University of Groningen Neurath, Arntz, and ISOTYPE Jansen
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alice Creischer Culturgest Lisbon 2017
KOW BRUNNENSTR 9 D–10119 BERLIN ALICE CREISCHER +49 30 311 66 770 GALLERY@KOW–BERLIN.COM CULTURGEST LISBON 2017 „It is March, 24th 2000 which is compelling to be prospective“ The work was exhibited at Culturgest in Lisbon, curated by Miguel Wandschneider, in Alice Creischer February 2017 - among other works ( His Master´s Voice, 2015, and The Greatest Hap- piness Principle Party, 2002). The issue of the work gathers personal and historical as- pects which are leading to the so called „debt crisis“ in Portugal and the „PIGS“ States. It starts with the construction of the Agenda 2010 (inaugurated at the Lisbon Council 2000) which led to the German financial hegemony and its austerity dictat 10 years later. Therefore, I would like to show the work not only in Lisbon but also in the other „PIGS“ states. This discriminating term was invented by the rating agencies for the indebted countries Portugal, Ireland, Greece, Spain in 2011. I would like to show and modify the work in the special local contexts as well as to cooperate with other artists who are working about the same issue. This issue of indebtness and debt economy might be now pushed to the news of yesterday but is dominating seriously the daily life of many people. I believe also that artistic work has certain difficulties to react imme- diatly to political actuality. It needs time to „digest“ and find its ways of reflection and clarity. The work connects personal memories and images with so called scientific facts of the „debt crisis“ and dismantles them as (what Bourdieu called in his critique to the German finance technocrat Thietmeyer) a „deliberate delirium“. -
The Vienna Method in Amsterdam: Peter Alma's Office for Pictorial Statistics Benjamin Benus, Wim Jansen
The Vienna Method in Amsterdam: Peter Alma’s Office for Pictorial Statistics Benjamin Benus, Wim Jansen The Dutch artist and designer, Peter Alma (see Figure 1), is today remembered for his 1939 Amstel Station murals, as well as for Downloaded from http://direct.mit.edu/desi/article-pdf/32/2/19/1715594/desi_a_00379.pdf by guest on 24 September 2021 his earlier involvement with the Cologne-based Gruppe progres- siver Künstler [Progressive Artists’ Group]. Yet Alma also pro- duced an extensive body of information graphics over the course of the 1930s. Working first in Vienna at the Gesellschafts- und Wirtschaftsmuseum [Social and Economic Museum] (GWM) and later setting up an independent design firm in Amsterdam, Alma became one of the principal Dutch practitioners and promoters of the design approach known as the “Vienna Method of Picto- rial Statistics.” To date, most accounts of this method’s history have focused on its chief inventor, Austrian social scientist Otto Figure 1 Neurath, and his principal collaborators, Germans Marie Neurath August Sander, photograph of Peter Alma, (née Reidemeister) and Gerd Arntz.1 Yet Alma’s work in pictorial late 1920s. Private collection. Reproduced by permission from Sinja L. Alma and statistics also constitutes a substantial chapter in this history, Peter L. Alma. although it has not yet been fully appreciated or adequately docu- mented.2 In addition to providing an account of Alma’s role in the 1 For a detailed history of the Vienna development and dissemination of the Vienna Method, this essay Method, see Christopher Burke, Eric assesses the nature of Alma’s contribution to the field of informa- Kindel, and Sue Walker, eds., Isotype: tion design and considers the place of his pictorial statistics work Design and Contexts, 1925–1971 within his larger oeuvre. -
Maps and Protest Martine Drozdz
