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Prosopomorphic Vessels from Moesia Superior1
S. Nikolić, A. Raičković, Prosopomorphic Vessels from Moesia Superior Starinar LVIII/2008, 135-153 SNEŽANA NIKOLIĆ, Institute of Archaeology, Belgrade ANGELINA RAIČKOVIĆ, Institute of Archaeology, Belgrade PROSOPOMORPHIC VESSELS FROM MOESIA SUPERIOR1 UDC: Received: February 19, 2009 DOI: Accepted: May 04, 2009 Short communication Abstract: The prosopomorphic vessels from Moesia Superior had the form of beakers varying in outline but similar in size. They were wheel-thrown, mould-made or manufactured by using a combination of wheel-throwing and mould-made appliqués. Given that face vessels are considerably scarcer than other kinds of pottery, more than fifty finds from Moesia Superior make an enviable collection. In this and other provinces face vessels have been recovered from military camps, civilian settlements and necropolises, which suggests that they served more than one purpose. It is generally accepted that the faces-masks gave a protective role to the vessels, be it to protect the deceased or the family, their house and possessions. More than forty of all known finds from Moesia Superior come from Viminacium, a half of that number from necropolises. Although tangible evidence is lacking, there must have been several local workshops producing face vessels. The number and technological characteristics of the discovered vessels suggest that one of the workshops is likely to have been at Viminacium, an important pottery-making centre in the second and third centuries. Key words: The prosopomorphic vessels, Viminacium, Moesia Superior, 2nd /3rd century AD. he main characteristic of prosopomor- functioned as burial urns.4 These curious vessels show phic vessels is that they display a human various shapes, manufacturing techniques and sizes, Tface or basic facial features: the eyes, but are considerably less frequent than most Roman eyebrows, nose and mouth, quite often also a beard, forms. -
Recreating Viminacium in 3D and Presenting Roman Cultural Heritage
Golubović and Mrđić - Rebirth of the Past...(155-167) Archaeology and Science 13 (2017) SNEŽANA GOLUBOVIć, 904:725.182]:004.92”652”(497.11) Institute of Archaeology 930.85(497.11:100) Belgrade, Serbia COBISS.SR-ID 264134156 [email protected] Original research article NEMANJA MRĐIć, Received: April 06th 2018 Institute of Archaeology Accepted: April 30th 2018 Belgrade, Serbia [email protected] reBIRTH oF tHe Past – reCREATInG VIMInaCIuM In 3d and PRESENTING ROMAN CULTURAL HERITAGE ABSTRACT Recreating invisible or highly damaged archaeological remains in 3D technologies has become one of the best ways to bring the past to regular visitors. The Project ARCHEST was designed to improve the presentation of the site and to, consequently, attract new visitors. The main objectives were support- ing the archaeology-related creative sectors to operate transnationally and to increase the knowledge of common Roman history through the most important archaeological sites. Additionally, there was an objective to increase the audience with an integrated approach and modern technology, transforming a non-audience into a new audience and changing the opinion that archaeology is something boring or too elitist. The results of the project have a huge appeal to ordinary audiences and support a better understanding and acceptance of Roman civilization through clear images which, at the same time, do not contradict the scientific concept but, rather, aim to support it. keyWords: 3d reConstruCtIon, VIRTUAL reaLIty, VIMInaCIuM, arCHest. INTRODUCTION museums are not scientists and are not able to un- derstand remains in the same way as profession- A visualisation of the past is one of the most als. -
Rivers and Lakes in Serbia
