Lucian Freud Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Lucian Freud Ebook LUCIAN FREUD PDF, EPUB, EBOOK William Feaver | 488 pages | 09 Feb 2018 | Rizzoli International Publications | 9780847829521 | English | New York, United States Lucian Freud PDF Book At this point in his career, Freud made a transition from sable to hog-hair brushes which allowed both greater control and an ability to apply broad strokes in the heavily impastoed style one sees here. Settling in Paris in , Freud painted many portraits, including Hotel Bedroom , which features a woman lying in a bed with white sheets pulled up to her shoulders. Typical of Freud's early period, Girl with a White Dog was created using a sable brush, which he used to apply the paint with linear precision, almost like a drawing. He is, in other words — like most interesting things in life — a living contradiction. Sign up here to see what happened On This Day , every day in your inbox! Email address. Main menu Close. See the full list. Freud only rarely painted celebrities, but he did make portraits of the queen and of Kate Moss. He moved to England with his parents in , and acquired British nationality in Here are the 10 Best Books of , along with Notable Books of the year. The Whitworth. Please refer to the appropriate style manual or other sources if you have any questions. This makes a lot of sense; the man was gorgeous. Here are some books you can read in a day , if you want a sense of accomplishment. He had a mighty work ethic, and he turned out paintings until nearly the end. One is never prepared for the edgy, restless mobility that continually implies something more and different until the artist's last picture has been painted. Greig became a friend and confidant in Freud's late years. You are using an outdated browser. British Council Collection. Visit Collection Exhibitions Activities Education. At the same time, he is sweet. Lucian Freud Writer He also taught contemporary art theory and criticism at Northwestern University, He had, it would seem, an incredible memory: He was in his early twenties when he painted Dead Heron. Although Freud has become increasingly solitary in recent months, he is not and never has been the recluse he is often mistaken for. Freud was not a family man. Gareth Harris. Biography of Lucian Freud is heavy on incident, light on insight. Neither commemorative nor symbolic, more magnificence brought low, it reminded Freud of the stuffed gull that had served as his albatross when he was the Young Mariner with the Dartington Eurythmic Players. Read artistic legacy. A grandson of Sigmund Freud, Lucian was born in Berlin in Freud did not do much hugging, but his progeny could tap him for money. At the same time, he is sweet. The latest picture on his easel is as full as any of the peculiar personal momentum that one has known from the beginning, but in every other respect so different that I find myself understanding afresh and differently a condition of private liveliness that was already apparent when I became aware of him more than forty years ago. In recent years, he has also been taking beautiful photographs of Freud both at work, and occasionally away from his easel. As I write Freud has just passed his fifty ninth birthday; this concluding and conclusive evidence is a long way off. Latest news. The books and articles below constitute a bibliography of the sources used in the writing of this page. Here, however, the body of the artist is a black hole, threatening to suck the light out of the rest of the picture. Follow us. Freud's rather few remarks about art in general set store by the defiantly inexplicable spell that the image arts achieve at their peak. Or try any of these new books that our editors recommend. Object lessons: from a Qianlong-era Chinese vase to a painting by the master of Nigerian Modernism. Lucian Freud Standing by the Rags —9. Impasto came into its own in the 17th…. Seen in his context they show more of His Interior at Paddington exhibits many of his lifelong concerns—the human figure rendered in a realist manner and imbued with a stark and evocative psychological intensity. Lucian Freud Reviews His pronounced, expressive strokes recall Egon Schiele and Edvard Munch , and the tilted perspective and anthropomorphic depictions of chairs, shoes, and other inanimate objects bring to mind Vincent van Gogh. The nun who runs the stable found an orphaned fox cub that she has hand- reared. At this point in his career, Freud made a transition from sable to hog-hair brushes which allowed both greater control and an ability to apply broad strokes in the heavily impastoed style one sees here. From that point on, he chose to stand while painting. Summary of Lucian Freud Lucian Freud, renowned for his unflinching observations of anatomy and psychology, made even the beautiful people including Kate Moss look ugly. His working hours are interspersed with meals, social visits, solitary breaks. One would not wish that it should. His father Ernst was an architect, his mother Lucie Brasch studied art history, and his grandfather was the paradigm-shifting psychoanalyst Sigmund Freud. He was able to see certain things better because he remained aloof. Part of his response, perversely, has been to set himself evermore difficult tasks in the belief that if it is to be his last piece it should be his most ambitious. The way that Lucian Freud's world presents itself to him and to us has been inseparable from a chill of incongruity