Eulalie De Mandeville
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Pdf2019.04.08 Fontana V. City of New Orleans.Pdf
Case 2:19-cv-09120 Document 1 Filed 04/08/19 Page 1 of 16 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF LOUISIANA LUKE FONTANA, Plaintiff, CIVIL ACTION NO.: v. JUDGE: The CITY OF NEW ORLEANS; MAYOR LATOYA CANTRELL, in her official capacity; MICHAEL HARRISON, FORMER MAGISTRATE JUDGE: SUPERINTENDENT OF THE NEW ORLEANS POLICE DEPARTMENT, in his official capacity; SHAUN FERGUSON, SUPERINTENDENT OF THE NEW ORLEANS POLICE DEPARTMENT, in his official capacity; and NEW ORLEANS POLICE OFFICERS BARRY SCHECHTER, SIDNEY JACKSON, JR. and ANTHONY BAKEWELL, in their official capacities, Defendants. COMPLAINT INTRODUCTION 1. For more than five years, the City of New Orleans (the “City”) has engaged in an effort to stymie free speech in public spaces termed “clean zones.” Beginning with the 2013 Super Bowl, the City has enacted zoning ordinances to temporarily create such “clean zones” in which permits, advertising, business transactions, and commercial activity are strictly prohibited. Clean zones have been enacted for various public events including the 1 Case 2:19-cv-09120 Document 1 Filed 04/08/19 Page 2 of 16 Superbowl, French Quarter Festival, Satchmo Festival and Essence Festival. These zones effectively outlaw the freedom of expression in an effort to protect certain private economic interests. The New Orleans Police Department (“NOPD”) enforces the City’s “clean zones” by arresting persons engaged in public speech perceived as inimical to those interests. 2. During the French Quarter Festival in April 2018, Plaintiff Luke Fontana was doing what he has done for several years: standing behind a display table on the Moonwalk near Jax Brewery by the Mississippi riverfront. -
If You Are Interested in Operating a Food Truck in Any of the Yellow Areas
If you are interested in operating a food truck in any of the yellow areas indicated on the City’s Food Truck Operating Areas map*, you must first obtain a City-issued food truck permit (mayoralty permit) and an occu- pational license. This guide will help you understand how to apply, and if you are approved, what general requirements you will need to abide by. *The referenced map is for guidance purposes only. The City shall provide an applicant the specific type of application (permit or franchise) for a specific area. PREREQUISITES FOR APPLICATION: The application process begins with the City’s One Stop for licenses and permits, which is located on the 7th floor of City Hall (1300 Perdido Street). Along with a completed application, on forms provided by the City, you must also have all of the documents, certifications and inspections listed below. No application shall be processed until all required documentation is received. No applicant is guaranteed a Permit. A copy of the mobile food truck’s valid registration with the Louisiana Department of Motor Vehicles. All trucks must be registered in the State of Louisiana. A copy of automobile insurance for the mobile food truck, providing insurance coverage for any automo- bile accident that may occur while driving on the road. A copy of your commercial general liability insurance coverage policy with liability coverage of at least $500,000, naming the City as an insured party, providing insurance coverage for any accident that may occur while selling your food and conducting your business on the public rights-of-ways. -
Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater Rafika Zahrouni Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 3-11-2014 Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater Rafika Zahrouni Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Zahrouni, Rafika, "Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater" (2014). All Theses and Dissertations (ETDs). 1274. https://openscholarship.wustl.edu/etd/1274 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Program in Comparative Literature Dissertation Examination Committee: Nancy Berg, Chair Robert Hegel Robert Henke Pascal Ifri Lynne Tatlock Tunisian Theater at the Turn of the Century: “Hammering the Same Nail” in Jalila Baccar and Fadhel Jaïbi’s Theater by Rafika Zahrouni A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2014 St. Louis, Missouri Copyright by Rafika Zahrouni © 2014 Table of Contents Acknowledgments ………………………………………………………………….……….. iii Introduction: From Edison Theater in St. Louis to the New Theater of Tunis ….................... 1 Chapter 1: Background of Tunisian Theater History ……………………………….…......... 17 Chapter 2: The Development of the New Theater ………………………………………….. 58 Chapter 3: From Silence to Madness, from Madness to Speech: The Psychiatric Institution as Metaphor …………………………………………………………………………………. -
New Marigny” GMAC Cingular Wireless Verizon Wireless Sprint/Sprint PCS Tion of I-10 Over a Main 1831 Pontchartrain Railroad (A.K.A
