Author: Works Won Immediate Acclaim

Total Page:16

File Type:pdf, Size:1020Kb

Author: Works Won Immediate Acclaim Thursday, November 1, 2018 CHINA DAILY HONG KONG EDITION 2 PAGE TWO Louis Cha (second left) poses with cast members of the filmThe Story of the Chinese leader Deng Xiaoping meets with Louis Cha and his family in Beijing Louis Cha displays his novel Book and Sword, Gratitude and Revenge at his Great Heroes in 1960. PROVIDED TO CHINA DAILY in 1983. LYU XIANGYOU / CHINA NEWS SERVICE office in Hong Kong in 2002. BOBBY YIP / FILE PHOTO / REUTERS Author: Works won immediate acclaim From page 1 transitions from the Song to Yuan years ago, said, “Despite relatively and Ming to Qing dynasties, and low salaries, Ming Pao is still a popu­ His ideals fascinated his publish­ explores topics including the ethnic lar choice for youngsters looking for ers abroad more than martial arts. conflict between Han and non­Han a job”. Christopher MacLehose, a veteran peoples, the collective memory Apart from its professionalism, he of the profession in London, pub­ under colonial rule, and broad and said another reason is that the news­ lished Legends of Condor Heroes in narrow nationalisms. paper is willing to recruit diversified the United Kingdom in February. According to Petrus Liu, associate talent, including Hui himself, who He said, “The story he tells is part of professor of comparative literature had never studied journalism his view and opinion. I think it’s at Boston University, Cha’s works before. inaccurate to simply call it martial contain an encyclopedic knowledge Tam Yiu­chung, a Hong Kong dep­ arts fiction.” of traditional Chinese history, medi­ uty to the Standing Committee of the Albert Yeung Hing­on, honorary cine, geography, cosmology and National People’s Congress, the coun­ chairman of the Hong Kong Novel­ even mathematics. try’s top legislature, worked with Cha ist Association, who was Cha’s secre­ Chun Chun­fai, the author of on the Basic Law Drafting Commit­ tary at Ming Pao in the late 1980s, Hong Kong studies on Cha’s novels, tee in the 1980s. said readers can find Cha’s personal said that in the 1980s many people Tam said the proposal Cha put for­ values and philosophy in his novels’ born in Hong Kong were studying ward back then with fellow commit­ characters, and Duan Zhengming in abroad. They returned to the city to tee member, Hong Kong industrialist The Demi­Gods and Semi­Devils is work, but knew little about Chinese Cha Chi­ming, on electoral arrange­ the one closest to the real Cha. culture. It was Cha’s novels that ments for the city’s chief executive “Duan is a benevolent and wise allowed them to understand the and legislators had contributed to monarch from Dali. He is highly spirit that Chinese society promoted the stable development of the Hong skilled in martial arts. In his old age, and to appreciate the charm of Chi­ Kong Special Administrative he abdicates and becomes a monk,” nese literature. Region’s political system. Yeung said. Cha himself sought self­ “The novels carry Hong Kong Tam said Cha was familiar with the improvement over fame and wealth. people far from our busy daily lives. political affairs of the day, was quick­ In his 80s, he enrolled at the Univer­ They lead us to a world of chivalry minded and put forward many sug­ sity of Cambridge to pursue a PhD in with knight­errant heroism, draw­ gestions to the committee. Oriental Studies, Yeung said. ing us away from anxious, fast­ paced society,” Chun said. Louis Cha reads China Daily while visiting the newspaper’s Hong Kong office in 2005. EDMOND TANG / CHINA DAILY Recurring theme Note of praise Cha’s trilogy Legends of the Con­ Death is a topic that features Cha had “a bit of a stammer” but dor Heroes begins in 1205, just before often in Cha’s novels. In one scene was fluent and scintillating with his the Mongol conquest, and ends more Anna Holmwood, translator of won immediate acclaim. in Heavenly Sword Dragon Slaying writing, Yeung said, adding, “He than 150 years later. the first volume of Legends of Con­ After publishing three successful Sabre the heroes are cornered and preferred writing to talking.” British novelist Marcel Theroux dor Heroes, said the Mongolian set­ novels, he founded Ming Pao in chant: “What is the happiness of “When I worked as his executive told The Guardian of the trilogy: “I ting “acts likes a gateway to Western Hong Kong in 1959. In the paper’s life and what is the bitterness of secretary at Ming Pao, he wrote felt a slight regret that I was coming readers into the Chinese setting and early years, Cha wrote many of its death? We have done good and down the