A Literature List Compiled by Sacha Kagan on the Arts, Culture and Sustainability of Course Not Fully Exhaustive
Total Page:16
File Type:pdf, Size:1020Kb
A literature list compiled by Sacha Kagan on the arts, culture and sustainability Of course not fully exhaustive (several fields are represented by only one or two exemplary works), and some included works may be at the ‘borderline’ of the subject area... Please contact me if a relevant work of yours is missing (it should be a work that deals with art and sustainability, or be directly relevant to the arts while focusing more widely on culture and/or creativity). Latest Update: 29.07.2020 1) On Art & Sustainability Adams, C., & Montag, D. (Eds.) (2015). Soil Culture: Bringing the Arts down to Earth. Totnes: CCANW/Gaia Press. Ainsworth, K. (2011). “Public Art & Event Design: A Synthesis of Sustainability, Environmental Awareness, Beauty & Functionality”. Design Principles & Practice: An International Journal, 5(1), 121-132. Allen, A. (2012). “Fatto di Fiemme: Stradivari’s Violins and the Musical Trees of the Paneveggio”. In: L. Auricchio et al. (Eds.), Invaluable trees: Cultures of Nature, 1660-1830. Oxford: Oxford University Press, pp. 301-316. Alonso-Vazquez, M., Packer, J., Fairley, S. & Hughes, K. (2019). “The role of place attachment and festival attachment in influencing attendees’ environmentally responsible behaviours at music festivals” Tourism Recreation Research, 44 (1), 91-102 Andrews, M. (Ed.) (2006). LAND, ART: A Cultural Ecology Handbook. London: Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA). Andrikopoulou, E., & Koutrouba, K. (2019). “Promoting Mindfulness about the Environment through the Use of Drama in the Primary Classroom: Greek Teachers’ Views and Attitudes”. Education Sciences, 9(1), 22. Angeler, D. G. (2016a). “Heavy metal music meets complexity and sustainability science”. SpringerPlus, 5 (1), 1637. Angeler, D. G. (2016b). “Viewing biodiversity through the lens of science… and art!”. SpringerPlus, 5 (1), 1174. Angeler, D. G., Álvarez Cobelas, M., & Sánchez Carrillo, S. (2018). „Sonifying social- ecological change: A wetland laments agricultural transformation”. Ecology and Society, 23 (2): 20. Araeen, R. (2009). “Ecoaesthetics: A Manifesto for the Twenty-First Century”. Third Text: Critical perspectives on contemporary art & culture, 23 (5), 679-684. Ball, L., Collins, T., Goto, R., & Damon, B., (2011). “Environmental Art as Eco-cultural Restoration”. In: D. Egan, E. E. Hjerpe, & J. Abrams (Eds.), Human Dimensions of Ecological Restoration. Washington: Island Press, pp. 299-312. Ballengée, B. (2015). Ecological Understanding through Transdisciplinary Art and Participatory Biology. (Doctoral Dissertation) Plymouth: Plymouth University. Barbosa, T., Rivera, M., Mena, F., Paredes, M., & Morales, M. (2018). “Experiencia estética y desarrollo sostenible: Un estudio de caso”. Revista De La Academia, 26, 80-113. Bathurst, R., & Edwards, M. (2009). “Developing a sustainability consciousness through engagement with art”. In: C. Wankel & J. A. F. Stoner (Eds.), Management education for global sustainability. Charlotte: Information Age Publishing, pp. 115-137. Bausch, C. (2012). “Sonatas for Sustainability: How musical training imparts important qualities and skills for sustainability”. The Sustainability Review, 3 (3). Beer, T., & Hes, D. (2017). “Sustainability in production: Exploring eco-creativity within the parameters of conventional theatre”. Behind the Scenes: Journal of theatre production practice, 1 (1), 4. Beer, T., Fu, L., & Hernández-Santín, C. (2018). “Scenographer as placemaker: Co-creating communities through The Living Stage NYC”. Theatre and Performance Design, 4 (4), 342- 363. Bendor, R. et al. (2015). “Sustainability in an Imaginary World”. Interactions, XXII.5 (September–October 2015), 54–57. Retrieved from: http://interactions.acm.org/archive/view/september- october-2015/sustainability-in-an- imaginary-world Bendor, R., Maggs, D., Peak, R., Robinson, J., & Williams, S. (2017). “The imaginary worlds of sustainability: observations from an interactive art installation”. Ecology and Society, 22(2): 17.S. Bendrups, D., & Weston, D. (2015). “Open Air Music Festivals and the Environment: A Framework for Understanding Ecological Engagement”. World of Music, 4, 61-71. Bentz, J., & O’Brien, K. (2019). “ART FOR CHANGE: Transformative learning and youth empowerment in a changing climate”. Elememta: Science of the Anthropocene, 7(1). Bergh, A., & Sloboda, J. (2010). “Music and Art in Conflict Transformation: A Review”. Music & Arts in Action, 2 (2), 2–17. Available online at: http://musicandartsinaction.net/index.php/maia/article/view/conflicttransformation Bergmann, I. (2010). “What Is the Role of the Arts in the Face of This?: An Exploration in the Context of Systems Thinking and the Transition