Annual Neighborhood Events • August: Night Out Against Crime LIVING WITH HISTORY • October: Preservation Resource Center’s IN NEW ORLEANS’ NEIGHBORHOODS Rebuilding Together program Neighborhood Organizations eeww • Crescent City Peace Alliance NN • Faubourg Franklin Foundation rriiggnnyy • Faubourg St. Roch Improvement Association MMaa onvenient to both New Orleans’ Central 1798 Pierre Philippe de Marigny acquires Business District and the Vieux Carré, historic New Dubreuil Plantation Circle Food Store 1800 Marquis Antoine Xavier Bernard 1522 St. Bernard Avenue Marigny, also called Faubourg St. Roch, has all the Philippe de Marigny de Mandeville A TRADITION IN NEW ORLEANS makings of a desirable inherits from Pierre Philippe de Marigny We are still here and still serving the community. C downtown neighbor- 1803 Louisiana Purchase Saving You Money on Groceries 1806 Nicholas de Finiels develops street Services, Bill Payments hood. Industrialization plan for Marigny; engineer Barthelemy BellSouth • Entergy • Sewer & Water Board and flight to the suburbs Lafon contracts to lay out the street grid We Accept Payment For: hit this area hard, how- 1810 Marigny extends original subdivision, American Express E Mobil (formerly Voicestream) MCI/MCI Worldcom Wireless Ford Motor Credit asking Lafon to plot area now known Chevron Toyota Financial Services Shell Gas Card Macy’s ever, and the construc- Discover Card AT & T Target Visa Card Sam’s Club as “New Marigny” GMAC Cingular Wireless Verizon Wireless Sprint/Sprint PCS tion of I-10 over a main 1831 Pontchartrain Railroad (a.k.a. “Smoky Mervyn’s Dish Network Capital One Credit Card Texaco Sears JC Penney Dillard’s Wal-Mart thoroughfare in the Mary”), 2nd oldest railroad in U.S., opens on Elysian Fields 1960s sent many resi- 1832 World’s largest cotton press opens on dents and businesses present Press Street packing. -
How Mixed-Race Americans Navigated the Racial Codes of Antebellum America
James Madison University JMU Scholarly Commons Masters Theses, 2020-current The Graduate School 5-7-2020 Under cover of lightness: How mixed-race Americans navigated the racial codes of Antebellum America Alexander Brooks Follow this and additional works at: https://commons.lib.jmu.edu/masters202029 Part of the United States History Commons Recommended Citation Brooks, Alexander, "Under cover of lightness: How mixed-race Americans navigated the racial codes of Antebellum America" (2020). Masters Theses, 2020-current. 48. https://commons.lib.jmu.edu/masters202029/48 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses, 2020-current by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Under Cover of Lightness: How Mixed-Race Americans Navigated the Racial Codes of Antebellum America Alex Brooks A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of History May 2020 FACULTY COMMITTEE: Committee Chair: Rebecca Brannon Committee Members/ Readers: Gabrielle Lanier David Owusu-Ansah Table of Contents 1. Introduction 2. Miscegenation 3. North 4. Upper South 5. Lower South 6. 1850s Turbulence 7. Liberia 8. Conclusion ii Abstract This thesis investigates the way people of mixed “racial” ancestry—known as mulattoes in the 18th and 19th centuries—navigated life in deeply racially divided society. Even understanding “mulatto strategies” is difficult because it is to study a group shrouded in historical ambiguity by choice. -
Press Street: a Concept for Preserving, Reintroducing and Fostering Local History Brian J
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2005 Press Street: a concept for preserving, reintroducing and fostering local history Brian J. McBride Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Landscape Architecture Commons Recommended Citation McBride, Brian J., "Press Street: a concept for preserving, reintroducing and fostering local history" (2005). LSU Master's Theses. 2952. https://digitalcommons.lsu.edu/gradschool_theses/2952 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. PRESS STREET: A CONCEPT FOR PRESERVING, REINTRODUCING, AND FOSTERING LOCAL HISTORY A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agriculture and Mechanical College in partial fulfillment of the requirements for the degree of Master of Landscape Architecture in The School of Landscape Architecture by Brian J. McBride B.S., Louisiana State University, 1994 May 2005 ACKNOWLEDGMENTS The author would like to recognize a number of people for providing assistance, insight and encouragement during the research and writing of this thesis. Special thanks to the faculty and staff of the School of Landscape Architecture, especially to Max Conrad, Van Cox and Kevin Risk. To all without whom I could not have completed this process, especially my parents for their persistence; and my wife, for her continued love and support. -
The Enslaved Families of Fontainebleau