Maps and Protest Martine Drozdz To cite this version: Martine Drozdz. Maps and Protest. International Encyclopedia of Human Geography, Elsevier, pp.367-378, 2020, 10.1016/B978-0-08-102295-5.10575-X. hal-02432374 HAL Id: hal-02432374 https://hal.archives-ouvertes.fr/hal-02432374 Submitted on 16 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Martine Drozdz LATTS, Université Paris-Est, Marne-la-Vallée, France 6-8 Avenue Blaise Pascal, Cité Descartes, 77455 Marne-la-Vallée, Cedex 2, France martine.drozdz[at]enpc.fr This article is part of a project that has received funding from the European Research Council (ERC) under the Horizon 2020 research and innovation programme (Grant agreement No. 680313). Author's personal copy Provided for non-commercial research and educational use. Not for reproduction, distribution or commercial use. This article was originally published in International Encyclopedia of Human Geography, 2nd Edition, published by Elsevier, and the attached copy is provided by Elsevier for the author's benefit and for the benefit of the author's institution, for non-commercial research and educational use, including without limitation, use in instruction at your institution, sending it to specific colleagues who you know, and providing a copy to your institution's administrator. -
Gallery Guide 7
���������������������������������������� ������������������������������������������������ ����������������������������������������� isotype International picture language 10 December 2010 – 13 March 2011 isotype Society and economy (International System Of TYpographic Picture Education) was a method for assembling, configuring and disseminating Isotype was forged in the optimism of the first Austrian information and statistics through pictorial means. Republic. It was developed from 1924 at the Social and Economic Museum of Vienna, where it was first called the Its initiator, Otto Neurath, described it as a ‘language-like Vienna Method of Pictorial Statistics. technique’ characterised by consistency in the use of graphic elements. The basic elements are pictograms – simplified The Social and Economic Museum was funded by the Social pictures of people or things, designed to function as repeat- Democratic municipality of Vienna and shared its socialist able units. agenda. It was not what is usually thought of as a museum: its director Otto Neurath stated that instead of a treasure From its beginnings in Vienna of the 1920s, Isotype spread to chest of rare objects, it should be a teaching museum. The the Netherlands, Britain, the Soviet Union, the United States principal exhibits were charts made with the Vienna Method and elsewhere. Its potential for communicating with people in order to ‘represent social facts pictorially’, as a way of of all ages and nationalities was explored in a wide range of Chart from Gesellschaft communicating with both young people and adults. projects and publications through the 1960s. und Wirtschaft (Society The museum had a global-historical outlook, which it The story of Isotype presents a case study of the Modern and Economy). 1930. -
Art and the Crisis of the European Welfare State Addresses Contemporary Art in the Context of Changing European Welfare States
UNIVERSITY OF CALIFORNIA, SAN DIEGO No Such Thing as Society: Art and the Crisis of the European Welfare State A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Art History, Theory and Criticism by Sarah Elsie Lookofsky Committee in charge: Professor Norman Bryson, Co-Chair Professor Lesley Stern, Co-Chair Professor Marcel Hénaff Professor Grant Kester Professor Barbara Kruger 2009 Copyright Sarah Elsie Lookofsky, 2009 All rights reserved. The Dissertation of Sarah Elsie Lookofsky is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2009 iii Dedication For my favorite boys: Daniel, David and Shannon iv Table of Contents Signature Page…….....................................................................................................iii Dedication.....................................................................................................................iv Table of Contents..........................................................................................................v Vita...............................................................................................................................vii Abstract……………………………………………………………………………..viii Chapter 1: “And, You Know, There Is No Such Thing as Society.” ....................... 1 1.1 People vs. Population ............................................................................... 2 1.2 Institutional -