instructions on a note and to it in my fifth decade. It would be a historical background”. front­page stories and editorials. uprooted evil. All the luck, joy, passed it to me. If he thought I had wonderful invitation into a lifelong “The Chinese people have per­ The paper flirted with bankruptcy sadness and suffering are going done a good job, he would send me a enthusiasm for China, its history and haps felt that their culture has long but was kept afloat by its must­read to ashes. People are pathetic as note of praise, while seldom talking civilization, its vast and chronically been neglected. Now, it’s a time fiction supplement, which serial­ they worry too much.” to me in the office. He treated other misunderstood presence in the when they can feel confident about ized other writers’ novels as well as At the end of almost every nov­ employees in the same way,” he said. world.” their place in history and their cul­ Cha’s. el, Cha would set a scene where “Maybe that’s because speaking The first volume of Legends of ture in the world. Sometimes it’s A Ming Pao statement said: the hero left the rivers and lakes. Cantonese made him nervous. He Condor Heroes was published in Feb­ that exact uniqueness that creates “Thanks for Cha’s contribution dur­ In The Return of The Condor was most comfortable with the Jia­ ruary before being reprinted seven the selling point.” ing the initial stages of Ming Pao, Heroes, he wrote: “Suddenly Yang xing dialect, from his hometown.” times. The Irish Times hailed it as “A the newspaper survived and has Guo (the hero) stood up and said to Born in Haining, Jiaxing, East Chinese Lord of the Rings”. The sec­ A life in writing kept serving readers for 59 years. the crowd: ‘We have had a good China’s Zhejiang province, in 1924, ond volume is due out in January. Cha believed in the power of His passing away is definitely a drink, and it is time to say goodbye.’ Cha divorced twice before marrying Copyright for the first volume has words. In his last novel, Deer and great loss for Ming Pao, Hong Kong’s He waved the sleeve of his robe, took Lin Leyi in 1976. been sold to the US, Germany, Italy, Cauldrons, he wrote a paragraph of journalism industry and the Chi­ the hand of his lover and they went Cha was surrounded by family Finland, Portugal and Hungary. Cha’s commentary that seemed unrelated nese literary world.” down the mountain shoulder to members when he died at the works have been translated into to the story’s development. Hong Kong Chief Executive, Car­ shoulder in the company of the con­ Hong Kong Sanatorium and Hos­ English, Korean, Japanese, French, It read: “He (the hero) was just a rie Lam Cheng Yuet­ngor, said on dor. pital. Vietnamese, Indonesian and Thai. The English­language edition of hooligan and got most of his literary Tuesday: “Professor Cha is also high­ “The moon was clear in the sky The author, who lived on Hong Ying Mathieson, publisher at ACA Legends of the Condor Heroes education through storytelling, ly regarded in the newspaper indus­ and the breeze swept the leaves in the Kong Island for the most of his life, Publishing in London, said Cha’s which was based on the historical try with decades of experience in it. tree. Crows on the tree top were mak­ describes in his novels the magnifi­ works resonate with a Western audi­ epics written. The knowledge was He founded Ming Pao in his early ing a noise. Guo Xiang (his admirer) cent landscapes of the Chinese ence because his writing is centered enough for him to plot and change years and also wrote editorials with could not hold her tears anymore mainland, especially the Mongolian on emotions such as love, anger, sad­ the political scene. Throughout Chi­ constructive comments on society, and cried.” Plateau. Yeung said, “The scenery is ness and happiness, which are nese history so many writers wrote earning the respect of the sector.” so beautiful and the writing widens shared across every culture. great, thoughtful works. The power Lam said Cha also served in pub­ He Shusi and Li Bingcun in Hong our imaginations.” “For this reason, international of writing is tremendous.” lic office in Hong Kong, being a Kong, Zou Shuyue in London, Xu Weijie Song, associate professor readers can immediately identify Cha lived from writing through­ member of the Basic Law Drafting Fan and Mei Jia in Beijing contri­ of Chinese Literature at Rutgers with emotions depicted through his out his life. He started working for Committee before the city returned buted to this story. University in New Jersey, said Cha writing — even if they understand the Ta Kung Pao newspaper in Hong to Chinese rule in 1997.
