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A Microhistory of Ukraine's Generation of Cultural Rebels
This article was downloaded by: [Selcuk Universitesi] On: 07 February 2015, At: 17:31 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Nationalities Papers: The Journal of Nationalism and Ethnicity Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/cnap20 The early 1960s as a cultural space: a microhistory of Ukraine's generation of cultural rebels Serhy Yekelchyka a Department of Germanic and Slavic Studies, University of Victoria, Victoria, Canada Published online: 10 Oct 2014. Click for updates To cite this article: Serhy Yekelchyk (2015) The early 1960s as a cultural space: a microhistory of Ukraine's generation of cultural rebels, Nationalities Papers: The Journal of Nationalism and Ethnicity, 43:1, 45-62, DOI: 10.1080/00905992.2014.954103 To link to this article: http://dx.doi.org/10.1080/00905992.2014.954103 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Ukraine to the United Nations Is Pleased to Welcome You To
The Permanent Mission of Ukraine to the United Nations Is pleased to welcome you to Ukraine ? elebrates UN International Mother Language Day Monday, February 22, 2016 1:15 to 2:30 PM United Nations Conference Room 2 H. E. Volodymyr Yelchenko, Permanent Representative of Ukraine to the UN, Greetings and Opening Remarks Ihor Dlaboha, International Association for the Advancement of Innovative Approaches to Global Challenges & Vinculum Foundation, Moderator Panelists Yuri Shevchuk, PhD, Department of Slavic Languages, Columbia University, Ukrainian Identity and Language in Ukraine after the EuroMaidan Sofika Zielyk (Ukrainian) and Marina Celander (English), Dramatic Reading, Selections from the Shistdesiatnyky (The Sixtiers) Poets of Ukraine: Vasyl Symonenko and Lina Kostenko Ayla Bakkalli,USA Representative of the Crimean Tatar Mejlis at the UN Permanent Forum on Indigenous Issues, Persecution of Mother Tongue and the Violation of Cultural Rights in Occupied Crimea Akhtem Esatov, President of Crimean Tatar Youth Group at the American Association of Crimean Turks, Dramatic reading Olesia Gordynska Ensemble, Musical Selections We are grateful for the generous support of the Self Reliance Ukrainian (NY) Federal Credit Union. Ihor Dlaboha, a journalist, was editor of Ukrainian Marina Celander is a working actress in NYC. She American publications such as The Ukrainian Weekly has worked with Yara Arts Group for 16 years, and and The National Tribune as well as U.S. business toured with Virlana Tkacz and Mariana Sadovska to publications. He launched the Ukrainian Broadcasting Ukraine 2002 to sing with Drevo in the village of Network, the world?s first satellite radio and television Kriatchkivka, Poltava, and also with the grandmas network between North America and Ukraine. -
Of Humanities and Social Sciences
European Journal of Humanities and Social Sciences № 6 2020 PREMIER Vienna Publishing 2020 European Journal of Humanities and Social Sciences Scientifi c journal № 6 2020 ISSN 2414-2344 Editor-in-chief Maier Erika, Germany, Doctor of Philology Lewicka Jolanta, Poland, Doctor of Psychology International editorial board Massaro Alessandro, Italy, Doctor of Philosophy Marianna A. Balasanian, Georgia, Doctor of Philology Abdulkasimov Ali, Uzbekistan, Doctor of Geography Meymanov Bakyt Katt oevich, Kyrgyzstan, Doctor of Economics Adieva Aynura Abduzhalalovna, Kyrgyzstan, Doctor of Economics Serebryakova Yulia Vadimovna, Russia, Ph.D. of