NATIONAL TOURISM ORGANISATION OF SERBIA Čika Ljubina 8, 11000 Belgrade Phone: +381 11 6557 100 Rivers and Lakes Fax: +381 11 2626 767 E-mail: [email protected] www.serbia.travel Tourist Information Centre and Souvenir Shop Tel : +381 11 6557 127 in Serbia E-mail: [email protected] NATIONAL TOURISM ORGANISATION OF SERBIA www.serbia.travel Rivers and Lakes in Serbia PALIĆ LAKE BELA CRKVA LAKES LAKE OF BOR SILVER LAKE GAZIVODE LAKE VLASINA LAKE LAKES OF THE UVAC RIVER LIM RIVER DRINA RIVER SAVA RIVER ADA CIGANLIJA LAKE BELGRADE DANUBE RIVER TIMOK RIVER NIŠAVA RIVER IBAR RIVER WESTERN MORAVA RIVER SOUTHERN MORAVA RIVER GREAT MORAVA RIVER TISA RIVER MORE RIVERS AND LAKES International Border Monastery Provincial Border UNESKO Cultural Site Settlement Signs Castle, Medieval Town Archeological Site Rivers and Lakes Roman Emperors Route Highway (pay toll, enterance) Spa, Air Spa One-lane Highway Rural tourism Regional Road Rafting International Border Crossing Fishing Area Airport Camp Tourist Port Bicycle trail “A river could be an ocean, if it doubled up – it has in itself so much enormous, eternal water ...” Miroslav Antić - serbian poet Photo-poetry on the rivers and lakes of Serbia There is a poetic image saying that the wide lowland of The famous Viennese waltz The Blue Danube by Johann Vojvodina in the north of Serbia reminds us of a sea during Baptist Strauss, Jr. is known to have been composed exactly the night, under the splendor of the stars. There really used to on his journey down the Danube, the river that connects 10 be the Pannonian Sea, but had flowed away a long time ago. -
Jelena Bulajic
JELENA BULAJIC Born in 1990, Vrbas, Serbia Lives and works in Serbia and London, UK SOLO EXHIBITIONS 2017 Jelena Bulajic, carlier | gebauer, Berlin, Germany 2016 Collision, Unit 1 Gallery | Workshop, London, UK 2014 Museum Collection of Cultural Centre of Vrbas, Vrbas, Serbia 2013 Old Age Cultural Centre of Belgrade, Belgrade Old Age Likovni Susret Gallery, Subotica 2012 Old Age Nadežda Petrovic Gallery,Cacak Portraits Gallery of the Association of Visual Artists of Vojvodina, Novi Sad 2011 Mladi dolaze Platoneum Gallery, Branch of Serbian Academy of Sciences and Arts, Novi Sad GROUP EXHIBITIONS 2016 Wasted Time, Ferenczy Museum Centre Art Mill, Szentendre, Hungary I Prefer Life, The Weserburg, Bremen, Germany Champagne Life, The Saatchi Gallery, London, UK 2015 New London Figurative, Charlie Smith london, London, UK Summer Exhibition 2015, Royal Academy of Arts, London, UK 2014 Premonition, Blood, Hope: Art in Vojvodina and Serbia 1914 – 2014, Künstlerhaus, Vienna, Austria Saatchi’s New Sensations and The Future Can Wait, Victoria House, London, UK BP Portrait Award 2014, National Portrait Gallery, London, UK. Travelled to Sunderland Museum & Winter Gardens, WWW.SAATCHIGALLERY.COM JELENA BULAJIC Sunderland and Scottish National Portrait Gallery, Edinburgh, UK The open west 2014, The Wilson Cheltenham Art Gallery & Museum, Cheltenham, UK Culture Escape: Toward a Better World, Galerie Nest, Geneva, Switzerland Young Gods, Charlie Smith london and The Griffin Gallery, London, UK. Curated by Zavier Ellis 2013 Young, Niš Art Foundation Art -
Pavle Beljanski
S. MILETIĆA L. TELEČKOG DUNAVSKA NJEGOŠEVA ZMAJ JOVINA USPENSKA TRG SLOBODE MODENE DUNAVSKI POZORIŠNITRG PARK I. PAVLASA KRALJA ALEKSANDRA JEVREJSKA MIHAJLA PUPINA BULEVAR TRG GALERIJA VLADIKE PLATONA ĐORĐEVIĆAJ. M. ANTIĆA STEVANA MUSIĆA VASE STAJIĆA ŽELEZNIČKA VOJVOĐANSKIH BRIGADA MAKSIMA GORKOG PAVLE Working hours: Wednesday – Sunday: 10–18h • Thursdays: 13–21h Fees: BELJANSKI 100 RSD – single ticket 50 RSD – ticket for privileged visitors (children, students, pensioners) Pavle Beljanski (19th June, 1892, Veliko Gradište – 14th July 1965, 50 RSD – group ticket without curatorial guidance Belgrade), a lawyer and diplomat, art lover and great connoisseur, col- (min 7 people) lector who acquired the most complete collection of Serbian paintings 100 RSD – group ticket with curatorial guidance in Serbian from the first half of the 20th century, and by giving it to the people (min 7 people) of Serbia, became one of its greatest contributors. He attended high 250 RSD – group ticket with curatorial guidance in English school in Belgrade, where he also studied law until the beginning of (min 7 people) World War I, when he left for Paris. He graduated at the Sorbonne and 500 RSD – single ticket with curatorial guidance in Serbian began his diplomatic career in Stockholm, and continued it in Warsaw, 1000 RSD – single ticket with curatorial guidance in English Berlin, Vienna, Paris, Rome and Belgrade. Residing in European capitals The guiding tour for planned individual and group visits lasts between between the World Wars, he was able to study the greatest works of 35 and 45 minutes. • The maximum group size is 25 people. art and to meet famous writers such as Jovan Dučić, Ivo Andrić, Rastko On Thursdays, the admission is free for individual visits. -