that preserves its particularity, its otherness, as if a coldness in the figurative substance made the visual contact electric and compelling. History at your fingertips. Girl with a White Dog Typical of Freud's early period, Girl with a White Dog was created using a sable brush, which he used to apply the paint with linear precision, almost like a drawing. He lived like a puddle-stomping toddler. As far as I am concerned the paint is the person. Press Review: Studio paintings and photographs by Jonathan Vernon. Sir William Coldstream — Related Movements. Figurative art describes any form of modern art that retains strong references to the real world and particularly to the …. In recent years, he has also been taking beautiful photographs of Freud both at work, and occasionally away from his easel. Richard Hamilton — Meredith Frampton — Tuesday, March 17, , —pm Kenwood House, London www. Artwork Images. There is no evidence for most of the circumstances, least of all the highly coloured ones, that have been described. A weariness in the sitter's expression, the deep hollows under her eyes and the self-supporting gesture of the hand under the left breast hint at her discontent, despite this moment of calm. Follow us. Here are the 10 Best Books of , along with Notable Books of the year. Sometimes called a realist, he painted in a highly individual style, which in his later years was characterized by impasto. It's a matter of responsibility. He lived in the imperative tense and barely slowed down. For some, no doubt, it can also be a touch harrowing: Freud is a man who is both acutely sensitive towards others and quite ruthless about controlling his working life. Not having a look of the sitter, being them. When the model Jerry Hall missed a few sittings, Freud painted her out of a portrait. Her left hand rests on her cheek, and her gaze is fixed on a faraway place. Lucian Freud's self-portraits sure to pack a punch in London show. Previous Slide Next Slide. As he has grown older, there has been a gradual falling off in the number of people he sees and the frequency with which he goes out socially. Spotted a problem? Of course he was. Here, however, the body of the artist is a black hole, threatening to suck the light out of the rest of the picture. Witness, too, the relationship between the vertical figure and the horizontal line of rags in the background, which forms a cross. The man is Freud himself, and the woman is Lady Caroline Hamilton Temple Blackwood, the Guinness ale heiress with whom he eloped in after the divorce from his first wife. This is the last portrait he completed while sitting down. It will be the first major exhibition devoted to Surrealism in over 20 years. Latest news. Lucian Freud is also an year-old. Let us know if you have suggestions to improve this article requires login. Main menu additional Become a Member Shop. Lucian Freud Read Online I'm more of a realist. Among the works in Self Portraits are paintings of other subjects, with the artist present in shadow or a glimmer of reflection inside the frame, like Van Eyck in the convex mirror. Although Freud has become increasingly solitary in recent months, he is not and never has been the recluse he is often mistaken for. Trained in the existentialist intellectual environment of interwar Europe, he used his painting as an instrument for reflecting on the alienation of contemporary man. He is gentle and considerate to a remarkable degree, but also wild, unpredictable and greedy — greedy for what matters most to him. The bedraggled heron is a legless device lopped from an Uccello helmet, cruciform on damp sand, graced with enamel shine. In the paint itself, through its receptive granulation and equally through its miraculous lack of anything like the approximating mellowness that one had thought endemic to malerisch figuration, one feels the quality of sharpened perception and pointed response that makes one think of the lowered muzzle of some hunting creature, and think with involuntary admiration, unless it is apprehension.
Recommended publications
  • Sacred Psychoanalysis” – an Interpretation Of
    “SACRED PSYCHOANALYSIS” – AN INTERPRETATION OF THE EMERGENCE AND ENGAGEMENT OF RELIGION AND SPIRITUALITY IN CONTEMPORARY PSYCHOANALYSIS by JAMES ALISTAIR ROSS A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY School of Philosophy, Theology and Religion College of Arts and Law The University of Birmingham July 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT From the 1970s the emergence of religion and spirituality in psychoanalysis is a unique development, given its traditional pathologizing stance. This research examines how and why ‘sacred psychoanalysis’ came about and whether this represents a new analytic movement with definable features or a diffuse phenomena within psychoanalysis that parallels developments elsewhere. After identifying the research context, a discussion of definitions and qualitative reflexive methodology follows. An account of religious and spiritual engagement in psychoanalysis in the UK and the USA provides a narrative of key people and texts, with a focus on the theoretical foundations established by Winnicott and Bion. This leads to a detailed examination of the literary narratives of religious and spiritual engagement understood from: Christian; Natural; Maternal; Jewish; Buddhist; Hindu; Muslim; Mystical; and Intersubjective perspectives, synthesized into an interpretative framework of sacred psychoanalysis.
