Commencement Program, 2002
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Weaverswaver00stocrich.Pdf
University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2017 Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Materials Conservation Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Industrial and Product Design Commons, Interdisciplinary Arts and Media Commons, and the Metal and Jewelry Arts Commons Textile Society of America, "Textile Society of America Newsletter 29:2 — Fall 2017" (2017). Textile Society of America Newsletters. 80. https://digitalcommons.unl.edu/tsanews/80 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 29. NUMBER 2. FALL 2017 Photo Credit: Tourism Vancouver See story on page 6 Newsletter Team BOARD OF DIRECTORS Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of Communications) Designer: Meredith Affleck Vita Plume Member News Editor: Caroline Charuk (TSA General Manager) President [email protected] Editorial Assistance: Natasha Thoreson and Sarah Molina Lisa Kriner Vice President/President Elect Our Mission [email protected] Roxane Shaughnessy The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for Past President the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, [email protected] political, social, and technical perspectives. Established in 1987, TSA is governed by a Board of Directors from museums and universities in North America. -
Keynote Addressâ•Flsummary Notes
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 Keynote Address—Summary Notes Jack Lenor Larsen Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Larsen, Jack Lenor, "Keynote Address—Summary Notes" (2004). Textile Society of America Symposium Proceedings. 494. https://digitalcommons.unl.edu/tsaconf/494 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Keynote Address—Summary Notes San Francisco Bay as the Fountainhead and Wellspring Jack Lenor Larsen Jack Lenor Larsen led off the 9th Biennial Symposium of the Textile Society of America in Oakland, California, with a plenary session directed to TSA members and conference participants. He congratulated us, even while proposing a larger and more inclusive vision of our field, and exhorting us to a more comprehensive approach to fiber. His plenary remarks were spoken extemporaneously from notes and not recorded. We recognize that their inestimable value deserves to be shared more broadly; Jack has kindly provided us with his rough notes for this keynote address. The breadth of his vision, and his insightful comments regarding fiber and art, are worthy of thoughtful consideration by all who concern themselves with human creativity. On the Textile Society of America Larsen proffered congratulations on the Textile Society of America, now fifteen years old. -
Workshops Open Studio Residency Summer Conference
SUMMER 2020 HAYSTACK MOUNTAIN SCHOOL OF CRAFTS Workshops Open Studio Residency Summer Conference Schedule at a Glance 4 SUMMER 2020 Life at Haystack 6 Open Studio Residency 8 Session One 10 Welcome Session Two This year will mark the 70th anniversary of the 14 Haystack Mountain School of Crafts. The decision to start a school is a radical idea in and Session Three 18 of itself, and is also an act of profound generosity, which hinges on the belief that there exists something Session Four 22 so important it needs to be shared with others. When Haystack was founded in 1950, it was truly an experiment in education and community, with no News & Updates 26 permanent faculty or full-time students, a school that awarded no certificates or degrees. And while the school has grown in ways that could never have been Session Five 28 imagined, the core of our work and the ideas we adhere to have stayed very much the same. Session Six 32 You will notice that our long-running summer conference will take a pause this season, but please know that it will return again in 2021. In lieu of a Summer Workshop 36 public conference, this time will be used to hold Information a symposium for the Haystack board and staff, focusing on equity and racial justice. We believe this is vital Summer Workshop work for us to be involved with and hope it can help 39 make us a more inclusive organization while Application broadening access to the field. As we have looked back to the founding years of the Fellowships 41 school, together we are writing the next chapter in & Scholarships Haystack’s history. -