to Sustainability”. PAN: Philosophy Activism Nature, (7), 23. Bergmann, S., Blindow, I., & Otts, K. (Eds.) (2013). Aesth/Ethics in Environmental Change: Hiking through the arts, ecology, religion and ethics of the environment. Zürich, Münster: LIT Verlag. Bertaux, N., & Skeirik, K. (2018). “Creating Pedagogy to Integrate Sustainability and the Arts”. Journal of Management for Global Sustainability, 6(2). Billinghurst, H., & Smith, P. (2020). “Convivial Acts for an Ecosensual Labyrinth”. World Futures, 76 (5-7). Blanc, N. and Ramos, J. (2010). Écoplastie: art et environnement. Paris: Manuella. Blanc, N. and Benish, B. L. (2016). Form, Art, and Environment: Engaging in Sustainability. London: Routledge. Bloom, B. (2016). Breakdown Workbook#1: Questions for Evaluating Art that Concerns Itself with Ecology. Fort Wayne: Breakdown Break Down Press. Boeckel, J. v. (2014). At the heart of art and earth : an exploration of practices in arts-based environmental education. (Doctoral Dissertation) Aalto University. Boeckel, J. v. (2019). “Linking the Missing Links: An Artful Workshop on Metamorphoses of Organic Forms”. In: P. Burnard & L. Colucci-Gray (Eds.), Why Science and Art Creativities Matter: (Re-)Configuring STEAM for Future-Making Education. Brill Sense, pp. 245-265. Boettger, S. (2002). Earthworks : Art and the Landscape of the Sixties. Berkeley: University of California Press. Boetzkes, A. (2010). The Ethics of Earth Art. Minneapolis: University of Minnesota Press. Bonacossa, I., & Latitudes (2008). Greenwashing. Environment: Perils, Promises and Perplexities. Turin: The Bookmakers. Brady, J. (Ed.) (2016). Elemental: An Art and Ecology Reader. Manchester: Gaia Project Press. Brennan, M., Scott, J. C., Connelly, A., & Lawrence, G. (2019). “Do music festival communities address environmental sustainability and how? A Scottish case study”. Popular Music, 38 (2), 252-275. Brocchi, D. (2012). “On the ambivalence of art for a transition to sustainability”. Panel contribution at the conference “Radius of Art: Creative politicization of the public sphere - Cultural potential forces for social transformation”. Heinrich Böll Stiftung, Berlin. Brookner, J. (Ed.) (2009). Urban Rain: Stormwater as Resource: A City of San Jose Public Art Project at Roosevelt Community Center. Pt. Reyes Station: ORO Editions. Brooks, S., Magnin, A., & O'Halloran, D. (2009). “Rock On!: Bringing strategic sustainable development to music festivals”. Progress in Industrial Ecology, an International Journal, 6 (3), 285-306. Browne, A. L., Jack, T., Hitchings, R., (2019). “‘Already existing’ sustainability experiments: Lessons on water demand, cleanliness practices and climate adaptation from the UK camping music festival”. Geoforum, 103, 16-25. Buchholz, L., & Wuggenig, U. (2002). “Nomadische Treibhäuser: Dan Petermans Projekt‚ Greenhouse’.” In: H. Kurt & B. Wagner (Eds.), Kultur – Kunst – Nachhaltigkeit: Die Bedeutung von Kultur für das Leitbild Nachhaltige Entwicklung. Bonn: Klartext Verlag, pp. 155-174. Buckland, D., & Wainwright, C. (Eds.) (2010). U-n-f-o-l-d: A Cultural Response to Climate Change. Springer. Casazza, M., Ferrari, C., Liu, G., & Ulgiati, S. (2017). “‘Hope for a Celestial City-A Triptych’: A musical composition for sustainability and cleaner productions for the Jing-Jin-Ji region, China”. Journal of cleaner production, 140, 1893-1902. Celeste, E. M. (2009). Examining the OSU Urban Arts Space as a Model for Ecological Sustainability Initiatives for Arts and Cultural Institutions. (Doctoral dissertation, The Ohio State University). Cheetham, M. A. (2018). Landscape into Eco Art: Articulations of Nature Since the 60s. University Park, PA: The Pennsylvania State University. Chertkovskaya, E., Holmberg, K., Petersén, M., Stripple, J., & Ullström, S. (2020). “Making visible, rendering obscure: reading the plastic crisis through contemporary artistic visual representations”. Global Sustainability, 3, E14. Clammer, J. (2014). “Art and the Arts of Sustainability”. Social Alternatives, 33 (3), 65-70. Clarke, J., Evans, M., Newman, H., Smith, K., & Tarman, G. (2011). Culture Beyond Oil: Not if but when. London: Art Not Oil/Liberate Tate/Platform. Collins, T. (2004). “Reconsidering the Monongahela Conference”. In The Monongahela Conference on Post-Industrial Community Development. Pittsburgh: Carnegie Mellon University. Retrieved from: http://moncon.greenmuseum.org/recap.htm Collins, T. (2013). “Art imagination and environment”. In: P. Howard, I. Thompson, E. Waterton, & M. Atha (Eds.), The Routledge Companion to Landscape Studies. London: Routledge, pp. 199-210. Connelly, A., Guy, S., Ingold, T., Miles, M., Niero, L., Tawa, M., Weileder, W., & Wilde, M. (2015). Catalyst - Art, Sustainability and Place in the work of Wolfgang Weileder. Bielefeld: Kerber Verlag. Connelly, A., Guy, S., Wainwright, E., Weileder,