    [Show full text]
  • Self-Portrait) My Work Is Purely Autobiographical
    ART AND IMAGES IN PSYCHIATRY SECTION EDITOR: JAMES C. HARRIS, MD Lucian Freud’s Reflection (Self-Portrait) My work is purely autobiographical. It is about myself and my surroundings. It is an attempt at a record. I work with people that interest me, and that I care about and think about, in rooms that I live in and know. Lucian Freud1(p7) UCIAN FREUD (1922-2011), byKennethClark.5 Thedistinctionbetween phasized thickly applied white and deep grandson of Sigmund Freud, naked and nude is central to Clark’s dis- red colors. is considered to be the leading cussion. Clark writes that “to be naked is Because Freud stood when he painted, realist painter of the last cen- to be deprived of our clothes, and the word his figures often appear foreshortened. He Ltury. His father Ernst Freud, an architect, implies some of the embarrassment most preferred not to use professional models was the 4th of Sigmund Freud’s 6 children of us feel in that condition,”5(p23) but that as his subjects. Instead, his models were and was the youngest son. Lucian grew up the nude is balanced and confident. “[I]n peoplefromallwalksoflifewhomheknew, in Berlin, Germany, far from the influ- the greatest age of painting, the nude in- including his adult daughters, who found ence of the birthplace of psychoanalysis spired the greatest works.”5(p23) For Clark, thatposingforhimwasoneoftheonlyways in Vienna, Austria. Grandfather Sigmund the nude as a conceptual and artistic cat- to spend time with him and to get to know visited Lucian’s family in Berlin regularly egoryalwaysinvolvedthenotionofanideal him as a father.
    [Show full text]
  • Fragmentation and Narcissism in Lucian Freud and Jenny Saville
    Fragmentation and narcissism in Lucian Freud and Jenny Saville: A Lacanian interpretation By Alecia D. van Rooyen 213165348 Submitted in partial fulfillment of the requirements for the degree MAGISTER TECHNOLOGIAE: FINE ARTS in the Department of Fine and Applied Arts FACULTY OF THE ARTS Tshwane University of Technology Supervisor: Dr. A. Scheffer Co-supervisor: Prof R. Kruger Practical Supervisor: Mr. J. van der Merwe 2018 DECLARATION BY CANDIDATE I hereby declare that the dissertation submitted for the degree M Tech: Fine Arts, in the Faculty of the Arts, Tshwane University of Technology, is my own original work and has not been previously submitted to any other institution of higher education. I declare that all the sources cited or quoted are indicated and acknowledged by means of a comprehensive list of references. Alecia D. van Rooyen i DEDICATION This study is dedicated to my parents and to my fiancé for their unconditional love and support in completing this work. ii ACKNOWLEDGEMENTS I would like to sincerely thank all of the following people without whom I could not complete this thesis: The Tshwane University of Technology and the NRF for financial support during the completion of this study. My Supervisor and co-supervisor, Dr. Anne Scheffer and Prof Runette Kruger for their outstanding guidance, support, time, patience and kindness. My practical supervisor Dr. Jan van der Merwe, for his support, inspiration and kind heart. Tanya Pretorius for the meticulous editing which brought everything together. A warm thank you to my exceptional mother and father for wiping away the tears and for the much-needed hugs and love to complete this study.