Manual for Trustees. Philadelphia College of Art. January 1972
MANUAL FOR TRUSTEES Philadelphia College of Art COi. .^* A> nil January 1972 K\?i'i\u^::.h't»X': TABLE OF CONTENTS Title Page General Information Short History 1 Educational Objectives 4 Educational Program 5 Articles of Incorporation 7 By-Laws 13 Board of Trustees 23 Trustee Names and Addresses 27 Biographical Information 3 3 Officers of the Corporation 50 Administrative Staff 50 Administrative Offices 5 3 College Senate 58 Alumni Association 58 College Events 61 Firms Employing Recent Graduates 63 College Memberships 65 Enrollment 67 Tuition and Expenses 68 Housing 68 The Library 69 Digitized by the Internet Archive in 2011 with funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/manualfortrusteeOOphil GENERAL INFORMATION ABOUT THE COLLEGE A Short History of the Philadelphia College of Art It is worth noting that the present continuing concern of the College — the professional education of artists and designers to meet the growing needs of industry — was the motivating purpose at its incep- tion. The change from an agrarian to an industrial society in the second half of the 19th century was significantly reflected in the Centennial Exhibition held in Philadelphia's Fairmount Park in 1876. Respond- ing to the view of a future shaped by technology and mass produc- tion, a group of citizens met to establish the Pennsylvania Museum and School of Industrial Art, under a charter approved February 27, 1876, by the Court of Common Pleas No. 3 of Philadelphia under December Term, 1875, No. 1041. The institution received per- mission from the State Centennial Supervisors, the Fairmount Park Commissioners and the City to take possession of Memorial Hall at the close of the exhibition in November, 1876, which housed the museum part of the operation until it was moved to the present building on the Parkway. -
Working Checklist 00
Taking a Thread for a Walk The Museum of Modern Art, New York, October 21, 2019 - June 01, 2020 WORKING CHECKLIST 00 - Introduction ANNI ALBERS (American, born Germany. 1899–1994) Untitled from Connections 1983 One from a portfolio of nine screenprints composition: 17 3/4 × 13 3/4" (45.1 × 34.9 cm); sheet: 27 3/8 × 19 1/2" (69.5 × 49.5 cm) The Museum of Modern Art, New York. Gift of The Josef and Anni Albers Foundation in memory of Joseph Fearer Weber/Danilowitz 74 Wall, framed. Located next to projection in elevator bank ANNI ALBERS (American, born Germany. 1899–1994) Study for Nylon Rug from Connections 1983 One from a portfolio of nine screenprints composition: 20 5/8 × 15 1/8" (52.4 × 38.4 cm); sheet: 27 3/8 × 19 1/2" (69.5 × 49.5 cm) The Museum of Modern Art, New York. Gift of The Josef and Anni Albers Foundation in memory of Joseph Fearer Weber/Danilowitz 75 Wall, framed. Located next to projection in elevator bank ANNI ALBERS (American, born Germany. 1899–1994) With Verticals from Connections 1983 One from a portfolio of nine screenprints composition: 19 3/8 × 14 1/4" (49.2 × 36.2 cm); sheet: 27 3/8 × 19 1/2" (69.5 × 49.5 cm) The Museum of Modern Art, New York. Gift of The Josef and Anni Albers Foundation in memory of Joseph Fearer Weber/Danilowitz 73 Wall, framed. Located next to projection in elevator bank ANNI ALBERS (American, born Germany. 1899–1994) Orchestra III from Connections 1983 One from a portfolio of nine screenprints composition: 26 5/8 × 18 7/8" (67.6 × 47.9 cm); sheet: 27 3/8 × 19 1/2" (69.5 × 49.5 cm) The Museum of Modern Art, New York. -
Donor Report Inside P R O F E S S O R J O H N W O O D I N Photography
