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Map of Amazya (109) Volume 1, the Northern Sector
MAP OF AMAZYA (109) VOLUME 1, THE NORTHERN SECTOR 1* 2* ISRAEL ANTIQUITIES AUTHORITY ARCHAEOLOGICAL SURVEY OF ISRAEL MAP OF AMAZYA (109) VOLUME 1, THE NORTHERN SECTOR YEHUDA DAGAN 3* Archaeological Survey of Israel Publications of the Israel Antiquities Authority Editor-in-Chief: Zvi Gal Series editor: Lori Lender Volume editor: DaphnaTuval-Marx English editor: Lori Lender English translation: Don Glick Cover: ‘Baqa‘ esh Shamaliya’, where the Judean Shephelah meets the hillcountry (photograph: Yehuda Dagan) Typesetting, layout and production: Margalit Hayosh Preparation of illustrations: Natalia Zak, Elizabeth Belashov Printing: Keterpress Enterprises, Jerusalem Copyright © The Israel Antiquities Authority The Archaeological Survey of Israel Jerusalem, 2006 ISBN 965–406–195–3 www.antiquities.org.il 4* Contents Editors’ Foreword 7* Preface 8* Introduction 9* Index of Site Names 51* Index of Sites Listed by Period 59* List of Illustrations 65* The Sites—the Northern Sector 71* References 265* Maps of Periods and Installations 285* Hebrew Text 1–288 5* 6* Editors’ Foreword The Map of Amazya (Sheet 10–14, Old Israel Grid; sheet 20–19, New Israel Grid), scale 1:20,000, is recorded as Paragraph 109 in Reshumot—Yalqut Ha-Pirsumim No. 1091 (1964). In 1972–1973 a systematic archaeological survey of the map area was conducted by a team headed by Yehuda Dagan, on behalf of the Archaeological Survey of Israel and the Israel Antiquities Authority (formerly the Department of Antiquities and Museums). Compilation of Material A file for each site in the Survey archives includes a detailed report by the survey team members, plans, photographs and a register of the finds kept in the Authority’s stores. -
SACRED MUSIC Volume 99, Number 1, Spring 1972 Cistercian Gradual (12Th Century, Paris, Bibl
SACRED MUSIC Volume 99, Number 1, Spring 1972 Cistercian Gradual (12th century, Paris, Bibl. Nat., ms . lat. 17,328) SACRED MUSIC Volume 99, Number 1 , Spring 1972 BERNSTEIN'S MASS 3 Herman Berlinski TU FELIX AUSTRIA 9 Reverend Robert Skeris MUSICAL SUPPLEMENT 13 REVIEWS 20 FROM THE EDITOR 25 NEWS 26 SACRED MUSIC Continuation of Caeci/ia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publication: 548 Lafond Avenue, Saint Paul, Minne sota 55103. Editorial office: Route 2, Box I, Irving, Texas 75062. Editorial Board Rev. Ralph S. March, S.O.Cist., Editor Mother C. A. Carroll, R.S.C.J. Rev. Lawrence Heiman, C.PP.S. J. Vincent Higginson Rev. Peter D. Nugent Rev. Elmer F. Pfeil Rev. Msgr. Richard J. Schuler Frank D. Szynskie Editorial correspondence: Rev. Ralph S. March, S.O.Cist., Route 2, Box I, Irving, Texas 75062 News: Rev. Msgr. Richard J. Schuler, 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Mother C. A. Carroll, R.S.C.J., Manhattanville College of the Sacred Heart, Purchase, New York 10577 Rev. Elmer F. Pfeil 3257 South Lake Drive Milwaukee, Wisconsin 53207 Membership and Circulation: Frank D. Szynskie, Boys Town, Nebraska 68010 AdvertisinR: Rev. Ralph S. March, S.O.Cist. CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Dr. Roger Wagner Vice-president Noel Goemanne General Secretary Rev. Robert A. Skeris Treasurer Frank D. Szynskie Directors Robert I. -
Jewish Organists and Organs in German Synagogues
Jewish Organists and Organs in German Synagogues The title alone sounds nonsensical to most of us. But there is now an entire book on the subject, carried out with meticulous care by a German writer, describing herself as “a scholar who is not Jewish”, prompted by her accidental discovery that such people and activities once flourished. More than that, they continue into our present era and will do so in the future, it is hoped. Her research led to a comprehensive work in German, published in 2005. Now we have its English translation, published by the Oxford University Press in 2009: The Organ and Its Music in German-Jewish Culture by Tina Frühauf ISBN 978-0-19-533706-8 (284 pages, hard-back) We regard the organ as a Christian possession, a vital part of the religious service. But it was only