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Author: Works Won Immediate Acclaim
Thursday, November 1, 2018 CHINA DAILY HONG KONG EDITION 2 PAGE TWO Louis Cha (second left) poses with cast members of the filmThe Story of the Chinese leader Deng Xiaoping meets with Louis Cha and his family in Beijing Louis Cha displays his novel Book and Sword, Gratitude and Revenge at his Great Heroes in 1960. PROVIDED TO CHINA DAILY in 1983. LYU XIANGYOU / CHINA NEWS SERVICE office in Hong Kong in 2002. BOBBY YIP / FILE PHOTO / REUTERS Author: Works won immediate acclaim From page 1 transitions from the Song to Yuan years ago, said, “Despite relatively and Ming to Qing dynasties, and low salaries, Ming Pao is still a popu His ideals fascinated his publish explores topics including the ethnic lar choice for youngsters looking for ers abroad more than martial arts. conflict between Han and nonHan a job”. Christopher MacLehose, a veteran peoples, the collective memory Apart from its professionalism, he of the profession in London, pub under colonial rule, and broad and said another reason is that the news lished Legends of Condor Heroes in narrow nationalisms. paper is willing to recruit diversified the United Kingdom in February. According to Petrus Liu, associate talent, including Hui himself, who He said, “The story he tells is part of professor of comparative literature had never studied journalism his view and opinion. I think it’s at Boston University, Cha’s works before. inaccurate to simply call it martial contain an encyclopedic knowledge Tam Yiuchung, a Hong Kong dep arts fiction.” of traditional Chinese history, medi uty to the Standing Committee of the Albert Yeung Hingon, honorary cine, geography, cosmology and National People’s Congress, the coun chairman of the Hong Kong Novel even mathematics. -
Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff. -
Aspects of Cyclic Myth in Chinese and Western Literature
ASPECTS OF CYCLIC MYTH IN CHINESE AND WESTERN LITERATURE ROBERT SHAN-MU CHEN B.A., Soochow University, 1969 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS in the Programme of Comparative Literature We accept this thesis as conforming to the required standard THE UNIVERSITY OF. BRITISH COLUMBIA September, 197? Robert Shan-mu Chen, 1977 i In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Robert Shan-mu Chen Department of Comparative Literature The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Datp October 20, 1977- J /ABSTRACT This thesis is a comparative study of the history and literary form of the cyclic myth in Chinese and Western European culture. The cyclic myth is seen as a complex of discrete myths and rituals which tend to identify man with the periodic regeneration of nature and celestial bodies in order to ensure personal duration against the flux of time. By comparing the origins and transformations of the cyclic myth in both cultures the essential distinctions between Chinese and Western literature will be re• vealed as both cosmological and ontological. -
Dough[Tiness]: Introduction and Notes for a Translation of the Ma-Wang-Tui Manuscripts of the Lao Tzu [Old Master]
SINO-PLATONIC PAPERS Number 20 October, 1990 [The] File [on the Cosmic] Track [and Individual] Dough[tiness]: Introduction and Notes for a Translation of the Ma-wang-tui Manuscripts of the Lao Tzu [Old Master] by Victor H. Mair Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. Sinographs (hanzi, also called tetragraphs [fangkuaizi]) and other unusual symbols should be kept to an absolute minimum. -
Interim Report 2001/2002
HKR International Limited Interim Report 2001/2002 CONTENTS MANAGEMENT DISCUSSION AND ANALYSIS 2 OTHER INFORMATION 8 CONDENSED CONSOLIDATED INCOME STATEMENT 13 CONDENSED CONSOLIDATED BALANCE SHEET 14 CONDENSED CONSOLIDATED STATEMENT OF RECOGNISED GAINS AND LOSSES 16 CONDENSED CONSOLIDATED CASH FLOW STATEMENT 17 NOTES TO THE CONDENSED FINANCIAL STATEMENTS 18 INDEPENDENT REVIEW REPORT 32 URL:http://www.hkr-intl.com HKR International Limited Interim Report 2001/2002 MANAGEMENT DISCUSSION AND ANALYSIS INTERIM RESULTS The Group’s unaudited consolidated net profit attributable to shareholders for the six months ended 30 September 2001 amounted to HK$28.0 million compared to the profits of HK$302.5 million over the corresponding period last year. The earnings per share amounted to HK2.4 cents compared to HK26.1 cents over the corresponding period last year. DIVIDEND The directors do not recommend the payment of an interim dividend for the six months ended 30 September 2001. OPERATIONS REVIEW