Non Profit Org THE UNIVERSITY OF THE ARTS US Postage 320 South Broad Street PAID Philadelphia, PA 19102 Philadelphia, PA UArts.edu Permit No. 1103 THE MAGAZINE OF THE UNIVERSITY OF THE ARTS edg e THE edge MAGAZINE OF T HE U NIVERSITY OF THE A RTS FALL FALL 2013 2013 NO . 11 Donor Report Inside PROFESSOR JOHN WOODIN photography S EAN T. B UFFING T ON PRESIDENT L UCI ll E H UG H E S PUBLISHER VICE PRESIDENT FOR ADVANCEMENT P AU L F. H EA LY EDITOR ASSOCIATE VICE PRESIDENT OF UNIVERSITY COMMUNICATIONS E LY ss E R ICCI B FA ’ 0 8 ART DIRECTOR & DESIGNER J AME S M AU R E R PRODUCTION MANAGER D ANA R O dr IGUEZ CONTRIBUTING EDITOR CONTRIBUTING PHOTOGRAPHERS S T EVE B E L KOWI T Z J A S ON C H EN B FA ’ 0 8 S AMUE L N AGE L M IC H AE L S P ING L E R S T EVE S tr EI S GU th B FA ’ 0 9 th EY B K LYN J O H N W OO D IN CONTRIBUTING WRITERS A NI S A H AI D A R Y P AU L F. H EA LY E L I S E J U S KA C A th E R INE G UN th E R K O D A T S A R A M AC D ONA ld D ANA R O dr IGUEZ J OANNA S UNG L AU R EN V I ll ANUEVA COVER IMAGE S T EVE B E L KOWI T Z , 2 0 1 1 POSTMASTER : SEND ADDRESS CHANGES TO edge c/o University Communications, The University of the Arts, 320 S. -
ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2
30.3 COVERs 3/18/07 2:03 PM Page 1 992-994_30.3_ADS 3/18/07 1:16 PM Page 992 01-011_30.3_ADS 3/16/07 5:18 PM Page 1 JACQUES CARCANAGUES, INC. LEEKAN DESIGNS 21 Greene Street New York, NY 10013 BEADS AND ASIAN FOLKART Jewelry, Textiles, Clothing and Baskets Furniture, Religious and Domestic Artifacts from more than twenty countries. WHOLESALE Retail Gallery 11:30 AM-7:00 PM every day & RETAIL (212) 925-8110 (212) 925-8112 fax Wholesale Showroom by appointment only 93 MERCER STREET, NEW YORK, NY 10012 (212) 431-3116 (212) 274-8780 fax 212.226.7226 fax: 212.226.3419 [email protected] E-mail: [email protected] WHOLESALE CATALOG $5 & TAX I.D. Warehouse 1761 Walnut Street El Cerrito, CA 94530 Office 510.965.9956 Pema & Thupten Fax 510.965.9937 By appointment only Cell 510.812.4241 Call 510.812.4241 [email protected] www.tibetanbeads.com 1 ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2 volumecontents 30 no. 3 Ornament features 34 2007 smithsonian craft show by Carl Little 38 candiss cole. Reaching for the Exceptional by Leslie Clark 42 yazzie johnson and gail bird. Aesthetic Companions by Diana Pardue 48 Biba Schutz 48 biba schutz. Haunting Beauties by Robin Updike Candiss Cole 38 52 mariska karasz. Modern Threads by Ashley Callahan 56 tutankhamun’s beadwork by Jolanda Bos-Seldenthuis 60 carol sauvion’s craft in america by Carolyn L.E. Benesh 64 kristina logan. Master Class in Glass Beadmaking by Jill DeDominicis Cover: BUTTERFLY PINS by Yazzie Johnson and Gail Bir d, from top to bottom: Morenci tur quoise and tufa-cast eighteen karat gold, 7.0 centimeters wide, 2005; Morenci turquoise, lapis, azurite and fourteen karat gold, 5.1 centimeters wide, 1987; Morenci turquoise and tufa-cast eighteen karat gold, 5.7 centimeters wide, 2005; Tyrone turquoise, coral and tufa- cast eighteen karat gold, 7.6 centimeters wide, 2006; Laguna agates and silver, 7.6 centimeters wide, 1986. -
Catalog for August 9, 2021 August Annex Auction
August Annex Auction Monday, August 9, 10am Michaan's Auctions (lots 1 - 865 ) 2701 Monarch Street Alameda, CA 94501 Tuesday, August 10, 10am Phone: (800)380-9822 or (lots 866 - 1731 ) (510) 740-0220 Fax: (510) 749-7517 Wednesday, August 11 10am www.michaans.com (lots 1732 - end of auction) [email protected] Previews Friday August 6, by appointment Sunday August 8, 10am - 5pm Monday August 9, 9am - 5pm Tuesday August 10, 9am - 5pm Wednesday August 11, 9am - 5pm Tuesday Bid Increments Minimum Value Maximum Value Expected Bid Increment from US $ 0 to US $ 49 US $ 5 from US $ 50 to US $ 199 US $ 10 from US $ 200 to US $ 499 US $ 25 from US $ 500 to US $ 999 US $ 50 from US $ 1,000 to US $ 1,999 US $ 100 from US $ 2,000 to US $ 4,999 US $ 250 from US $ 5,000 to US $ 9,999 US $ 500 from US $ 10,000 to US $ 19,999 US $ 1,000 from US $ 20,000 and above US $ 2,500 Michaan’s Auctions - Terms and Conditions of Sale STANDARD CONDITIONS OF SALE DEFINITIONS These Conditions of Sale are binding on all purchasers at Auction. Please Hammer price: The highest bid received for a lot upon the fall of read carefully. the auctioneer’s hammer. By registering to bid at auction, in person, or through an agent, Buyer’s premium: The amount paid by the buyer as a percentage by absentee bid, or telephone or any other means including the of the hammer price and in addition thereto. Internet and e-mail, you agree to be bound by these Conditions of Purchase price: The aggregate of the hammer, buyer’s premium Sale (and changes made as noted below.) and applicable taxes or other fees, if any, as may be required by All property and every lot for sale in our catalogue is ofered subject law. -