THE ENSLAVED FAMILIES OF FONTAINEBLEAU A Summary for the 2019 Dedication of the Historic Marker FEBRUARY 19, 2019 RESEARCH BY JACKSON CANTRELL, IMAGES COLLATED BY LEANNE CANTRELL P a g e | 1 Introduction Before we can discuss the lives of the enslaved families who once resided at Fontainebleau, it is helpful to know how and why the plantation was created in the first place. For residents of the city of Mandeville, Louisiana, stories about the town’s founding father, Bernard de Marigny de Mandeville are widely known. When he and his siblings inherited their father’s vast estate (some historians claim his holdings may have been worth $7 million or around $200 million in today’s value) he was just shy of 16 years old. Bernard had seen a life of indulgence and privilege like few other teenagers ever had. His mentors did their best to educate him and help him mature before he arrived at the legal age of maturity. As a 21-year-old in 1806 New Orleans, he began subdividing the family’s plantation there into residential lots that would become the suburb known as the Fauberg Marigny. Two decades later, Bernard had by then helped facilitate the winning of The War of 1812 and served as President of the Louisiana State Senate. He began looking toward the north shore of Lake Pontchartrain as an area where he might purchase and again subdivide land. His goal was to create a resort town near pine forests, the lakefront, and fresh-water bayous. While laying out the plans for his little city, he created street names to honor various statesmen and war heroes. -
Genealogical Notes
GENEALOGICAL NOTES: CONTAINING THE PEDIGREE OF THE THOMAS FAMILY, OF MARYLAND, AND OF THE FOLLOWING CONNECTED FAMILIES : SNOWDEN-BUCKLEY-LAWRENCE-CHEW- ELLICOTT HOPKINS-JOHNSON-RUTHERFURD- . FAIRFAX-SCHIEFFELIN- TYSON AND OTHERS. ILLUSTRATED BY VIEWS AND COATS OF ARMS. BY LAWRENCE BucKLEY T ROMAS. BALTIMORE: LAWRENCE B. THOMAS. 1877. CHARLES HARVEY & CO. Fl:-.E BOOK A'.'iD JOB PRI:-:TFRS. BAL TI MORE, ~tD. C.\REW C.\STLE. PREF~;\CE. This book is mainly compiled from four distinct sources of information, and is complete or the reverse, in accordance with them. These sources are the printed publications of the Record Commission of Great Britain, containing Calendars of State papers, and in some instances, full reprints of the same; the papers at. the Office for the Registry of Wills in Annapolis, Md.; the Manuscript Records of the Society of Friends in Maryland; and Family Bibles. I have also, in a few cases, been aided by the personal knowledge of living members of some of the fami_lies noticed. Where so many are concerned, it may seem invidious to select any for acknowledgment; but I must be permitted to express my feelings of especial gratitude to Mrs. Edward Snowden, of Baltimore; Mrs. Edward P. Thomas and Dr. Francis Thomas, of Montgomery Countv, Md. ; Mr. Richard L. Schieffelin, of New York; Mr. Samuel Chew, of Germantown; Mr. William G. Thomas, of Perth Amboy, N. J., and to the memory of his father, the late Philip E. Thomas, of Baltimore, whose family tree first suggested my present · book. In the course of my labors it has been necessary for me to visit members of the different families with whom I had no previous acquaintance; but, in every instance, I have been received in the most cordial manner, and every facility afforded me for making the desired researches. -
The Music of Louisiana: Cajuns, Creoles and Zydeco
The Music of Louisiana: Cajuns, Creoles and Zydeco Carole Poindexter-Sylvers INTRODUCTION The music and cuisine of southern Louisiana experienced a renaissance during the 1980s. Zydeco musicians and recording artists made appearances on morning talk shows, Cajun and Creole restaurants began to spring up across the nation, and celebrity chefs such Paul Prudhomme served as a catalyst for the surge in interest. What was once unknown by the majority of Americans and marginalized within the non-French speaking community in Louisiana had now become a national trend. The Acadians, originally from Acadia, Nova Scotia, were expelled from Canada and gradually became known as Cajuns. These Acadians or Cajuns proudly began teaching the lingua franca in their francophone communities as Cajun French, published children‘s books in Cajun French and school curricula in Cajun French. Courses were offered at local universities in Cajun studies and Cajun professors published scholarly works about Cajuns. Essentially, the once marginalized peasants had become legitimized. Cajuns as a people, as a culture, and as a discipline were deemed worthy of academic study stimulating even more interest. The Creoles of color (referring to light-skinned, French-speaking Negroid people born in Louisiana or the French West Indies), on the other hand, were not acknowledged to the same degree as the Cajuns for their autonomy. It would probably be safe to assume that many people outside of the state of Louisiana do not know that there is a difference between Cajuns and Creoles – that they are a homogeneous ethnic or cultural group. Creoles of color and Louisiana Afro-Francophones have been lumped together with African American culture and folkways or southern folk culture. -