slowly accepted ca. 900—1100 CE, when still a primitive instrument, and even then it was not incorporated into the liturgy. By comparison, instrumental music (whatever its form may have been) was apparently used in prayer by the ancient Hebrews; there is even a possibility that an organ — the magrepha — was used in the Temple in Jerusalem. It was not until the 15th century that Christianity adopted the organ as a devotional instrument, and this was slow to take hold. The Presbyterian Church, for example, did not accept the organ in services until well into the 19th century. There was concern that organ music would be regarded as frivolous, unworthy of the gravity of religion. Jewish orthodox practice continues to take this attitude. -
Memory Trace Fazal Sheikh
MEMORY TRACE FAZAL SHEIKH 2 3 Front and back cover image: ‚ ‚ 31°50 41”N / 35°13 47”E Israeli side of the Separation Wall on the outskirts of Neve Yaakov and Beit Ḥanīna. Just beyond the wall lies the neighborhood of al-Ram, now severed from East Jerusalem. Inside front and inside back cover image: ‚ ‚ 31°49 10”N / 35°15 59”E Palestinian side of the Separation Wall on the outskirts of the Palestinian town of ʿAnata. The Israeli settlement of Pisgat Ze’ev lies beyond in East Jerusalem. This publication takes its point of departure from Fazal Sheikh’s Memory Trace, the first of his three-volume photographic proj- ect on the Israeli–Palestinian conflict. Published in the spring of 2015, The Erasure Trilogy is divided into three separate vol- umes—Memory Trace, Desert Bloom, and Independence/Nakba. The project seeks to explore the legacies of the Arab–Israeli War of 1948, which resulted in the dispossession and displacement of three quarters of the Palestinian population, in the establishment of the State of Israel, and in the reconfiguration of territorial borders across the region. Elements of these volumes have been exhibited at the Slought Foundation in Philadelphia, Storefront for Art and Architecture, the Brooklyn Museum of Art, and the Pace/MacGill Gallery in New York, and will now be presented at the Al-Ma’mal Foundation for Contemporary Art in East Jerusalem, and the Khalil Sakakini Cultural Center in Ramallah. In addition, historical documents and materials related to the history of Al-’Araqīb, a Bedouin village that has been destroyed and rebuilt more than one hundred times in the ongoing “battle over the Negev,” first presented at the Slought Foundation, will be shown at Al-Ma’mal. -
1 Levi Cooper Academic Studies 2015-6 Postdoctoral Fellowship, The
July 2015 Levi Cooper 613 Rakefet St, Zur Hadassa 9987500, Israel Cellular phone: +972-506905490 Email: [email protected] Academic Studies 2015-6 Postdoctoral Fellowship, The Israeli Inter-University Academic Partnership in Russian and East European Studies (IUAP), research on The Jewish Codification Turn in Russia 2014-5 Postdoctoral Fellowship, Tel-Aviv University, Faculty of Law, research on Hasidic Lore and Jewish Law, supervisor: Professor Arye Edrei 2013-5 Research Fellow, I-CORE (Israel Centers of Research Excellence) – Da‘at Hamakom: Center for the Study of Cultures of Place in the Modern Jewish World, supervisor: Professor Zvi Zohar 2013 Summer School for Young Legal Historians, Hebrew University, Law and History Forum; Tel Aviv University, The David Berg Institute for Law and History, supervisors: Dr Adam Hofri and Professor Assaf Likhovski 2012-4 Postdoctoral Fellowship, Bar-Ilan University, Faculty of Law, research on The Legal Writings of Rabbi Shneur Zalman of Liady, supervisor: Professor Amihai Radzyner 2006-11 Ph.D., Bar-Ilan University, Faculty of Law, dissertation title: The Admor of Munkács Rabbi Chaim Elazar Shapira: The Hasidic Posek – Image and Approach, supervisor: Dr Yitzhak Brand 1998-2001 LL.M., Bar-Ilan University, Faculty of Law, direct Masters programme, dissertation title: Liability According to the Laws of Heaven, supervisor: Professor Shimshon Ettinger Additional studies: Yiddish, Institute for Higher Torah Learning 1995-8 LL.B. cum laude, Bar-Ilan University, Faculty of Law Additional studies: economics, -
On the Trail of Jewish Music Culture in Leipzig