Advances in Carpet Manufacture
SOFTbank E-Book Center Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Woodhead Publishing in Textiles: Number 87 Advances in carpet manufacture Edited by K. K. Goswami © SOFTbank2009 Woodhead E-Book Publishing Center Limited Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Published by Woodhead Publishing Limited in association with The Textile Institute Woodhead Publishing Limited, Abington Hall, Granta Park, Geat Abington Cambridge CB21 6AH, UK www.woodheadpublishing.com Woodhead Publishing India Private Limited, G-2, Vardaan House, 7/28 Ansari Road, Daryaganj, New Delhi ± 110002, India Published in North America by CRC Press LLC, 6000 Broken Sound Parkway, NW, Suite 300, Boca Raton, FL 33487, USA First published 2009, Woodhead Publishing Limited and CRC Press LLC ß Woodhead Publishing Limited, 2009 The authors have asserted their moral rights. This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission, and sources are indicated. Reasonable efforts have been made to publish reliable data and information, but the authors and the publishers cannot assume responsibility for the validity of all materials. Neither the authors nor the publishers, nor anyone else associated with this publication, shall be liable for any loss, damage or liability directly or indirectly caused or alleged to be caused by this book. Neither this book nor any part may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, microfilming and recording, or by any information storage or retrieval system, without permission in writing from Woodhead Publishing Limited. The consent of Woodhead Publishing Limited does not extend to copying for general distribution, for promotion, for creating new works, or for resale. -
WG Museums & Creative Industries Study Visit to Serbia from 13 to 15
WG Museums & Creative Industries study visit to Serbia From 13th to 15th of May, 2020 Wednesday, 13th of May – Belgrade Visit of several national museums: National Museum in Belgrade http://www.narodnimuzej.rs/) – presentation of the WG Museums & Creative Industries Museum of Contemporary Art (https://www.msub.org.rs/) Museum of Yugoslavia (https://www.muzej-jugoslavije.org/) – presentation of the Council for Creative Industries – Serbia Creates (under the auspices of the Prime Minister's Cabinet https://www.serbiacreates.rs/) Thursday, 14th of May – Novi Sad Visit to: The Gallery of Matica Srpska (http://www.galerijamaticesrpske.rs/) Museum of Vojvodina (https://www.muzejvojvodine.org.rs/) Foundation ”Novi Sad 2021 – European Capital of Culture” (https://novisad2021.rs/) In the late afternoon departure for Mokrin (accommodation in Mokrin House https://www.mokrinhouse.com/) – we will book the accommodation when we get the exact number of WG members - participants; also, we will check with Mokrin House if there is any possibility to make a discount for the WG members) Friday, 15th of May – Mokrin House 10.00 – 12.00: WG Museum & Creative Industries meeting If there is enough time (it depends on your departure time) visit to the Kikinda National Museum (http://www.muzejkikinda.org.rs/) The end of the study visit – organized transfer from Mokrin/Kikinda to Belgrade or to the airport. Organization: Netork of Euorpean Museum Organisations - NEMO WG Museums & Creative Industries and The Gallery of Matica Srpska with the support of the Council for Creative Industries – Serbia Creates and Foundation ”Novi Sad 2021 – European Capital of Culture”. Accommodation Recommended accommodation (in the city center) you may find on booking.com: Five Points Square – City Center Hotel Savoy Hotel Majestic Or any other accommodation on your choice Accommodation will be in Belgrade (1 or 2 nights) and in Mokrin House (1 night). -
