Iliad Worksheet

Total Page:16

File Type:pdf, Size:1020Kb

Iliad Worksheet Iliad Worksheet Agamemnon Andromache Aphrodite Ares Athena Cassandra Clytemnestra Diomedes Eris Hector Hecuba Helen Hermes Menelaus Neoptolemus Odysseus Paris Penelope Philocetes Polyxena Poseidon Priam Telemachus Thetis Zeus 1. This Trojan girl nearly married Achilles. _________________________ 2. This Greek took 20 years to return home from the Trojan War. _________________________ 3. This Greek hero actually fought the gods during the war. _________________________ 4. This Trojan woman was Hector’s wife. _________________________ 5. This is the messenger of the gods. _________________________ 6. This Greek was bitten by a poisonous snake. _________________________ 7. This Trojan was supposed to be put in the wilderness to die. _________________________ 8. This is the Greek goddess of wisdom and war. _________________________ 9. This Greek woman is Agamemnon’s wife. _________________________ 10. This was the greatest of the Trojan heroes. _________________________ 11. This Goddess was Achilles’ mother. _________________________ 12. Helen chose to marry this Greek hero. _________________________ 13. This is the Greek goddess of beauty. _________________________ 14. This Greek is Odysseus’ son. _________________________ 15. This is the queen of the Trojans. _________________________ 16. This is the Greek goddess of discord and chaos. _________________________ 17. This Greek is the most beautiful woman in the world. _________________________ 18. This Trojan priestess could see the future. _________________________ 19. This Greek god of the sea hated the Trojans. _________________________ 20. This was the leader of the Greek armies. _________________________ 21. This was the king of Troy. _________________________ 22. This was the supreme ruler of the Greek gods. _________________________ 23. This woman was Odysseus’ wife. _________________________ 24. This was the male Greek god of warfare. _________________________ 25. This was Achilles’ son who joined the war after he died. _________________________ 26. This was Odysseus’ home island. a. Ithaca c. Aulis e. Pylos b. Rome d. Sparta 27. This was Menelaus’ home. a. Ithaca c. Aulis e. Pylos b. Rome d. Sparta 28. The island where the Greeks assembled for war. a. Ithaca c. Aulis e. Pylos b. Rome d. Sparta 29. The island of Nestor. a. Ithaca c. Aulis e. Pylos b. Rome d. Sparta 30. This is the colony founded by Aeneas. a. Ithaca c. Aulis e. Pylos b. Rome d. Sparta 31. Which of the following is not a Spartan? a. Tyndareus c. Clytemnestra e. Helen b. Agamemnon d. Penelope 32. What was the name of Achilles father? c. Tyndareus c. Calchas e. Ajax d. Nestor d. Peleus 33. Which of the following is a wise leader, similar to Odysseus? e. Tyndareus c. Calchas e. Ajax f. Nestor d. Peleus 34. Which of the following is the largest Greek warrior? g. Tyndareus c. Calchas e. Ajax h. Nestor d. Peleus 35. Which of the following forced all of the Greek kings to sign a contract? i. Tyndareus c. Calchas e. Ajax j. Nestor d. Peleus 36. Who was the son of Achilles? a. Telemachus b. Neoptolemus e. Menelaus b. Hector d. Astyanax 37. Who wsa the son of Hector? c. Telemachus b. Neoptolemus e. Menelaus d. Hector d. Astyanax 38. Who was the son of Priam? e. Telemachus b. Neoptolemus e. Menelaus f. Hector d. Astyanax 39. Who was the son of Odysseus? g. Telemachus b. Neoptolemus e. Menelaus h. Hector d. Astyanax 40. Which of the following had no son? i. Telemachus b. Neoptolemus e. Menelaus j. Hector d. Astyanax 41. How was Achilles made nearly invulnerable? 