Recommended publications
  • Immigration Coverage in Chinese-Language Newspapers Acknowledgments This Report Was Made Possible in Part by a Grant from Carnegie Corporation of New York
    Building the National Will to Expand Opportunity in America Media Content Analysis: Immigration Coverage in Chinese-Language Newspapers Acknowledgments This report was made possible in part by a grant from Carnegie Corporation of New York. Project support from Unbound Philanthropy and the Four Freedoms Fund at Public Interest Projects, Inc. (PIP) also helped support this research and collateral communications materials. The statements made and views expressed are solely the responsibility of the authors. The research and writing of this report was performed by New America Media, under the direction of Jun Wang and Rong Xiaoqing. Further contributions were made by The Opportunity Agenda. Ed - iting was done by Laura Morris, with layout and design by Element Group, New York. About The Opportunity Agenda The Opportunity Agenda was founded in 2004 with the mission of building the national will to expand opportunity in America. Focused on moving hearts, minds and policy over time, the organization works closely with social justice organizations, leaders, and movements to advocate for solutions that expand opportunity for everyone. Through active partnerships, The Opportunity Agenda uses communications and media to understand and influence public opinion; synthesizes and translates research on barriers to opportunity and promising solutions; and identifies and advocates for policies that improve people’s lives. To learn more about The Opportunity Agenda, go to our website at www.opportunityagenda.org. The Opportunity Agenda is a project of the Tides Center. Table of Contents Foreword 3 1. Major Findings 4 2. Research Methodology 4 3. Article Classification 5 4. A Closer Look at the Coverage 7 5.
    [Show full text]
  • Changing Political Economy of the Hong Kong Media
    China Perspectives 2018/3 | 2018 Twenty Years After: Hong Kong's Changes and Challenges under China's Rule Changing Political Economy of the Hong Kong Media Francis L. F. Lee Electronic version URL: https://journals.openedition.org/chinaperspectives/8009 DOI: 10.4000/chinaperspectives.8009 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 September 2018 Number of pages: 9-18 ISSN: 2070-3449 Electronic reference Francis L. F. Lee, “Changing Political Economy of the Hong Kong Media”, China Perspectives [Online], 2018/3 | 2018, Online since 01 September 2018, connection on 21 September 2021. URL: http:// journals.openedition.org/chinaperspectives/8009 ; DOI: https://doi.org/10.4000/chinaperspectives. 8009 © All rights reserved Special feature China perspectives Changing Political Economy of the Hong Kong Media FRANCIS L. F. LEE ABSTRACT: Most observers argued that press freedom in Hong Kong has been declining continually over the past 15 years. This article examines the problem of press freedom from the perspective of the political economy of the media. According to conventional understanding, the Chinese government has exerted indirect influence over the Hong Kong media through co-opting media owners, most of whom were entrepreneurs with ample business interests in the mainland. At the same time, there were internal tensions within the political economic system. The latter opened up a space of resistance for media practitioners and thus helped the media system as a whole to maintain a degree of relative autonomy from the power centre. However, into the 2010s, the media landscape has undergone several significant changes, especially the worsening media business environment and the growth of digital media technologies.
