Richard Jackson 3413 Alta Vista Drive Chattanooga, TN, 37411
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Metamorphosis: from Light Verse to the Poetry of Witness by Maxine Kumin from the Georgia Review, Winter 2012
Metamorphosis: From Light Verse to the Poetry of Witness by Maxine Kumin from The Georgia Review, Winter 2012 How did I become a very old poet, and a polemicist at that? In the Writers Chronicle of December 2010 I described myself as largely self-educated. In an era before creative writing classes became a staple of the college curriculum, I was "piecemeal poetry literate"—in love with Gerard Manley Hopkins and A. E. Housman, an omnivorous reader across the centuries of John Donne and George Herbert, Randall Jarrell and T. S. Eliot. I wrote at least a hundred lugubrious romantic poems. One, I remember, began When lonely on an August night I lie Wide-eyed beneath the mysteries of space And watch unnumbered pricks of dew-starred sky Drop past the earth with quiet grace ... Deep down I longed to be one of the tribe but I had no sense of how to go about gaining entry. I had already achieved fame in the narrow confines of my family for little ditties celebrating birthdays and other occasions, but I did not find this satisfying. There were no MFAs in poetry that I knew of except for the famous Iowa Writers' Workshop, founded in 1936; certainly there was nothing accessible to a mother of two, pregnant with her third child in 1953 in Newton, Massachusetts. I have noted elsewhere that I chafed against the domesticity in which I found myself. I had a good marriage and our two little girls were joyous elements in it. But my discontent was palpable; I did not yet know that a quiet revolution in thinking was taking place. -
April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
Anne Sexton, Her Therapy Tapes, and the Meaning of Privacy
UCLA UCLA Women's Law Journal Title To Bedlam and Part Way Back: Anne Sexton, Her Therapy Tapes, and the Meaning of Privacy Permalink https://escholarship.org/uc/item/2sn2c9hk Journal UCLA Women's Law Journal, 2(0) Author Lehrich, Tamar R. Publication Date 1992 DOI 10.5070/L321017562 Peer reviewed eScholarship.org Powered by the California Digital Library University of California TO BEDLAM AND PART WAY BACK: ANNE SEXTON, HER THERAPY TAPES, AND THE MEANING OF PRIVACY Tamar R. Lehrich* INTRODUCTION I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind. A woman like that is not ashamed to die. I have been her kind.' The poet Anne Sexton committed suicide in October, 1974, at the age of forty-five. Three months earlier, she had celebrated the 21st birthday of her elder daughter, Linda Gray Sexton, and on that occasion appointed her as Sexton's literary executor. 2 Anne Sexton * J.D. candidate, Harvard Law School, 1992; B.A., Yale University, 1987. This Essay was written in Alan A. Stone's seminar, "Psychoanalysis and Legal Assump- tions," given at Harvard Law School in the fall of 1991. The seminar provided a rare opportunity to explore theories of law, medical ethics, and artistic expression from an interdisciplinary perspective. In addition to Professor Stone, I am grateful to Martha Minow and Mithra Merryman for their insightful comments and challenging questions and to Carmel Sella and Lisa Hone for their invaluable editorial talents. -
James Tate - Poems
Classic Poetry Series James Tate - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Tate(8 December 1943 -) James Tate is an American poet whose work has earned him the Pulitzer Prize and the National Book Award. He is a professor of English at the University of Massachusetts Amherst and a member of the American Academy of Arts and Letters. <b>Early Life</b> James Vincent Tate was born in Kansas City, Missouri. He received his B.A. from Kansas State University in 1965 and then went on to earn his M.F.A. from the University of Iowa in their famed Writer's Workshop. <b>Career</b> Tate has taught creative writing at the University of California, Berkeley and Columbia University. He currently teaches at the University of Massachusetts, Amherst, where he has worked since 1971. He is a member of the poetry faculty at the MFA Program for Poets & Writers, along with Dara Wier and Peter Gizzi. Dudley Fitts selected Tate's first book of poems, The Lost Pilot (1967) for the Yale Series of Younger Poets while Tate was still a student at the University of Iowa Writers' Workshop; Fitts praised Tate's writing for its "natural grace." Despite the early praise he received Tate alienated some of his fans in the seventies with a series of poetry collections that grew more and more strange. He has published two books of prose, Dreams of a Robot Dancing Bee (2001) and The Route as Briefed (1999). His awards include a National Institute of Arts and Letters Award, the Wallace Stevens Award, a Pulitzer Prize in poetry, a National Book Award, and fellowships from the Guggenheim Foundation and the National Endowment for the Arts. -