Commencement Program, 1991
The University of the Arts Commencement May 18, 1991 ^^ Digitized by the Internet Archive in 2011 with funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/commencementprog1991univ The University of the Arts Commencement May 18, 1991 Philadelphia College of Performing Arts 1870 Philadelphia College of Art and Design 1876 Processional Welcome Peter Solmssen, President Commencement Address Ambassador Daniel J. Terra Student Address Stacey N. Martino Ronald Scott McBain H. Colton O'Conner Jeff T. Ryan Anthony D. Thyne Alumni Awards Lydia Artymiw Ed Colker Honorary Degree of Doctor of Fine Arts Ivan Chermayeff WillardG. Rouse Ellen Stewart Conferring of Degrees and Certificates Dorrance H. Hamilton, Chairman Board of Trustees Closing Remarks Peter Solmssen Recessional Audience will rise Degrees Bachelor of Fine Arts, Pennsylvania Academy of the Fine Arts Coordinate Program "Jane E. Buscher " Lisa George Fox William Thompson "James Brian Walsh Bachelor of Fine Arts in Animation Samuel H. Bullock James E. Eyies Maria Crisstina Mailey Commencement "Christopher Scott Moeller Candidates Larry C. Schmehl II Anthony D. Thyne Bachelor of Science in Architectural Studies Sherri M. Adier Elizabeth Maria Blengino Master of Arts in Amena C. Najjar Art Education Helen H. Kang Ambar Astuti Jeffrey Reid Kiefer Annette Barnett Lea Marie Munjone 'Elizabeth Hoak Doering Janice Emily Muscio "Elizabeth Puetter Schaeffer Sittisan Sundaravej Jess A. Walker "Jennifer K. Woodhouse Master of Arts in Teaching Bachelor of Fine Arts in Visual Arts in Crafts •Rebekah Finstein Mary Anna Boston Cheryl Fisher :t:Devin Coyne Linda Audrey Keels Elizabeth L. Despard Keith C. Sharp Laura Ferry 'Patricia M. Siembora "David Downing Gibson Kevin Charles Washabaugh Rebecca C. -
Commencement Program, 1996
The University of the Arts Commencement May 23, 1996 ^^ Digitized by the Internet Archive in 2011 with funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/commencementprog1996univ The University of the Arts Commencement May 23, 1996 Philadelphia College of Art and Design 1876 Philadelphia College of Performing Arts 1870 Grand Marshal: Ward Stanley, Humanities Faculty Marshals: Marc DIcclanI, Music Johnnie Hobbs, Jr., Theater Arts Mary Phelan, Book Arts Robert Stein, Illustration • Processional Welcome Peter Solmssen, President Student Address Christopher James Sweeney Alumni Awards Tom Butter Janine Cappello Honorary Degree of Doctor of Fine Arts Robert M. Greenberg Marjorie Samoff Conferring of Degrees and Certificates Dorrance H. Hamilton, Chairman Board of Trustees Closing Remarks Peter Solmssen Recessional Audience will rise Degree Candidates Master of Arts Master of Fine Arts in Art Education in Book Arts/Printmaking * Bruce A. Mackie Mi Kyoung Lee Julia Catherine Ungar Elizabeth Straith McGhee *** Kristen Allis Urffer Kelsey K. Osborn Elias John Anthony Roustom Master of Arts Laura Kay Scheerer in Museum Education * Thomas IVl. Amidon *** Master of Fine Arts Jacqueline Pacita Carter ** in Museum Exhibition Lori R. Davis '** Planning and Gay DiPadova Design *** Jennifer Escalante Rebecca V. Gray *" Michelle Nicole Lewis Marisa Hall ** Tzu-Ching Lin Portia Ellen Henderson Molly A. Miller" Hui-Wen *' Huang *** Alisa Jane Richardson Samantha Ann Matlock t ** Inger Severson Efrossyni Mavrikiou *** Pichaya Suphavanij Elizabeth Nettles Master of Industrial Design Master of Arts "* Richard Warren Fox in Teaching ** Jeffrey B. Jenkins in Music Education Daniel Singer * Santo Andrew Cannizzaro Mark Capriotti Timothy Joseph Garton Graduate Diploma Jason B. Harris in Performance Michael Kevin Hood Jennifer A.