Cultural Science Arabaev Cholponkul Isaevich, Kyrgyzstan, Doctor of Law Shugurov Mark, Russia, Doctor of Philosophical Sciences Barlybaeva Saule Hatiyatovna, Kazakhstan, Doctor of History Suleymanova Rima, Russia, Doctor of History Busch Petra, Austria, Doctor of Economics Fazekas Alajos, Hungary, Doctor of Law Cherniavska Olena, Ukraine, Doctor of Economics Garagonich Vasily Vasilyevich, Ukraine, Doctor of History Proofreading Kristin Th eissen Jansarayeva Rima, Kazakhstan, Doctor of Law Cover design Andreas Vogel Karabalaeva Gulmira, Kyrgyzstan, Doctor of Education Additional design Stephan Friedman Kvinikadze Giorgi, Georgia, Doctor of Geographical Sciences Editorial offi ce Premier Publishing s.r.o. Praha 8 Kiseleva Anna Alexandrovna, Russia, Ph.D. of Political Sciences – Karlín, Lyčkovo nám. 508/7, PSČ 18600 Khoutyz Zaur, Russia, Doctor of Economics Kocherbaeva Aynura Anatolevna, Kyrgyzstan, Doctor of Economics E-mail: [email protected] Konstantinova Slavka, Bulgaria, Doctor of History Homepage: ppublishing.org European Journal of Humanities and Social Sciences is an international, German/English/Russian language, peer-reviewed journal. It is published bimonthly with circulation of 1000 copies. Th e decisive criterion for accepting a manuscript for publication is scientifi c quality. -
Arrests .And [Housej Searches
THE UKRAINIAN HERALD ,, ISSUE 6 I INTRODUCTION BY JAROSLAV BiLiNSKY AN UNDERGROUND JOURNAL FROM SOVIET UKRAINE THE UKRAINIAN HERALD ISSUE 6 DISSENT IN UKRAINE -Taotil~~ 2212~Ave Balimore,Ml)21214 U.S.A:....,.... 1'HE UKRAINIAN HERALD ISSUE 6 DISSENT IN UKRAINE An Underground Journal from Soviet Ukraine Introduction by YAROSLAV BILINSKY Translated from the Ukrainian and Edited by LESYA JONES and BOHDAN YASEN SMOLOSKYP PUBLISHERS Baltimore • Paris • Toronto 1977 The Ukrainian Herald Issue 6 Dissent in Ukraine A translation of a samvydav journal which appeared in Soviet Ukraine in March 1972 Copyright 1977 by Smoloskyp Publishers All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of Smoloskyp Publishers, except by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a magazine, newspaper, or broadcast. Published in 1977 by Smoloskyp Publishers, a non-profit organization P.O. Box 6066, Patterson Station Baltimore, Md. 21231 Libracy of Congress Catalog Number: 75-39367 ISBN: 0-914834-05-3 0-914834-06-1 (paperback) Net royalties will be used in the interest of Ukrainian political prisoners in the U.S.S.R. Printed and bound in the United States of America Distributed in Canada exclusively by CATARACT PR€SS Lc:P~ Box 1186. Postal Station 'A", Toronto. Ontario, Canada M5W 1G6 CONTENTS Abbreviations INTRODUCTION by Yaroslav Bilinsky 1 PREFACE 5 THE ASSIGNMENT OF THE UKRAINIAN HERALD 13 ARRESTS AND HOUSE SEARCHES 15 V. -
HISTORY of UKRAINE and UKRAINIAN CULTURE Scientific and Methodical Complex for Foreign Students
Ministry of Education and Science of Ukraine Flight Academy of National Aviation University IRYNA ROMANKO HISTORY OF UKRAINE AND UKRAINIAN CULTURE Scientific and Methodical Complex for foreign students Part 3 GUIDELINES FOR SELF-STUDY Kropyvnytskyi 2019 ɍȾɄ 94(477):811.111 R e v i e w e r s: Chornyi Olexandr Vasylovych – the Head of the Department of History of Ukraine of Volodymyr Vynnychenko Central Ukrainian State Pedagogical University, Candidate of Historical Sciences, Associate professor. Herasymenko Liudmyla Serhiivna – associate professor of the Department of Foreign Languages of Flight Academy of National Aviation