Lucille Clifton Winner of Ruth Lilly Poetry Prize
Lucille Clifton Winner of Ruth Lilly Poetry Prize Posted by TBN On 05/10/2007 Lucille Clifton is the winner of the 2007 Ruth Lilly Poetry Prize May 9, Lucille Clifton, poet and distinguished professor of humanities at St. Mary’s College of Maryland (SMCM) has been awarded the 2007 Ruth Lilly Poetry Prize. The prize includes a $100,000 stipend, which will be given at a ceremony May 23 in Chicago. The Lilly Prize is given by the Poetry Foundation, publishers of Poetry Magazine. Clifton is the first African American woman to win this award since it was first given in 1986. Clifton holds the Hilda Combs Landers Endowed Chair in the Liberal Arts at St. Mary’s and served as Poet Laureate of the State of Maryland from 1975 to 1985. Her poems portray the complexities and struggles as well as the celebrations and courage of her life. Her poems are about the life of all human beings and bring clarity and illumination to that shared experience. “Lucille’s poetry can be found all over campus,” said Maggie O’Brien, president of SMCM. “Her words are on the walls of the campus center, in our bookstore, and in the hearts and minds of our stu-dents, faculty and staff.” Clifton’s poetry is even woven into the landscape on the four-year liberal arts campus. Seven poems that Clifton wrote about the attacks of September 11, 2001, are on stone plaques around St. John’s Pond. They provide a means of reflection on the nature of hate, love and compassion. -
The Newsletter of the Creative Writing Program at the University of Houston
The Newsletter of the Creative Writing Program at the University of Houston WWW.UH.EDU/CWP John Antel Dean, CLASS Wyman Herendeen English Dept. Chair j. Kastely CWP Director Kathy Smathers Assistant Director Maria Martinez Program Coordinator Glenn Blake Alumni Coordinator Undergraduate Advisor 713.743.3015 [email protected] 2004-2005 Edition Every effort has been made to include faculty, students, and alumni news. Items not included will be published in the next edition. From the Director... The academic year 2004/2005 was a particularly full one. We welcomed Claudia Rankine to the faculty; we participated in the inaugural course for the new Cynthia Woods Mitchell Center for Col- laboration among the Arts; and on April 16, 2005, we hosted a celebration of the UH Creative Writ- ing Program’s 25th anniversary. This year we will welcome Kimiko Hahn to the poetry faculty and welcome Patricia Powell in the Fall and Peter Turchi in the Spring as visiting professors of fiction. And 19 new students will join the program: 10 in poetry; 8 in fiction, and 1 in non-fiction. In 2005/2006 we will address the undergraduate concentration in Creative Writing; we will work with the Graduate Studies Program to reform our graduate programs; and we will continue our ef- forts to build a strong and effective alumni association. It was especially gratifying in April to visit with alumni and former faculty. It allowed us the op- portunity to recognize the special contributions of some of our former faculty, to acknowledge people in the community who have generously supported the program over the years, and to ac- claim the achievements of our alumni. -
Guide to the Papers of the Summer Seminar of the Arts
Summer Seminar of the Arts Papers Guide to the Papers of The Summer Seminar of the Arts Auburn University at Montgomery Library Archives and Special Collections © AUM Library TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2 Biographical Information 3-4 Scope and Content Note 5 Arrangement 5-6 Inventory 6-24 1 Summer Seminar of the Arts Papers Collection Summary Creator: Jack Mooney Title: Summer Seminar of the Arts Papers Dates: ca. 1969-1983 Quantity: 9 boxes; 6.0 cu. ft. Identification: 2005/02 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Summer Seminar of the Arts Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: Jack Mooney donated the collection to the AUM Library in May 2005. Processing By: Samantha McNeilly, Archives/Special Collections Assistant (2005). Copyright Information: Copyright not assigned to the AUM Library. Restrictions Restrictions on access: There are no restrictions on access to these papers. