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April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
James Merrill: a Postmodern Poet? Yes & No (With a New Poem by James Merrill)
ANDREA MARIANI James Merrill: A Postmodern Poet? Yes & No (With a New Poem by James Merrill) Scripts for the Pageant, so far the most extraordinary and contro versial of Merrill's texts, which was published in 1980 as the third part of his monumental poem The Changing Light at Sandover, is itself divided into three sections: "Yes," "&," and "No." 1 The reader, however much puzzled by the heterogeneity of Merrill's materials and linguistic strategies, cannot but acknowledge the final message of the "pageant": men, their lives, science, poetry, the "supernatural" powers which acted in order to dictate hundreds of ambiguous and contradictory truths, all belong to a universe which is both positive and negative: Yes and no came to be especially telling, the more I realized how important it was—not only for the poem but for my mental bal ance—to remain of two minds about everything that was happening. One didn't want to be merely skeptical or merely credulous. 2 In his amazement, the "chosen" poet is forced to see and, at the same time, is frightened by what he sees; "therefore, singing, he tells" (Heidegger 505). Ten years before the publication of the trilogy, Merrill was already aware of the full implication of this dualism; in an interview with David Kalstone based on a discussion of the poem "Yannina" (Divine Comedies, FF9 327-31), he concludes: People are always asking, Was it real? Did it happen? . As if a yes-or no answer would settle the question. Was it really Yannina I went to? Was my companion real or imaginary? I can only say yes and no to questions like this. -
Hammer Langdon Cv18.Pdf
LANGDON HAMMER Department of English [email protected] Yale University jamesmerrillweb.com New Haven CT 06520-8302 yale.edu bio page USA EDUCATION Ph.D., English Language and Literature, Yale University B.A., English Major, summa cum laude, Yale University ACADEMIC APPOINTMENT Niel Gray, Jr., Professor of English and American Studies, Yale University Appointments in the English Department at Yale: Lecturer Convertible, 1987; Assistant Professor, 1989; Associate Professor with tenure, 1996; Professor, 2001; Department Chair, 2005-fall 2008, Acting Department Chair, fall 2011 and fall 2013, Department Chair, 2014-17 and 2017-19 PUBLICATIONS Books In progress: Elizabeth Bishop: Life & Works, A Critical Biography (under contract to Farrar Straus Giroux) The Oxford History of Poetry in English (Oxford UP), 18 volumes, Patrick Cheney general editor; LH coordinating editor for Volumes 10-12 on American Poetry, and editor for Volume 12 The Oxford History of American Poetry Since 1939 The Selected Letters of James Merrill, edited by LH, J. D. McClatchy, and Stephen Yenser (under contract to Alfred A. Knopf) Published: James Merrill: Poems, Everyman’s Library Pocket Poets, selected and edited with a foreword by LH (Penguin RandomHouse, 2017), 256 pp James Merrill: Life and Art (Alfred A. Knopf, 2015), 944 pp, 32 pp images, and jamesmerrillweb.com, a website companion with more images, bibliography, documents, linked reviews, and blog Winner, Lambda Literary Award for Gay Memoir/Biography, 2016. Finalist for the Poetry 2 Foundation’s Pegasus Award for Poetry Criticism, 2015. Named a Times Literary Supplement “Book of the Year, 2015” (two nominations, November 25). New York Times, “Top Books of 2015” (December 11). -
COVER Web.Indd
Poetic Patriarch The singular Richard Wilbur displays a “Mozartean felicity” with verse. During the extended World War II battle of Monte Cassino, Richard Wilbur spent a lot of time in a foxhole. The Germans had pinned down his army division in a valley, firing their 88s from the hills above. “As Waugh said, a lot of war is just waiting around,” says Wilbur, who used that waiting time to read Edgar Allan Poe, among others, and to write poems. Years later, he observed that if there were no atheists in foxholes, there were plenty of poets. “Poems were a way of putting your world in order, a bit,” he explains. Wilbur, A.M. ’47, JF ’50, sent one of those battlefield poems to Wilbur’s Collected Poems 1943-2004, critic Adam Kirsch ’97 wrote, his wife, Charlee, who showed it to a friend who was an editor at “No other twentieth-century American poet, with the possible the Saturday Evening Post. The magazine immediately published it. exception of James Merrill, demonstrates such a Mozartean fe- Wilbur mailed many more poems home; when he left the army, licity in the writing of verse. This is partly a matter of formal he had $400, a wife and daughter to support, and a stack of mastery: Wilbur has written the best blank verse of any Ameri- wartime poetry. On the GI Bill, he enrolled in a Harvard doctoral can poet since Frost.” program in English literature. “I figured I’d become a great scholar of Europe in the seventeenth century,” he recalls. The Near the fairgrounds in the western Massachusetts town stack of poems, joined by others that he continued to write, grew of Cummington, a gently winding country road leads to the in a desk drawer. -
Smithbradley.Pdf (368.3Kb)