University of Groningen Neurath, Arntz, and ISOTYPE Jansen
University of Groningen Neurath, Arntz, and ISOTYPE Jansen, Wim Published in: Journal of Design History DOI: 10.1093/jdh/epp015 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2009 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Jansen, W. (2009). Neurath, Arntz, and ISOTYPE: The Legacy in Art, Design, and Statistics. Journal of Design History, 22(3), 227-242. https://doi.org/10.1093/jdh/epp015 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 25-09-2021 Journal of Design History Vol. 22 No. 3 doi:10.1093/jdh/epp015 Neurath, Arntz and ISOTYPE: The Legacy in Art, Design and Statistics Wim Jansen To remember simplifi ed pictures is better than to forget accurate fi gures. 1 In the fi rst decades of the twentieth century, Otto Neurath and Gerd Arntz invented the ‘ Vienna Method of Pictorial Statistics ’ (Wiener Bildstatistik). -
Acquisitions De La Bibliothèque Mai 2021
Acquisitions de la bibliothèque Mai 2021 Structure and interpretation of computer programs / Harold Abelson and Gerald Jay Sussman; with Julie Sussman.. - 2nd edition. - 1 vol. (XXIII-657 p.) : ill., fig., couv. ill. ; 24 cm. - (The MIT electrical engineering and computer science series ) Cote : 003 ABEL STRU Elements of information theory / Thomas M. Cover, Joy A. Thomas.. - second edition. - 1 vol. (XXIII-718 p.) : ill., couv. ill. en coul. ; 24 cm Cote : 003 COVE ELEM Les virus informatiques : théorie, pratique et applications / Éric Filiol.. - 2e édition. - 1 vol. (XXXII-570 p.) : ill., couv. ill. en coul. ; 24 cm. - (Collection IRIS ) Cote : 003 FILI VIRU The ethics of information / Luciano Floridi.. - 1 vol. (XIX-357 p.) : ill., jaquette ill. en coul. ; 25 cm Cote : 003 FLOR ETHI The philosophy of information / Luciano Floridi.. - 1 vol. (XVIII- 405 p.) : couv. ill. en coul. ; 24 cm Cote : 003 FLOR PHIL Deep learning / Ian Goodfellow, Yoshua Bengio and Aaron Courville.. - 1 vol. (XXII-775 p.) : ill. en noir et en coul., couv. ill. en coul. ; 24 cm. - (Adaptive computation and machine learning ) Cote : 003 GOOD DEEP Code : version 2.0 / Lawrence Lessig.. - 1 vol. (XVII-410 p.) ; 24 cm. Cote : 003 LESS CODE Information theory, inference, and learning algorithms / David J. C. MacKay.. - Reprint with corrections 2004. - 1 vol. (XII-628 p.) : ill., fig., couv. ill. en coul. ; 26 cm Cote : 003 MACK INFO To save everything, click here : technology, solutionism, and the urge to fix problems that don't exist / Evgeny Morozov.. - 1 vol (413 p.) ; 20 cm Cote : 003 MORO SAVE 1 Understanding machine learning : from theory to algorithms / Shai Shalev- Shwartz,.. -
Pictorial Statistics Following the Vienna Method1 Otto Neurath
DOCUMENT picTorial sTaTisTics folloWing The Vienna MeThod1 otto Neurath Science tells us about stars, stones, plants, and animals, and likewise about people and their life together. Science supports its laws and observations based on experience. In its most modern incarnation, science is especially interested in preserving facts visually. Astronomical facts are being photographed directly, while the trajectories of stars, specters, and crystalline struc- tures are captured by photography in an indirect way. Photography shows us the behavior of ants and children, and even with audio recordings we are being acquainted through visualization. Where static photography is not suffi cient, cinema jumps into the fray. A fl eeting comparison between older and more recent research will teach us about this expansion of the visual protocol, with recording machines taking the place of manual entries. However, it is not only protocols that are using visual devices; the representation of results also increasingly uses them. Pedagogy seeks to invigorate the students’ activity not least by sub- jecting simple observations or scientifi c results to analysis, which in some cases may also include the combination of new forms. Especially since Comenius’s Orbis Pictus the problem of how to 1 “Bildstatistik nach Wiener Methode,” Die Volksschule 27, no. 12 (1931): 569–79. 