 4.0 license. All Louis Zukofsky materials copyright © Musical Observations, Inc. Used by permission. i TABLE OF CONTENTS Acknowledgements ..................................................................................... vi Abstract ................................................................................................... vii Introduction ............................................................................................... 1 The Lives ................................................................................................ 31 Who were the “Objectivists”? .............................................................................................................................. 31 Core “Objectivists” .............................................................................................................................................. 31 The Formation of the “Objectivist” -
Modern American Poetry James S. Jaªe · Rare Books Modern American Poetry
Modern American Poetry James S. Jaªe · Rare Books Modern American Poetry James S. Jaªe · Rare Books New York 2014 1. AGEE, JAmEs. Permit Me Voyage. With A Foreword By Archibald All items are offered subject to prior sale. MacLeish. 8vo, original cloth, dust jacket. New Haven: Yale Uni- All books and manuscripts have been carefully described; versity Press, 1934. First edition of Agee’s scarce first book, a col- however, any item is understood to be sent on approval and may lection of poems. Tipped to the front free endpaper is a slip of be returned within seven days of receipt for any reason paper on which is inscribed a note from stephen Vincent Benét: provided prior notification has been given. “Dear miss Locke, Here is the macleish book, my sister’s, and one Libraries will be billed to suit their budgets. by a young poet who, I think, has great promise, merry Xmas to you both! stephen Vincent Benét.” spine a little faded, inch-deep We accept Visa, masterCard and American Express. strip at top of the back cover faded as well, otherwise a near fine New York residents must pay appropriate sales tax. copy. $1,250.00 We will be happy to provide prospective customers with 2. AIKEN, CoNrad. Blue Voyage. 8vo, decorated endpapers, origi- digital images of items in this catalogue. nal cloth-backed textured paper over boards, t.e.g., publisher’s slip- Visitors are welcome monday through Friday and by case. N.Y.: scribner’s, 1927. First edition, limited issue. one of 125 appointment; however, it is advisable to call in advance. -
Post-Wagnerian Concepts in French Vocal Music and Poetry
POST-WAGNERIAN CONCEPTS IN FRENCH VOCAL MUSIC AND POETRY: WITH SPECIAL REFERENCE TO MALLARME AND DEBUSSY. by JOSEPHINE RAYNER Submitted for the degree of D. Phil, Department of Music 1968 Tu te leves. Tu te leves lleau se deplie Tu te couches lleau sl6panouit Tu es lIeau detournee de ses abImes Tu es la terre qui prend racine Et sur laquelle tout slietablit Tu fais des bulles de silence dans le desert des bruits Tu chantes des hymnes nocturnes sur les cordes de llarc-en-ciel Tu es partout tu abolis toutes les routes Tu sacrifies le temps A lle"ternelle jeunesse de la flamme exacte Q,ui voile la nature en la reproduisant Femme tu mets au monde un corps toujours pareil Le tien Tu es la ressemblance Paul Eluard from "Facile" 1935, fr- II ABSTRACT Post-Wagnerian tendencies in French music and poetry; with special reference to Mallarme and Debu§-§Z. Fundamentally, the thesis concerns itself with late nineteenth and early twentieth century concepts of poetry and song in France, resulting from the upheaval of Wagnerianism, in which the Teutonic composer assumes the role of an allegorically significant mandrake figure. With the ubiquitous Tristan theme as the background ideal, English Aestheticism and Pre-Raphaelitism are discussed, and the paradox of mock-Mediaevalism pitted against new clean linear importances emerges, A discussion of five early post-Wagnerian songs by Chausson, Chabrier and Duparc precedes comment on Mallarme's 1poetiquel, and the approach, through magic and symbols in Yeats and overall simultanism, to Sartre's eventual existentialism. I'LlApres-Midi d1un Faune" is treated fully both from symbolic and analytical premisses and involves brief discussion on the growth and relevance of sonata form, which is ise i tself zaiPpllý'Ctýo the po; itic analysis. -
بسم هللا الرحمن الرحيم Cultural Considerations As Facilitating
بسم هللا الرحمن الرحيم Cultural Considerations as Facilitating means in Appreciating English Poetry with Focus on Figures of Speech A case study of , three Sudanese Universities. Ishragah Ahmed Abdul-Rahman Date: 31/ July/ 2016 1 بسم هللا الرحمن الرحيم Cultural Considerations as a Facilitating means in Appreciating English Poetry with Focus on Figures of Speech A case study of , three Sudanese Universities. Ishragah Ahmed Abdul-Rahman M.A (ELT) Faculty of Education – Hantoub, University of Gezira (2011) B.A. in English Language, Faculty of Education – Hantoub, University of Gezira (2006) A Thesis Submitted to the University of Gezira in Fulfillment of the Requirements for the Award of the Degree of Philosophic Doctorate in English Language Teaching ( English Literature ) Department of English Language, Faculty of Education – Hasahesa June 2016 2 Cultural Considerations as a Facilitating means in Appreciating English Poetry with Focus on Figures of Speech (A case study at EFL University Students' of Faculty of Arts –Omdurman Islamic University, University of Al fashir and Faculty of Education - University of Gezira ) Ishragah Ahmed Abdul-Rahman Supervision Committee Name Position Signature Dr. Lubab El Tayeb Main Supervisor ………...