Discovery Bay The first of the four-phased development in Yi Pak, comprising 298 residential units, will be completed by the first half of 2002 and will be launched for sale in the first quarter of 2002. In October 2001, Hong Kong Resort Company Limited disposed of three retired 300-passenger monohull waterjet ferries to an independent third party for a total consideration of US$2.5 million. The newly acquired shipyard site in Tsing Yi will be in service in early 2003. Other Property Development, Management and Construction Business The sale of the first phase of Coastal Skyline, Tung Chung Station Development Package II project, comprising 2,022 residential units, will be launched in 2002. -
Dating the Origin of Chinese Writing: Evidence from Oracle Bone Inscriptions Kuang Yu Chen, Ph.D. Rutgers University ABSTRACT T
Dating the Origin of Chinese Writing: Evidence from Oracle Bone Inscriptions Kuang Yu Chen, Ph.D. Rutgers University ABSTRACT The convergence of a visual sign containing semantic value with an audio symbol signifies the creation of writing. Writing was independently created at least four times in human history, hence, Sumerian, Egyptian, Chinese and Olmec/Mayan are considered the four original or pristine writings. The four pristine writings are all logographic and logosyllabic, containing both visual and phonetic elements. Among them, Chinese remains viable and logographic, the other three died out hundreds or thousands year ago. The dating of the origin of both Sumerian and Egyptian writing to about 3200 BCE is supported by strong archeological evidence. The Mayan writing clearly was derived from the earlier Olmec writing, which could be dated with archaeological evidence to about 600 BCE or earlier. Although Chinese is the only surviving pristine writing, its origin has not been definitively dated. The earliest Chinese writing available today is OBI of late Shang (ca. 1300-1046 BCE), which was already a fully mature writing system. Clearly, the origin of Chinese would have to be much earlier than the time of late Shang. In the absence of definitive archaeological evidence, we propose two alternative approaches for dating the origin of Chinese writing, one based on the structural continuity of Chinese script, from OBI to modern Chinese, and the other based on the pre-Dynastic personal names identified in OBI. The role of taowen (pottery signs) in dating the origin of Chinese is also discussed. 1. DEFINITION OF WRITING SYSTEM In contrast to spoken language, which is temporal and physiological, written language, expressed with scripts, is atemporal and mechanical, and requires material medium and space. -
Oracle-Bone Inscriptions and Cultural Memory
Frontiers in Art Research ISSN 2618-1568 Vol. 2, Issue 9: 63-73, DOI: 10.25236/FAR.2020.020913 Oracle-Bone Inscriptions and Cultural Memory Li Anzhu Center for Foreign Literature and Culture of Guangdong University of Foreign Studies, China ABSTRACT. Oracle-bone inscriptions, as the earliest identifiable Chinese writing system, are a major evidence of Chinese civilization. The Zhenren groups (diviners) headed by the rulers of the Shang Dynasty practiced divination frequently for different reasons, whether important or trivial, so that rich oracle-bone inscriptions were produced. Oracle -bone inscriptions, as a ritual symbol, have played a significant role in strengthening memory of human, communicating with gods and spirits of the dead, ensuring administrative legitimacy and forming the early national cultural identity, so they’re definitely worth exploring. KEYWORDS: Oracle-bone inscriptions, Cultural memory, Ritual, Symbol 1. Introduction “Cultural memory” is an important theory put forward by Jan Assmann, a German scholar, and his wife in 1980s. In the view of the Assmanns, cultural memory is different from historical writing. Historical writing pursues objective reality, while cultural memory, which is separated from living things, is mainly constructed together by man’s life, language communication and collaboration between people. It is inherited by such highly symbolic cultural codes as the text system, the image system, and the ritual system. Therefore, cultural memory is more about the symbolic means and methods that carry traditions. It mainly discusses how culture is “made” with the help of media symbols, and how group actors build consensus and gain identity through memory. In the meaning production of cultural memory, memory media is the bond and foundation, including written language, images, cultural relics, rituals and so on, among which the most important is written language, which is considered as the carrier of thought. -