University, Candidate of Pedagogical Sciences, Associate professor. ɇɚɜɱɚɥɶɧɨɦɟɬɨɞɢɱɧɢɣɤɨɦɩɥɟɤɫɩɿɞɝɨɬɨɜɥɟɧɨɡɝɿɞɧɨɪɨɛɨɱɨʀɩɪɨɝɪɚɦɢɧɚɜɱɚɥɶɧɨʀɞɢɫɰɢɩɥɿɧɢ "ȱɫɬɨɪɿɹ ɍɤɪɚʀɧɢ ɬɚ ɭɤɪɚʀɧɫɶɤɨʀ ɤɭɥɶɬɭɪɢ" ɞɥɹ ɿɧɨɡɟɦɧɢɯ ɫɬɭɞɟɧɬɿɜ, ɡɚɬɜɟɪɞɠɟɧɨʀ ɧɚ ɡɚɫɿɞɚɧɧɿ ɤɚɮɟɞɪɢ ɩɪɨɮɟɫɿɣɧɨʀ ɩɟɞɚɝɨɝɿɤɢɬɚɫɨɰɿɚɥɶɧɨɝɭɦɚɧɿɬɚɪɧɢɯɧɚɭɤ (ɩɪɨɬɨɤɨɥʋ1 ɜɿɞ 31 ɫɟɪɩɧɹ 2018 ɪɨɤɭ) ɬɚɫɯɜɚɥɟɧɨʀɆɟɬɨɞɢɱɧɢɦɢ ɪɚɞɚɦɢɮɚɤɭɥɶɬɟɬɿɜɦɟɧɟɞɠɦɟɧɬɭ, ɥɶɨɬɧɨʀɟɤɫɩɥɭɚɬɚɰɿʀɬɚɨɛɫɥɭɝɨɜɭɜɚɧɧɹɩɨɜɿɬɪɹɧɨɝɨɪɭɯɭ. ɇɚɜɱɚɥɶɧɢɣ ɩɨɫɿɛɧɢɤ ɡɧɚɣɨɦɢɬɶ ɿɧɨɡɟɦɧɢɯ ɫɬɭɞɟɧɬɿɜ ɡ ɿɫɬɨɪɿɽɸ ɍɤɪɚʀɧɢ, ʀʀ ɛɚɝɚɬɨɸ ɤɭɥɶɬɭɪɨɸ, ɨɯɨɩɥɸɽ ɧɚɣɜɚɠɥɢɜɿɲɿɚɫɩɟɤɬɢ ɭɤɪɚʀɧɫɶɤɨʀɞɟɪɠɚɜɧɨɫɬɿ. ɋɜɿɬɭɤɪɚʀɧɫɶɤɢɯɧɚɰɿɨɧɚɥɶɧɢɯɬɪɚɞɢɰɿɣ ɭɧɿɤɚɥɶɧɢɣ. ɋɬɨɥɿɬɬɹɦɢ ɪɨɡɜɢɜɚɥɚɫɹ ɫɢɫɬɟɦɚ ɪɢɬɭɚɥɿɜ ɿ ɜɿɪɭɜɚɧɶ, ɹɤɿ ɧɚ ɫɭɱɚɫɧɨɦɭ ɟɬɚɩɿ ɧɚɛɭɜɚɸɬɶ ɧɨɜɨʀ ɩɨɩɭɥɹɪɧɨɫɬɿ. Ʉɧɢɝɚ ɪɨɡɩɨɜɿɞɚɽ ɩɪɨ ɤɚɥɟɧɞɚɪɧɿ ɫɜɹɬɚ ɜ ɍɤɪɚʀɧɿ: ɞɟɪɠɚɜɧɿ, ɪɟɥɿɝɿɣɧɿ, ɩɪɨɮɟɫɿɣɧɿ, ɧɚɪɨɞɧɿ, ɚ ɬɚɤɨɠ ɪɿɡɧɿ ɩɚɦ ɹɬɧɿ ɞɚɬɢ. ɍ ɩɨɫɿɛɧɢɤɭ ɩɪɟɞɫɬɚɜɥɟɧɿ ɪɿɡɧɨɦɚɧɿɬɧɿ ɞɚɧɿ ɩɪɨ ɮɥɨɪɭ ɿ ɮɚɭɧɭ ɤɥɿɦɚɬɢɱɧɢɯ -
Timeline Handbook on the Course "History of Ukraine and Ukrainian Culture"
TIMELINE HANDBOOK ON THE COURSE "HISTORY OF UKRAINE AND UKRAINIAN CULTURE" 0 МІНІСТЕРСТВО ОХОРОНИ ЗДОРОВ’Я УКРАЇНИ Харківський національний медичний університет TIMELINE HANDBOOK ON THE COURSE "HISTORY OF UKRAINE AND UKRAINIAN CULTURE" ХРОНОЛОГІЧНИЙ ДОВІДНИК З КУРСУ "ІСТОРІЯ УКРАЇНИ ТА УКРАЇНСЬКОЇ КУЛЬТУРИ" Харків ХНМУ 2020 1 УДК 94:930.85(477)(035)(078) А56 Затверджено Вченою Радою ХНМУ Протокол № 5 від 26.06.2020. Alkov V., Ilin V. А56 Timeline handbook on the course "History of Ukraine and Ukrainian culture" / V. Alkov, V. Ilin. – Kharkiv : KhNMU, 2020. – 24 p. Proposed timeline handbook is intended to arrange knowledge of students in a systematic way, to form orientation in historical time and stable imagination of the sequence of historical events, periods, processes. The acquaintance with a historical timeline is a primary and basic need to study the history. Absence of a solid chronological knowledge and skills distorts perception of the past, causes serious mistakes in the interpretation of facts. The handbook is designed in accordance with the study program of the course “History of Ukraine and Ukrainian culture”. Альков В. А., Ільїн В. Г. А56 Хронологічний довідник з курсу "Історія України та української культури" / В. А. Альков, В. Г. Ільїн. – Харків : ХНМУ, 2020. – 24 с. Пропонований хронологічний довідник покликаний система- тизувати знання студентів, сформувати орієнтацію в історичному часі та стійке уявлення щодо послідовності історичних подій, періодів, процесів. Знайомство з історичною хронологією є першочерговою та базовою потребою під час вивчення історії. Відсутність міцних хронологічних знань та умінь викривляє уявлення про минуле, зумовлює серйозні помилки в інтерпретації фактів. Довідник укладено відповідно до програми навчальної дисципліни «Історія України та української культури». -
The Nation's Brightest and Noblest
The Nation’s Brightest and Noblest Narrative Identity and Empowering Accounts of the Ukrainian Intelligentsia in Post-1991 L’viv Eleonora Narvselius Linköping Studies in Arts and Science No. 488 Linköping University, Department of Social and Welfare Studies Linköping 2009 Linköping Studies in Arts and Science No. 488 At the Faculty of Arts and Science at Linköping University, research and doctoral studies are carried out within broad problem areas. Research is organized in interdisciplinary research environments and doctoral studies mainly in graduate schools. Jointly, they publish the series Linköping Studies in Arts and