… Dr. Ahmed Gasmelsid Co- Supervisor …………… Date: July / 2016 3 Cultural Considerations as a Facilitating means in Appreciating English Poetry with Focus on Figures of Speech (A case study at EFL University Students' of Faculty of Arts –Omdurman Islamic University, University of Al fashir and Faculty of Education - University of Gezira ) Gezira State, Sudan (2016) Ishragah Ahmed Abdul-Rahman Examination Committee Name Position Signature Dr. Lubab El Tayeb Elmokashfi Chairperson ………… Prof. Abdel Mageid El Tayeb External Examiner ………… Dr. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Modernist Objects / Objects under Modernity: a Philosophical Reading of Discrete Series Edwin Henry Frederick Hercock for the degree of Doctor of Philosophy University of Sussex September 2014 / May 2015 I hereby declare that this thesis has not been and will not be submitted in whole or in part to another University for the award of any other degree. 28.05.2015 Summary This thesis is the first book-length treatment of the poems in George Oppen’s Discrete Series (1934), providing a counterbalance to critical readings of Oppen’s work which have to date focused on work published after his return to poetry (i.e. from 1962 onwards). It is a philosophical presentation of the work which argues that the poems are themselves philosophical presentations of objects, and by those objects and that presentation, of the historical circumstances of those objects and the poems themselves. Its method is Adornian in three senses: first, it holds that literature is not only subject-matter for a (sub)subset of philosophy but a potential mode of participation within it; second, the philosophical writing with which the thesis puts the poems into dialogue is not a single authorship nor strictly aesthetic, but a broad range of writings by Kant, Hegel, Marx and Nietzsche (with a special emphasis on Hegel); and third, continual recourse is made to Adorno’s own writings on art and objecthood. -
Sight and Sound November 7–10, 2019 Rochester, NY BREAD LOAF TRANSLATORS’ CONFERENCE
Sight and Sound November 7–10, 2019 Rochester, NY BREAD LOAF TRANSLATORS’ CONFERENCE focused on JUNE 10–16, 2020 Rolling admissions Literary translation of Oct. 15 to Feb. 15. poetry and proseBREAD LOAFEnrollment ORION is limited. AWARD-WINNING FACULTY with Kareem James Abu-Zeid ENVIRONMENTJennifer CroftAL Introductory and Karen Emmerich Jody Gladding advanced workshopsWRITERS’ CONFERENCEDavid Hinton Achy Obejas and an go.middlebury.edu/bltc Inspiring schedule of readings and lectures All in Vermont’s BREAD Green Mountains. LOAF WRITERS’ CONFERENCE BREAD LOAF WRITERS’ CONFERENCE SICILY welcome Dear Friends and Colleagues: e are delighted to welcome you to ALTA42 in Rochester, and hope that you will enjoy our annual Wconference, renew old friendships, make new friends, and come away thoroughly enriched and invigorated by the fellowship and creative exchanges throughout these four days. This year, 265 presenters will be involved in seventy sessions (panels, workshops, roundtables) exploring this year’s theme, “Sight and Sound,” from diverse angles—practical, theoretical, and creative. In addition, our program will include four language-specific workshops, and a three-part series on understanding and negotiating book contracts. We are also excited to welcome back ASL poetry duo Peter Cook and Kenneth Lerner, who were instrumental in Rochester’s early ASL poetry movement and will be (I’m sure!) expanding our notions of the modalities of literary translation. Also make sure to join the ALTA Travel Fellows Reading, followed by the ALTA Awards Ceremony, on Friday evening. For the first time, ALTA42 will include “Pitch Sessions,” allowing translators to meet for five minutes with translation publishers to pitch a translation for possible publication. -
DECADENCE and MODERNIST INNOVATION by GABRIEL
“THE END AT THE BEGINNING”: DECADENCE AND MODERNIST INNOVATION by GABRIEL ALEXANDER LOVATT (Under the Direction of Jed Rasula) ABSTRACT Over the past thirty years, scholarship on the connections between Decadence and modernism has expanded into its own field of inquiry. Despite the publication of cultural studies addressing the international scope of Decadence and theoretical reconsiderations of its aesthetic function, there remains comparatively little work that closely examines the wide-ranging texts of Decadence in relation to these changes. I address this gap by reading the aesthetics of transition in works of Decadence that have been either largely overlooked, like the sensationalist “Keynote Series,” or writing that need to be reconsidered in the context of a modernist vanguard, such as the poetry of Ernest Dowson and Lionel Johnson. I examine how the productive disruptions of Decadence exhibit an aesthetic commitment to destruction that precedes twentieth-century modernism’s obsession with discontinuity. The complex issues that surround Decadence―the slippery aesthetics, the unstable relationship it establishes between cognition, the body, and the manifest artwork―represents the advent of a century of radical works that challenge discrete notions of being, interacting, perceiving and creating. INDEX WORDS: Decadence, Modernism, Avant-garde, Lionel Johnson, Aubrey Beardsley, Aesthetics, Aestheticism, Ernest Dowson, Arthur Machen, M.P. Shiel, Arthur Symons, Surrealism, Vorticism, Futurism, Dada, Expressionism. “THE END AT THE BEGINNING”: -