    [Show full text]
  • Media Capture with Chinese Characteristics
    JOU0010.1177/1464884917724632JournalismBelair-Gagnon et al. 724632research-article2017 Article Journalism 1 –17 Media capture with Chinese © The Author(s) 2017 Reprints and permissions: characteristics: Changing sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/1464884917724632DOI: 10.1177/1464884917724632 patterns in Hong Kong’s journals.sagepub.com/home/jou news media system Nicholas Frisch Yale University, USA Valerie Belair-Gagnon University of Minnesota, USA Colin Agur University of Minnesota, USA Abstract In the Special Administrative Region of Hong Kong, a former British territory in southern China returned to the People’s Republic as a semi-autonomous enclave in 1997, media capture has distinct characteristics. On one hand, Hong Kong offers a case of media capture in an uncensored media sector and open market economy similar to those of Western industrialized democracies. Yet Hong Kong’s comparatively small size, close proximity, and broad economic exposure to the authoritarian markets and politics of neighboring Mainland China, which practices strict censorship, place unique pressures on Hong Kong’s nominally free press. Building on the literature on media and politics in Hong Kong post-handover and drawing on interviews with journalists in Hong Kong, this article examines the dynamics of media capture in Hong Kong. It highlights how corporate-owned legacy media outlets are increasingly deferential to the Beijing government’s news agenda, while social media is fostering alternative spaces for more skeptical and aggressive voices. This article develops a scholarly vocabulary to describe media capture from the perspective of local journalists and from the academic literature on media and power in Hong Kong and China since 1997.
    [Show full text]
  • Women and the Law Reprinted Congressional
    WOMEN AND THE LAW REPRINTED FROM THE 2007 ANNUAL REPORT OF THE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ONE HUNDRED TENTH CONGRESS FIRST SESSION OCTOBER 10, 2007 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov U.S. GOVERNMENT PRINTING OFFICE 40–784 PDF WASHINGTON : 2007 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate 0ct 09 2002 13:14 Feb 20, 2008 Jkt 000000 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 U:\DOCS\40784.TXT DEIDRE CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA LEGISLATIVE BRANCH COMMISSIONERS House Senate SANDER LEVIN, Michigan, Chairman BYRON DORGAN, North Dakota, Co-Chairman MARCY KAPTUR, Ohio MAX BAUCUS, Montana MICHAEL M. HONDA, California CARL LEVIN, Michigan TOM UDALL, New Mexico DIANNE FEINSTEIN, California TIMOTHY J. WALZ, Minnesota SHERROD BROWN, Ohio DONALD A. MANZULLO, Illinois SAM BROWNBACK, Kansas JOSEPH R. PITTS, Pennsylvania CHUCK HAGEL, Nebraska EDWARD R. ROYCE, California GORDON H. SMITH, Oregon CHRISTOPHER H. SMITH, New Jersey MEL MARTINEZ, Florida EXECUTIVE BRANCH COMMISSIONERS PAULA DOBRIANSKY, Department of State CHRISTOPHER R. HILL, Department of State HOWARD M. RADZELY, Department of Labor DOUGLAS GROB, Staff Director MURRAY SCOT TANNER, Deputy Staff Director (II) VerDate 0ct 09 2002 13:14 Feb 20, 2008 Jkt 000000 PO 00000 Frm 00002 Fmt 0486 Sfmt 0486 U:\DOCS\40784.TXT DEIDRE C O N T E N T S Page Status of Women .............................................................................................
    [Show full text]
  • The Long Shadow of Chinese Censorship: How the Communist Party’S Media Restrictions Affect News Outlets Around the World
    The Long Shadow of Chinese Censorship: How the Communist Party’s Media Restrictions Affect News Outlets Around the World A Report to the Center for International Media Assistance By Sarah Cook October 22, 2013 The Center for International Media Assistance (CIMA), at the National Endowment for Democracy, works to strengthen the support, raise the visibility, and improve the effectiveness of independent media development throughout the world. The Center provides information, builds networks, conducts research, and highlights the indispensable role independent media play in the creation and development of sustainable democracies. An important aspect of CIMA’s work is to research ways to attract additional U.S. private sector interest in and support for international media development. CIMA convenes working groups, discussions, and panels on a variety of topics in the field of media development and assistance. The center also issues reports and recommendations based on working group discussions and other investigations. These reports aim to provide policymakers, as well as donors and practitioners, with ideas for bolstering the effectiveness of media assistance. Don Podesta Interim Senior Director Center for International Media Assistance National Endowment for Democracy 1025 F Street, N.W., 8th Floor Washington, DC 20004 Phone: (202) 378-9700 Fax: (202) 378-9407 Email: [email protected] URL: http://cima.ned.org Design and Layout by Valerie Popper About the Author Sarah Cook Sarah Cook is a senior research analyst for East Asia at Freedom House. She manages the editorial team producing the China Media Bulletin, a biweekly news digest of media freedom developments related to the People’s Republic of China.