Science. This thesis comes from the Department of Social and Welfare Studies. Distribution: Department of Social and Welfare Studies Linköping University 581 83 Linköping Eleonora Narvselius The Nation’s Brightest and Noblest: Narrative Identity and Empowering Accounts of the Ukrainian Intelligentsia in Post- 1991 L’viv ISBN: 978-91-7393-578-4 ISSN 0282-9800 ©Eleonora Narvselius Department of Social and Welfare Studies 2009 Cover: Viktoria Mishchenko Printed by LiU-Tryck, Linköping, Sweden Contents Acknowledgments………………………………………………………………...1 Note on Transliteration and Translation……………………………………...5 Introduction……………………………………………………………………….7 Chapter 1. Orientation, Profile and Methodological Premises of the Study 1.1. What the research is about: aims, research questions, and actuality of the study………………………………………………………….11 1.2. Orientation of the study, orientation of the researcher: preliminary notes …………………………………………………………….14 1.3. Sources and methods of material collection……………………………..22 1.4. Narrative analysis, frame analysis, and ethnographic analysis…………..26 Chapter 2. The Research Field: Multiethnic, Multicultural, Nationalist Daily L’viv 2.1. L’viv: an (un)usual borderline city………………………………….......33 2.2. The ‘most Ukrainian, least Sovietized’ city in Ukraine………………….36 2.3. -
Literary Canons and National Identities in Contemporary Ukraine
MARKO PAVLYSHYN (Melbourne, Australia) LITERARY CANONS AND NATIONAL IDENTITIES IN CONTEMPORARY UKRAINE The years preceding and following the declaration of independence in Ukraine were marked in debates about literature by a querelle des anciens et des modernes that reflected differences between generations and indi- vidual temperaments, but also disagreements over the proper nature and social role of the literary work and its creators.' The tension evolved against the background, at first, of the fall of the Soviet regime, and later of challenges to society and its elites to participate in the tasks of nation and state building. Some literati saw themselves as willing participants in this project, while others did not warm to it. There was contention over which authors and works of the recent and more distant past deserved to be regarded as exemplary in the new political environment, and which values, if any, should prevail in the literary and cultural spheres; in short - over the canon. - Among the proposals for canons, explicit and implied, that emerged in the course of the querelle, this article identifies two main types and de- scribes the relationship of each to the models of national identity with which they had a proclaimed or implicit affinity. An inquiry concurring wholly with the now scarcely challenged view that "canons are complicit with power,2 might seek to demonstrate the nature and extent of the influ- ence exerted by the canon (or canons) upon national identity and, through national identity, on values, attitudes and actions of particular groups. But given the theoretical problems, sketched below, of such an undertaking, this study undertakes the more limited task of describing the models of na- tional identity that are assumed or projected by groups of texts recognised by particular communities as canonical. -
POST-SOVIET WOMEN WRITERS and the NATIONAL IMAGINARY, 1989-2009 by OLEKSANDRA IHOR SHCHUR DISSERTATION Submitted in Partial Fulf