A Comparative Analysis of Fortune Telling and Divination, Chinese Perspectives, and Tarot
A Comparative Analysis of Fortune Telling and Divination, Chinese Perspectives, and Tarot By: Benebell Wen Tarot Deck Pictured: Tarot of the Holy Light by Christine Payne-Towler (Noreah Press) Is there any value to making a distinction between fortune telling and divination? How might Chinese perspectives compare to or inform Western perspectives? This free video (or audio) lecture will examine the etymological origins of ‚fortune telling‛ and ‚divination‛ in the Chinese language, apply medieval esoteric Taoist texts to tarot reading, and propose a theoretical framework through which to read tarot, as either a fortune teller or a diviner, though the two are not mutually exclusive. Lecture first presented at the San Francisco Bay Area Tarot Symposium 2015 Free video lecture online: https://youtu.be/16zKL7j97c0 Learning Mandarin Chinese 算命 Fortune Telling suàn mìng Examples. Natal astrology; Palmistry; Face reading 算 命 suàn mìng Count; calculate; tally; to compute; to regard Fate; one’s life; one’s lot in life. Etymology: as. Etymology: 目 (counting rods); 竺 radical Compound of 會 (accounting for) and 意 (bamboo). (aspirations); 口 (open mouth; receive); 令 (order; command; decree). 算盘 打算盘 命运 命令 suàn pán dǎ suàn pan mìng yùn mìng ling Abacus Calculate Destiny Command gains and losses. Fate Mandate Dictate [Literal translation. Calculate on an abacus.] 算法 算式 命运注定 suàn fǎ suàn shì mìng yùn zhù ding Algorithm A mathematical Ordain Arithmetic equation 算卦 算子 生命 奪去生命 suàn guà suàn zi sheng mìng duó qù sheng mìng Tell Fortunes Fortune Teller Life Devitalize Learning Mandarin Chinese 卜筮 Divination bǔ shì Examples. I Ching bibliomancy; Oracle sticks (簽筒; qiān tǒng) also known as kau cim fortune sticks, Chi Chi sticks, Oracle of Kuan Yin; Jiao Bei (筊杯), or divination moon blocks. -
Interim Report 2013/2014 3 Management Discussion and Analysis
CONTENTS Business and Financial Highlights 2 Management Discussion and Analysis 3 • Interim Results • Interim Dividend • Business Review • Outlook 7 • Human Resources • Information Technology • Financial Review 8 Other Information 10 Report on Review of Condensed Consolidated 15 Financial Statements Condensed Consolidated Statement of Profit or Loss 16 Condensed Consolidated Statement of Profit or Loss and 17 Other Comprehensive Income Condensed Consolidated Statement of Financial Position 18 Condensed Consolidated Statement of Changes in Equity 20 Condensed Consolidated Statement of Cash Flows 23 Notes to the Condensed Consolidated Financial Statements 24 Corporate Information Inside Back Cover Business and Financial Highlights BUSINESS HIGHLIGHTS EVENTS DURING AND SUBSEQUENT TO THE PERIOD UNDER REVIEW April – Issued HK$560.0 million 7-year unlisted notes – Established a US$1.0 billion medium term note programme (“MTN Programme”) with listing status on The Stock Exchange of Hong Kong Limited – Hong Kong Resort Company Limited, the developer of Discovery Bay, was presented with the “2013 Capital Honor Grand Award – Green Enterprise” by CAPITAL Magazine and three other business magazines published by South China Media May – Issued HK$238.0 million unlisted notes under the MTN Programme for a tenor of 7 years June – Announced the 2012/2013 final results – Pre-sales launch of DAN6 in Tsuen Wan July – Mr Benjamin CHA resigned as the executive director and head of Asia Pacific business unit August – Won the tender for Kau To land lot for 50:50 -
Oracle Bone Inscriptions of the Late Shang Dynasty: on Childbearing
Primary Source Document with Questions (DBQs) ORACLE- BONE INSCRIPTIONS OF THE LATE SHANG DYNASTY: ON CHILDBEARING Introduction The oracle-bone inscriptions translated below were written during the Shang dynasty (ca. 1554-1045/40 BCE). The Shang people practiced divination by boring a series of pits into either a tortoise plastron (the bottom part of the tortoise shell) or a cattle scapula. A hot bronze rod was applied, producing cracks, which were interpreted as answers to questions (often expressed as a pair of two possible outcomes) that the king and/or his diviner had posed. Sometimes the questions, a record of the divination, and occasionally even a record of the actual outcome were inscribed on the plastron or scapula. Through such divinations, the Shang hoped to discover the causes of events, the will of their ancestors and of their highest deity, Di, and the correct course of action to take when faced with difficult decisions. Discovered and translated beginning only in 1899, these oracle bones are the earliest written records of Chinese civilization. The inscriptions give us a highly selective record of some of the concerns and events that were relevant to the elite class of the Shang kingdom. However, the only such Shang dynasty oracle bones discovered have been from the reigns of Wu Ding (r.1198-1189 BCE) and his successors. In other words, strictly speaking, China’s written history begins with these inscriptions around 1200 BCE. Selected Document Excerpts with Questions From Sources of Chinese Tradition, compiled by Wm. Theodore de Bary and Irene Bloom, 2nd ed., vol. -