42. Who was Aeneas’ mother? a. Helen b. Hecuba b. Clytemnestra e. Aphrodite 43. Who was Iphigenia’s mother? c. Helen b. Hecuba d. Clytemnestra e. Aphrodite 44. Who was Hector’s mother? e. Helen b. Hecuba f. Clytemnestra e. Aphrodite 45. Who was Hermione’s mother? g. Helen b. Hecuba h. Clytemnestra e. Aphrodite 46. Who was Aeneas’ mother? i. Helen b. Helen e. Hecuba j. Clytemnestra e. Aphrodite 47. Which of the following people could not see the future? a. Cassandra c. Diomedes e. Helenus b. Calchas d. Lacoon 48. Which character could see the future, but would never be belived? c. Cassandra c. Diomedes e. Helenus d. Calchas d. Lacoon 49. Which character abandoned Troy and helped the Greeks? e. Cassandra c. Diomedes e. Helenus f. Calchas d. Lacoon 50. Which character kept giving Agamemnon bad prophesies? g. Cassandra c. Diomedes e. Helenus h. Calchas d. Lacoon 51. Which goddess offered to make Paris the greatest of heroes? a. Athena b. Aphrodite e. Hera b. Oenone e. Thetis 52. Which goddess offered to make Paris the King of Asia? c. Athena b. Aphrodite e. Hera d. Oenone e. Thetis 53. Which goddess offered to make give Paris the most beautiful woman? e. Athena b. Aphrodite e. Hera f. Oenone e. Thetis 54. Which goddess would give birth to a son much greater than his father? g. Athena b. Aphrodite e. Hera h. Oenone e. Thetis 55. Who was the nymph abandoned by Paris in favor of Helen? i. Athena b. Aphrodite e. Hera j. Oenone e. Thetis 56. Who came up with the idea for the Greeks to sign an oath not to harm Helen or her family? a. Calchas c. Agamemnon b. Odysseus d. Achilles 57. What does the word ‘Kallista’ mean in Greek? a. For the Fairest c. In the middle b. Machine of the God d. Pride 58. What does the word ‘Hubris’ mean in Greek? c. For the Fairest c. In the middle d. Machine of the God d. Pride 59. What does the word ‘In Media Res’ mean in Greek? e. For the Fairest c. In the middle f. Machine of the God d. Pride 60. What does the word ‘Deus ex Machina’ mean in Greek? g. For the Fairest c. In the middle h. Machine of the God d. Pride 61. How does Palamedes reveal that Odysseus is not really insane? a. Makes him think he’s being attacked. b. Throws a knife at him. b. Throws his son in front of an ox cart. d. Tries to get him to drink poison. 62. How does Achilles try to avoid the war? c. Goes to live with his mother b. Dresses up as a woman d. Tries to defect to Troy d. Pretends to be crippled 63. Which of the following Trojans survives the war? e. Antenor b. Deiphobus f. Hector d. Priam 64. Who told Agamemnon that his daughter had to be sacrificed to a goddess? A. Tiresias c. Nestor B. Odysseus d. Calchas 65. Which goddess had Agamemnon offended? a. Aphrodite c. Athena b. Artemis d. Hera 66. What message did he send to his wife? a. Iphigenia is getting married c. I miss my daughter b. Iphigenia is needed for a ritual d. Send my son, Orestes 67. What is the name of Agamemnon’s wife? a. Clytemnaestra c. Helen b. Leda d. Penelope 68. What is the name of the island where the Greek armies are assembling? a. Tenedos c. Rhodes b. Cyprus d. Aulis 69. What was in the second message he sent to his wife? a. Send Iphigenia immediately c. Do not come to the island. b. Come to the island yourself d. Bring Orestes to the island 70. Why didn’t the second message get to his wife? a. It was too late c. The messenger’s ship was wrecked. b. His brother got the message d. The messenger was lost 71. Who did the mother think was marrying Iphigenia? a. Achilles c. Diomedes b. Patroclus d. Odysseus 72. What is the name of the author of the play? a. Aeschylus c. Solon b. Euripides d. Sophocles 73. What decision does Achilles make after hearing of the plan to sacrifice Iphigenia? 