POST-SOVIET WOMEN WRITERS AND THE NATIONAL IMAGINARY, 1989-2009 BY OLEKSANDRA IHOR SHCHUR DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Associate Professor Valeria Sobol, Chair Associate Professor Lilya Kaganovsky Professor Harriet Murav Associate Professor Teresa Barnes ABSTRACT This project is a case study of how post-Soviet women writers have attempted to renegotiate women's (and women writers') traditional roles in and vis-à-vis their newly independent postcommunist nations through fiction that engages the questions of gender and national identity in the post-Soviet space. The dissertation examines the writings and paths to literary recognition of several by now established Ukrainian women authors who first appeared on the literary scene in the late 1980s (Oksana Zabuzhko, Yevhenia Kononenko, and Maria Matios) and compares the Ukrainian case of a proliferation in late/post-Soviet women's writing to the Russian one, which is better known in the West. I argue that one important way in which Ukrainian post-Soviet women writers have been able to gain recognition and even acceptance into the literary canon is by turning to the “national” themes, such as the traumatic Soviet past. Yet their fiction has often treated the questions of the nation through a gender lens, representing and re-imagining the Soviet past and its relevance for the national present from the perspective of a female subject. By placing women in the center of the narrative―as highly individualized characters and not mere symbols of the nation―these works participate in (re)shaping the Ukrainian national imaginary and especially those of its elements that have to do with gender (for instance, the stereotypes about women's roles in the nation). -
Mediated Post-Soviet Nostalgia
MEDIATED POST-SOVIET NOSTALGIA Ekaterina Kalinina MEDIATED POST-SOVIET NOSTALGIA Ekaterina Kalinina Södertörns högskola © Ekaterina Kalinina 2014 Södertörn University SE-141 89 Huddinge Cover Image: Olcay Yalçın Cover and content layout: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2014 Södertörn Doctoral Dissertations 98 ISSN 1652-7399 ISBN 978-91-87843-08-2 ISBN 978-91-87843-09-9 (digital) Abstract Post-Soviet nostalgia, generally understood as a sentimental longing for the Soviet past, has penetrated deep into many branches of Russian popular culture in the post-1989 period. The present study investigates how the Soviet past has been mediated in the period between 1991 and 2012 as one element of a prominent structure of feeling in present-day Russian culture. The Soviet past is represented through different mediating arenas – cultural domains and communicative platforms in which meanings are created and circulated. The mediating arenas examined in this study include television, the Internet, fashion, restaurants, museums and the- atre. The study of these arenas has identified common ingredients which are elements of a structure of feeling of the period in question. At the same time, the research shows that the representations of the past vary with the nature of the medium and the genre. The analysis of mediations of the Soviet past in Russian contemporary culture reveals that there has been a change in the representations of the Soviet past during the past twenty years, which roughly correspond to the two decades marked by the presidencies of Boris Yeltsin in the 1990s and of Vladimir Putin in the 2000s (including Dmitrii Medvedev’s term, 2008–2012). -
History of Ukrainian Culture Історія Української Культури