The Role of Astronomy in Ancient Chinese Society and Culture
The Role of Astronomy in Society and Culture Proceedings IAU Symposium No. 260, 2009 c International Astronomical Union 2011 D. Valls-Gabaud & A. Boksenberg, eds. doi:10.1017/S1743921311002195 Connecting Heaven and Man: The role of astronomy in ancient Chinese society and culture Xiaochun Sun Institute for the History of Natural Science, Chinese Academy of Sciences, 137 Chaonei Street, 100010 Beijing, China email: [email protected] Abstract. This paper reviews the history of Chinese astronomy from the perspective of the rˆole it played in establishing the Heaven-Man relationship in ancient China, which was politically and morally significant, and which in turn gave Chinese astronomy its most important characteristics. Keywords. China, history, sociology, shamanism, astrology, politics 1. Introduction Ancient Chinese astronomy, viewed from the scientific perspective, has a lot to be proud of (Needham 1959). It has maintained for continuous periods longer than any other civilisation accurate records of celestial phenomena such as eclipses, novae, comets, meteors, sunspots, etc. These records have found many applications in modern astron- omy (Ho 1997). Over the course of history, China has produced more than 100 systems of mathematical astronomy, li, as it was called, that demonstrate highly sophisticated mathematical techniques for describing and predicting the solar, lunar and planetary mo- tions. We find that the Chinese algebraic approach to celestial motions was not inferior to the Greek geometric one by any standard, only being more convenient for producing almanacs. There was continuous elaboration of astronomical instruments, ever since the Han astronomers invented the armillary spheres. In the 11th century, Song astronomers constructed a towered astronomical observatory combining instruments for measuring celestial motions, for demonstrating celestial movements, and for time-announcing. -
Returning to Memory an Exhibition of Oracle Bone Script
Returning to Memory An Exhibition of Oracle Bone Script By Yaxiao Li A research project submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Cultural and Creative Practice July 2, 2019 Written by Yaxiao Li Proofread by Suzanne Hardy and Geraldene Peters 2 ABSTRACT RESEARCH QUESTION How can curatorial strategies be used to promote ancient Chinese prophetic texts known as oracle bone script, to engage and reconnect a contemporary audience with this historical writing form? Oracle bone script was the earliest form of Chinese characters carved on turtle plastrons and animal bones using a sharp tool. Oracle bone script was used for divination1 through fire in the Shang dynasty (c.1600-1046 BCE). This research explores ways to promote and enhance audience interest in the script through storytelling strategies that use interactive technology in an exhibition context. Through the course of this study, I found that there is a lack of publicity and cultural engagement with oracle bone script and that this has contributed to the general public knowing little about its historical importance. Therefore, I have created a proposal for an exhibition that showcases, through various means, this significant Chinese historical legacy. 1 Divination, “the foretelling of future events or discovery of what is hidden or obscure by supernatural or magical means”. Rowan K. Flad, "Divination and Power," Current Anthropology, 49, no. 3 (2008) http://dx.doi.org/10.1086/588495. 3 TABLE OF CONTENTS 03 ABSTRACT 04 TABLE OF CONTENTS 05 LIST OF FIGURES 08 ATTESTATION OF AUTHORSHIP 09 ACKNOWLEDGEMENTS 10 THIRD PARTY COPYRIGHT MATERIAL 11 ETHICS 11 CONFIDENTIAL MATERIAL 12 POSITIONING MYSELF AS A CURATOR 13 INTRODUCTION 14 CONTEXTUAL REVIEW 19 RESEARCH DESIGN 26 CONCEPT AND DEVELOPMENT 31 DISCUSSION 54 CONCLUSION 55 APPENDIX 56 REFERENCES 4 LIST OF FIGURES Figure 1.