Faubourg Marigny, Bywater & Holy Cross
5 O F 8 E X P E RIEN C E New Orleans’ Historic Neighborhoods Faubourg Marigny, Bywater & Holy Cross PRESERVATION RESOURCE CENTER ARCHITECTURAL GUIDE N EIGHBORHOOD E VENTS WIN TER What’s going down Mardi Gras parades around here? YEAR R OUN D Second Saturday Art Walks in the St. Claude Arts District S P RIN G Bywater Home Tour Faubourg Marigny Improvement Association Home Tour FA L L GO DEEPER Halloween festivities on Frenchmen Street For details on these and other great Mirliton Festival in Bywater New Orleans events year-round, see Hell Yes Fest NewOrleansOnline.com/calendar W E A SKE D L O C A L S RICHARD SEXTON P H OTO G R A P HER A N D A U THOR What is your favorite Esplanade Avenue, between the river and spot in the city? Rampart Street, gets my vote as the best six blocks in New Orleans. The magic starts with the neutral ground tended by the residents, who can be seen in early morning MAURICE SLAUGHTER dragging garden hoses out to water the HARLE Y D AV I DSO N DIS T RIB U T O R city property they regard as an extension of their own. There are live oaks, sycamores, The Monday before Mardi Gras, my wife, her crepe myrtles, sago palms, but no set plan sisters and my brothers gather at our home or master gardener. The whole endeavor in Bywater. We go to lunch at The Joint for is like a squatter’s dream. On either side smoked ribs. -
Resituating Transatlantic Opera: the Case of the Théâtre D'orléans, New
Resituating Transatlantic Opera: The Case of the Théâtre d’Orléans, New Orleans, 1819–1859 Charlotte Alice Bentley Emmanuel College October 2017 This dissertation is submitted for the degree of Doctor of Philosophy ABSTRACT This thesis examines the production and reception of French opera in New Orleans in the first half of the nineteenth century, through a focus on the city’s principal French-language theatre from 1819 to 1859, the Théâtre d’Orléans. Building on the small body of existing scholarship concerning the theatre’s history and repertoire, here I draw upon a greatly expanded range of sources—including court cases, sheet music, and novels—in order to understand more about the ways in which operatic culture shaped and was shaped by city life in this period. New Orleans’s operatic life relied on transatlantic networks of people and materials in order to thrive, and this thesis explores the city’s place within growing global operatic systems in the nineteenth century. The five chapters each reflect on different aspects of operatic translocation and its significance for New Orleans. The first two argue for the centrality of human agency to the development of transatlantic networks of production and performance by examining the management of the theatre and the international movement of singers in turn. Chapter 3 investigates the impact of French grand opéra on New Orleans, arguing that the genre provided a focus for the negotiation of local, national, and international identities among opposing critical (and linguistic) factions within the city, while also providing an impetus for the development of a material culture of opera. -
Electric Avenue Our Own Champs-Élysées Was Once Extraordinary—And Could Be Again
Cityscapes: A Geographer's View of the New Orleans Area Electric Avenue Our Own Champs-Élysées Was Once Extraordinary—and Could Be Again Richard Campanella New Orleans Times-Picayune, June 10, 2018 Only one major artery in New Orleans connects the Mississippi River and Lake Pontchartrain with a single, straight, nearly longitudinal line. Unusually wide and grassy, the avenue spans the city’s full geographical gamut, from natural levee to former backswamp, to ridge, former marsh, and manmade lakefront. Historically, it witnessed growth from the Napoleonic Age to the Space Age. Architecturally, it hosts everything from an 1820 Creole cottage, to 1850s Greek Revival storehouses, to 1890s Victorian Italianate shotguns, to 1920s Spanish Villas, to 1960s ranch houses and post-Katrina houses jacked up on pilings. Demographically, it’s a cross-section of local society, in terms of class, race, and nativity, running from the gentrified historic districts at its foot to the middle-class families of Gentilly, to the suburban-feeling Lakefront and UNO campus. Spatially, its axial position drove the geometry of fully six square miles of subdivisions and nearly every street, block and lot therein, while also giving it convenient access to major east-west arteries. The avenue is Elysian Fields, and in my estimation, it’s one of the most interesting and least appreciated corridors in the metropolis, one that has the potential to live up to the grandeur of its name. I’ll leave the urban planning ideas for another time; my purpose here is to recount how this sui generis pathway came into place, and perhaps that history will spawn ideas of how—or Drone photo of Elysian Fields Avenue by Lorenzo Serafini Boni 2017 whether—to make this place more special.