74. Who did the author consider the ‘bad guy’ of the play? (Iphigenia) 75. What decision does Iphigenia make at the end of the story? 76. What did Agamemnon refuse to give to Chryses? a. Gold c. Jewels b. His daughter d. A statue 77. Chryses is a priest of which god? a. Apollo c. Athena b. Artemis d. Hera 78. How does this god punish the Greeks? 79. What is the name of the seer who explains what the problem is? a. Nestor c. Oraculas b. Tirius d. Calchas 80. What are the names of Achilles’ warriors? a. Danaans c. Sacred Band b. Hittites d. Myrmidons 81. Who stops Achilles from killing Agamemnon? a. Apollo c. Athena b. Artemis d. Hera 82. What happens when Agamemnon tells the soldiers that they are going home? 83. Who tells Zeus that he should prevent the Greeks from winning? a. Athena c. Thetis b. Hera d. Hephaestus 84. Who rallies the soldiers when they start to lose control? a. Diomedes c. Menelaus b. Odysseus d. Agamemnon 85. What does Agamemnon take from Achilles? 86. Which of the following IS NOT a compliment about Odysseus? a. He’s a great strategist c. He’s handsome b. He’s well spoken d. He’s a best friend 87. How did Agamemnon die? a. In battle c. Murdered by wife b. Shipwrecked d. Old age 88. Which of the following characters is an old man? a. Nestor c. Orestes b. Pisistratus d. Telemachus 89. Who wrote the Iliad & The Odyssey? 90. Who did Odysseus take with him to recover Philocetes? a. Diomedes c. Neoptolemus b. Agamemnon d. Achilles 91. When Paris challenges the Greeks to a duel, who accepts his challenge? a. Achilles c. Menelaus b. Agamemnon d. Odysseus 92. What does Paris do after the challenge is accepted? a. Puts his armor on c. Shoots at him with his bow b. Hides d. Asks for a different challenger 93. Who is the king of the Trojans? a. Hector c. Paris b.
Recommended publications
  • AGAMEMNON PROLOGUE: Lines 1-39
    AGAMEMNON PROLOGUE: Lines 1-39 GUARD: Watching from a WatchTower in Argos for the beacon of light announcing the fall of Troy! Laments of how long he has waited and watched with “elbow-bent, doglike,” without sleep. At prologues end, the beacon of light has brightened the sky. Guard has much joy, and hope that this will turn the house around. Imagery: Light/ Dark Lines 16-18: We know there is something amiss with how the house is being “administered.” The mix of anticipation and foreboding sets mood of the play. Something’s Coming. PARADOS: Prelude Lines 40- 103 What Character is the Chorus Playing? Lines 72-76 PRELUDE Continued WHAT’S GOING ON? - Trojan War has just ended after 10 years, but how did it began? MENELAUS- KING OF SPARTA AGAMEMNON- KING OF ARGOS/ BROTHER OF MENELAUS Vs. PARIS (ALEXANDER)- PRINCE OF TROY HELEN- Once Wife of Menelaus now Wife of Paris (Clytemnestra's Sister) “Promiscuous Girl, Stop Teasing Me” NESTRA: WAIT, SO MY HUSBAND LEFT TO FIGHT A WAR TO FORCE MY \ SISTER TO STAY MARRIED TO HIS BROTHER? CHORUS: YES, CLYTEMNESTRA. NESTRA: ALRIGHT, COOL. SO, I’M JUST GONNA TRY TO TAKE CARE OF THIS KINGDOM OF ARGOS THEN, I GUESS. CHORUS: BUT, WHY ARE YOU BURNING ALL THESE SACRIFICES FOR THE GODS AND ORDERING ALL THESE CELEBRATIONS? NESTRA: WELL… CHORUS: IMMA LET YOU FINISH BUT, I GOTTA TELL YOU ABOUT THIS OTHER MESS REAL QUICK.. PARADOS: Three-Part ODE Part One: STROPHE (East To West, or From Stage Right) ANTISTROPHE (West to East, or From Stage Left) EPODE (From Center, could be by one member of chorus or multiple) CALCHAS: I’m a Soothsayer and those two eagles eating that pregnant rabbit means VICTORY for the two brothers! ARTEMIS: Yes, but those eagles killed a pregnant rabbit.