    [Show full text]
  • Futuristic Aerie with a Park View
    C M Y K Nxxx,2012-05-11,C,023,Bs-4C,E1 N C23 FRIDAY, MAY 11, 2012 Futuristic Aerie With a Park View RICHARD PERRY/THE NEW YORK TIMES By CAROL VOGEL For the past 15 summers the Met’s “Tomás Saraceno on the Roof: about a dozen installers assembling his most spinning around from the perspec- roof garden has been the setting for tra- creation, which he described as “an in- N Tomás Saraceno’s imagination his Cloud City” opens Tuesday at the tive inside this giant futuristic construc- ditional sculptures by artists like Ells- ternational space station.” As pieces be- constellation of 16 joined modules Metropolitan Museum of Art. tion. worth Kelly, Jeff Koons and, last year, gan to be set in place, Mr. Saraceno under construction on the roof of Like many of Mr. Saraceno’s installa- Anthony Caro. It has also been a place sneaked a visitor inside and up a twisty tions “Cloud City” is his vision of float- I the Metropolitan Museum of Art to walk up a winding bamboo pathway gonal habitat of reflective stainless steel staircase about 20 feet above the roof ing or flying cities — places that defy will take off in a heavy puff of wind and that soared some 50 feet in an untradi- and acrylic. garden. Some of the floors were trans- float over Central Park. “The whole conventional notions of space, time and tional installation that invited visitor Called “Cloud City,” it is the largest of parent, and the walls were mirrored gravity. “You can have a feeling of thing will go into orbit,” Mr.
    [Show full text]
  • IMMA Collection: Freud Project 2016 - 2021 Introduction
    IMMA FREUD CENTRE IMMA Collection: Freud Project 2016 - 2021 Introduction Since 2016 IMMA has presented the IMMA Collection: Freud Project, a five year loan to the Collection of 52 works by Lucian Freud (1922-2011), one of the greatest realist painters of the 20th century. 2021 is the final year of the Freud Project at IMMA and as we emerge from the global effect of Covid-19 we are delighted to bring to our audiences as our concluding programme or ‘finissage’, a combination of digital and physical elements, the exhibition The Artist’s Mother: Lucie and Daryll – a response by Chantal Joffe; The Maternal Gaze, a series of short videos by 22 artists and creatives in response to the theme of the Artist’s Mother and Soul Outsider, a new contemporary music commission composed by Deirdre Gribbin and performed by Crash Ensemble, in a recording that accompanies Freud’s portraits in the Freud Centre. www.imma.ie/whats-on/imma-collection-freud-project-the-artists-mother Front cover Lucian Freud, The Painter’s Mother Resting I, 1976, Oil on canvas, 90.2 x 90.2 cm, Collection Irish Museum of Modern Art, On Loan, Private Collection © The Lucian Freud Archive / Bridgeman Images 2 Chantal Joffe My Mother with Fern, 2017, Oil on canvas, 40.8 x 31.3 cm © The artist 3 The Artist’s Mother: Lucie and Daryll - a response by Chantal Joffe Room One We invited artist Chantal Joffe to begin a dialogue with Lucian Freud’s portraits of his mother as part of our ongoing programme in the context of the Freud Project.
    [Show full text]
  • Lucian Freud Pdf, Epub, Ebook
    LUCIAN FREUD PDF, EPUB, EBOOK William Feaver | 488 pages | 06 Nov 2007 | Rizzoli International Publications | 9780847829521 | English | New York, United States Lucian Freud PDF Book Amsterdam and New York: Rodopi, pp. They are generally sombre and thickly impastoed, often set in unsettling interiors and urban landscapes. Hotel Bedroom Settling in Paris in , Freud painted many portraits, including Hotel Bedroom , which features a woman lying in a bed with white sheets pulled up to her shoulders. Freud moved to Britain in with his parents after Hitler came to power in Germany. Lucian Freud, renowned for his unflinching observations of anatomy and psychology, made even the beautiful people including Kate Moss look ugly. Michael Andrews — Freud belonged to the School of London , a group of artists dedicated to figurative painting. Retrieved 9 February The Daily Telegraph. Retrieved 29 January Freud was one of a number of figurative artists who were later characterised by artist R. The works are noted for their psychological penetration and often discomforting examination of the relationship between artist and model. Wikipedia article. His series of paintings and drawings of his mother, begun in and continuing until the day after her death in , are particularly frank and dramatic studies of intimate life passages. Freud worked from life studies, and was known for asking for extended and punishing sittings from his models. The work's generic title, giving no hint of the specifics of the sitter or the setting, reflects the consistent, clinical detachment with which Freud approached all subjects, no matter what their relationship to him. Ria, Naked Portrait , a nude completed in , required sixteen months of work, with the model, Ria Kirby, posing all but four evenings during that time.