    [Show full text]
  • Media Kit2019
    Ming Pao Daily News | Western Edition MEDIA KIT 2019 Compared with Chinese Daily Newspaper Ming Pao Daily News has the highest numbers readers 309,359 Weekly Readership* *Source: Forward Research Group, Vancouver Chinese Media Survey 2018. Survey conducted October 2 to October 29, 2018 from a sample of 560 Chinese- Speaking adults aged 18 or older living in the Vancouver CMA. The result reported on the total sample are considered accurate +/- 0.5%, based on cell weighting Ming Pao is not just a newspaper | 1 Ming Pao Daily News | Western Edition About Ming Pao Daily News Ming Pao Daily News is not just a newspaper! MING PAO IS #1 ounded and headquartered in Hong Kong since 1959, Ming Pao Newspapers develops Finto a global media company with multiple subsidiaries across Asia and North America. In 1993, Ming Pao Newspapers established its branch in Canada, and has been serving the Chinese communities ever since. Our deep understanding of local, regional, and international issues has established our reputation as a leading authority on current a airs. Widely respected as an important voice, Ming Pao is recognized as one of the most in uential papers for Chinese professionals and business leaders throughout Western Canada. CREDIBILITY. TRUST. While continue to stay prominent in traditional channels, Ming Pao Newspapers also embarks With decades of continuous high-standard on a digital transformation – to create and journalism as well as dedication to the principle deliver editorial content across various platforms, of “Truth, Fairness, and Credibility”, channels, and formats. Ming Pao Newspapers has become the leading ethnic print media followed by a substantial Our teams consist of great talents including amount of readers.
    [Show full text]
  • Jin Yong's Novels and Hong Kong's Popular Culture Mr Cheng Ching
    Jin Yong’s Novels and Hong Kong’s Popular Culture Mr Cheng Ching-hang, Matthew Jin Yong’s martial arts novel, The Book and the Sword, was first serialised in the New Evening Post on 8 February 1955. His novels have been so well received since then that they have become a significant and deeply rooted part of Hong Kong’s popular culture. Jin Yong’s novels are uniquely positioned, somewhere between part literature and part plebeian entertaining read. That is why they have a wide readership following. From serials published in newspapers to films and hit TV drama series, they are at the same time acknowledged by academics as home-grown literature of Hong Kong, and take pride of place in the genre of Chinese novel-writing. The origins of the martial arts novel (also known as the “wuxia novel”) can be traced back to the ancient Shiji (The Records of the Grand Historian), specifically to chapters such as the “Biographies of Knight-errants” and “Men with Swords”. However, the genre draws inspiration from many parts of Chinese history and culture, including the Tang dynasty novels about chivalry, such as Pei Xing’s Nie Yinniang and Du Guangting’s The Man with the Curly Beard; The Water Margin, which was written between the Yuan and Ming dynasties; and the Qing dynasty novels about heroism, such as The Seven Heroes and Five Gallants and Adventures of Emperor Qianlong. In 1915, Lin Shu (Lin Qinnan) wrote a classic Chinese novella, Fumei Records, and its publication in the third issue of the periodical Xiao Shuo Da Guan was accompanied by the earliest use of the term “martial arts novel”.
    [Show full text]
  • Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
    UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff.