Stations Mendelssohn-Haus (Notenspur-Station 2) On the trail of Jewish Mendelssohn House (Music Trail Station 2) / Goldschmidtstraße 12 The only preserved house and at the same time the deathbed of Felix Mendelssohn Bartholdy (1809-1847), conductor of Leipzig’s Gewandhaus and founder of the rst German conservatory. music culture in Leipzig Musikverlag C.F.Peters / Grieg-Begegnungsstätte (Notenspur-Station 3) C.F.Peters Publishers/Grieg Memorial Centre (Music Trail Station 3) / Talstraße 10 Headquarters of the Peters’ Publishing Company since 1874, expropriated by the National Socialists in 1939; Henri Hinrichsen, the publishing manager and benefactor, was murdered in Auschwitz Concentration Camp in 1942. Wohnhaus von Gustav Mahler (Notenbogen-Station 4, Notenrad-Station 13) Gustav Mahler’s Residence (Music Walk Station 4, Music Ride Station 13) / Gustav-Adolf-Str.aße12 The opera conductor Gustav Mahler (1869-1911) lived in this house from 1887 till 1888 and composed his Symphony No.1 here. Wohnhaus von Erwin Schulho (Notenbogen-Station 6) Erwin Schulho ‘s Residence (Music Walk Station 6) / Elsterstraße 35 Composer and pianist Erwin Schulho (1894-1942) lived here during his studies under the instruction of Max Reger between 1908 and 1910. Schulho died in Wülzburg Concentration Camp in 1942. Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ - Max Reger (Notenbogen-Station 9, Notenrad-Station 3) Leipzig Conservatory named after its founder Felix Mendelssohn Bartholdy (Music Walk Station 9, Music Ride Station 3) / Grassistraße 8 The main building of the Royal Conservatory founded by Mendelssohn, inaugurated in 1887; place of study and instruction of prominent Jewish musicians such as Salomon Jadassohn, Barnet Licht, Wilhelm Rettich, Erwin Schulho , Günter Raphael and Herman Berlinski. -
Greater Jerusalem” Has Jerusalem (Including the 1967 Rehavia Occupied and Annexed East Jerusalem) As Its Centre
4 B?63 B?466 ! np ! 4 B?43 m D"D" np Migron Beituniya B?457 Modi'in Bei!r Im'in Beit Sira IsraelRei'ut-proclaimed “GKharbrathae al Miasbah ter JerusaBeitl 'Uer al Famuqa ” D" Kochav Ya'akov West 'Ein as Sultan Mitzpe Danny Maccabim D" Kochav Ya'akov np Ma'ale Mikhmas A System of Settler-Colonialism and Apartheid Deir Quruntul Kochav Ya'akov East ! Kafr 'Aqab Kh. Bwerah Mikhmas ! Beit Horon Duyuk at Tahta B?443 'Ein ad D" Rafat Jericho 'Ajanjul ya At Tira np ya ! Beit Liq Qalandi Kochav Ya'akov South ! Lebanon Neve Erez ¥ ! Qalandiya Giv'at Ze'ev D" a i r Jaba' y 60 Beit Duqqu Al Judeira 60 B? a S Beit Nuba D" B? e Atarot Ind. Zone S Ar Ram Ma'ale Hagit Bir Nabala Geva Binyamin n Al Jib a Beit Nuba Beit 'Anan e ! Giv'on Hahadasha n a r Mevo Horon r Beit Ijza e t B?4 i 3 Dahiyat al Bareed np 6 Jaber d Aqbat e Neve Ya'akov 4 M Yalu B?2 Nitaf 4 !< ! ! Kharayib Umm al Lahim Qatanna Hizma Al Qubeiba ! An Nabi Samwil Ein Prat Biddu el Almon Har Shmu !< Beit Hanina al Balad Kfar Adummim ! Beit Hanina D" 436 Vered Jericho Nataf B? 20 B? gat Ze'ev D" Dayr! Ayyub Pis A 4 1 Tra Beit Surik B?37 !< in Beit Tuul dar ! Har A JLR Beit Iksa Mizpe Jericho !< kfar Adummim !< 21 Ma'ale HaHamisha B? 'Anata !< !< Jordan Shu'fat !< !< A1 Train Ramat Shlomo np Ramot Allon D" Shu'fat !< !< Neve Ilan E1 !< Egypt Abu Ghosh !< B?1 French Hill Mishor Adumim ! B?1 Beit Naqquba !< !< !< ! Beit Nekofa Mevaseret Zion Ramat Eshkol 1 Israeli Police HQ Mesilat Zion B? Al 'Isawiya Lifta a Qulunyia ! Ma'alot Dafna Sho'eva ! !< Motza Sheikh Jarrah !< Motza Illit Mishor Adummim Ind. -
A Guide to Understanding the Struggle for Palestinian Human Rights