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. 2 Summer Seminar of the Arts Papers Biographical/Historical Information The Summer Seminar of the Arts was an annual arts and literary festival held in Montgomery from 1969 until 1983. The Seminar was part of the Montgomery Arts Guild, an organization which was active in promoting and sponsoring cultural events. Held during July, the Seminar hosted readings by notable poets, offered creative writing workshops, held creative writing contests, and featured musical performances. -
2017-2018 (Pdf)
University of Massachusetts Department of English ANNUAL NEWSLETTER 2017 1 TABLE OF CONTENTS Department of English Annual Newsletter is published by the Department of Welcome from the Chair ..............................................3 English, University of Massachusetts New Faculty .................................................................4 Amherst. Department News ........................................................5 Department Chair Randall Knoper Program Reports ........................................................10 Editor Affiliated Programs .................................................... 14 David Toomey Returning Alums ........................................................19 Associate Editors Sarah Patterson, Janine Solberg Spotlights .................................................................. 20 Student Interns Aliza Abolafia, Alvin Buyinza Books ........................................................................ 22 Giving ........................................................................24 2 WELCOME FROM THE CHAIR Dear Friends and Alums, our new hires, the prominent awards for In October, the Department of English writing and teaching that our colleagues held its 12th biennial faculty retreat. have received, and the long list of new These retreats have always been occasions books by faculty members through our to rethink and revise the department’s renewed efforts to guide our undergrad- aims. This year’s retreat produced uates toward careers and demonstrate the an exhilarating level of -
Korean War Poetry in the Context of American Twentieth-Century War Poetry
Colby Quarterly Volume 37 Issue 3 September Article 7 September 2001 "In Cases Like This, There Is No Need to Vote": Korean War Poetry in the Context of American Twentieth-Century War Poetry W. D. Ehrhart Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 37, no.3, September 2001, p.267-284 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Ehrhart: "In Cases Like This, There Is No Need to Vote": Korean War Poetry "In Cases Like This, There Is No Need to Vote": Korean War Poetry in the Context of American Twentieth-Century War Poetry 1 By W. D. EHRHART HE KOREAN WAR is the least remembered and least acknowledged of all Tof America's wars. Even as it was being fought, ordinary Americans were aghast to find the country at war again so soon after World War II; they found it profoundly embarrassing to be put to rout twice in six months by what they perceived to be an Asian rabble in sneakers; and they did not understand a war in which total victory was not and could not be the goal. "America tolerated the Korean War while it was on," writes David Halberstam in The Fifties, "but could not wait to forget it once the war was over."2 And once it was over, the Korean War all but vanished from the American landscape. Just as the war has vanished, so too has its literature. -
2 Fall/Winter 1990
News and Nolices, new series, number 2, FalllWintcr 1990 Contents Fronn the executive directors Currcct projccts and forthcoming cvcnts FXelp wanted: the regional MLAs Elcctions From the Elcctronic College of Thcory Coming cvcnts IUP corlfcrcnce on theory in the classroom Fronn thc mailbox Good tcxt with Dr. Truth From the Executive Directors The Society for Critical Exchange, Inc. Founded 1975; incorporated 1976 Guilford House Case Western Reserve University Wclcome to thc hundred or so new mcmbcrs who havc Cleveland, OII 44106 joincd sincc thc summcr, whcn thc prcvious newslcttcr 216-368-3342 appeared. At last count wc have just short of 400 ~nenlbcrs, Fax: 216-368-2216 (call ahead before sending) considcrably more than thc SCE has ever had beforc. Such Internet: xxl240po.cwru.edu Bitnet: xxl24%po.cwru.eduOcunyvm growth is pleasing, but it also