    [Show full text]
  • LUCIAN FREUD Early Works, 1940-1958 9 October – 12 December 2008
    Hazlitt Holland-Hibbert 38 Bury Street St James’s London SW1Y 6BB T +44 (0)20 7839 7600 W www.hh-h.com E [email protected] LUCIAN FREUD Early works, 1940-1958 9 October – 12 December 2008 A major loan exhibition of early works by Lucian Freud (born 1922) will be held at Hazlitt Holland-Hibbert, 38 Bury Street, St James’s, London SW1 from 9 October – 12 December 2008. The earliest paintings, from 1940, were completed when the artist was only 17. Many of the paintings in the exhibition are from private collections and not normally available to be seen by the public. Woman with a Tulip, 1945 Oil on plywood With the support of the artist, the exhibition will be curated by 9 x 5 inches; 22.8 x 12.7 cm the artist’s assistant and model for the past fifteen years, the painter David Dawson, with help from Catherine Lampert, who most recently selected the Freud retrospective which opened in Dublin in June 2007. This will be the first exhibition devoted entirely to the artist’s early work since 1997 with all works on loan from private or public collections worldwide, and several being shown publicly for the first time. Highlights include oil portraits such as Woman with Tulip (1945), Portrait of a Man (John Craxton) 1946, Girl in a Blanket (1953), A Woman Painter (1954) and the self portrait Man at Night (1947) as well as the still lifes Cacti and Stuffed Bird (1943), Dead Heron (1945), Lemon Sprig (1946) and Still Life with Aloe (1949).
    [Show full text]
  • Notes for Teachers by Miquette Roberts 2 1
    Lucian Freud 20 June – 22 September 2002 Sponsored by UBS Warburg Notes for Teachers by Miquette Roberts Lucian Freud The artist’s reputation Introduction Aged eighty this year, Lucian Freud, painter of portraits, nudes and some still lifes, continues to pursue a demanding schedule of work. It is now more than a decade since he was first acclaimed by the critic and historian Robert Hughes as ‘the greatest living realist painter’ and similar accolades have proliferated ever since. For example the press release for this exhibition tells us that he has ‘redefined portraiture’. Students should bear these claims in mind as they view the exhibition and try to decide for themselves why Freud’s work should be so highly valued. For their assessment to be meaningful, they need to consider the social and historical background to his painting, described in these pages, as well as comparing it with work by other artists on view at Tate Britain, Tate Modern and the National Portrait Gallery. This booklet is intended mainly for teachers of secondary students although primary teachers could adapt some of its themes. It includes two interviews, one with Sue Tilley who has modelled for the artist and the other with Mary Horlock, one of the curators of the exhibition. 1 This exhibition focuses on portraits and nudes. Think about these two genres. • What do you expect of a portrait? Why do you think it is such a popular genre? There is a long tradition in art of male artists painting beautiful naked women. You can find examples in the National Gallery, by Titian for instance.
    [Show full text]
  • Download Article (PDF)
    International Conference on Industrial Technology and Management Science (ITMS 2015) A Dissertation on the Personalization Features of Freud's Painting Language Shaojie Zhang & Jing xi Zhengzhou Huaxin University, Xinzheng, Zhengzhou ABSTRACT: Lucian Freud is one of the representative artists in the field of contemporary realism painting field. Freud's painting language and image expression of its own style that has a great influence on the contemporary realism painting. His works reach a perfect unification in the texture and structure, space, volume, color painting factors. the picture shows a unique aesthetic value to people. The works have a highly personalized style. Freud's paintings have profound meaning to the spread of the traditional realistic painting, it also has progressive significance to the development of modern art. KEYWORD: Realism painting; Expression; Personalized 1 INTRODUCTION perception of the world that keep a special perception ability. This perception ability will be With the development of western modern painting, brought into the picture, become his own bright all kinds of painting are colorful. Freud is insist symbol. committed to the research of realistic painting. He Freud into st union painting school in 1939, discribe the state of modern people, formed a unique trained bythe principal morris. This time his painting "freudian" spirit of the painting language. This theme is broad that influence of surrealism. The article attempts to express the spirit of the emotionas painting is delicate and detail, then it began to have in contemporary realism painting language and the some sensitive. unique personalized features through the From the 40 s to 80 s, he settled in London, introduction of Freud's resume, the development of whether as an artist or ordinary people, Freud are artistic style, and its personalized style supposed to be hard to get along with.