Serbia Turns Blind Eye to Rare Bird Slaughter
Issue No. 211 Friday, July 22 - Thursday, September 08, 2016 ORDER DELIVERY TO Belgrade ‘failing to Political Must-see YOUR DOOR +381 11 4030 303 develop satirists eye music [email protected] - - - - - - - ISSN 1820-8339 1 mid-market Belgrade local festivals BELGRADE INSIGHT IS PUBLISHED BY 0 1 tourism’ elections in August Page 5 Page 9 Page 13 9 7 7 1 8 2 0 8 3 3 0 0 0 Even when the Democrats longas continue to likely is This also are negotiations Drawn-out Surely the situation is urgent Many of us who have experi We feel in-the-know because bia has shown us that (a.) no single no (a.) that us shown has bia party or coalition will ever gain the governa form to required majority negotiations political (b.) and ment, will never be quickly concluded. achieved their surprising result at last month’s general election, quickly itbecame clear that the re sult was actually more-or-less the result election other every as same in Serbia, i.e. inconclusive. as Serbia’s politicians form new political parties every time disagree with they their current party reg 342 currently are (there leader political parties in Serbia). istered the norm. One Ambassador Belgrade-based recently told me he was also alarmed by the distinct lack of urgency among politicians. Serbian “The country is standstill at and a I don’t understand their logic. If they are so eager to progress towards the EU and en theycome how investors, courage go home at 5pm sharp and don’t work weekends?” overtime. -
Media News Bulletin Home
Issue No. 42 November 10-23, 2012 Content State-owned media will continue receiving support from the national budget in 2013 – SBB is criticized – SBB begins broadcasting TV Pink 2 – Legal treatment of libel causes controversy – Full freedom of the media is one of three conditions imposed by EU on Serbia – Media coalition protests against moves made by the City Council of Nis – The media is one of the participants in political conflicts, says J. Matic – V. Obradovic: “Serbian media scene is in a state of controlled chaos” – “The War of Tabloids” is an attempt to remove the editor of Blic from his position – B. Kostic accuses RTV Belgrade and RTV Novi Sad of being accomplices in the crimes committed in Vukovar in 1991 – Tabloidization in Serbia is specific – D. Kesic criticizes domestic media – The state expands its ownership in the media, RRA waits for “integrated opinion” – Tijanic refuses to show contracts with Multicom Group and Direct Media – Prime Minister Dacic criticizes Tijanic – Some of RTS journalists begin strike – NUNS says the strike is legitimate – RTS management is opposed to the strike – Sinisa Kovacevic condemns RTS and its journalists – RTS journalists respond to Kovacevic – Criticism of Kovacevic's statement spreads – Members of the tennis representation have not apologized to journalists – Court rejects Tijanic's lawsuit because public personalities should tolerate public criticism – SEEMO is opposed to criminal treatment of libel – Attacks on Tanja Jankovic continue – Employees of Nas Glas support their director and -
Name and Surname
TELENOR FOUNDATION ANNUAL REPORT ON BUSINESS OPERATIONS IN 2017 1 INTRODUCTION By initiating and supporting projects, in accordance with the strategic direction, Telenor Foundation contributes to the development of the society. All activities are realized in cooperation with partners, with the support of various teams. By contributing to the realization of the Goal 10 (#reducedinequalities), Telenor Foundation encourages the development of digital solutions aimed at overcoming of social challenges. The Foundation's activities are focused on education, social inclusion of socially vulnerable groups, culture and art, as well as environmental protection. The objectives of the Telenor Foundation are promoting positive aspects of the Internet and are setting norms that regulate behaviour in the digital environment and affect the reduction of digital bullying. They are focused on solving important