A Guide to Understanding the Struggle for Palestinian Human Rights © Copyright 2010, The Veritas Handbook. 1st Edition: July 2010. Online PDF, Cost: $0.00 Cover Photo: Ahmad Mesleh This document may be reproduced and redistributed, in part, or in full, for educational and non- profit purposes only and cannot be used for fundraising or any monetary purposes. We encourage you to distribute the material and print it, while keeping the environment in mind. Photos by Ahmad Mesleh, Jon Elmer, and Zoriah are copyrighted by the authors and used with permission. Please see www.jonelmer.ca, www.ahmadmesleh.wordpress.com and www.zoriah.com for detailed copyright information and more information on these photographers. Excerpts from Rashid Khalidi’s Palestinian Identity, Ben White’s Israeli Apartheid: A Beginner’s Guide and Norman Finkelstein’s This Time We Went Too Far are also taken with permission of the author and/or publishers and can only be used for the purposes of this handbook. Articles from The Electronic Intifada and PULSE Media have been used with written permission. We claim no rights to the images included or content that has been cited from other online resources. Contact: [email protected] Web: www.veritashandbook.blogspot.com T h e V E R I T A S H a n d b o o k 2 A Guide to Understanding the Struggle for Palestinian Human Rights To make this handbook possible, we would like to thank 1. The Hasbara Handbook and the Hasbara Fellowships 2. The Israel Project’s Global Language Dictionary Both of which served as great inspirations, convincing us of the necessity of this handbook in our plight to establish truth and justice. -
Sampler Linernts 8 559406.Indd
Cover Art A MESSAGE FROM THE MILKEN ARCHIVE FOUNDER Dispersed over the centuries to all corners of the earth, the Jewish people absorbed elements of its host cultures while, miraculously, maintaining its own. As many Jews reconnected in America, escaping persecution and seeking to take part in a visionary democratic society, their experiences found voice in their music. The sacred and secular body of work that has developed over the three centuries since Jews first arrived on these shores provides a powerful means of expressing the multilayered saga of American Jewry. My personal interest in music and deep abiding commitment to synagogue life and the Jewish people united as I developed an increasing appreciation for the quality and tremendous diversity of music written for or inspired by the American Jewish experience. Through discussions with contemporary Jewish composers and performers during the 1980s, I realized that while much of this music had become a vital force in American and world culture, even more music of specifically Jewish content had been created, perhaps performed, and then lost to current and future generations. Believing that there was a unique opportunity to rediscover, preserve, and transmit the collective memory contained within this music, the Milken Archive of American Jewish Music was founded in 1990. This project would unite the Jewish people’s eternal love of music with their commitment to education, a commitment shared by the Milken Family Foundation since our founding in 1982. The passionate collaboration of many distinguished artists, ensembles, and recording producers has created a vast repository of musical resources to educate, entertain, and inspire people of all faiths and cultures. -
Israeli Settler-Colonialism and Apartheid Over Palestine
Metula Majdal Shams Abil al-Qamh ! Neve Ativ Misgav Am Yuval Nimrod ! Al-Sanbariyya Kfar Gil'adi ZZ Ma'ayan Baruch ! MM Ein Qiniyye ! Dan Sanir Israeli Settler-Colonialism and Apartheid over Palestine Al-Sanbariyya DD Al-Manshiyya ! Dafna ! Mas'ada ! Al-Khisas Khan Al-Duwayr ¥ Huneen Al-Zuq Al-tahtani ! ! ! HaGoshrim Al Mansoura Margaliot Kiryat !Shmona al-Madahel G GLazGzaGza!G G G ! Al Khalsa Buq'ata Ethnic Cleansing and Population Transfer (1948 – present) G GBeGit GHil!GlelG Gal-'A!bisiyya Menara G G G G G G G Odem Qaytiyya Kfar Szold In order to establish exclusive Jewish-Israeli control, Israel has carried out a policy of population transfer. By fostering Jewish G G G!G SG dGe NG ehemia G AGl-NGa'iGmaG G G immigration and settlements, and forcibly displacing indigenous Palestinians, Israel has changed the demographic composition of the ¥ G G G G G G G !Al-Dawwara El-Rom G G G G G GAmG ir country. Today, 70% of Palestinians are refugees and internally displaced persons and approximately one half of the people are in exile G G GKfGar GB!lGumG G G G G G G SGalihiya abroad. None of them are allowed to return. L e b a n o n Shamir U N D ii s e n g a g e m e n tt O b s e rr v a tt ii o n F o rr c e s Al Buwayziyya! NeoG t MG oGrdGecGhaGi G ! G G G!G G G G Al-Hamra G GAl-GZawG iyGa G G ! Khiyam Al Walid Forcible transfer of Palestinians continues until today, mainly in the Southern District (Beersheba Region), the historical, coastal G G G G GAl-GMuGftskhara ! G G G G G G G Lehavot HaBashan Palestinian towns ("mixed towns") and in the occupied West Bank, in particular in the Israeli-prolaimed “greater Jerusalem”, the Jordan G G G G G G G Merom Golan Yiftah G G G G G G G Valley and the southern Hebron District. -