    [Show full text]
  • Download This Free
    She and I 103 Natania Rosenfeld ESSAY PRESS NEXT SERIES Authors in the Next series have received finalist recognition for book-length manuscripts that we think deserve swift publication. We offer excerpts from those manuscripts here. Series Editors Maria Anderson SHE AND I Julia Cohen Andy Fitch Ellen Fogelman Aimee Harrison Courtney Mandryk Victoria A. Sanz NATANIA ROSENFELD Travis A. Sharp Ryan Spooner Alexandra Stanislaw Series Assistants Cristiana Baik Ryan Ikeda Christopher Liek Emily Pifer Randall Tyrone Book Design Aimee Harrison #103 CONTENTS Life and Death / 3 Art Appreciation: A Florentine Week / 13 Privacy and Hunger: Looking at Lucian Freud / 19 Opera, or Longing / 29 Nefertiti and the Hammam, or The Company of Women / 33 She and I / 41 Acknowledgments / 49 Author Bio / 52 For Lynette Lombard, my vital she LIFE AND DEATH LATE SPRING LITERATURE, I observe to my mother, tends not to take the old seriously, except as tragic figures. As protagonists, they are virtually absent from the novel, perhaps because “novel” means new and the are—old. Muriel Spark’s Memento Mori treats its group of old and dying friends and family as absurd, sinful creatures, with the exception of one retainer, living out her last days in a nursing home, who sees with clear eyes what a sorry business it all is. Recently, I read Stanley Elkin’s Mrs. Ted Bliss, which takes that figure of fun, the Jewish grandma living out her final years in Florida, and humanizes her. I was moved, but the novel was sometimes hard going. As, I suppose, old age is.
    [Show full text]
  • Modern Self-Portraits: the Self in the Age of Artistic Autonomy
    Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship 2020 Modern Self-Portraits: The Self in the Age of Artistic Autonomy Katie Vohr [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Vohr, Katie, "Modern Self-Portraits: The Self in the Age of Artistic Autonomy". Senior Theses, Trinity College, Hartford, CT 2020. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/857 Modern Self-Portraits: The Self in the Age of Artistic Autonomy Katie Vohr Senior Thesis Trinity College, Hartford May 12, 2020 Acknowledgements I would like to express my deepest gratitude to Professor Michael FitzGerald for guiding me through this project and serving as an advisor and mentor to me throughout my time at Trinity. I feel privileged to have had the opportunity work under someone so knowledgeable and dedicated to his field and role as a teacher. Thank you to the faculty members of the Art History Department, each of whom has guided me over the course of my studies. Thank you to Professor Erick Vogt for his ongoing support throughout this project, and thank you to my friends and family who have encouraged me along the way. Maria Lassnig painting in her studio in Vienna, 1983. https://magazine.artland.com/lost-and-found-maria-lassnig/ 2 Table of Contents Introduction -4 Chapter 1- The Self: Who Am I? -7 Chapter 2- The Self and the Body -36 Chapter 3- The Self and Society: Identity -69 Conclusion - 110 Bibliography -113 3 Introduction Who am I? Artists have turned towards self-portraiture to explore this question for centuries.
    [Show full text]
  • LUCIAN FREUD PORTRAITS Teachers' Notes
    LUCIAN FREUD PORTRAITS 9 FEBRUARY– 27 MAY 2012 Teachers’ Notes Lucian Freud Portraits is the first major exhibition to focus on the portraiture of Lucian Freud (1922-2011), one of the twentieth century’s most important artists, a modern master of figuration. The exhibition features 130 works, some of which have not been exhibited before, drawn from his career spanning over seventy years. These questions and activities suggest approaches into the exhibition for teachers of KS3+ Art and Design, aimed at generating pre-, during and post-visit discussion, assignments and practical activities for students. The exhibition is arranged into ten sections. The free exhibition label booklet contains information on each section and on about 70 selected works. These Teachers’ Notes follow this broadly chronological approach under themed headings, with recommendations for planning your visit at the end of this document. All quotations are from Lucian Freud. ************* IN THE GALLERY: Atmosphere, Detail and Intensity 'I've always wanted to create drama in my pictures, which is why I paint people. It's people who have brought drama to pictures from the beginning. The simplest human gestures tell stories.' • After observing the whole exhibition, discuss how you think Freud achieved such drama in his work. What were his key approaches to achieve this? • Notice Freud’s early work with his attention to detail and effect of his stylised and intense approach to his subjects. Select three works - what was he trying to say about his sitters? • For his early portraits, Freud used a fine sable brush and remained seated to focus extremely closely on his sitters.
    [Show full text]