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Sacred Psychoanalysis” – an Interpretation Of
“SACRED PSYCHOANALYSIS” – AN INTERPRETATION OF THE EMERGENCE AND ENGAGEMENT OF RELIGION AND SPIRITUALITY IN CONTEMPORARY PSYCHOANALYSIS by JAMES ALISTAIR ROSS A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY School of Philosophy, Theology and Religion College of Arts and Law The University of Birmingham July 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT From the 1970s the emergence of religion and spirituality in psychoanalysis is a unique development, given its traditional pathologizing stance. This research examines how and why ‘sacred psychoanalysis’ came about and whether this represents a new analytic movement with definable features or a diffuse phenomena within psychoanalysis that parallels developments elsewhere. After identifying the research context, a discussion of definitions and qualitative reflexive methodology follows. An account of religious and spiritual engagement in psychoanalysis in the UK and the USA provides a narrative of key people and texts, with a focus on the theoretical foundations established by Winnicott and Bion. This leads to a detailed examination of the literary narratives of religious and spiritual engagement understood from: Christian; Natural; Maternal; Jewish; Buddhist; Hindu; Muslim; Mystical; and Intersubjective perspectives, synthesized into an interpretative framework of sacred psychoanalysis. -
Ruth Mack Brunswick Papers [Finding Aid]. Library of Congress. [PDF
Ruth Mack Brunswick Papers A Finding Aid to the Papers in the Sigmund Freud Collection in the Library of Congress Prepared by Margaret McAleer Manuscript Division, Library of Congress Washington, D.C. 2001 Contact information: http://lcweb.loc.gov/rr/mss/address.html Finding aid encoded by Library of Congress Manuscript Division, 2009 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms009276 Collection Summary Title: Ruth Mack Brunswick Papers Span Dates: 1921-1943 Bulk Dates: (bulk 1926-1938) ID No.: MSS62037 Creator: Brunswick, Ruth Mack, 1897-1946 Extent: 200 items; 2 containers; .6 linear feet Language: Collection material in English and German Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Psychoanalyst. Correspondence, patient files, writings, a student training certificate, a concert program, and a newspaper clipping documenting Brunswick’s contributions to psychoanalytic theory including her treatment of Sergius Pankejeff, a former patient of Sigmund Freud referred to as the “Wolf Man” in Freud’s case study, and her work on the pre-Oedipal phase of libido development. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. Personal Names Brunswick, Ruth Mack. Freud family--Correspondence. Freud, Anna, 1895-1982--Correspondence. Freud, Martha, 1861-1951--Correspondence. Hendrick, Ives, 1898-1972--Correspondence. Pankejeff, Sergius, 1887-1979--Correspondence. Pankejeff, Sergius, 1887-1979. Pankejeff, Sergius, 1887-1979. Sergius Pankejeff papers. Subjects Dreams. Oedipus complex. Psychoanalysis. Administrative Information Provenance: The papers of Ruth Mack Brunswick, psychoanalyst, were given to the Library of Congress by the Sigmund Freud Archives between 1960 and 1987. -
Patient and Painter: the Careers of Sergius Pankejeff
3DWLHQWDQG3DLQWHU7KH&DUHHUVRI6HUJLXV3DQNHMHII /LOLDQH:HLVVEHUJ American Imago, Volume 69, Number 2, Summer 2012, pp. 163-183 (Article) 3XEOLVKHGE\-RKQV+RSNLQV8QLYHUVLW\3UHVV DOI: 10.1353/aim.2012.0013 For additional information about this article http://muse.jhu.edu/journals/aim/summary/v069/69.2.weissberg.html Access provided by University Of Pennsylvania (9 Apr 2016 17:04 GMT) Liliane Weissberg 163 LiLiaNe Weissberg Patient and Painter: The Careers of Sergius Pankejeff Who was the “Wolf Man”? The person behind this pseud- onym may seem familiar to many; after all, “Wolf Man” is the name offered by sigmund Freud to a patient whose case he discussed in his study of 1918, “From the History of an infantile Neurosis” (“Aus der Geschichte einer infantilen Neurose” ). This text is, in turn, one of Freud’s most famous case studies as it offers a new outline of Freud’s thoughts on human development and psychoanalytic theory. indeed, not only Freud, but also his patient, was well aware of the significance of this work. The Wolf Man was therefore willing to disclose his “real” identity, to confess to being sergius Pankejeff, not only a former patient of the famous Viennese doctor, but one who had contributed to the development of the psychoanalytic discipline. in contrast to bertha Pappenheim (Freud’s and Joseph breuer’s patient “anna O.”) or ida bauer (Freud’s patient “Dora”), Pankejeff did not seek to hide behind the pseudonym. He did not seek to retreat from public view, but wrote his memoirs instead.1 although Pankejeff had worked for many years after the second World War as an employee in an insurance agency, he saw his profession as that of an academic painter.2 He had, though, never attended an art academy. -
Jacob's Ambivalent Legacy