increases the difficulty of keeping us a11 reasonably in touch with one another and with thc Society's activities. Board of Directors Jonathan Arac, English, University of Pittsburgh I-low to meet such a challcngc? Why, throw a party, (term ending December 31, 1990) sf coursc. What morc of an excusc could wc want? Dnvid Downing, English, Indiana University of Pennuylvnnia (term ending December 31, 1992) So we'll be holding a rcal party at thc MLA convcntion in Dcccmbcr, rcplacing thc usual latc-nftcrnoon, Bnrbnra Harlow, Engliah, University of Texas at Austin hotcl-salon, you-buy-the-ovcrpriccd-drinks SCE Cash Bar. (term ending December 31, 1990) Dctails appcar on the invitation elscwhcre in tlae ncwslcttcr, Mary Layoun, Comparative Literature, University of Wisconsin at Madison but you might note that thc party begins shortly aftcr an (term ending December 31, 1992) SCE pancl is sclrcdulcd for the first cvcning of tl~c convcntion and that it takcs placc away from thc main position vacant convcntion loop, at a hotcl ncarcr to the restaurant and (term ending December 31, 1992) shopping district. -
The Review Index Compiled by Ryan Roberts in February 2009 for the Ian Hamilton Website
The Review Index Compiled by Ryan Roberts in February 2009 for the Ian Hamilton Website www.ianhamilton.org Issue No. 1 Zbigniew Herbert: 'Chairs', 'Drunkards', 'Hobgoblins', 'Help Pompeii' [Four prose poems translated by George Gömöri]: 3 Donald Davie: 'Right Wing Sympathies' [Poem]: 4-5 Peter Redgrove: 'His Luck' [Poem]: 6-7 A. Alvarez: 'Night Music' [Poem]: 7 Michael Fried: 'Parting' [Poem]: 8 Roy Fuller: 'Religion' [Poem]: 9 'A. Alvarez and Donald Davie: A Discussion': 10-25 Vladimir Mayakovsky: 'Fiddle-ma-Fidgin' [Poem; translated by Edwin Morgan]: 26-28 John Fuller: 'Thom Gunn' [Rev. of Fighting Terms, by Thom Gunn; Note on the text of Fighting Terms]: 29-34 Ian Hamilton: 'There is a Happy Land' [Rev. of Liareggub Revisited, by David Holbrook]: 35-36 Francis Hope: 'Barker without his Bite' [Rev. of The View From a Blind I, by George Barker]: 37-38 Edward Pygge: 'A Pretty Pair' [Rev. of The Night of the Hammer, by Ned O'Gorman; A Row of Pharoahs, by Patrick Creagh]: 38-39 Clive Jordan: 'A Lonely Apocalyptic' [Rev. of torse 3, by Christopher Middleton]: 39-40 Peter Marsh: 'Cold Comfort' [Rev. of Haste to the Wedding, by Alex Comfort]: 40-41 John Fuller: 'Five Riddles' [Poems; 'A Note on Riddles']: 42-43 Issue No. 2 Colin Falck: 'Dreams and Responsibilities' [Rev. of The New Poetry, selected by A. Alvarez]: 3-18 George MacBeth: 'Er' [Poem]: 19 Jon Silkin: 'Nature with Man' [Poem]: 20-21 John Fuller: 'Out of the Wood' [Poem]: 22-27 Martin Dodsworth: 'The Man in the Iron Mask' [Rev. of Oxford Address on Poetry, by Robert Graves]: 29-32 Peter Marsh: 'An Unconvincing Handful' [Rev. -
Meacham Writers' Workshop
Readings/seminars writers Thursday March 3, 2016 7:00 pm reading @ Chattanooga State HSC 1087 workshop • {Jeff Hardin} {Laurel Snyder} {Earl Braggs} 9:00 pm reading @ Hart Gallery 110 E. Main Street • {Kris Whorton} {Barry Kitterman} {Russell Helms} {Chad Prevost} M E A C H A Friday March 4, 2016 M 12:00 pm reading @ UTC Derthick Hall 101 SUBMISSIONS FOR SEMINARS Final day for submissions is February 21, 2016. Digital sub- • {Barbara Carlson} {Amy Wright} {Andrew Najberg} {Rebecca Cook} missions of packets of up to 5 double-spaced pages of prose or 3 poems/3 pages of poetry in collated packets can be submitted 7:00 pm reading @ UTC UC Raccoon Mountain Room at http:www.meachamwriters.org/submissions.htm. If you cannot • {Art Smith} {Sarah Einstein} {Rick Jackson} {Dara Wier} submit online, send a printed packet meeting the same length requirements to Richard Jackson, Meacham Writers’ Workshop Eng. Dept. 2703, UTC Chattanooga, TN 37403, or hand deliver to the Saturday March 5, 2016 UTC Eng. Department, 203 Holt Hall. 9:30 am seminar Submitters will be assigned to a Saturday seminar at either • {Barbara Carlson} @ UTC Holt 303 9:30 am or 11:00 am. In addition, submitters will be welcome to • {Jeff Hardin} @ UTC Holt 304 sit in on one of the sessions during the opposing time, though • {Chad Prevost} @ UTC Holt 305 please be aware that only the author of your assigned workshop • {Monica Jo Brown} @ UTC Holt 307 will have read your submission prior to the event. The ses- sions Saturday morning are NOT workshops but seminars where the 11:00 am seminar writer may lecture, talk generally about the work submitted, or • {Dara Wier} @ UTC Holt 303 perhaps select some work to discuss.