108 © 2017 arTMargins and the Massachusetts institute of Technology doi:10.1162/arTM_a_00169 spread enlightenment with the help of methods of visualization has been treated again and again. The drawing and the image are being joined by the model. We won’t be able to show successfully how gradually a system emerges from the depiction of individual things and assorted oddities until we have fur- ther developed our means of visual representation. -
Collection 1880S–1940S, Floor 5 Checklist
The Museum of Modern Art Fifth Floor, 1880s-1940s 5th Fl: 500, Constantin Brancusi Constantin Brâncuși Bird in Space 1928 Bronze 54 x 8 1/2 x 6 1/2" (137.2 x 21.6 x 16.5 cm) Given anonymously 153.1934 Fall 19 - No restriction Constantin Brâncuși Fish Paris 1930 Blue-gray marble 21 x 71 x 5 1/2" (53.3 x 180.3 x 14 cm), on three-part pedestal of one marble 5 1/8" (13 cm) high, and two limestone cylinders 13" (33 cm) high and 11" (27.9 cm) high x 32 1/8" (81.5 cm) diameter at widest point Acquired through the Lillie P. Bliss Bequest (by exchange) 695.1949.a-d Fall 19 - No restriction Constantin Brâncuși Mlle Pogany version I, 1913 (after a marble of 1912) Bronze with black patina 17 1/4 x 8 1/2 x 12 1/2" (43.8 x 21.5 x 31.7 cm), on limestone base 5 3/4 x 6 1/8 x 7 3/8" (14.6 x 15.6 x 18.7 cm) 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) Other (bronze): 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) 5 3/4 × 6 1/8 × 7 3/8" (14.6 × 15.6 × 18.7 cm) Other (approx. weight): 40 lb. (18.1 kg) Acquired through the Lillie P. Bliss Bequest (by exchange) 2.1953 Fall 19 - No restriction Constantin Brâncuși Maiastra 1910-12 White marble 22" (55.9 cm) high, on three-part limestone pedestal 70" (177.8 cm) high, of which the middle section is Double Caryatid, c. -
Rudolf Modley's Contribution to the Standardization of Graphic Symbols
九州大学学術情報リポジトリ Kyushu University Institutional Repository RUDOLF MODLEY'S CONTRIBUTION TO THE STANDARDIZATION OF GRAPHIC SYMBOLS Ihara, Hisayasu Faculty of Design, Kyushu University http://hdl.handle.net/2324/20301 出版情報:2011-10-31. IASDR バージョン: 権利関係: /////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// RUDOLF MODLEY’S CONTRIBUTION TO THE STANDARDIZATION OF GRAPHIC SYMBOLS Hisayasu Ihara Faculty of Design, Kyushu University [email protected] ABSTRACT From a historical viewpoint, one of the most important among them was Rudolf Modley, since his This study considers Rudolf Modley’s efforts to interest in standardization continued throughout his achieve the standardization of international graphic life. Early on, Modley had the experience of working symbols from 1940 to 1976. Modley was one of the under Otto Neurath in Vienna, who is usually major activists in the movement to standardize regarded as the pioneer advocate for internationally graphic symbols and his interest in standardization standardized graphic symbols in the last century. In continued throughout his life. During the 1930s and 1930 Modley left for the U.S. Four years later, 1940s, Modley, who had the experience of working Modley established Pictorial Statistics, Inc. whose under Otto Neurath in Vienna, worked in the making aim was creating graphic works based on this of charts in the U.S. After WWII, he continued to experience with Neurath, and he worked there undertake various projects and institutional works during the 1930s and 1940s. Although he abandoned devoted to developing international graphic symbols this work after WWII along with few exceptions,1 he until 1976, the year of his death. maintained his interest in the standardization of Although in some instances he is regarded as a graphic symbols. -