    [Show full text]
  • Trojan Women: Introduction
    Trojan Women: Introduction 1. Gods in the Trojan Women Two gods take the stage in the prologue to Trojan Women. Are these gods real or abstract? In the prologue, with its monologue by Poseidon followed by a dialogue between the master of the sea and Athena, we see them as real, as actors (perhaps statelier than us, and accoutered with their traditional props, a trident for the sea god, a helmet for Zeus’ daughter). They are otherwise quite ordinary people with their loves and hates and with their infernal flexibility whether moral or emotional. They keep their emotional side removed from humans, distance which will soon become physical. Poseidon cannot stay in Troy, because the citizens don’t worship him any longer. He may feel sadness or regret, but not mourning for the people who once worshiped but now are dead or soon to be dispersed. He is not present for the destruction of the towers that signal his final absence and the diaspora of his Phrygians. He takes pride in the building of the walls, perfected by the use of mason’s rules. After the divine departures, the play proceeds to the inanition of his and Apollo’s labor, with one more use for the towers before they are wiped from the face of the earth. Nothing will be left. It is true, as Hecuba claims, her last vestige of pride, the name of Troy remains, but the place wandered about throughout antiquity and into the modern age. At the end of his monologue Poseidon can still say farewell to the towers.
    [Show full text]
  • 1 IPHIGENIA in TAURIS by Euripides Adapted, Edited, and Rendered Into
    IPHIGENIA IN TAURIS by Euripides Adapted, edited, and rendered into modern English for the express purpose of dramatic performance by Louis Markos, Professor in English and Honors Scholar-in-Residence/Robert H. Ray Chair in Humanities Houston Baptist University (Houston, TX) Dramatis Personae IPHIGENIA, daughter of Agamemnon ORESTES, brother of Iphigenia PYLADES, friend of Orestes THOAS, King of the Taurians HERDSMAN MESSENGER ATHENA CHORUS of captive Greek women who serve Iphigenia SCENE Before the temple of Artemis in Tauris. (Iphigenia, dressed as a priestess, enters and stands before the altar.) IPHIGENIA From Asia Pelops came to the shores of Greece; His son was Atreus and from him came Two greater sons, skilled in the arts of war. The eldest, Agamemnon, rules Mycenae While Menelaus holds the throne of Sparta. For Helen’s sake they raised a mighty fleet And set their sails for Troy. But Artemis, Beloved sister of the god Apollo, Sent vexing winds to wrestle with their sails And strand them on the rocky shore of Aulis. Eager to conquer Troy and so avenge His brother’s bed, my father, Agamemnon, Ordered Calchas, prophet of the host, To seek the will of Zeus and to proclaim The cause of their misfortune–and the cure. “O King,” he spoke, “You must fulfill the vow You made to Artemis: to offer up The dearest treasure that the year would bring. 1 The daughter born to you and Clytemnestra— She is the treasure you must sacrifice.” I was and am that daughter—oh the pain, That I should give my life to still the winds! The treacherous Odysseus devised The plot that brought me, innocent, to Aulis.
    [Show full text]
  • COMMENTARY Calchas on the Basis of an Omen Declares That Troy Must
    COMMENTARY 1-20 Calchas on the basis of an omen declares that Troy must be taken by trickery. It is easy to assert 1 that Q. has combined the traditional detail2 of Odysseus' device ofthe Horse with Sinon's claim in Virg. A. 2. 185f. that Calchas 'ordered' the Greeks to build it. Even if the detail is Virg. 's own 3, in Q. Calchas' intervention is grounded in reality, is based on a wholly dif­ ferent set of circumstances, is strategically necessary (an effective method of crushing the stiff opposition put up by the god-fearing Neoptolemos, a motif certainly not of Q. 's own devising: 66-103n. ), and must be viewed against the background of a tradition in which oracles, prophecies and portents abound4 , and in which Calchas came to assume an increasingly dominant role 5 • Q. 's Calchas indeed (for his teaming up with Odysseus cf. the n. on 360-88, § 4 (a) (ii)) is a leading light in decision making both before and after the fall of Troy6 • His Trojan counterpart Helenos, so popular elsewhere, is virtually driven out of the action: he is a fighter viii. 252f., xi. 348f.; a seer, though not explicitly so, only in the chaotic prophecy of Hera at x. 346f. Calchas is on the scene at this point in the saga in Dictys 5. 7: he predicts that Troy will fall into Greek hands on the basis of an omen involving an eagle carrying a victim's entrails. The doubly inept Triph. 172f. is worth a passing glance: the 'aged' Calchas is in the Horse, and in his capacity as a seer he is well aware ( EU Elow~) that the Greeks were at long last going to take Troy.-Triph.