    [Show full text]
  • Music from the 1990S to the Present
    j:,/ � • .. ….......:._. ‘. • '1- ;V . jn/w Tnn • ft ¾( ! \ ..' � •'. I . I .广, I n . .....Vv'Z …'.J I O > 3 . • • I •• . ^ • jr ,' ‘:'. ; , ''Jr ... Hong Kong Film Music from the 1990s to the Present CHENG LingYan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Philosophy in Ethnomusicology © The Chinese University of Hong Kong June 2004 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. ^ST university~7^// ^XLIBRARy SYSTEM^W Abstract i Hong Kong Film Music from the 1990s to the Present Submitted by LingYan CHENG for the degree of Master of Philosophy in Ethnomusicology at The Chinese University of Hong Kong in June 2004 Abstract This thesis focuses on Hong Kong film music from the 1990s to the 2000s. In recent years, there has been much research and theory on western film music, especially the Hollywood film industry, by musicologists and scholars in film studies, popular music studies, and other fields. However, there has been little research on Hong Kong Film music, the system of which is different from that of western film music, and therefore I will apply basic film music concepts, but using the real situation of Hong Kong film music to formulate my own argument. The methodology used in this thesis will include the application of basic concepts used by scholars of film music, such as the functions of music in film, combined with fieldwork and analysis of films.
    [Show full text]
  • Name Country 1 PEPPER, Suzanne Hong Kong 2 Rex
    # Name Country 1 PEPPER, Suzanne Hong Kong 2 Rex Chung Australia 3 Billy Lo Hong Kong 4 Kelly Allan Hong Kong 5 Tania Willis Hong Kong 6 Belinda Chan Hong Kong 7 McAuley Hong Kong 8 Rod Parkes Hong Kong 9 Raymond Tang Hong Kong 10 Kate Allert Hong Kong 11 Pui lam Hong Kong 12 Millie Pau Hong Kong 13 NO NAME Hong Kong 14 NO NAME Hong Kong 15 NO NAME Hong Kong 16 Brewer Hong Kong 17 Wong Hong Kong 18 josefina bergsten Hong Kong 19 Thelma Woodward Hong Kong 20 TW Liu Hong Kong 21 Kent Chu Hong Kong 22 Josephine Chesterton United Kingdom 23 Gregg Schroeder Hong Kong 24 Gill Wright Hong Kong 25 Julius Wong Hong Kong 26 Joe Yau Hong Kong 27 Charles Mok Hong Kong 28 Alex Chan Hong Kong 29 Jeremy Tredinnick Hong Kong 30 William Cheng China 31 Sharon Mullen Northern Ireland 32 carine lai Hong Kong 33 Jeremy Austin Hong Kong 34 Hugo CHU China 35 Larry Feign Hong Kong 36 Hysan Leung Hong Kong 37 Alex Woods United States of America 38 Sum Yin Kwong Hong Kong 39 Amanda Cheung Hong Kong 40 Jean Mitchell Canada Page 1/53 # Name Country 41 Paul D. Tarrant Hong Kong 42 Atul Hong Kong 43 Andrew Archer Japan 44 Eliot Cohen Indonesia 45 Ralph S Germany 46 Herbert United Kingdom 47 Serkan UÇAR Turkey 48 Toby United States of America 49 Anderson Muth United States of America 50 Adeline de Lanoy Netherlands Antilles 51 Nicholas Mawdsley Hong Kong 52 Lucy Carmody United Kingdom 53 James Switzerland 54 Sarah Hung Hong Kong 55 Paul Serfaty Hong Kong 56 Peter INGLIS Hong Kong 57 Sølveig Bång South Africa 58 Oscar Poelmann Hong Kong 59 Julia Brown Hong Kong 60 Rachel
    [Show full text]
  • Media at Risk Press Freedom in CHINA 2012-13 International Federation of Journalists (IFJ) 國際記者聯會 CONTENTS Residence Palace, Bloc C 155 Rue De La Loi 1