Philosophy of the Social Sciences Blackwell Philosophy Guides Series Editor: Steven M
The Blackwell Guide to the Philosophy of the Social Sciences Blackwell Philosophy Guides Series Editor: Steven M. Cahn, City University of New York Graduate School Written by an international assembly of distinguished philosophers, the Blackwell Philosophy Guides create a groundbreaking student resource – a complete critical survey of the central themes and issues of philosophy today. Focusing and advancing key arguments throughout, each essay incorporates essential background material serving to clarify the history and logic of the relevant topic. Accordingly, these volumes will be a valuable resource for a broad range of students and readers, including professional philosophers. 1 The Blackwell Guide to Epistemology Edited by John Greco and Ernest Sosa 2 The Blackwell Guide to Ethical Theory Edited by Hugh LaFollette 3 The Blackwell Guide to the Modern Philosophers Edited by Steven M. Emmanuel 4 The Blackwell Guide to Philosophical Logic Edited by Lou Goble 5 The Blackwell Guide to Social and Political Philosophy Edited by Robert L. Simon 6 The Blackwell Guide to Business Ethics Edited by Norman E. Bowie 7 The Blackwell Guide to the Philosophy of Science Edited by Peter Machamer and Michael Silberstein 8 The Blackwell Guide to Metaphysics Edited by Richard M. Gale 9 The Blackwell Guide to the Philosophy of Education Edited by Nigel Blake, Paul Smeyers, Richard Smith, and Paul Standish 10 The Blackwell Guide to Philosophy of Mind Edited by Stephen P. Stich and Ted A. Warfield 11 The Blackwell Guide to the Philosophy of the Social Sciences Edited by Stephen P. Turner and Paul A. Roth 12 The Blackwell Guide to Continental Philosophy Edited by Robert C. -
Actually, the Dead Are Not Dead: Una Forma De Ser October 17, 2020 – July 11, 2021
Actually, the Dead Are Not Dead: Una forma de ser October 17, 2020 – July 11, 2021 Gerd Arntz, Daniel Baker, Canciones de la guerra social contemporánea, Joy Charpentier, Ines Doujak, El Solitario / Francisco Lameyer, Toto Estirado, Flo6x8, Robert Gabris, María García Ruiz, Gonzalo García-Pelayo, Israel Galván, Tony Gatlif, Helios Gómez, Francisco de Goya, Isaias Griñolo, Julio Jara, Hiwa K, Teresa Lanceta, Darcy Lange / Maria Snijders, Delaine Le Bas, Los Putrefactos, Máquinas de vivir, Ocaña, Otto Pankok, PEROU, Ragel, Pedro G. Romero, August Sander, Franz W. Seiwert, SEM/EN, Stalker, Ceija Stojka, Mario Maya y Teatro Gitano Andaluz, Luca Vitone, Rosario Weiss et al. Curators: María García Ruiz and Pedro G. Romero Contents Short Introduction.………………………………………………………………………………………………………………..3 Introduction……………….………………………………………………………………………...……………………………….4 The Curators………………………………………………………………………………………………………………………….6 Works in the Exhibition..……………………………………………………………………………………………………..….7 Wording………………………………………………………………………………………………………………………….……31 The Stuttgart Vagabond Congress………………………………………………………………………………………….33 Bergen Assembly 2019: Actually, the Dead Are Not Dead…………………………………………………..…...38 Dates and Credits………………………………………………………………………………………………………………....40 Events……………………………………………………………………………………………………………………….…………41 2 Short Introduction The exhibition Actually, the Dead Are Not Dead: Una forma de ser (A Form of Being or Life) deals with the relations between the festival and the field of the political. It examines the feast as a social and collective stage of emancipation and self-determination, and it explores the aesthetic and poetic forms that have emerged from this since the nineteenth century, especially in the environment of the subcultures of the Rom*nja, Flamencos, and Bohèmes. The festival as an aesthetic framework for the reversal of social relations (carnival) and the interpenetration of exuberance and rebellion, folklore and avant-garde, is explored not only historically, but especially in relation to the present.