Joel Whitebook 139 JOEL WHITEBOOK Jacob’s Ambivalent Legacy This paper elucidates Freud’s ambivalent and complex relation to Judaism, tracing it to the “break with tradition” that ran through the center of his father’s life. Jacob Freud was a conflicted and tran- sitional figure, with one foot planted in the parochial world of Jewish traditionalism and the other in the cosmopolitan world of European modernity. And he wanted his son to partake of these two legacies in equal degree. But Sigmund found the conflict untenable and chose in favor of science, atheism, and the Enlightenment. The point to be appreci- ated, however, is that he did not see his choice of the Aufklärung as a simple rejection of the Jewish tradition. Rather, by construing Moses as an Aufklärer, he was able he was able to define his project as an inner transformation of the Jewish tradition so that he could thereby to be “a godless Jew,” thereby confirming both his atheism and his cultural heritage. 1 What are we to make of Freud’s provocative idea of a “godless Jew”? Is it simply a contradiction in terms that he uses to patch over an irresolvable and fundamental rift in his character and outlook? This is the position of those champions of Enlightenment universalism who want to inoculate Freud’s science against any taint of ethnic particularity. They argue that the godlessness ought to be retained and the Judaism discarded. This is also the position of certain Jewish thinkers when they want to claim Freud as a prodigal son who ultimately returned to the tribal fold.1 In this case, the idea is to drop the godlessness—or at least radically attenuate it—while holding onto the Judaism. -
Sigmund Freud’S Impact on How We Think, and How We Think About How We Think, Has Been Enormous
WHY FREUD? Sigmund Freud’s impact on how we think, and how we think about how we think, has been enormous. The twentieth century has been called the Freudian century, and whatever the twenty-first century chooses to believe about the workings of the human mind, it will be, on some level, indebted to Freud (of course, this may be a debt that involves reacting against his ideas as much as it involves subscribing to them). Freud’s theory, psychoanalysis, suggested new ways of under- standing, amongst other things, love, hate, childhood, family relations, civilisation, religion, sexuality, fantasy and the conflicting emotions that make up our daily lives.Today we all live in the shadow of Freud’s innovative and controversial concepts. In their scope and subsequent impact Freud’s writings embody a core of ideas that amount to more than the beliefs of a single thinker. Rather they function like myths for our culture; taken together, they present a way of looking at the world that has been powerfully transformative. The poet W.H.Auden prob- ably put it best when he wrote of Freud:‘if often he was wrong and, at times, absurd,/to us he is no more a person/now but a whole climate of opinion/under which we conduct our different lives’ (‘In Memory of Sigmund Freud’,Auden 1976: 275). But what is this strange ‘climate of opinion’, psychoanalysis? How did a turn-of-the-century Viennese doctor, who may now seem to us often wrong and sometimes absurd, become so central to our vision of 2 WHY FREUD? ourselves as thinking, feeling beings in the twentieth century? And if psychoanalysis really is ‘often wrong and sometimes absurd’, why read it at all? While providing a compact introduction to Freud’s life, impor- tant concepts and key texts, this study also aims to offer some answers to these wider questions. -
Self-Portrait) My Work Is Purely Autobiographical
ART AND IMAGES IN PSYCHIATRY SECTION EDITOR: JAMES C. HARRIS, MD Lucian Freud’s Reflection (Self-Portrait) My work is purely autobiographical. It is about myself and my surroundings. It is an attempt at a record. I work with people that interest me, and that I care about and think about, in rooms that I live in and know. Lucian Freud1(p7) UCIAN FREUD (1922-2011), byKennethClark.5 Thedistinctionbetween phasized thickly applied white and deep grandson of Sigmund Freud, naked and nude is central to Clark’s dis- red colors. is considered to be the leading cussion. Clark writes that “to be naked is Because Freud stood when he painted, realist painter of the last cen- to be deprived of our clothes, and the word his figures often appear foreshortened. He Ltury. His father Ernst Freud, an architect, implies some of the embarrassment most preferred not to use professional models was the 4th of Sigmund Freud’s 6 children of us feel in that condition,”5(p23) but that as his subjects. Instead, his models were and was the youngest son. Lucian grew up the nude is balanced and confident. “[I]n peoplefromallwalksoflifewhomheknew, in Berlin, Germany, far from the influ- the greatest age of painting, the nude in- including his adult daughters, who found ence of the birthplace of psychoanalysis spired the greatest works.”5(p23) For Clark, thatposingforhimwasoneoftheonlyways in Vienna, Austria. Grandfather Sigmund the nude as a conceptual and artistic cat- to spend time with him and to get to know visited Lucian’s family in Berlin regularly egoryalwaysinvolvedthenotionofanideal him as a father. -