social, educational, cultural and health problems at the national level, general ecological development, as well as problems caused by natural disasters. Partnerships are made with state institutions and non-profit organizations in accordance with the Statute procedures. All interested humanitarian organizations, non-governmental organizations, institutions and foundations registered in Serbia have the right to participate in the Open Call for Proposals. Open Calls are current twice a year. The competent team evaluates and selects the ideas received, which are than presented, according to clear criteria. The projects are submitted to the Board of Directors of Telenor Foundation, which at its session decides which ideas will be supported. All partners are obliged to submit a report on the course of the project and a detailed overview of its results. STRUCTURE OF THE BOARD OF DIRECTORS Management Board of Telenor Foundation has five members, out of which two are representatives of Company Telenor. -
Inheriting the Yugoslav Century: Art, History, and Generation
Inheriting the Yugoslav Century: Art, History, and Generation by Ivana Bago Department of Art, Art History and Visual Studies Duke University Date:_______________________ Approved: ___________________________ Kristine Stiles, Supervisor ___________________________ Mark Hansen ___________________________ Fredric Jameson ___________________________ Branislav Jakovljević ___________________________ Neil McWilliam Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History and Visual Studies in the Graduate School of Duke University 2018 ABSTRACT Inheriting the Yugoslav Century: Art, History, and Generation by Ivana Bago Department of Art, Art History and Visual Studies Duke University ___________________________ Kristine Stiles, Supervisor ___________________________ Mark Hansen ___________________________ Fredric Jameson ___________________________ Branislav Jakovljević ___________________________ Neil McWilliam An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History and Visual Studies in the Graduate School of Duke University 2018 Copyright by Ivana Bago 2018 Abstract The dissertation examines the work contemporary artists, curators, and scholars who have, in the last two decades, addressed urgent political and economic questions by revisiting the legacies of the Yugoslav twentieth century: multinationalism, socialist self-management, non- alignment, and -
Novi-Sad 2021 Bid Book
CREDITS Published by City of Novi Sad Mayor: Miloš Vučević City Minister of Culutre: Vanja Vučenović Project Team Chairman: Momčilo Bajac, PhD Project Team Members: Uroš Ristić, M.Sc Dragan Marković, M.Sc Marko Paunović, MA Design: Nada Božić Logo Design: Studio Trkulja Photo Credits: Martin Candir KCNS photo team EXIT photo team Candidacy Support: Jelena Stevanović Vuk Radulović Aleksandra Stajić Milica Vukadinović Vladimir Radmanović TABLE OF CONTENT 7 BASIC PRINCIPLES 7 Introducing Novi Sad 9 Why does your city wish to take part in the I competition for the title of European Capital of CONTRIBUTION TO THE Culture? LONG-TERM STRATEGY 14 Does your city plan to involve its surrounding 20 area? Explain this choice. Describe the cultural strategy that is in place in your city at the Explain the concept of the programme which 20 18 time of the application, as well as the city’s plans to strengthen would be launched if the city designated as the capacity of the cultural and creative sectors, including European Capital of Culture through the development of long term links between these sectors and the economic and social sectors in your city. What are the plans for sustaining the cultural activities beyond the year of the title? How is the European Capital of Culture action included in this strategy? 24 If your city is awarded the title of Europian Capital of Culture, II what do you think would be the long-term cultural, social and economic impact on the city (including in terms of urban EUROPEAN development)? DIMENSION 28 25 Describe your plans for monitoring and evaluating the impact of the title on your city and for disseminating the results of the evaluation.