CANON ____________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy ____________________________________________ by BRADLEY HARRISON SMITH Dr. Scott Cairns, Dissertation Supervisor May 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled CANON presented by Bradley Harrison Smith, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. ______________________________________________ Professor Scott Cairns ______________________________________________ Professor Frances Dickey ______________________________________________ Professor Alexandra Socarides ______________________________________________ Professor Aliki Barnstone ______________________________________________ Professor Carsten Strathausen ACKNOWLEDGEMENTS I would like to thank Scott Cairns for directing this project, Frances Dickey for graciously and patiently working with me over the years as I struggled to hone my academic prose, Alexandra Socarides for her wisdom and emotional support, Aliki Barnstone for her inspiration and guidance, and Carsten Strathausen for his encouragement and insight. I would also like to thank Dean Young, Michael Adams, David Wevill, Brigit Pegeen Kelly, Mary Ruefle, Tomaž Šalamun, Matt Hart, James D’Agostino, Jennifer Jesse, Willis -
Richard Hugo Awarded $10,000 Academy of American Poets Fellowship
University of Montana ScholarWorks at University of Montana University of Montana News Releases, 1928, 1956-present University Relations 12-1-1981 Richard Hugo awarded $10,000 Academy of American Poets fellowship University of Montana--Missoula. Office of University Relations Follow this and additional works at: https://scholarworks.umt.edu/newsreleases Let us know how access to this document benefits ou.y Recommended Citation University of Montana--Missoula. Office of University Relations, "Richard Hugo awarded $10,000 Academy of American Poets fellowship" (1981). University of Montana News Releases, 1928, 1956-present. 7225. https://scholarworks.umt.edu/newsreleases/7225 This News Article is brought to you for free and open access by the University Relations at ScholarWorks at University of Montana. It has been accepted for inclusion in University of Montana News Releases, 1928, 1956-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. /^University yi# of Montana Office of University Relations • Missoula, Montana 59812 (406) 243-2522 braun/rv MEDIA RELEASE 12/1/81 state, w/pic RICHARD HUGO AWARDED $10,000 ACADEMY OF AMERICAN POETS FELLOWSHIP MISSOULA-- Richard Hugo, professor of English and director of the creative writing program at the University of Montana, has been awarded a $10,000 fellowship for "distinguished poetic achievement" by the Academy of American Poets. The announce ment was made by Mrs. Hugh Bullock, academy president, at the 47th annual mem bers' meeting in New York Nov. 18. The fellowship of the Academy of American Poets was the first award of its kind in the United States. -
Welcome Remarks
[Written by Joel Minor, Curator of Modern Literature Collection] Hello everyone. I am Jeffrey Trzeciak, University Librarian, and on behalf of the Washington University Libraries it is my pleasure to welcome you to the James Merrill Symposium. Please silence your electronic devices before we begin. [Acknowledge anyone you wish to here.] It’s been over 50 years now since Washington University Libraries Special Collections, with the help of Mona Van Duyn, Donald Finkel, Constance Urdang, Stanley Elkin, among others, started the Modern Literature Collection. Van Duyn, Finkel and Urdang were in charge of identifying 15 promising poets who might be willing to donate their literary manuscripts as founding collections of a contemporary literature research library. In the case of James Merrill, we got to him just in time. Other universities were starting to ask him about his papers too. Luckily for us, Merrill was already a friend of Mona Van Duyn’s, and her personal letter of inquiry to him was enough to convince him to choose Washington University over the others. For the next thirty years, Merrill would regularly send us his latest manuscripts, or deliver them in person when he was on campus. And now, twenty years after his death, we are still collecting James Merrill manuscripts and other research material. Just this past month alone we have purchased Merrill letters to William Meredith and William Packard; Harold Bloom’s personal copy of Merrill’s book From the First Nine, annotated by Bloom; and a copy of The Changing Light of Sandover that Merrill used to identify excerpts for adapting the book into a stage play. -
Stuart Wright Booklet
Joyner Library Presents Stuart Wright: A Life In Collecting September 7, 2011 A Message from the Dean East Carolina University® Like Tom Douglass, I first met Stuart Wright when I stepped off the train with my wife Sue in Ludlow, England—the English country squire waiting for us soon proved to be a Southern Gentleman in exile. In fact, I think this was confirmed the night STUART WRIGHT: Sue prepared “southern fried chicken” and mashed potatoes. Stuart asked for the recipe after his first helping, feasted on the leftovers for several days, and said it The Badger of Old Street stirred memories in him from long ago. On our short visit to 28 Old Street, Stuart showed and told us as much as we could absorb about the extraordinary collection of southern American literature that he hoped would eventually come to East Carolina University and Joyner Library. I was delighted with what I saw and heard and carefully calculated how much space we would need to house the collection if we could agree on price and terms. Being only acquainted with the work of some of the authors like Robert Penn Warren, Randall Jarrell, and Eudora Welty, I could not truly appreciate the importance of the book collection or the exceptional quality of the many boxes of letters, journals, and manuscripts that comprised the collection. Fortunately, Tom Douglass could and he and Stuart spent many hours poring over the materials and discussing their significance while I could only listen in amazement. My amazement and delight have only increased markedly since the collection has come to Joyner Library. -