    [Show full text]
  • Iphigenia in Aulis by Euripides Translated by Nicholas Rudall Directed by Charles Newell
    STUDY GUIDE Photo of Mark L. Montgomery, Stephanie Andrea Barron, and Sandra Marquez by joe mazza/brave lux, inc Sponsored by Iphigenia in Aulis by Euripides Translated by Nicholas Rudall Directed by Charles Newell SETTING The action takes place in east-central Greece at the port of Aulis, on the Euripus Strait. The time is approximately 1200 BCE. CHARACTERS Agamemnon father of Iphigenia, husband of Clytemnestra and King of Mycenae Menelaus brother of Agamemnon Clytemnestra mother of Iphigenia, wife of Agamemnon Iphigenia daughter of Agamemnon and Clytemnestra Achilles son of Peleus Chorus women of Chalcis who came to Aulis to see the Greek army Old Man servant of Agamemnon, was given as part of Clytemnestra’s dowry Messenger ABOUT THE PLAY Iphigenia in Aulis is the last existing work of the playwright Euripides. Written between 408 and 406 BCE, the year of Euripides’ death, the play was first produced the following year in a trilogy with The Bacchaeand Alcmaeon in Corinth by his son, Euripides the Younger, and won the first place at the Athenian City Dionysia festival. Agamemnon Costume rendering by Jacqueline Firkins. 2 SYNOPSIS At the start of the play, Agamemnon reveals to the Old Man that his army and warships are stranded in Aulis due to a lack of sailing winds. The winds have died because Agamemnon is being punished by the goddess Artemis, whom he offended. The only way to remedy this situation is for Agamemnon to sacrifice his daughter, Iphigenia, to the goddess Artemis. Agamemnon then admits that he has sent for Iphigenia to be brought to Aulis but he has changed his mind.
    [Show full text]
  • Read Ebook {PDF EPUB} Shipmates by Rick Jackson Shipmates
    Read Ebook {PDF EPUB} Shipmates by Rick Jackson Shipmates. Sign up for our newsletter for a chance to win $50 in free books! Collecting the Civil Rights Movement. The Civil Rights Movement of the 1960s and '70s was an explosive time in American history, and it inspired explosive literature. From Malcolm X to Martin Luther King, Jr., browse some of the most collectible books from and about that era. What did people buy in 2020? Plague journals, escapist literature, political history: explore our year in review, where we share rare book trends and a gallery of some of the most beautiful and interesting books sold in 2020. Shipmates by Rick Jackson. Robbers? he wondered. Bandits? Pirates? Polyphemus ran to get Hercules. Together they searched the area. Hercules was so distraught about his missing sidekick that he forgot all about his mission, the Argo and his crewmates, who were waiting. Back at the beach, Jason started to get worried. The sun was going down and the landing team still wasn’t back. He sent out a search party, but all they found were pottery shards by a stream. There were no signs of Hercules, Polyphemus or Hylas. The next day, the Argonauts searched again for their comrades. They had no luck. The ship’s prow had no advice to offer. Finally, as the sun was setting, Jason announced that the Argo would have to leave in the morning. ‘We have to assume that Hercules and the others are lost. We must keep sailing.’ The crew didn’t like that. You don’t just sail away from Hercules.
    [Show full text]
  • ON TRANSLATING the POETRY of CATULLUS by Susan Mclean
    A publication of the American Philological Association Vol. 1 • Issue 2 • fall 2002 From the Editors REMEMBERING RHESUS by Margaret A. Brucia and Anne-Marie Lewis by C. W. Marshall uripides wrote a play called Rhesus, position in the world of myth. Hector, elcome to the second issue of Eand a play called Rhesus is found leader of the Trojan forces, sees the WAmphora. We were most gratified among the extant works of Euripi- opportunity for a night attack on the des. Nevertheless, scholars since antiq- Greek camp but is convinced first to by the response to the first issue, and we uity have doubted whether these two conduct reconnaissance (through the thank all those readers who wrote to share plays are the same, suggesting instead person of Dolon) and then to await rein- with us their enthusiasm for this new out- that the Rhesus we have is not Euripi- forcements (in the person of Rhesus). reach initiative and to tell us how much dean. This question of dubious author- Odysseus and Diomedes, aided by the they enjoyed the articles and reviews. ship has eclipsed many other potential goddess Athena, frustrate both of these Amphora is very much a communal project areas of interest concerning this play enterprises so that by morning, when and, as a result, it is too often sidelined the attack is to begin, the Trojans are and, as we move forward into our second in discussions of classical tragedy, when assured defeat. issue, we would like to thank those who it is discussed at all. George Kovacs For me, the most exciting part of the have been so helpful to us: Adam Blistein, wanted to see how the play would work performance happened out of sight of Executive Director of the American Philo- on stage and so offered to direct it to the audience.