June 17—20, 2019 COLORADO STATE UNIVERSITY
THE SCHOOL OF MUSIC, THEATRE, AND DANCE PRESENTS June 17—20, 2019 COLORADO STATE UNIVERSITY With Joel Bacon and Ken Cowan, Organists Wednesday, June 19, 7:30 P.M. / First United Methodist Church, Fort Collins CANADIAN BRASS WITH JOEL BACON AND KEN COWAN FIRST UNITED METHODIST CHURCH, FORT COLLINS JUNE 19, 2019, 7:30 P.M. Damigella Tutta Bella (from “Scherzi Musicali”) CLAUDIO MONTEVERDI (1567–1643) arr. CALEB HUDSON “Little” Fugue in G minor, BWV 578 JOHANN SEBASTIAN BACH (1685–1750) arr. RONALD ROMM Cantique de Jean Racine GABRIEL FAURÉ (1845–1924) arr. ERIC REED Joel Bacon, organ Canzon Primi Toni GIOVANNI GABRIELI (1557–1612) / arr. ROBERT KIM Canzon Septimi Toni arr. JAMES BOERINGER Joel Bacon, organ Jupiter (The Bringer of Jollity) from “The Planets” GUSTAV HOLST (1874-1934) arr. SCOTT SUTHERLAND Ian Maxwell and John Meriwether, percussion Joel Bacon, organ Penny Lane JOHN LENNON & PAUL MCCARTNEY / arr. CHRIS DEDRICK Tuba Tiger Rag HARRY DECOSTA / arr. LUTHER HENDERSON INTERMISSION Turkish Rondo W. A. MOZART (1756–1791) arr. ARTHUR FRACKENPOHL Procession of the Nobles NIKOLAI RIMSKY-KORSAKOV (1844–1908) arr. JAMES CURNOW Ken Cowan, organ Toccata from “Symphonie Concertante” JOSEPH JONGEN (1873–1953) arr. Ken Cowan Ken Cowan, organ Amazing Grace Traditional / arr. HENDERSON Beale Street Blues W. C. HANDY / arr. HENDERSON With an international reputation as one of the most popular brass ensembles today, Canadian Brass has truly earned the distinction of “the world’s most famous brass group Friends Chuck Daellenbach and Gene Watts first came together in 1970 to form a brass quintet, a chamber music setting not entirely new, but never before having garnered the success and storied career Canadian Brass would achieve over the next 40 years. -
ABSTRACT Title of Dissertation: COMPOSITIONS for FLUTE BY
ABSTRACT Title of Dissertation: COMPOSITIONS FOR FLUTE BY AMERICAN STUDENTS OF NADIA BOULANGER Jessica Guinn Dunnavant, Doctor of Musical Arts, 2004 Dissertation directed by: Professor William Montgomery School of Music Throughout the twen tieth century, young American composers made a pilgrimage across the Atlantic Ocean to study their craft with Nadia Boulanger (1887- 1979). Many of them wrote substantial, interesting works for flute, and this dissertation focuses on performances of a selection of those compositions. Boulanger’s life is well documented, as is her reputation for helping her students find their own musical voices. In this project she serves as a lens through which three generations of American composers may be viewed. This to pic brings together a wide variety of flute music in almost every style imaginable. A selection of music to perform was made because the amount of music far exceeds the amount of available performance time. A list of Nadia Boulanger’s American students was primarily derived from the website nadiaboulanger.org and from composers listed in the two editions of the New Grove Dictionary of Music and Musicians. These lists are far from comprehensive and other notable flute composers have been added. The followin g is an alphabetical list of the works that were performed: Alexander’s Monody, Amlin’s Sonata , Bassett’s Illuminations, Berlinski’s Sonata , Carter’s Scrivo in Vento , Cooper’s Sonata , Copland’s Duo, Dahl’s Variations on a Swedish Folktune, Diamond’s Sonata , Erb’s Music for Mother Bear, Finney’s Two Ballades , Glass’s Serenade, Kraft’s A Single Voice , La Montaine’s Sonata , Lewis’s Monophony I, Mekeel’s The Shape of Silence , Piston’s Sonata , Pasatieri’s Sonata , Rorem’s Mountain Song, and Thomson’s Sonata .