МІНІСТЕРСТВО ОХОРОНИ ЗДОРОВ’Я УКРАЇНИ Харківський національний медичний університет History of Ukrainian Culture Guidelines for practical lessons Історія української культури Методичні вказівки для практичних занять Затверджено вченою радою ХНМУ. Протокол № 2 від 20.023.02014. Харків ХНМУ 2014 1 History of Ukrainian Culture: guidelines for practical lessons / comp. N. M. Martynenko. – Kharkiv : KNMU, 2014. – 64 p. Compiler N.M. Martynenko Історія української культури: метод. вказ. для практ. занять / упор. Н.М. Мартиненко. – Харків : ХНМУ, 2014. – 64 с. Упорядник Н.М. Мартиненко 2 Topic 1: Introduction to “History of Ukrainian culture” Topicality: Culture is a top point in a system of humanitarian studies. Humanities help to form a creative potential of a person. History of culture is the treasure of wisdom and experience received by the mankind from previous generations. People should keep, generalize, occupy and adopt this experience. Without this social progress and self-perfection are impossible. Subject of history of culture is a complex study of big variety of spheres: history of science and technique, household activities, education and social thought, folklore and literature studies, history of arts. History of culture generalizes all these knowledge and investigates culture like system of different branches. General aim: Give a basic knowledge about structure and classification of culture, periods of its development. Specific goals and skills: To form the skill of system thinking, the skill of using the historical approach in understanding of cultural processes and their influence on the social life. Theoretical points of the lesson: 1. Culture genesis. 2. Theory of culture. 3. Subject and tasks of the course. 4. -
© 2011 Adrian Barr ALL RIGHTS RESERVED
© 2011 Adrian Barr ALL RIGHTS RESERVED ARCHAEOLOGIES OF THE AVANT-GARDE: MOSCOW CONCEPTUALISM AND THE LEGACIES OF SOVIET MODERNISM By ADRIAN BARR A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Art History written under the direction of Dr. Jane A. Sharp and approved by ____________________________________ ____________________________________ ____________________________________ ____________________________________ New Brunswick, New Jersey May 2011 ABSTRACT OF THE DISSERTATION Archaeologies of the Avant-Garde: Moscow Conceptualism and the Legacies of Soviet Modernism By ADRIAN BARR Dissertation Director: Jane A. Sharp This dissertation engages historical accounts of the art of the Moscow conceptualist circle and proposes a different understanding of its purpose and significance for Russian and international art history. It challenges the current critical narratives of Moscow Conceptualism as a Soviet variant of a globalizing conceptual art and argues that the movement cannot be assimilated by the taxonomical categories of Western art history. Rather, I contend that Moscow Conceptualism must be historically and locally situated within the discursive framework of the late Soviet era. Through extended analyses of major Moscow conceptualist works, I demonstrate that the movement is distinguished by its purposive investigation of the organizational structures of Soviet history. These investigations occur at a juncture in which the teleological frameworks of official Soviet discourse had become self-evidently obsolete and incapable of orientating the present within a broader historical manifold. It is the uncanny space that exists between the modernist and Utopian foundations of Soviet socialism and the stagnation and alienation of contemporary Soviet life which this dissertation frames as a primary subject of Moscow conceptualist enquiry.