    [Show full text]
  • A New Perspective on Revenge and Justice in Homer Judith Stanton Bridgewater State College
    Bridgewater Review Volume 2 | Issue 2 Article 13 Mar-1984 Research Note: A New Perspective on Revenge and Justice in Homer Judith Stanton Bridgewater State College Recommended Citation Stanton, Judith (1984). Research Note: A New Perspective on Revenge and Justice in Homer. Bridgewater Review, 2(2), 26-27. Available at: http://vc.bridgew.edu/br_rev/vol2/iss2/13 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Cultural Commentary Continued table for more moves, brings it out a third RESEARCH NOTE time for a last look and then manipulates it for the last time under the table, finally achieving cubical perfection. A New Perspective on Revenge Is this game playing spirit, native to all of us, at the heart of mathematics? Is and Justice in Homer Judith Stanton mathematics a sort of game, albeit with Assistant Professor of English serious applications? I think that it is. I am reminded of Jacob Bronowski who Most of us are aware that our idea of considers this question in his beautiful work, justice comes largely from Ancient Greece. so optimistic for mankind, The Ascent of But we might be surprised at how old Greek Man. At one point Bronowski is explaining justice really is. Classical Athens (490·323 symmetry in nature and art. He takes us to B.C.), to which we owe much of our the Alhambra, where in the baths of the understanding of justice, was itself heir to a harem we see motifs of "wind-swept" system of revenge justice that was older still triangles in perfect hexagonal collaboration -- perhaps as old as Hie Mycenaean period filling the walls.
    [Show full text]
  • 1 Divine Intervention and Disguise in Homer's Iliad Senior Thesis
    Divine Intervention and Disguise in Homer’s Iliad Senior Thesis Presented to The Faculty of the Undergraduate School of Arts and Sciences Brandeis University Undergraduate Program in Classical Studies Professor Joel Christensen, Advisor In partial fulfillment of the requirements for the degree of Bachelor of Arts By Joana Jankulla May 2018 Copyright by Joana Jankulla 1 Copyright by Joana Jankulla © 2018 2 Acknowledgements First and foremost, I would like to thank my advisor, Professor Joel Christensen. Thank you, Professor Christensen for guiding me through this process, expressing confidence in me, and being available whenever I had any questions or concerns. I would not have been able to complete this work without you. Secondly, I would like to thank Professor Ann Olga Koloski-Ostrow and Professor Cheryl Walker for reading my thesis and providing me with feedback. The Classics Department at Brandeis University has been an instrumental part of my growth in my four years as an undergraduate, and I am eternally thankful to all the professors and staff members in the department. Thank you to my friends, specifically Erica Theroux, Sarah Jousset, Anna Craven, Rachel Goldstein, Taylor McKinnon and Georgie Contreras for providing me with a lot of emotional support this year. I hope you all know how grateful I am for you as friends and how much I have appreciated your love this year. Thank you to my mom for FaceTiming me every time I was stressed about completing my thesis and encouraging me every step of the way. Finally, thank you to Ian Leeds for dropping everything and coming to me each time I needed it.