    Media at Risk PRESS FREEDOM IN CHINA 2012-13 International Federation of Journalists (IFJ) 國際記者聯會 CONTENTS Residence Palace, Bloc C 155 Rue de la Loi 1. Preface 1 B-1040 Brussels, Belgium Tel: +32 2 235 22 00 2. Introduction 2 Fax: +32 2 235 22 19 Email: [email protected] http://www.ifj.org 3. China’s “Ice Age” – No end in sight 4 From Sacking Reporters to Distorting the Media Environment 13 IFJ Asia-Pacific In pain, but cheerful 19 國際記者聯會亞太區分會 245 Chalmers Street 4. Foreign Journalists in China under pressure 24 Redfern NSW 2016, Australia Tel: +61 2 9333 0999 Fax: +61 2 9333 0933 5. Hong Kong and Macaumedia fight back 28 Email: [email protected] Hong Kong Media Ecology Seen Through the Chief Executive and http://asiapacific.ifj.org Legislative Council Elections 34 6. Online Media 51 7. Recommendations 54 This report has been produced with partial financial assistance from the Alliance Safety and Solidarity Fund, which comprises contributions from journalist members of the Media, Entertainment & Arts Alliance of Australia. 本報告之部份經費由澳洲媒體、娛樂與藝術聯會 屬下安全及團結基金贊助。 Author撰稿: Serenade Woo Editors 編輯: Katherine Bice, Katie Richmond & Minari Fernando Special Thanks to: Foreign Correspondents’ Club of China, Hong Kong Journalists Association, Hong Kong Press Photographers Association and The Associação dos Jornalistas de Macau 特別鳴謝: 駐華外國記者協會、香港記者協會、 香港攝影記者協會及澳門傳媒工作者協會 Cover caption: Three Hong Kong journalists were detained, criminally charged and assaulted by police in Hong Kong and Mainland when exercising their professional duties 封面圖片說明: 三名香港記者在履行專業採訪工 作時,分別被香港及大陸警察扣留、刑事檢控 及毆打。 MEDIA AT RISK: Press FreedOM IN CHINA 2012-13 PREFACE same time, the Chinese authorities immediately shut down he International Federation of Journalists (IFJ) initiated two international media outlets after they revealed some Ta program in early 2008 to monitor and report on press negative reports about the leaders of China.
    [Show full text]
  • Interim Report 2001/2002
    HKR International Limited Interim Report 2001/2002 CONTENTS MANAGEMENT DISCUSSION AND ANALYSIS 2 OTHER INFORMATION 8 CONDENSED CONSOLIDATED INCOME STATEMENT 13 CONDENSED CONSOLIDATED BALANCE SHEET 14 CONDENSED CONSOLIDATED STATEMENT OF RECOGNISED GAINS AND LOSSES 16 CONDENSED CONSOLIDATED CASH FLOW STATEMENT 17 NOTES TO THE CONDENSED FINANCIAL STATEMENTS 18 INDEPENDENT REVIEW REPORT 32 URL:http://www.hkr-intl.com HKR International Limited Interim Report 2001/2002 MANAGEMENT DISCUSSION AND ANALYSIS INTERIM RESULTS The Group’s unaudited consolidated net profit attributable to shareholders for the six months ended 30 September 2001 amounted to HK$28.0 million compared to the profits of HK$302.5 million over the corresponding period last year. The earnings per share amounted to HK2.4 cents compared to HK26.1 cents over the corresponding period last year. DIVIDEND The directors do not recommend the payment of an interim dividend for the six months ended 30 September 2001. OPERATIONS REVIEW Discovery Bay The first of the four-phased development in Yi Pak, comprising 298 residential units, will be completed by the first half of 2002 and will be launched for sale in the first quarter of 2002. In October 2001, Hong Kong Resort Company Limited disposed of three retired 300-passenger monohull waterjet ferries to an independent third party for a total consideration of US$2.5 million. The newly acquired shipyard site in Tsing Yi will be in service in early 2003. Other Property Development, Management and Construction Business The sale of the first phase of Coastal Skyline, Tung Chung Station Development Package II project, comprising 2,022 residential units, will be launched in 2002.
    [Show full text]