Dadashow an Interactive Resource and Reference Database on the Dada Art Movement
Rochester Institute of Technology RIT Scholar Works Theses 10-1-1993 DadaSHOW an interactive resource and reference database on the Dada art Movement Melissa A. Sheldon Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Sheldon, Melissa A., "DadaSHOW an interactive resource and reference database on the Dada art Movement" (1993). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Rochester Institute of Technology A Thesis Submitted to the Faculty of The College of Imaging Arts & Sciences In Candidacy for the Degree of MASTER OF FINE ARTS DadaSHOW An interactive resource and reference database on the Dada art movement By Melissa A. Sheldon Rochester, New York October 1993 •Approvals .. Advisor: Professor James VerHague Date: Jt). 0<1. 93 Associate Advisor: Professor R. Roger Remington Date: , Dhd, Iii,1 Associate Advisor: Professor Jack Slutzky Date: )0- Q ")- 95 Chair, Graphic Design Department: Professor Robert P. Keough Date: /0/7?hi 7 7 1,.-..:..:M..:..:e~lis:.:s=a...:...A::.... S.=..:h:..:.,:e:.:.;ld:.:o.:..:.n , hereby grant permission to the Wallace Memorial Library of R.l.T. to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or profit. Date: /Q/!}6),/ q 3 Acknowledgements Special thanks to my thesis committee: James VerHague: for his knowledge in computer graphic design on the Macintosh interface and who helped me when I had difficulty by guiding me through the scripting language, resulting in a more effective project. -
New Poetry and Old Cathay : Translational Sinography in the Early Twentieth-Century English Literary World
Lingnan University Digital Commons @ Lingnan University Lingnan Theses and Dissertations Theses and Dissertations 11-2-2020 New poetry and old Cathay : translational sinography in the early twentieth-century English literary world Qingyang LIN Follow this and additional works at: https://commons.ln.edu.hk/otd Part of the English Language and Literature Commons, and the Poetry Commons Recommended Citation Lin, Q. (2020). New poetry and old Cathay: Translational sinography in the early twentieth-century English literary world (Doctor's thesis, Lingnan University, Hong Kong). Retrieved from https://commons.ln.edu.hk/otd/89/ This Thesis is brought to you for free and open access by the Theses and Dissertations at Digital Commons @ Lingnan University. It has been accepted for inclusion in Lingnan Theses and Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. NEW POETRY AND OLD CATHAY: TRANSLATIONAL SINOGRAPHY IN THE EARLY TWENTIETH-CENTURY ENGLISH LITERARY WORLD LIN QINGYANG PHD LINGNAN UNIVERSITY 2020 NEW POETRY AND OLD CATHAY: TRANSLATIONAL SINOGRAPHY IN THE EARLY TWENTIETH-CENTURY ENGLISH LITERARY WORLD by LIN Qingyang 林青楊 A thesis submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in Translation Lingnan University 2020 ABSTRACT New Poetry and Old Cathay: Translational Sinography in the Early Twentieth-Century English Literary World by LIN Qingyang Doctor of Philosophy This thesis looks into the culture of reading, translating, and publishing classical Chinese poetry in the English literary world between the 1890s and the 1920s. -
The Crowning Privilege
rcwnlng privilege, DATE DUE .. ' {' tit! - "I was never one to stroll down the street with a catapult and break windows the tinkle of just for the fun of hearing faces out glass and seeing furious peering as I scuttle away. But to break windows from the inside amounts, at times, to a bursts civic duty. One smells gas, open the kitchen doors, turns off the oven one's tap, wraps a towel around fist, and breaks every pane in the kitchen window." Robert Graves has smelt gas in the houses of virtually all the great poets. Throwing open the doors and smashing the windows, he invites the reader in for a grand, hilarious, and irreverent dis- memberment of the demigods of poetry -from Milton to Dylan Thomas. No one but a master scholar, a master such an wit and linguist could challenge master overwhelming force; no one but a a heart the poet could see with such light the art. For ultimate possibilities of poet's Graves's central idea is that the crowning his freedom privilege the poet enjoys is his from all responsibility except to Muse, whom Graves calls "the White Goddess." While But this privilege is also a duty. Graves shows a deep and lasting admira- con- tion for great poetry, he is mainly cerned and fiercely impatient with those artists who have forsaken their instead on the poetic integrity to rely dubious judges of the non-poetic world: the the critics, the publishers, and readers. THE CROWNING PRIVILEGE OTHER WORKS BY ROBERT GRAVES INCLUDE". Poems, 1914-1926, Heinemann; Doubleday, 1927 Collected Poems 1938, Cassell, 1938; Random House,