Fragmentation and Narcissism in Lucian Freud and Jenny Saville
Fragmentation and narcissism in Lucian Freud and Jenny Saville: A Lacanian interpretation By Alecia D. van Rooyen 213165348 Submitted in partial fulfillment of the requirements for the degree MAGISTER TECHNOLOGIAE: FINE ARTS in the Department of Fine and Applied Arts FACULTY OF THE ARTS Tshwane University of Technology Supervisor: Dr. A. Scheffer Co-supervisor: Prof R. Kruger Practical Supervisor: Mr. J. van der Merwe 2018 DECLARATION BY CANDIDATE I hereby declare that the dissertation submitted for the degree M Tech: Fine Arts, in the Faculty of the Arts, Tshwane University of Technology, is my own original work and has not been previously submitted to any other institution of higher education. I declare that all the sources cited or quoted are indicated and acknowledged by means of a comprehensive list of references. Alecia D. van Rooyen i DEDICATION This study is dedicated to my parents and to my fiancé for their unconditional love and support in completing this work. ii ACKNOWLEDGEMENTS I would like to sincerely thank all of the following people without whom I could not complete this thesis: The Tshwane University of Technology and the NRF for financial support during the completion of this study. My Supervisor and co-supervisor, Dr. Anne Scheffer and Prof Runette Kruger for their outstanding guidance, support, time, patience and kindness. My practical supervisor Dr. Jan van der Merwe, for his support, inspiration and kind heart. Tanya Pretorius for the meticulous editing which brought everything together. A warm thank you to my exceptional mother and father for wiping away the tears and for the much-needed hugs and love to complete this study. -
Драбкина И.В. Esther Freud the Sea House New.Pdf
ГБОУ ВПО САМАРСКИЙ ГОСУДАРСТВЕННЫЙ УНИВЕРСИТЕ'1’ Esther Freud “The Sea House” Учебное пособие вопросы и задания к практическим занятиям и задания для самостоятельной работы для студентов старших курсов бакалавриата направления 032700 «Филология» (профиля подготовки - «Зарубежная филология») Самара, 2014 МИМИСТ1-РСТВО ОБРАЗОВАНИЯ И НАУКИ РОС'СИИСКОИ <1>БДЕРЛЦИМ Фсдералыкк' 1чх:уларствсн1юс обрадотгтсяьнос учреждение высшего 11р<лфессиоиальиого обртования «С:ЛМЛРСКИЙ !'0('УДЛРСГВ1:ННЫЙ УНИВГРСИ’ПГГ.. Esther Freud “The Sea House” Учебное пособие вопросы и задания к практическим занятиям и задания для самостоятельной работы по углубленному курсу ОИЯ для студен тов старших курсов направления 032700 «Филология» (профиля подготовки «Зарубежная филология») Ивлатсльство “Сама|'>ский университет" 2014 иеччтасчпся по ртш'ппю Реоакциопио-т^атеаьском cownnt С аиарскоро госуОарствошоРо университета Вопросы и чадапия к практическим чанятиям и чадапия самостоятельной работы к книге ичвесмюй современной британской нисателышцы 'Зсгер Фрейд ‘The Sea House” (2003) включают перечень вопросов, рассмафивасмых иа практических чанячиях, и комплекс упражнений для самостоятельной работы спрановедческого, кулы урологического и аналитического хараюера, а гакже чадания. нредначначенныс для самоконтроля студентов и акгивичации навыков перевода. За.дания. представлент1ые в рачработке, поощряют работу студентов с инфор.манией в глобальных компьютерных сетях, юговиость понять и восгфииячь национальные 1ра;чиции, зтнокулыуру, социальные структуры и анчроиосферу иностранного -
Introduction
Cambridge University Press 978-1-107-07239-8 — Cold War Freud Dagmar Herzog Excerpt More Information 1 INTRODUCTION Cold War Freud addresses the uneasy encounters of Freudian theories about desire, anxiety , aggression , guilt , trauma , and pleasure – and the very nature of the human self and its motivations – with the calamitous events of World War II and beyond. While psychoanalysis is often taken to be ahistorical in its view of human nature, the oppo- site is the case. The impact of epochal historical transformations on psychoanalytic premises and practices is particularly evident in the postwar decades. This was precisely when psychoanalysis gained the greatest traction, across the West, within medicine and mainstream belief alike. For in the course of the second half of the twentieth cen- tury, psychoanalytic thinking came consequentially to inl ect virtually all other thought- systems – from the major religious traditions to the social science disciplines and from conventional advice literature to radical political protest movements. Psychoanalysis, in all its unruly complexity, became an integral part of twentieth- century social and intellectual history. The heyday of intellectual and popular preoccupation with psychoanalysis reached from the 1940s to the 1980s – from postwar conservative consolidation to delayed- reaction engagement with the legacies of Nazism and the Holocaust , from the anti- Vietnam War movement and the concomitant inversion of generational and moral alignments to the confrontation with new Cold War dictatorships , and from the sexual revolution and the rise of women’s and gay rights to an intensii ed interest in learning from formerly colonized peoples in © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-07239-8 — Cold War Freud Dagmar Herzog Excerpt More Information 2 2 / Cold War Freud an – only unevenly – postcolonial world. -