    [Show full text]
  • Brothers Fighting Together in the Iliad
    BROTHERS FIGHTING TOGETHER IN THE ILIAD I We find in the Iliad numerous pairs of brothers (or half­ brothers on the father's side, or first cousins on the father's side) fighting together on foot or in the combination of chario­ teer-paraibates 1). And this is not confined to the men who are said to have taken part in the Trojan war, but it embraces the "mythical world of the past" 2), that of the demigods 3), the rivers 4) and even the gods 5). Moreover, if we turn to the leaders of the various groups of Greeks and Trojans, as given in book 11, we find that a 1). Such for example are: Ajax Telarnonius and Teucer (the Atav'ts, cf. p. 291), Mynes and Epistrophus (II 692f.), Phegeus and Idaeus (V 10f.), Echemon and Chromios (V 159 f.), Krethon and Orsilochus (V 542 f,), Aesepus and Pedasus (VI 21 f.), Hector and Alexander (VI 514 f., cf. VII 1 f.), Ascalaphus and lalmenus (IX 82f., cf. II 512), Peisandrus and Hip­ polochus (XI 122 f.), Hippodamus and Hypeirochus (XI 328 f.), Charops and Socus (XI 426 f.), the Molione (XI 750, 709 f.; XXIII 638 f.), Polybus, Agenor and Akarnas (XI 59 f.), Helenos and Deiphobus (XII 94 f,), Archelochus and Akamas (XIV 463 f.), Hector and Cebriones (XII 86 f.), Deiphobus and Polites (XIII 533 f.), Podarces and Iphiclus (XIII 693 f,), Deiphohus and Helenos (XIII 780 f.), Ascanius and Morys (XIII 792 f.), Atymnius and Maris (XVI 317 f.), Antilochus and Thrasymedes (XVI 322; XVII 377 f.; XVII 705), Euphorbus and Polydamas (XVII 1 f.), Chromius and Aretus (XVII 492 f.), Aretus and Hector (XVII 516), Polydorus and Hector (XX 407 f,), Laogonus and Dardanus (XX 460 f.), or Deiphobus and Hector (XXII 226 f.).
    [Show full text]
  • The Piercing of Glaucus Iliad 16.508-16.547 Jason Steranko
    the piercing of glaucus Iliad 16.508-16.547 Jason Steranko, ‘17 terrible grief seized glaucus when he heard the dying voice, his heart was struck he could not save Sarpedon. he grasped his own throbbing arm and pressed hard, his wound wearying, the wound that teucer had dealt when from the high wall he let his arrow fly, defending his comrades from the lycian attacker. glaucus prayed to far-shooting apollo: ‘hear me, lord, wherever you may be, back in rich lycia, or here at troy: you are a god who hears from all directions the cries of grieving men: grief has come to me. a grievous wound overwhelms my arm, too deep to dry. it weighs down my shoulder and deadens my hand, too weak to take up my spear, too weak to avenge Sarpedon. he, our best man, the son of zeus, lies dead on the ground, abandoned by his father. lord apollo, heal this mighty wound of mine, lull my pains and grant me might that i may fight and marshal the scattered lycians and that i may guard whatoncewas Sarpedon.’ he spoke his prayer and apollo listened. he soothed the throbbing arm and dried black the dark and deep wound with his gleaming hand. the aching heart of glaucus surged with strength. the mortal knew it was the touch of the god, the quick touch of apollo, who heard his prayer. glaucus arose and inspired the leaders of lycia, gathered from across the battlefield, to surround their prostrate king, fallen Sarpedon. with purpose he marched to the trojan troop, to polydamas, son of panthous, and shining agenor.
    [Show full text]
  • Homer – the Iliad
    HOMER – THE ILIAD Homer is the author of both The Iliad and The Odyssey. He lived in Ionia – which is now modern day Turkey – between the years of 900-700 BC. Both of the above epics provided the framework for Greek education and thought. Homer was a blind bard, one who is a professional story teller, an oral historian. Epos or epic means story. An epic is a particular type of story; it involves one with a hero in the midst of a battle. The subject of the poem is the Trojan War which happened approximately in 1200 BC. This was 400 years before the poem was told by Homer. This story would have been read aloud by Homer and other bards that came after him. It was passed down generation to generation by memory. One can only imagine how valuable memory was during that time period – there were no hard drives or memory sticks. On a tangential note, one could see how this poem influenced a culture; to be educated was to memorize a particular set of poems or stories which could be cross-referenced with other people’s memory of those particular stories. The information would be public and not private. The Iliad is one of the greatest stories ever told – a war between two peoples; the Greeks from the West and the Trojans from the East. The purpose of this story is to praise Achilles. The two worlds are brought into focus; the world of the divine order and the human order. The hero of the story is to bring greater order and harmony between these two orders.
    [Show full text]