Aspects of Cyclic Myth in Chinese and Western Literature
ASPECTS OF CYCLIC MYTH IN CHINESE AND WESTERN LITERATURE ROBERT SHAN-MU CHEN B.A., Soochow University, 1969 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS in the Programme of Comparative Literature We accept this thesis as conforming to the required standard THE UNIVERSITY OF. BRITISH COLUMBIA September, 197? Robert Shan-mu Chen, 1977 i In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Robert Shan-mu Chen Department of Comparative Literature The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Datp October 20, 1977- J /ABSTRACT This thesis is a comparative study of the history and literary form of the cyclic myth in Chinese and Western European culture. The cyclic myth is seen as a complex of discrete myths and rituals which tend to identify man with the periodic regeneration of nature and celestial bodies in order to ensure personal duration against the flux of time. By comparing the origins and transformations of the cyclic myth in both cultures the essential distinctions between Chinese and Western literature will be re• vealed as both cosmological and ontological. -
The Self in the Song: Identity and Authority in Contemporary
The Self in the Song: Identity and Authority in Contemporary American Poetry by David William Lucas A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2014 Doctoral Committee: Professor Linda K. Gregerson, Chair Professor Yopie Prins Associate Professor Gillian Cahill White Professor John A. Whittier-Ferguson for my teachers ii Acknowledgments My debts are legion. I owe so much to so many that I can articulate only a partial index of my gratitude here: To Jonathan Farmer and At Length, in which an adapted and excerpted version of “The Nothing That I Am: Mark Strand” first appeared, as “On Mark Strand, The Monument.” To Steven Capuozzo, Amy Dawson, and the Literature Department staff of the Cleveland Public Library for their assistance with my research. To the Department of English Language and Literature and the Rackham Graduate School at the University of Michigan for the financial and logistical support that allowed me to begin and finish this project. To the Stanley G. and Dorothy K. Harris Fund for a summer grant that allowed me to continue my work without interruption. To the Poetry & Poetics Workshop at the University of Michigan, and in particular to Julia Hansen, for their assistance in a workshop of the introduction to this study. To my teachers at the University of Michigan, and especially to Larry Goldstein and Marjorie Levinson, whose interest in this project, support of it, and suggestions for it have proven invaluable. To June Howard, A. Van Jordan, Benjamin Paloff, and Doug Trevor. -
Dough[Tiness]: Introduction and Notes for a Translation of the Ma-Wang-Tui Manuscripts of the Lao Tzu [Old Master]
SINO-PLATONIC PAPERS Number 20 October, 1990 [The] File [on the Cosmic] Track [and Individual] Dough[tiness]: Introduction and Notes for a Translation of the Ma-wang-tui Manuscripts of the Lao Tzu [Old Master] by Victor H. Mair Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. Sinographs (hanzi, also called tetragraphs [fangkuaizi]) and other unusual symbols should be kept to an absolute minimum. -
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GRAYWOLF PRESS Nonprofit 250 Third Avenue North, Suite 600 Organization Minnneapolis, Minnesota 55401 U.S. Postage Paid Twin Cities, MN ADDRESS SERVICE REQUESTED Permit No 32740 Graywolf Press is a leading independent publisher committed to the discovery and energetic publication of twenty-first century American and international literature. We champion outstanding writers at all stages of their careers to ensure that adventurous readers can find underrepresented and diverse voices in a crowded marketplace. FALL 2018 G RAYWOLF P RESS We believe works of literature nourish the reader’s spirit and enrich the broader culture, and that they must be supported by attentive editing, compelling design, and creative promotion. www.graywolfpress.org Graywolf Press Visit our website: www.graywolfpress.org Our work is made possible by the book buyer, and by the generous support of individuals, corporations, founda- tions, and governmental agencies, to whom we offer heartfelt thanks. We encourage you to support Graywolf’s publishing efforts. For information, check our website (listed above) or call us at (651) 641-0077. GRAYWOLF STAFF Fiona McCrae, Director and Publisher Yana Makuwa, Editorial Assistant Marisa Atkinson, Director of Marketing and Engagement Pat Marjoram, Accountant Jasmine Carlson, Development and Administrative Assistant Caroline Nitz, Senior Publicity Manager Mattan Comay, Marketing and Publicity Assistant Ethan Nosowsky, Editorial Director Chantz Erolin, Citizen Literary Fellow Casey O’Neil, Sales Director Katie Dublinski, Associate Publisher Josh Ostergaard, Development Officer Rachel Fulkerson, Development Consultant Susannah Sharpless, Editorial Assistant Karen Gu, Publicity Associate Jeff Shotts, Executive Editor Leslie Johnson, Managing Director Steve Woodward, Editor BOARD OF DIRECTORS Carol Bemis (Chair), Trish F.