Jones Robert W
‘Lain Beside Gold’ Narrative, Metaphor, and Energy in Freud and Conan Doyle Robert W. Jones PhD Candidate Aberystwyth University Contents Chapter 1 Introduction and Methodology ............................................................................. 3 1.1 Overview .......................................................................................................................... 3 1.2 Secondary Material: Literature Review ........................................................................... 8 1.2.1 Critiques of Freud’s Narrativity ................................................................................ 8 1.2.2 Other Critiques ........................................................................................................ 11 1.2.3 Royle and the Uncanny Text ................................................................................... 14 1.2.4 Holland and the Practical Text ................................................................................ 17 1.3 Approaches ..................................................................................................................... 20 1.3.1 Metaphor .................................................................................................................. 23 1.3.2 The Text World ....................................................................................................... 30 1.3.3 Text as Performative Space ..................................................................................... 36 Chapter 2 Freud, Narrative, and the -
Sigmund Freud Papers
Sigmund Freud Papers A Finding Aid to the Papers in the Sigmund Freud Collection in the Library of Congress Digitization made possible by The Polonsky Foundation Manuscript Division, Library of Congress Washington, D.C. 2015 Revised 2016 December Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms004017 LC Online Catalog record: http://lccn.loc.gov/mm80039990 Prepared by Allan Teichroew and Fred Bauman with the assistance of Patrick Holyfield and Brian McGuire Revised and expanded by Margaret McAleer, Tracey Barton, Thomas Bigley, Kimberly Owens, and Tammi Taylor Collection Summary Title: Sigmund Freud Papers Span Dates: circa 6th century B.C.E.-1998 Bulk Dates: (bulk 1871-1939) ID No.: MSS39990 Creator: Freud, Sigmund, 1856-1939 Extent: 48,600 items ; 141 containers plus 20 oversize and 3 artifacts ; 70.4 linear feet ; 23 microfilm reels Language: Collection material in German, with English and French Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Founder of psychoanalysis. Correspondence, holograph and typewritten drafts of writings by Freud and others, family papers, patient case files, legal documents, estate records, receipts, military and school records, certificates, notebooks, a pocket watch, a Greek statue, an oil portrait painting, genealogical data, interviews, research files, exhibit material, bibliographies, lists, photographs and drawings, newspaper and magazine clippings, and other printed matter. The collection documents many facets of Freud's life and writings; his associations with family, friends, mentors, colleagues, students, and patients; and the evolution of psychoanalytic theory and technique. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. -
Staircase, Berggasse 19, Vienna 2017
Staircase, Berggasse 19, Vienna 2017 344 The Dream— an Imaging Process Monika Pessler As Sigmund Freud observes in The Interpretation of Dreams, «dreams think 345 essentially in images,» and while noises and sounds can at times make their ways into our imaginations, our dream-lives generally favor the visual.1 According to Freud, visual hallucinations replace the expression of thoughts in the form of language because dreams are characterized by «only those elements of their content which behave like images.»2 Another characteristic the psychoanalyst attributes to dreams, and one which is equally inherent to the arts, is an ability to «construct,» to represent an event that is «actually happening,» or to «dramatize an idea.»3 As such, Freud’s characterizations equally apply to artistic modes of rep- resentation: in particular conceptual art, which above all serves to visualize an idea. Greater significance is generally attached to the concept than to its rep- resentation—similar to psychoanalysis, which regards latent thoughts in the unconscious important components which manifest themselves dream images. Just consider Freud’s dictum that subjectively perceived «psychical reality» is more important than «material reality,» in other words, that psychically com- municated realities generally appear more factual than those regarded by the environment as given.4 Freud’s rejection of the «seduction theory» strengthened his awareness that mental ideas, fantasies, outstrip the factual, and are responsible for producing psychosomatic symptoms,5 and thus the formation of the dream itself is like- wise driven by «wish[es] from the unconscious.»6 In an effort to support its associative potential, art is conditioned on con- scious action.